Press Document - ITALIANOwebfiles.pardo.ch/perm/3106/OC253438_P3106_119711.pdf · 2008-07-29 ·...

Press Document - ITALIANO

Zürcher Hochschule der Künste - Master of Arts in FilmENDSIEG - Everything Changes in One Shot

ENDSIEG - Everything Changes in One Shot un film di Daniel Casparis, Niccolò Castelli und Andreas Birkle www.paranoiko.com/endsieg 1 /13

http://www.paranoiko.com


Indice

Il Film 3ENDSIEG - Everything Changes in One Shot ITALIANO 3un cortometraggio in una sola inquadratura

ENDSIEG - Everything Changes in One Shot DEUTSCH 3ein Kurzfilm in einer Einstellung

ENDSIEG - Everything Changes in One Shot ENGLISH 3a short film in one take

ENDSIEG - Everything Changes in One Shot FRANÇAIS 4un court-métrage en un plan-séquence

Motivazione 5Formal motivation 5Content motivation 5

Niccolò Castelli 6Regia - Montaggio - Production Manager

Daniel Casparis 7Regia, Montaggio, Sceneggiatura

Andreas Birkle 8Direttore della fotografia

Cast & Crew 9





I l Fi lmENDSIEG - Everything Changes in One Shot ITALIANOun cortometraggio in una sola inquadratura

Seconda Guerra Mondiale. In uno sperduto avanposto tedesco sulle montagne un comandante del III Reich da

ordine di esecuzione di un giovane soldato. Il condannato cerca di convincere il plotone dell'inutilità di quel

gesto, ma quando i suoi commilitoni abbassano i fucili il comandante estrae la sua pistola d'ordinanza e spara.

Arriva una jeep con a bordo due soldati USA. La guerra è finita da poco...

Ciò che dapprima sembra essere la selezione di semplici fatti in verità è un unico piano sequenza che racconta

un orrore di una guerra. Mentre l'intero girato di questo pianosequenza lentamente si svolge niente rimane

com'era: il giusto e lo sbagliato si mescolano, cambiano posizione. All'interno di questa ripetizione narrativa lo

spettatore è obbligato a mettere in causa la sua percezione della realtà.

ENDSIEG - Everything Changes in One Shot DEUTSCHein Kurzfilm in einer Einstellung

Die letzten Tage des 2. Weltkriegs. Ein einsamer Aussenposten des Dritten Reiches im Gebirge. Der deutsche

Kommandant befiehlt den Tod durch Erschiessung eines jungen Soldaten. Dieser ergreift seine letzte Chance

zur Rettung und appeliert an das Mitleid des Erschiessungskommandos. Als das Kommando zögert, muss der

Kommandant seine eigenen Hände mit Blut beschmutzen. Kurz darauf tauchen in einem Jeep zwei

amerikanische GI's auf. Der Krieg ist nun seit kurzem vorbei.

Was als Zusammenschnitt von Fakten anfängt wird zur Plansequenz, welche die wahre Schrecken des Kriegs

enthüllt. Von diesem Augenblick an bleibt nichts mehr so, wie es war. Gut und böse werden vertauscht und der

Zuschauer muss in einem narrativen Loop seine eigene Wahrnehmung in Frage stellen.

ENDSIEG - Everything Changes in One Shot ENGLISHa short film in one take

The last days of World War 2. We find ourselves in a solitary Nazi-outpost hidden in the middle of the Alps. The

german commander orders a young soldier to be shot by a platoon. Finding himself in a hopeless position with

certain death awaiting him the soldier cries out to the platoon to stop the madness of war. the platoon hesitates

and so the commander has to take the blood on his own hands. All of a sudden an american jeep with two GI's

arrives in the outpost. We find out that the war is over.

What started out as a montage of facts becomes a one-take revealing the true horror of war. When one sees the

whole picture nothing remains the same anymore and right and wrong switch sides. Caught inside a narrative

loop the spectator must question his own perception.





ENDSIEG - Everything Changes in One Shot FRANÇAISun court-métrage en un plan-séquence

Les derniers jours de la deuxième Guerre Mondiale. Un avant-poste perdu au milieu des Alpes. Un commandant

allemand ordonne au peloton d’exécution de tirer sur un jeune soldat. Ce dernier tente sa dernière chance

d’être sauvé en appellant à la compassion des soldats du peloton. Le peloton hésitant, le commandant doit lui-

même se salir les mains. Peu après, arrivent deux soldats de l’armée américaine en jeep. La guerre vient de se

terminer.

