Title Director Year NotesSous les toits de Paris Clair 1930L'Âge d'or Buñuel 1930La Vie est à nous Renoir 1936Le Roman d'un tricheur Guitry 1936Paris 1900 Védrès 1947Traité de bave et d'éternité Isou 1951Dimanche à Pékin Marker 1956 Court métrageLettres de Sibérie Marker 1957Moi, un noir Rouch 1958Le Chant du styrène Resnais 1958 Court métrageMon Oncle Tati 1958Une Histoire d'eau Godard/Truffaut 1959 Court métrageUne Simple histoire Hanoun 1959Sur le passage de quelques personnes Debord 1959 Court métrageDescription d'un combat Marker 1960Critique de la séparation Debord 1961 Court métrageLa Jetée Marker 1962 Court métrageMéditerranée Pollet 1963 Court métrageBassae Pollet 1964 Court métrageSi j'avais 4 dromadaires Marker 19662 ou 3 choses que je sais d'elle Godard 1967Weekend Godard 1967L'Homme qui ment Robbe-Grillet 1968Le Gai savoir Godard 1968Letter to Jane Godard/Gorin 1972La Société du spectacle Debord 1973La Dialectique peut-elle casser des bri Viénet 1973Ici et ailleurs Godard/Miéville 1974Numéro deux Godard/Miéville 1975India Song Duras 1975Comment ça va? Godard/Miéville 1976News from Home Ackerman 1976Son nom de Venise dans Calcutta déseDuras 1976In girum imus nocte … Debord 1978Poto and Cabengo Gorin 1980Lettre à Freddy Buache Godard 1982 Court métrageSans soleil Marker 1982Histoire(s) du cinéma Godard 1988-1998La Classe américaine Haznavicius 1993Internet détournements Mozinor, Dr. Cac Present Courts métrages

Articles in special SubStance issue: Between the Essay Film and SocialSpecial IssueDavid Oscar Harvey The Limits of VococentrismApr. 201Article PDF on fileNora M. Alter Composing in Fragments: MApr. 201Article PDF on fileClaudia Gorbman Finding a Voice: Varda's E Apr. 201Article PDF on fileSteven Ungar Scenes in a Library: Alai Apr. 201Article PDF on fileAndrew Ritchie Lines of Flight: Jean-DanieApr. 201Article PDF on file

Specific AuthorsDebordTom McDonagh The Beautiful Language of 2011

MarkerGenevieve Daphne Van Cauwenberge Chris. Marker and French 1992 Dissertation Have PDF

IsouIsou, et al. ION 1952Frédérique Devaux Le Cinéma lettriste 1992GodardJerry White Two Bicycles: The Work of 2013Gareth James, et al. I said I love, that is the 2003

Rouch

Duras

Pollet

Varda

Hanoun

Resnais

AuthorSound/Image/Text RelationsBertolt BrechtS. M. Eisenstein, V.I. Pudovkin, G.V. Alexandrov and DzigaRoland BarthesRoland BarthesNoël BurchJonathan RosenbaumMary Ann DoaneMarie-Claire Ropars-WuillemuierMichel ChionW.J.T. MitchellMichel ChionBruce WilliamsRick AltmanMartin JayW.J.T. MitchellJean ChateauvertJacques RancièreMichel ChionJacques RancièreCraig SinclairKristin Thompson

Articles in special Yale French Studies IssueRick AltmanDaniel PercheronChristian MetzMary Ann DoaneAlan WilliamsRick AltmanKristin ThompsonDudley AndrewDavid BordwellNick BrowneMarie-Claire Ropars-WuilleumierClaudia Gorbman

Articles in special SubStance issue:David Oscar HarveyNora M. AlterClaudia GorbmanSteven UngarAndrew Ritchie

Essay Film/SubjectivityTimothy CorriganLaura RascaroliDavid Montero

Diane Arnaud; S Liandrat-Guigues (Suzanne); Murielle GaJean-Pierre Esquenazi; André Gardies; Colloque de CerisyJenny ChamaretteAlisa Lebow and Michael RenovHunter VaughanStephen Snyder

Title Year

Brecht on Theater 1918-56Statement on Sound 1928Mythologies 1957La Rhétorique de l'image 1964Praxis du cinéma 1967Sound Thinking 1978The Voice In the Cinema: The Articulation of Body and Space 1980Le Texte divisé 1981La Voix au cinéma 1982Iconology: Image, Text, Ideology 1987L'Audiovision 1991Splintered Perspectives: Counterpoint and Subjectivity in the Modernist Film Narra 1991Sound Theory, Sound Practice 1992Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought 1993Picture Theory: Essays on Verbal and Visual Representation 1995Des mots à l'image: la voix over au cinéma 1997Le Partage du sensible 2000Un Art sonore, le cinéma 2003Le Destin des images 2003Audition: Making Sense of/in the Cinema 2003Early Sound Counterpoint 1980

No. 60, 1980Introduction 1980Sound in Cinema and its Relationship to Image and Diegesis 1980Aural Objects 1980The Voice In the Cinema: The Articulation of Body and Space 1980Is Sound Recording Like A Language? 1980Moving Lips: Cinema As Ventriloquism 1980Early Sound Counterpoint 1980Sound in France: The Origins of a Native School 1980The Musical Analogy 1980Film Form/Voice-Over: Bresson's "Diary of a Country Priest" 1980The Disembodied Voice (India Song) 1980Bibliography on Sound in Film 1980

Between the Essay Film and Social Cinema: The Left Bank Group in ContextThe Limits of Vococentrism: Chris Marker, Hans Richter and the Essay Film Apr. 2012Composing in Fragments: Music in the Essay Films of Resnais and Godard Apr. 2012Finding a Voice: Varda's Early Travelogues Apr. 2012Scenes in a Library: Alain Resnais and Toute la mémoire du monde Apr. 2012Lines of Flight: Jean-Daniel Pollet, Méditerranée, and the Tel Quel Group Apr. 2012

The Essay Film: From Montaigne, After Marker 2011The Personal Camera: Subjective Cinema and the Essay Film 2009Thinking Images: The Essay Film as a Dialogic Form in European Cinema 2012

L'Essai et le cinéma 2004Le Je à l'écran 2006Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French C 2012The Cinema of Me: The Self and Subjectivity in First Person Documentary (Nonfict 2012Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thin 2013The transparent I : self/subject in European cinema 1994

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