Principles of Composition

12
Principles of Composition

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Principles of Composition. Variety. Henri Matisse, Memory of Oceania , 1953 Gouache on paper, cut and pasted, and charcoal on white paper, Museum of Modern Art, NY. Unity. Jackson Pollock, Shimmering Substances (Sounds in the Grass Series), Oil on Canvas, 1946 Museum of Modern Art, NY. - PowerPoint PPT Presentation

Transcript of Principles of Composition

Page 1: Principles of Composition

Principles of Composition

Page 2: Principles of Composition

Variety

Henri Matisse, Memory of Oceania, 1953Gouache on paper, cut and pasted, and charcoalon white paper, Museum of Modern Art, NY

Unity

Jackson Pollock, Shimmering Substances (Sounds in the Grass

Series), Oil on Canvas, 1946

Museum of Modern Art, NY

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VARIETY

Joseph Cornell, The Hotel Eden, 1945, Assemblage with music box, National Gallery Of Canada, Ottawa

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Henri Matisse, The Joy of Life, 1909-10, Oil on Canvas, Hermitage Museum, St. Petersburg, Russia

RADIAL BALANCE

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A B S A Y L M A M N E C T E R I C A L

Gustav Klimt, Death and Life, Before 1911, finished 1915, Oil on Canvas, Museum Leopold, Vienna, Austria

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Asymmetrical Balance

Thomas Gainsborough, Mr. and Mrs. Andrew, 1748-1749, Oil on Canvas, National Gallery, London

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Frida Kahlo, The Two Fridas, 1939, Oil on Canvas, Museo Nacionale de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City

BALANCE

SYMMETRICAL

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Scale & Proportion

Jean-Honore Fragonard, The Pursuit, from The Progress of Love, 1771-73, 1790-91, Oil on Canvas, Frick Collection, New York

Scale: the size of somethingIn relation to what we Assume to be normal

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Claes Oldenburg, Stake Hitch, 1984, Stake: Aluminum, steel, resin painted with polyurethane enamel, Rope: polyurethanfoam, plastic materials,

painted with latex Dallas Museum of art

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Great Buddha of Kamakura, Kotoku-in, Kamakura, Japan, 1252, Bronze, 43’

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Rene Magritte, Delusions of Grandeur II, 1948, Oil on Canvas, Hirshorn Museum, Smithsonian Institution, Washington, DC

Scale &

PRO

POR

TION

Proportion-size of one part in relation to another withinan artwork or size of one part in relation to the whole

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EMPHASIS!

Jasper Johns,Target with FourFaces, 1955,Encaustic and Collage on canvasWith plaster casts, MOMA, NY