Ce qui commençait alors comme un montage de faits, devient un plan-séquence révélant la vérité sur l’horreur

de la guerre. Et plus rien n’est comme il était. Le bon et le mauvais changent de côté et, par un chamboulement

narratif, le spectateur devra s’interroger sur sa propre perception.





Motivazione

Formal motivationThe Film started out as a formal narrative experiment. Our selfgiven task was to plan the montage of the film in

advance in order for it to work both in the long take as well as in an edited portion. This concept had severe

influence on all the areas of preproduction, screenwriting, production, the shooting and the postproduction.

Using the language of cinema, which was born in the last century out of important influences coming from all

the classic arts leading up to a universally readable symbolism, we created a film that should be seen as a whole

regarding form and content.

Content motivationViolence.

In its pure form it is a human property. Other animals do not know violence as self-motivated.

People go to war against each other. Strangers fight strangers, kill in blind obedience. For the individual war is

an absurd reversal of moral values. But war isn‘t a permanent state. The terrible storm that brings misery and

destruction one day is over all of a sudden. The laws of war are put out of order. Th most difficult task in such a

time is the return to normality.

Our story takes place right after the capitulation of Nazi-Germany in world war II. It was a particular time. The

paradox absurdity of war is at its peak in this twilight of war and peace.

Our film does not intend to give answers but is supposed to arouse questions. Unconfortable but current

questions. Questions that can not be approached in a moral lesson, but only in a reciprocal discussion.





Niccolò Castell iRegia - Montaggio - Production Manager

Niccolò Castelli

Allenmoosstrasse 60

8057 Zürich

[email protected]

www,paranoiko.com

Biografie:

Nasce a Lugano (TI) il 4.3.1982. Nel 1998 inizia a lavorare come collaboratore presso Rete Tre della Radio

Svizzera di Lingua Italiana RSI. Conseguita la maturità liceale (Lugano, 2001) realizza il suo primo

cortometraggio 19:30, Diario di bordo. Dal 2002 al 2006 realizza alcuni reportages per la Televisione Svizzera di

Lingua Italiana TSI, spot tv, video-clip musicali e un secondo cortometraggio. Dal 2002 al 2006 frequenta

l’Università degli Studi di Bologna, Facoltà di Lettere e Filosofia, indirizzo DAMS Cinema. Si laurea il 14 luglio

2006. Quindi, il suo terzo cortometraggio: Pac The Man. Fa parte del gruppo di lavoro ipotesICinema di

Ermanno Olmi. Assieme a Massimiliano Minissale fonda nel 2006 la società Blumenlab con la quale sviluppa

progetti per le scienze umanistiche (webdesign, audiovisivi, multimedia authoring). Da ottobre 2006 frequenta il

Master in Realizzazione Cinematografica presso la Zürcher Hochschle der Künste (www.netzwerk-cinema.ch).

All'interno di questo progetto dirige, produce e monta alcuni cortometraggi fra i quali il suo lavoro di diploma

master «ENDSIEG - Everything Changes in One Shot». Riceve il diploma Master il 23 giugno 2008.

Filmografia essenziale:

2008 ENDSIEG, cortometraggio 16mm, soggetto, regia e montaggio (con Daniel Casparis)

2007 TAKE A WAY, cortometraggio 16mm, regia: Iliana Estañol, prod. manager, montaggio

2006 18 ANNI RETE TRE, serie di spot televisivi DVCPro, regia, montaggio

2005 NGAMBAY, CIAD, reportage TV DVCam, regia, camera, montaggio

PAC THE MAN, cortometraggio DVCPro, soggetto, regia, montaggio

2004 SOLUS AD SOLAM, cortometraggio 16mm, regia: Mauro Boscarato, sound supervisor and editing

2003 VIA TANTARDINI 7, cortometraggio DVCam, sceneggiatura, regia, montaggio

2002 15 ANNI RETE TRE, corto documentario DVCam, soggetto, regia, montaggio

2001 19:30 DIARIO DI BORDO, cortometraggio DVCam, sceneggiatura, regia, montaggio

