ANTENNA POSTER, 2005

Client : Antenna music video showcase, National Film Theatre, London

Poster design and illustration from music video ‘Din 10’, MOTORProduced magazine publication, A1 and A3 posters

CLEMENS HABICHT clemens@clemenshabicht.com

TRIOSK ‘MOMENT RETURNS’ ALBUM ARTWORK, 2004

Client : Leaf Music, London

Digipack CD artwork, LP artwork, photography

(cover, CD, inside detail)CLEMENS HABICHT clemens@clemenshabicht.com

PROP ‘SMALL CRAFT ROUGH SEA’ ALBUM ARTWORK, 2001

Client : Silent Recordings, Sydney

CD artwork, fold out poster.

Exhibited ‘Sound Scene’, Album Cover Design Competition, 2002, Sydney Opera House

(cover, CD, poster detail)CLEMENS HABICHT clemens@clemenshabicht.com

TRACKNFIELD FILM, CORPORATE IDENTITY, 2005

Client : TRACKNFIELD Film, Berlin

Logo, portraits of directors and corporate identity applied to single A5 card with multi function.

(A5 card, CD cover, business card)CLEMENS HABICHT clemens@clemenshabicht.com

THE AUSTRALIAN MUSEUM SHOP CATALOGUE, 2002

Client : The Australian Museum Shop, Sydney

Mail order catalogue, 20 pages, 28 x 32.5 cm

(cover)CLEMENS HABICHT clemens@clemenshabicht.com

1. The 27 bones of the human hand make for great flexibili-ty. The hand has 14 phalanges

2. Although most of the skull looks like one big bone, it ismade of 22 separate bones joined tightly together. 8bones protect the brain and are called the ‘cranial vault’.Another 14 bones make up the skeleton of the face. Anaverage adult human body contains 206 bones.Surprisingly a newborn baby has about 350! As a baby grows, some bones join together to make larg-er ones.

3. There are 12 pairs of ribs which shield the organs belowthem. Ribs are strong enough to protect the lungs, heart,liver etc. but light enough to move in and out as webreathe.

4. The horse has long, slender legs with slim bones whichtaper towards the foot. Each foot has only one long toecovered with a hard hoof made from the protein ‘ker-atin’. This structure keeps the legs as light as possible,making it easier for the horse to gallop fast.

See the ghost rider in the Skeletons Gallery.

2.

why do we need skeletons?

Skeletons are useful for support, movement, protection,blood cell production and calcium storage. There aretwo types of skeletons. Exoskeletons are outside thebody. Mostly, animals without backbones haveexoskeletons. Examples are insects, snails and crus-taceans. Endoskeletons are inside the body. Humansand many of the other creatures on display haveendoskeletons.

Skeletons AUSTRALIAN MUSEUM 5

SKELETON GALLERY

3.

5.

8.

a.

10.

7.

2

4

3

1

The endoskeleton has two main parts. The axial skeletonis the central column, made up of the skull, vertebrae(backbone), ribs and sternum (breastbone). The appendic-ular skeleton is made up of the bones of the arms and thelegs as well as the scapula (shoulder blade), clavicle (col-lar bone) and pelvis. In general, long bones in the limbsare like supporting beams and moveable levers. Wide flatbones in the shoulders and hips anchor large groups ofmuscles.

A. vervet monkey

Chlorocebus aethiops

B. common brushtail possum

Trichosurus vulpecula

C. greater gliders

Petauroides volans

d. brush-tailed rock wallaby

Petrogale penicillata

e. eastern grey kangaroo

Macropus giganteus

f. pacific ground boa

Candoia bibroni

g. darters

Anhinga melanogaster

h. emu

Dromaius novaehollandiae

c.

d.

f.

g. h.

b.

e.

The sperm whale is found in allthe world's deep oceans, fromthe equator to the edges of thepolar pack ice.

Sperm whales are not built forspeed and usually travel at lessthan 7km per hour. They arethought to dive regularly todepths of 500m and have evenbeen found as far as 3kmbelow the surface and can stayunder water for up to 90 min-utes at a time.

