Presentación1 - Helsinkidesignguggenheimhelsinki.org/stageonegallery/pdfs/... · a' a a' a a' a...
4
ARGELANDERINTIE KOPERNIKUKS FABIANINKATU UNIONINKATU BERNHARDINKATU &5&-|3"/5" ET. MAKASIINIKATU MAKASIINILAITURI LAIVASILLANKATU 1 5 4 3 2 A A_VISITOR ENTRANCE C_VISITOR LIFT ENTRY D_STAFF LIFT / ART LOADING DOCK E_VISITOR LIFT EXIT F_STAFF STAIRCASE 1_CONTROL / VISITOR SCREENING CHECK / QUEUING AREA 2_STORAGE / COAT CHECK / LOCKERS 3_RESTROOMS 4_TICKETING AND INFORMATION DESK 5_CAFE / BAR WITH EXTRA OUTDOOR CAPACITY 6_MULTI-PURPOSE XONE / ATRIUM VISITOR SERVICES 6 1st FLOOR 441Nà A' A A' A SEA CITY HARBOUR PARK C E D F SEA CITY HARBOUR PARK 8 9 10 12 7 B 13 11 11 D B_STAFF ENTRANCE C_VISITOR LIFT ENTRY D_STAFF LIFT / ART LOADING DOCK E_VISITOR LIFT EXIT F_STAFF STAIRCASE 7_SECURITY OFFICE 8_CUSTODIAL OFFICE 9_LANDSCAPE AND GROUNDS MAINTENANCE / EQUIPMENT STORAGE 10_IT SERVER / WORKROOM / STAFF OFFICE 11_LOCKER ROOMS 12_STAFF LOUNGE 13_STAFF RUNCH ROOM MAINTENANCE & OPERATIONS GROUNDFLOOR 330Nà +10 +7 +4 +5 +3 +2 +6 +6 +5 +3 +4 +4 +2 +2 +2 +2 HARBOUR CITY PARK SEA F +6 1/500 1/500 GROUNDFLOOR 1/1000 THE PROPOSAL IS A WORK WHICH REGENERATES THE SOCIETY AND THE CITY AND REPRESENTS THE ETERNITY OF CREATION: IT INCLUDES EVERYTHING THAT EXISTS, WHAT HAS BEEN DISCOVERED AND WHAT WILL BE. WE HEREBY PROPOSE A CHANGING SYMBOL TO SUIT THE EVOLUTION OF SPACE AND TIME. THE MUSEUM IS AN ORDERLY AND HARMONIOUS MONUMENT THAT IS INTEGRATED IN THE GEOMETRIC CONTEXT BY ORIENTING ITS OUTER SKIN PARALLEL TO THE EXISTING COMPONENTS (BUILDINGS, PARK AND PORT), AS A CONTINUATION OF THE URBAN FABRIC. THE MUSEUM DEFORMS ITSELF TO BECOME THE ICONIC GATEWAY TO THE CITY FROM THE WATER SIDE AND TO BE APPRECIATED FROM THE DISTANCE, THUS IT RISES UP TO THE TOP OF THE HILL IN ORDER TO LOOK OVER IT AND LOOK FOR THE CORNERS AND PERSPECTIVES FROM WHERE IT MIGHT BE A POINT OF REFERENCE. THE OUTSIDE ACCESS AREA PROVIDES A NATURAL CONNECTION BETWEEN THE CITY AND THE MUSEUM THROUGH A NUMBER OF ELEMENTS THAT INVITE YOU TO EXPERIENCE AND INTERACT WITH ITS COMPONENTS. THE MUSEUM EXTENDS ITS ARTISTIC CONTENT TOWARDS THE OUTSIDE AREA IN AN AIM TO APPROACH CITIZENS AND PERMEATE WITH CULTURE THE GROUND ON WHICH IT IS LOCATED. URBAN CONTEXT THE VOLUME OF THE MUSEUM RISES AND ARRANGES ITSELF AS A SPIRITUAL JOURNEY TO THE STATE OF PURITY AND WISDOM. THROUGH THE SEQUENCE AND INTERRELATIONSHIP OF SPACES , TOGETHER WITH THE MOVEMENT OF VERTICAL AND HORIZONTAL PLANES , IT MEETS THE NEEDS OF THE PROGRAM AND THE LOCATION. IT DOES SO IN A WAY THAT IT ABSORBS THE MIND AND TAKES OVER THE WHOLE FIELD OF CONSCIOUSNESS IN ORDER TO BE UNDERSTOOD AS AN UNIT. IT STANDS OUT FOR ITS HUMAN SCALE AND ITS WILLINGNESS TO COMMUNICATE WITH ITS CONTEXT. THE SURROUNDING ENCLOSING OPENS AND