Per una filmografia dettagliata: http://www.paranoiko.com/v4/about_nicc.html



mailto:[email protected]




http://www.netzwerk-cinema.ch

http://www.netzwerk-cinema.ch

http://www.paranoiko.com/v4/about_nicc.html

http://www.paranoiko.com/v4/about_nicc.html



Daniel CasparisRegia, Montaggio, Sceneggiatura

Daniel Casparis

Langgrütstrasse 88b

8047 Zürich

[email protected]

www.fugufilm.com

Biografia:

Nato il 20.4.1976 a Männedorf (ZH) da Lita Casparis-Luparello e Christian Casparis. Nel 1997 consegue la

maturità di tipo B presso la Kantonsschule Wiedikon ZH. Dal 1997 al 2001 studia Pubblicistica presso

l’Università di Zurigo.

Dal 1998 viene ingaggiato come montatore freelance da TV e privati. Fino ad oggi ha montato come

indipendente diversi cortometraggi e film (spot) commerciali. Allo stesso tempo ha portato avanti numerosi

progetti personali. Dal 2004 al 2006 lavora come realizzatore (regia, redazione e montaggio) del reality

“Celebrations” del canale TV SAT.1 - Schweiz. Nello stesso periodo ha realizzato in qualità di regista numerosi

spot TV. Dal 2006 è studente al Master in realizzazione cinematografica Netzwerk Cinema CH presso la scuola

di arti applicate di Zurigo (ZHdK, già HGKZ). All’interno di questo progetto ha montato due cortometraggi e fatto

l’assistenza alla regia di un altro film corto.


2007 (ALP-)TRAUM, cortometraggio, 35 mm, regia: This Lüscher, Presence Production GmbH, montaggio

HUNKELER MACHT SACHEN, film-TV, HD, regia: Markus Fischer, PS Film GmbH, assistenza al montaggio

TAKE A WAY, Kurzfilm, s16 mm, regia: Iliana Estanol, HGKZ, assistenza alla regia

2006 JOYA RENNT, Sponsoren Billboard 06, Digital Beta, Faro TV GmbH, regia

MAKING OF: NUR EIN SOMMER, Mini DV, Razor Films, Dschoint Ventschr, concetto, camera, montaggio

2005 MAKING OF: MEIN NAME IST EUGEN, Mini DV, (DVD, SF & Star TV) Kontraproduktion, C-FILM, concetto,

montaggio

Per una filmografia dettagliata: http://www.fugufilm.com/fugufilm.com/Filmographie.html





http://www.fugufilm.com

http://www.fugufilm.com

http://www.fugufilm.com/fugufilm.com/Filmographie.html

http://www.fugufilm.com/fugufilm.com/Filmographie.html



Andreas BirkleDirettore della fotografia

Andreas Birkle

Zwinglistrasse 35

8004 Zürich

[email protected]

Nato il 22 aprile 1972 a Hamburg (DE).

Formazione:

2006-2008 Master in Arts of Film: Camera; University of Arts Zürich

1993-1999 Bachelor in Applied Culteral Sciences, Media and Arts University of Lüneburg

1992-1993 Rescue Medic Emergency Service; Red Cross, Würzburg

1982-1992 Abitur, (High School) Alexander von Humboldt Gymnasium, Schweinfurt

Esperienze pratiche:

1999-2007 First Assistant Camera Film & TV

2005-2006 Cameratechnik & Disposition, MBF Filmtechnic, Hamburg

1997-1999 Second Assistant Camera Film & TV

1995-1997 Photographer Agentur Jump, Hamburg


2008 „1968 Illusion oder Revolution?“ Docfilm Digibeta 60min

„Eine Geschichte mit Hummer“ Feature 12min S16

„Endsieg – everything changes with one shot“ Feature 12min S16

„The Beauty of Gemina“ MusicDVD 60min IMX

2007 «Peugot 308 Release“ Imagefilm 12min HDV

«Les Amoureux de Nil», Docfilm 19min, DVCAM

«I can´t sleep in Cairo», Docfilm 21min, DVCAM

«Prima Vera», Docfilm 7:30min, S16mm

«Mit oder ohne», Docfilm 10:00min, HDV

2006 «Oh Tannenbaum», Docfilm 10:00min, S16mm

«Die Fotos: Komm Zurück», Musicclip 3:30min, S16mm/8mm

2005 «Ravensburger» Imagefilm 2:16min, HDV/Movietube

«Ilgner Mac Support» Imagefilm 1:30, MiniDV

«Vaile: Red Rain», Musicclip 3:40, MiniDV/Mini35Adapter



mailto:[email protected]?subject=

mailto:[email protected]?subject=





Cast & Crew

Departement Funktion Name

Film by Daniel Casparis, Niccolò Castelli &

Andreas Birkle

Cast Kommandant Klemp Jürgen Brügger

Cast Dr. Otto Klemp Lukas Ullrich

Cast Sgt. John Stahl Stefan Kollmus

Cast Pvt. Carl Owens Kyle Popoola

Screenplay Screenplay Michael Sauter

Screenplay Screenplay Daniel Casparis

Direction dep. Director / Editing Niccolò Castelli

Direction dep. Director / Editing Daniel Casparis

Direction dep. 1. Assistant director Judith Lichtneckert

Direction dep. 2. Assistant director Matthias Vollmer

Direction dep. Continuity / Editing on set Judith Kurmann

Production Production Manager Niccolò Castelli

Casting Casting Corinna Glaus

Production Unit Manager Michael Imboden

Production 1. Assistant Unit Manager Sebastian Suter

Production Assistant Unit Manager Lukas Tschümperlin

Production Runner / Driver Patricia Frei

Production Runner / Driver Jovana Vujovic

Production Runner / Driver Thomas Zenger

Production Runner / Driver Jan Buchholz

Camera & Electrical dep. Director of photography Andreas Birkle

Camera & Electrical dep. Steadicam Operator Mauro Boscarato

Camera & Electrical dep. Assistant camera Stefan Stefanini

Camera & Electrical dep. Clapper loader Björn Detre

Camera & Electrical dep. Gaffer Damir Sulejmanowski





Camera & Electrical dep. Electrician Philip Caviezel

Camera & Electrical dep. Electrician Jasper Granderath

Camera & Electrical dep. Electrician Timon Schäppi

Camera & Electrical dep. Electrician Matthias Wehle

Camera & Electrical dep. Key Grip Manfred "Fredl" Baier

Camera & Electrical dep. Grip (Steadicam Assistant) Ezio Conforti

Camera & Electrical dep. Grip Erich Hartmann

Camera & Electrical dep. Grip André Fürst

Sound dep. Sound recordist / sound design Patrick Storck

Sound dep. Boom Philipp Koller

Sound dep. Boom Simon Liniger

Sound dep. Dolby Digital / Sound Mastering / Endmix Guido Keller (Magnetix Tonstudio AG)