SPERM WHALEPhyseter catodon

Sperm whales are the largesttoothed whales. An adult malecan grow up to 18 metres andweigh up to 57 tonnes. Asperm whale can live up to 70years old and more.

Above: Sperm Whale skeleton,‘Physeter macrocephalus’, plate 55,1869 Transactions of the ZoologicalSociety of London. From left: Lumbarvertebra, Cervical (neck) vertebra,skull and lower jaw of a sperm whale..Sperm whale illustrated in ‘HistoireNaturelle des Cétaces’ 1804‘Physeter macrocephalus’, plate 55.Flower, W.H. 1869

Sperm Whale AUSTRALIAN MUSEUM 3

The sperm whale has the heaviestbrain of any living animal.

The head of a sperm whaleoccupies a quarter to one thirdof its body length. The whale’shead is full of an oily, waxysubstance called spermacetioil. A 30 tonne whale may haveup to 2.5 tonnes of oil in itshead. The exact function of theoil is not known, however itmay be used to adjust thewhale's buoyancy, helping it to

dive and then return to the sur-face. It is has also been sug-gested that the spermaceti oilmay act as a giant acousticlens that helps to focus clicks.These clicks are used in com-munication and could also beused in echo-location.

Many male sperm whales havescars on their heads, possiblyfrom battles with giant squid,an important prey item. A malesperm whale may eat morethan a tonne of squid a day.

THE AUSTRALIAN MUSEUM GUIDE, 2004

Client : The Australian Museum Shop

Magazine style information guide to The Australian Museum’s collections and scientists, 48 pages, 26 x 19 cm

(cover, gate fold spread, spread)CLEMENS HABICHT clemens@clemenshabicht.com

CLEMENS HABICHT Born Sydney 1978 Joachimstr. 10, 10119 Berlin +49 (0)176 294 16681 clemens@clemenshabicht.com

EDUCATION

2000 Graduate first class honours BACHELOR OF DESIGN, Visual Communication, University of Technology, Sydney

Languages spoken English, German, French

GRAPHIC DESIGN

2005 Corporate identity TRACKNFIELD, Film production, Berlin

Poster design ANTENNA, Music video showcase, National Film Theatre, London

2004 Art director THE AUSTRALIAN MUSEUM, 'The Australian Museum Guide Book', Sydney

Album artwork TRIOSK, ëMoment Returns ’ - Leaf Music, London

Exhibition catalogue MEL O'CALLAGHAN, 'The Fall', Cité Internationale des Arts, Paris

Berlin tour promotion artwork IDEOBLAST MEDIA, promotions, ‘Lord of the Mic, This is Grime’- WMF, Berlin

Berlin tour promotion artwork IDEOBLAST MEDIA, promotions, ‘What U Call It? We Call It Grime’- WMF, Berlin

2003 Print designer IMEDIA COMMUNICATION, Graphic design agency, Berlin,

Graphic designer PLOTKI MAGAZINE, Berlin,Warsaw, Prague - Rejs e. V, Berlin and Pasaz Antropologiczny, Warsaw

Exhibition catalogue MEL O'CALLAGHAN, 'In The Halflight', Gallery 4A, Sydney

Corporate identity and press campaign FLETCHER AND FRIENDS, Educational program, Berlin

2002 Art director THE AUSTRALIAN MUSEUM, 'The Australian Museums' Catalogue', Sydney

Production assistant IDSLAND, Graphic design agency, Paris

2001 Album and web artwork PROP, ‘Small Craft Rough Sea’ - Silent Recordings, Sydney

Guest lecturer UNIVERSITY OF TECHNOLOGY, SYDNEY, Visual Communications, Faculty of Design, Architecture and Building

2000-2001 In-house designer, Exhibitions Project Officer THE AUSTRALIAN MUSEUM, Sydney

2000-2001 Corporate identity, album artwork KESSEL, ‘Market Entry’ - MGM Distribution Australia

1999-2001 Tutor in typography and digital media UNIVERSITY OF TECHNOLOGY, SYDNEY, Visual Communications, Faculty of Design, Architecture and Building