MOVES TO GIVE A GLIMPSE OF ITS INSIDE DURING SPECIFIC SEASONS AND TIMES OF YEAR. IN THIS WAY, THE MUSEUM CONTENT GETS KNOWN AND SIMULTANEOUSLY AN INTERACTION WITH THE CITY TAKES PLACE WHILE THE BOUNDARIES BETWEEN INTERIOR AND EXTERIOR FADE. THE MUSEUM CAN BE SEEN AS A PRECIOUS FRUIT THAT USES ITS SKIN TO CONTROL THE TEMPERATURE, HUMIDITY AND LIGHT INTENSITY OF THE INTERIOR, BUT THAT WHEN SKINNED, IT SHOWS ITS SYNERGIES AND INJECTS ITS CONSTANTLY CHANGING NATURE TO THE CITIZENS. VOLUME GH-7161225312 PROGRAM DIAGRAM TIMBER BOX TO CONTROL THE LIGHT INSIDE THE GALLERIES STRUCTURE OUT OF THE FACADE TO KEEP INSIDE CLEAR OF COLUMNS AND TO SUPPORT THE TIMBER MODULES THAT FILTERS THE LIGHT SEA FRONT WITH AN OUTDOOR SPACE FOR PERFORMANCES AND WATERFEATURE AMBIENT CITYSCAPE 1/4000
Transcript of Presentación1 - Helsinkidesignguggenheimhelsinki.org/stageonegallery/pdfs/... · a' a a' a a' a...
ARGELANDERINTIE
KOPERNIKUKS
FABIANINKATU
UNIONINKATU
BERNHARDINKATU
ETELÄRANTA
ET. MAKASIINIKATU
MAKASIINILAITURI
LAIVASILLANKATU
1
5
4
3
2
A
A_VISITOR ENTRANCEC_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
1_CONTROL / VISITOR SCREENING CHECK / QUEUING AREA2_STORAGE / COAT CHECK / LOCKERS3_RESTROOMS4_TICKETING AND INFORMATION DESK5_CAFE / BAR WITH EXTRA OUTDOOR CAPACITY6_MULTI-PURPOSE XONE / ATRIUM
VISITOR SERVICES
6
1st FLOOR 441m²
A'
A
A'
A
SEACITY
HARBOUR
PARK
C
ED
F
SEACITY
HARBOUR
PARK
8
9
10
12
7
B
13
11
11
D
B_STAFF ENTRANCEC_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
7_SECURITY OFFICE8_CUSTODIAL OFFICE9_LANDSCAPE AND GROUNDS MAINTENANCE / EQUIPMENT STORAGE10_IT SERVER / WORKROOM / STAFF OFFICE11_LOCKER ROOMS12_STAFF LOUNGE13_STAFF RUNCH ROOM
MAINTENANCE & OPERATIONS
GROUNDFLOOR 330m²
+10
+7
+4
+5
+3+2
+6
+6
+5
+3
+4
+4
+2
+2
+2
+2
HARBOUR
CITY
PARK
SEA
F
+6
1/500
1/500
GROUNDFLOOR1/1000
THE PROPOSAL IS A WORK WHICH REGENERATES THE SOCIETY AND THE CITY AND REPRESENTS THE ETERNITY OF
CREATION: IT INCLUDES EVERYTHING THAT EXISTS, WHAT HAS BEEN DISCOVERED AND WHAT WILL BE. WE HEREBY
PROPOSE A CHANGING SYMBOL TO SUIT THE EVOLUTION OF SPACE AND TIME.
THE MUSEUM IS AN ORDERLY AND HARMONIOUS MONUMENT THAT IS INTEGRATED IN THE GEOMETRIC CONTEXT BY ORIENTING ITS OUTER SKINPARALLEL TO THE EXISTING COMPONENTS (BUILDINGS, PARK AND PORT), AS A CONTINUATION OF THE URBAN FABRIC.
THE MUSEUM DEFORMS ITSELF TO BECOME THE ICONIC GATEWAY TO THE CITY FROM THE WATER SIDE AND TO BE APPRECIATED FROM THEDISTANCE, THUS IT RISES UP TO THE TOP OF THE HILL IN ORDER TO LOOK OVER IT AND LOOK FOR THE CORNERS AND PERSPECTIVES FROM WHEREIT MIGHT BE A POINT OF REFERENCE.
THE OUTSIDE ACCESS AREA PROVIDES A NATURAL CONNECTION BETWEEN THE CITY AND THE MUSEUM THROUGH A NUMBER OF ELEMENTS THATINVITE YOU TO EXPERIENCE AND INTERACT WITH ITS COMPONENTS.