Art dep. Art Direction (Mentor) Georg Bringolf

Art dep. Art Direction Nina Staub

Art dep. Assistant Art Direction Nataly Huonder

Art dep. Props Corinne Dettwyler

Art dep. Assistant to Art Direction & Unit Manager Manuela Bieri

Art dep. Assistant to Art Direction & Unit Manager Katja "Lotta" Schiendorfer

Costume dep. Costume Design Božena Čivić

Costume dep. His. Military-Consultant Patrick Schlenker

Costume dep. Costume Design Assistant Fabienne Helfer

Makeup dep. Makeup Artist Adrienne Chauliac

Makeup dep. Makeup Artist Romina Kalsi

Special Effects dep. SFX Silvia Fafa Fierz

Set video & photos dep. Set-Photographer Mario Modena

Set video & photos dep. Making-Of Camille Budin

Set video & photos dep. Making-Of Matthieu Budin

Equipement Equipement ZHdK Gian Andrea Courtin

Equipement Light / Crane Equipement FTK Zürich

Equipement Additional Camera Equipement / Support Megarent Zürich

Music dep. Composer / Conductor Emanuele Delucchi

Music dep. Composer Alessandro Broggini

Music dep. Music Recording Lara Persia





Music dep. Scoring mixer David Bollinger

Musicians Violin Nathalie Moritz

Musicians Violin Silvia Paliaga

Musicians Violin Giorgia Reclari

Musicians Violin Dorotea Maury

Musicians Violin Fausta Leonardi

Musicians Violin Fabiana Meoli

Musicians Violas Sofia Felicani

Musicians Violas Maria Pfefferle

Musicians Violas Uta Ruscher

Musicians Cello Matyas Major

Musicians Cello Cristina Risito Bonoli

Musicians Double bass Severin Barmettler

Musicians Double bass Nikola Ajdacic

Musicians Clarinet Samuel Arrigo

Musicians Bass clarinet Dario Piffaretti

Musicians Horn Stefano Piazza

Musicians Horn Fiorella Giudice

Musicians Trumpet Benedetto Castelli

Musicians Trumpet Matteo Soldati

Musicians Trombone Luca Bühler

Musicians Trombone Enrico Del Prato

Musicians Tuba Fabrizio Bernasconi

Musicians Percussions Francesco Polli

Musicians Percussions Gabriele Janner

Musicians Theremin Wieslaw Pipczynski

Extras Secretary Sabina Paganini

Extras Nurse Celine Agassis

Extras Nurse Luisa Paganini

Extras Soldier with case in office Moreno Marchesi

Extras Execution Soldier Tiziano Iseppi

Extras Execution Soldier Robin Sauser

Extras Execution Soldier Carlo Triolo

Extras Guard Roger Kesten

Extras Guard Chris Sigdell

Extras Soldier Alessanro Angi

Extras Soldier Roland Baier

Extras Soldier Filippo Colnaghi

Extras Soldier Michel Ecklin

Extras Soldier Christoph Gassmann





Extras Soldier Dominik Gysi

Extras Soldier Daniel Häberli

Extras Soldier Stefan Imgrund

Extras Soldier Remo Kaufmann

Extras Soldier Cassiano Luminati

Extras Soldier Luca Magnabosco

Extras Soldier Ivan Marrocco

Extras Soldier Max Savini

Extras Soldier Manuel Uhlmann

Post production Film development / 2K scanning Egli Film

Post production Color grading & finishig Jürgen Kupka (Egli Film AG)

Post production Smoke / Online editing Lorence James (Egli Film AG)

Post production Iside production management EGLI Thomas-André Winiger (Egli Film AG)

Post production 35mm print Egli Film AG

Post production Visual Effects / Compositing Michael Scialpi (On Line video 46 AG)

Graphic Title sequence Daniel Casparis

Graphic Web designer Niccolò Castelli

Graphic Web designer Massimiliano Minissale

Graphic Poster / Promotion Manuela Bieri

Location Hotel Maloja Palace Herman Buys

Location Comune Stampa/Maloja Nino Ganzoni

Location Hotel Longhin Fam. Leinenbach

Location Music Recording, Auditorio Stelio Molo

RSI, Lugano

Creative consulting Steadicam consulting Riccardo Brunner

Production ZHDK

Co-production TSI

Co-production Teleclub

Production Manager ZHdK Production Manager ZHdK Hercli Bundi

Co-production Manager Production RTSI Giulia Fretta

Mentor Art Direction Georg Bringolf

Mentor Production Simone Häberling

School Directos of Studies ZHdK Lucie Bader Egloff

School Directos of Studies ZHdK Marille Hane





School Hauptreferent Bernhard Lehner

School Coreferent Riccardo Brunner

School Coreferent Pierre Mennel

School Technical Assistant ZHdK Werner Steiner

School Technical Support ZHdK Marcello Rosenberger

School Secretariat ZHdK Brigitte Uhlmann

School Secretariat ZHdK Laura Zimmermann

Support Zürcher Filmstiftung

Support Repubblica e Cantone Ticino

Support Comune Stampa/Maloja

Support Fondazione Giovanoli e Biblioteca

Support Blumenlab

Support Christian Casparis

Support Paranoiko pictures

Support Fugufilm

Sponsor Rete Due RSI Dario Müller

Sponsor Rady's Outdoor Essentials Adrian Ruhstaller

Sponsor Sometimes Steadicam equipement Sometimes steadicam equipement

Sponsor Pat's Uniform und Kostüm Verleih Patrick Schlenker

Sponsor Intersoc Herman Buys

Sponsor Red Bull Schweiz

Sponsor Calanda/Heineken

Sponsor Walkie Talkies 4-Films Meret Burger

Sponsor Jeep Willys 1944 Dott. Peter Berry

Sponsor Costume dep. Transportation Johanna Tsering

Sponsor Rivella Tatiana Giorgi

Sponsor Hotel Palace Maloja Amedeo Clavarino

ENDSIEG - Everything Changes in One Shot

© 2008 Züricher Hochschule der Künste / Master of Arts in Film 2008





Press Document - ITALIANOwebfiles.pardo.ch/perm/3106/OC253438_P3106_119711.pdf · 2008-07-29 ·...

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