1998-2001 Corporate identity A.P.C.S. PTY LTD, Engineering, Sydney

2000 Poster design PUBLISHED ART, Design and Art Bookstore, Sydney

2000 Corporate identity BROADCAM FILM EQUIPMENT SERVICES, Sydney

ILLUSTRATION

2005 Illustrated portraits of directors TRACKnFIELD, Film production, Berlin

Illustrated portraits of directors LA BASE FILMS, Film production, Paris

2004 Cover illustration PLOTKI MAGAZINE, Berlin, Warsaw, Prague - Rejs e. V, Berlin and Pasaz Antropologiczny, Warsaw

Sydney tour poster and web art TRIOSK and JAN JELENIK, ‘Triosk meets Jan Jelenik’ - ~ Scape Records, Berlin

2003 Childrens book illustrations ZOOM EDITIONS, Luxemburg, 'Gentil-ment', represented by Michel Lagarde, Illustrissimo, Paris

MUSIC VIDEO AND FILM

2005 Director SIA, 'Numb' - Island Records, London

Co-director SOL SEPPY, 'Wonderland', New York

Art director HOLLY THROSBY ‘We're Good People But Why Don't We Show It?’ - Spunk Records, Sydney

Art director MEL O'CALLAGHAN, 'Somewhere', 17.40 min - Galerie Schleicher + Lange, Paris

2004 SHITKATAPULT, ‘Strike 50’, DVD Set - Track and Field, Film production, Berlin:

Director and Illustrator MOTOR, ‘Din10’ - Mute Records, USA and Germany

Director and Illustrator MODESELEKTOR, ‘Hasir (Live in Paris)’ - Bpitch Control Records, Berlin

Director and Illustrator QUASIMODO JONES, ‘RocknRollDream’ - Shitkatapult, Berlin

Director and Illustrator RICHARD DEVINE, ‘Metval72’ - Warp Records, London

Director LUSINE ICL, ‘Seemingly’ - Shitkatapult, Berlin

Art director, Illustrator SPEEDSTAR, ‘Unbreakable’ - EMI Music, Sydney - Fear of Denim Productions, Sydney

Art director MEL O'CALLAGHAN, 'The Fall', DVD PAL, 4.15 min - Sherman Galleries, Sydney

EXHIBITIONS AND AWARDS

2005 Featured Director, Panelist ANTENNA, Music video showcase, National Film Theatre, London

'THE DRAWING ROOM', Back In Five Gallery, Sydney

2004 Finalist NOISE COMPETITION, 'Moving Image' and 'Illustration' categories - Australia Council for the Arts, Sydney

'ILLOS, THE ART OF CONTEMPORARY ILLUSTRATION' - New Contemporaries Gallery, Sydney

'ALL SORTS', 1/2 Dozen - Virginia Wilson Art, Sydney

'THE DRAWING SHOW', 1/2 Dozen, Virginia Wilson Art, Sydney

2002 'LOOKING IS FREE - UNRESTRICTED VIEWS IN FASHION ART AND MUSIC' - Australian Fashion Week, The Kitchen Creative Management, Sydney

Finalist 'SOUND SCENE', Album Cover Design Competition Exhibition - Sydney Opera House

2001 'SCAB ARTISTS', Illustration exhibition, Space 3 Gallery, Sydney

2000 Winner HEIDELBERG PRINT MEDIA ACADEMY COMPETITION - Heidelberg Print Media Academy, Germany

REFERENCES

GRAPHIC DESIGN Louise Cornwall Senior Designer, Design, Exhibitions and Publications, HISTORIC HOUSES TRUST OF NEW SOUTH WALES

+61 (0)2 8239 2288, louisec@hht.net.au

ILLUSTRATION Nicolas Lefrancois Director, ZOOM EDITIONS, Luxembourg

(352) 2688 0780, info@zoomeditions.com

MUSIC VIDEO AND FILM Dave Ladd Director, MIRRORBALL FESTIVAL, Edinburgh International Film Festival

+44 (0)131 228 4051, dave.ladd@edfilmfest.org.uk