THE MUSEUM EXTENDS ITS ARTISTIC CONTENT TOWARDS THE OUTSIDE AREA IN AN AIM TO APPROACH CITIZENS AND PERMEATE WITH CULTURE THEGROUND ON WHICH IT IS LOCATED.
URBAN CONTEXT
THE VOLUME OF THE MUSEUM RISES AND ARRANGES ITSELF AS A SPIRITUAL JOURNEY TO THE STATE OF PURITY AND WISDOM. THROUGH THE SEQUENCE AND INTERRELATIONSHIP OF SPACES , TOGETHER WITH THE MOVEMENT OF VERTICAL AND HORIZONTAL PLANES , IT MEETS THE NEEDS OF THE PROGRAM AND THE LOCATION. IT DOES SO IN A WAY THAT IT ABSORBS THE MIND AND TAKES OVER THE WHOLE FIELD OF CONSCIOUSNESS IN ORDER TO BE UNDERSTOOD AS AN UNIT.
IT STANDS OUT FOR ITS HUMAN SCALE AND ITS WILLINGNESS TO COMMUNICATE WITH ITS CONTEXT. THE SURROUNDING ENCLOSING OPENS AND MOVES TO GIVE A GLIMPSE OF ITS INSIDE DURING SPECIFIC SEASONS AND TIMES OF YEAR. IN THIS WAY, THE MUSEUM CONTENT GETS KNOWN AND SIMULTANEOUSLY AN INTERACTION WITH THE CITY TAKES PLACE WHILE THE BOUNDARIES BETWEEN INTERIOR AND EXTERIOR FADE.
THE MUSEUM CAN BE SEEN AS A PRECIOUS FRUIT THAT USES ITS SKIN TO CONTROL THE TEMPERATURE, HUMIDITY AND LIGHT INTENSITY OF THE INTERIOR, BUT THAT WHEN SKINNED, IT SHOWS ITS SYNERGIES AND INJECTS ITS CONSTANTLY CHANGING NATURE TO THE CITIZENS.
VOLUME
GH-7161225312
PROGRAM DIAGRAM TIMBER BOX TO CONTROL THE LIGHT INSIDE THE GALLERIES STRUCTURE OUT OF THE FACADE TO KEEP INSIDE CLEAR OF COLUMNS AND TO SUPPORT THE TIMBER MODULES THAT FILTERS THE LIGHT
SEA FRONT WITH AN OUTDOOR SPACE FOR PERFORMANCES AND WATERFEATURE AMBIENT
CITYSCAPE1/4000
A'
A
A'
A
A'
A
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
14_KITCHEN15_CATERING / STAGING AREA / RECEIVING16_RESTAURANT17_BAR / KITCHEN18_OFFICES19_STORAGE / TRASH ROOM
DINING
SECOND FLOOR 510m²
C
ED
C
ED D
14
15
F FF
18
17
16
18
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
20_MUSEUM STORE21_DESIGN STORE22_OFFICES23_STOCK ROOM
RETAIL
THIRD FLOOR 465m²
20
21
23
22
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
24_EDUCATION OFFICES25_ADMINISTRATIVE OFFICES26_MARKETING AND DEVELOPMENT OFFICES27_RSTROOMS28_COPY ROOM / FILE STORAGE29_SHARED WORKROOM
OFFICES
FOURTH FLOOR 600m²
24
26
25
29
28 27
1/500
1/500
1/500
GH-7161225312
THE OUTER SKIN IS DIVIDED INTO FOUR INCLINED PLANES WHICH ARE DISPLACED VERTICALLY OPENING ON THE NORTHEAST PART TO THE HARBOUR,THE NORTHWEST TO THE CITY, SOUTHWEST TO THE PARK AND SOUTHEAST OF THE TOWARDS THE OCEAN.
IT IS MADE OF A METAL GRID FOR EACH ONE OF THESE PLANES, WHICH SERVE AS STRUCTURE TO THE BUILDING, AND WHICH TOGETHER WITH THECENTRAL CORE FLOW SUPPORT THE SLABS.
EACH ONE OF THESE PLANES HAS MODULES OF WOODEN SLATS THAT MOVE TO PROTECT THE ACCESS OF SOLAR LIGHT INTO THE INTERIOR. DURINGTHE LONG SUMMER DAYS THIS GIVES THE ABILITY TO CONCENTRATE SUCH LIGHT FILTERS AT THOSE POINTS WHERE THE SUN SHINES MORE
BRIGHTLY, AND DURING THE SHORT WINTER DAYS IT ALLOWS ONE TO STRETCH THE HOURS OF DAYLIGHT
THE MUSEUM HAS A SECOND AND MORE DELICATE INNER SKIN LAYER MADE OF CUSTOMISED GLASS. USING THE "CERAMIC DIGITAL PRINTING"TECHNOLOGY, WE GENERATE AN ARTISTIC DISPLAY WITH SEVERAL OPTIC EFFECTS TO MISREPRESENT ITS VOLUME, WHICH IN TURN ALLOWS
A BETTER INTEGRATION OF THE MUSEUM AS A COMPONENT OF THE FINNISH LANDSCAPE..
FACADES, STRUCTURE AND SUSTAINABILITY
A'
A
A'
A
A'
A
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
F F F
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
30_CONFERENCE ROOM31_CURATORIAL, EXHIBITION DESIGN, PUBLICATIONS, ARCHIVIST OFFICES32_CONFERENCE ROOM
OFFICES
FIFTH FLOOR 258m²
30
31
32
F
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
33_REGISTRAR, CONSERVATION, EXHIB. DESIGN & TECH OFFICES34_SHARED ART PREP / CONSERVATION STUDIO AND EQUIPMENT STORAGE35_CRATE STORAGE36_UNCRATING / STAGING37_SUPPLY, EQUIPMENT, AND SEASONAL FURNITURE STORAGE38_SHIPPING / RECEIVING39_ART SHORT-TERM STORAGE
COLLECTIONS STORAGE AND MANAGEMENT
SIXTH FLOOR 612m²
D D
3334
35
36
38
39
37
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
40_EXHIBITION GALLERY41_GREEN ROOM42_DRESSING ROOMS43_FLEXIBLE PERFORMANCE / CONFERENCE HALL / MOVABLE STAGE PLATFORM44_MULTIFUNCTION CLASSROOM / LABORATORY45_SIMULTANEOUS TRANSLATION BOOTH46_TECHNICIAN OFFICE
PROGRAMS AND EVENTS + EXHIBITION GALLERY
SEVENTH FLOOR 1300m²
40
40
41
4243
4445
46
ED
1/500
1/500
1/500
GH-7161225312
THE SURROUNDING ENCLOSING OPENS AND MOVES TO GIVE A GLIMPSE OF ITS INSIDE DURING SPECIFIC SEASONS AND TIMES OF YEAR. IN THIS WAY,THE MUSEUM CONTENT GETS KNOWN AND SIMULTANEOUSLY AN INTERACTION WITH THE CITY TAKES PLACE WHILE THE BOUNDARIES BETWEEN
INTERIOR AND EXTERIOR FADE.
A'
A
A'
A
A'
A
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
SEACITY
HARBOUR
PARK
F F F
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
40_EXHIBITION GALLERY43_FLEXIBLE PERFORMANCE / CONFERENCE HALL / MOVABLE STAGE PLATFORM47_EXTERIOR EXHIBITION GALLERY48_SEATING, STAGE AND EQUIPMENT STORAGE49_CONTROL ROOM / PROJECTION BOOTH
PROGRAMS AND EVENTS + EXHIBITION GALLERY
EIGHTH FLOOR 1280m²
ED
C
ED
C
ED47
40
48
48
43
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
40_EXHIBITION GALLERY
EXHIBITION GALLERY
NINTH FLOOR 1000m²
40
C_VISITOR LIFT ENTRYD_STAFF LIFT / ART LOADING DOCKE_VISITOR LIFT EXITF_STAFF STAIRCASE
40_EXHIBITION GALLERY
EXHIBITION GALLERY
TENTH FLOOR 850m²
40
0 5 10 20 50
SCALE 1/300
1/500
1/500
1/500
GH-7161225312
THEACCESS TO THE INTERIOR SPACE IS DIVIDED BETWEEN THE ACCESS FOR VISITORS AND THE ACCESS FOR WORKERS AND GOODS. IT IS DIFFERENTIATED AT THE ENTRANCE, WHERE ACCESS TAKES PLACE AT TWO DIFFERENT LEVELS, AS WELL AS BY VERTICAL CIRCULATION.
THE HEART OF THE BUILDING IS A REVOLVING STAIRCASE WHICH CONNECTS ALL LEVELS AND ALLOWS ONE TO EXPERIENCE THE LANDSCAPE ANDINTERIOR SPACES FROM DIFFERENT PERSPECTIVES AND AS A NETWORK OF HYPNOTIC POINTS.
SECTION A-A'+2.00
+6.00
+10.00
+14.00
+18.00
+22.00
+26.00
+30.00
+34.00
+38.00
+42.00
+56.00
