Precious Lord, Take My Hand - Randall Standridge
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Precious Lord, Take My Hand For Concert Band, Grade 3.5 Lyrics by the Reverend Thomas Dorsey, based on the traditional melody “Maitland” Setting by Randall D. Standridge (ASCAP) Instrumentation 1 - Full Score 8 - Flute/Oboe 2 - Bassoon 5 - Bb Clarinet 1 5 - Bb Clarinet 2 2 - Bb Bass Clarinet 2 - Eb Contrabass Clarinet 2 - Bb Contrabass Clarinet 6 - Eb Alto Saxophone 2 - Bb Tenor Saxophone 2 - Eb Baritone Saxophone 4 - Bb Trumpet 1 4 - Bb Trumpet 2 4 - F Horn 6 - Trombone/Euphonium 2 - Euphonium T.C. 2 - Bass 4 - Tuba 1 - Piano 2 - Mallets (Bells, Chimes, Vibraphone) 2 - Timpani (4 drums) 2 - Percussion 1 (Triangle/Crash Cymbals/Wind Chimes) 2 - Percussion 2 (Suspended Cymbal/Bass Drum/Sleigh Bells) Full Set - $65.00 Extra Conductor Score - $10.00 Extra Part - $4.00 Randall Standridge Music, LLC - 26 County Road 472 - Jonesboro, AR 72404 - 870-926-3479 www.randallstandridge.com - [email protected]
Transcript of Precious Lord, Take My Hand - Randall Standridge
Precious Lord, Take My Hand
For Concert Band, Grade 3.5
Lyrics by the Reverend Thomas Dorsey, based on the traditional melody “Maitland” Setting by Randall D. Standridge (ASCAP)
Instrumentation
1 - Full Score 8 - Flute/Oboe 2 - Bassoon 5 - Bb Clarinet 1 5 - Bb Clarinet 2 2 - Bb Bass Clarinet 2 - Eb Contrabass Clarinet 2 - Bb Contrabass Clarinet 6 - Eb Alto Saxophone
2 - Bb Tenor Saxophone 2 - Eb Baritone Saxophone 4 - Bb Trumpet 1 4 - Bb Trumpet 2 4 - F Horn 6 - Trombone/Euphonium 2 - Euphonium T.C. 2 - Bass 4 - Tuba
1 - Piano 2 - Mallets (Bells, Chimes, Vibraphone) 2 - Timpani (4 drums) 2 - Percussion 1 (Triangle/Crash Cymbals/Wind Chimes) 2 - Percussion 2 (Suspended Cymbal/Bass Drum/Sleigh Bells)
Full Set - $65.00 Extra Conductor Score - $10.00 Extra Part - $4.00
Randall Standridge Music, LLC - 26 County Road 472 - Jonesboro, AR 72404 - 870-926-3479
www.randallstandridge.com - [email protected]
Precious Lord, Take My Hand Lyrics by the Reverend Thomas Dorsey, based on the traditional melody “Maitland”
Setting by Randall D. Standridge About the inspiration for the work
Music can serve many purposes. It can inspire, it can illustrate, it can cause waves of emotion...and it can comfort. I’m sure many of us have had moments in our lives when our greatest comfort was a favorite song, melody, or great work.
2020 has been a stressful year. I’m not sure what the history books will say about it, but I am certain they will have something to say. We’ve had a pandemic, a political social media war, a civil rights reckoning, and more. All of this is to say that there were several factors that led to the creation of this setting of Precious Lord, Take My Hand.
First, I wanted to create something that would comfort people. In this regard, I wanted a gentle melody and something that was familiar. Precious Lord has always been one of my favorite hymn-tunes, and I was excited to create a setting of this beloved work.
Second, I wanted to create something that was relevant. Reverend Thomas Dorsey wrote the lyrics to Precious Lord during a time of profound personal loss and sorrow. In 1932, Dorsey’s wife, Nettie Harper, and his infant son died while Nettie was in labor. He set the words to the hymn tune Maitland , by George Allen. It was also a favorite of Martin Luther King, Jr., and was performed at many of his civil rights rallies by gospel singer Mahalia Jackson. The song has become a symbol of comfort and hope in times of despair, and it is with this intent that I decided on its use.
Third, I have always believed that substantial music can exist in any format, but there seems to be a great deal of resistance by many publishers to publish wind ensemble music that isn’t in an expanded instrumentation. This makes it challenging for small-yet-talented ensembles to find music that easily fits their instrumentation. Here, I set out to create a musically substantial work that could be played by as few as 13 players, though would still retain a full sound and interesting interplay amongst the voices. In this, I hope I have succeeded.
When performing or listening to this work, I hope it brings you comfort. I hope that it brings you hope. I hope that, in the song’s lyrics, you find comfort in asking for guidance and asking for a hand to hold and shoulder to lean on. To quote Stephen King, “Life is short and pain is long, and we were all put here to help one another.”
Peace, Love, and Music.
About the format of the work This work has been written in such a way that it may be performed by as few as thirteen musicians, but would still be
appropriate for larger ensembles. It has been cross cued generously to provide a great deal of flexibility for all instrumentations. The French Horn and Piano parts may be omitted, though their inclusion definitely enriches the orchestral color. While the piece is short (for endurance), the musical ranges and ensemble challenges will provide substance for developing and accomplished musicians. Rehearsal/Performance suggestions -Consider some showmanship. The soloist(s) may be staged in the audience, on the edge of the stage, anywhere. Let’s break those traditions! -While there is substantial cross cueing, the most accurate performances will omit any cues and stick to the original orchestral colors; having said that, you do what you gotta do. -Soloists should feel free to embellish the gospel feel of the work, within reason. -If more mallet percussion are available, consider doubling the piano part with more percussion. Do NOT just let them sit there. -Dynamics should be noticeable and taken to extremes. -Performances of the work should have a dramatic, cinematic quality.
About the Composer Randall Standridge (b.1976) received his Bachelor of Music Education from Arkansas State University. During this time, he studied composition with Dr. Tom O'Connor, before returning to Arkansas State University to earn his Master's in Music Composition, studying with Dr. Tom O'Connor and Dr. Tim Crist. From 2001 to 2013, he served as the Director of Bands at Harrisburg High School in Harrisburg, Arkansas. Mr. Standridge is currently published by Grand Mesa Music, Alfred Music, FJH Music, Wingert-Jones Music, BandWorks Publications, Twin Towers Music, and Northeastern Music Publications. Mr. Standridge has had several of his pieces performed internationally, and has had numerous works selected to the J.W. Pepper's Editor's Choice and Bandworld Top 100 lists. His composition Snake Charmer, published by Grand Mesa Music, is included in Teaching Music through Performance in Band Vol. 8, and his work Gently Blows the Summer Wind, also published by Grand Mesa Music, is included in Teaching Music through Performance in Middle School Band. He has had several works performed at the Midwest Music Clinic in Chicago, IL. His work Art(isms) was premiered by the Arkansas State University Wind Ensemble at the 2010 CBDNA conference in Las Cruces, New Mexico. Mr. Standridge is also a contributing composer for Alfred Music’s Sound Innovations: Ensemble Development series. His music is gaining recognition as worthwhile literature for concert festivals and performances across the United States and internationally.
In addition to his career as a composer, Mr. Standridge is the Marching Band Editor for Grand Mesa Music Publishers. He is in demand as a conductor, clinician, drill designer, composer, and music arranger for the marching arts. He is also a freelance artist, photographer, and writer. He lives in Jonesboro, AR with his family. For more information about Mr. Standridge, visit his website at: www.randallstandridge.com
26 COUNTY ROAD 472 - JONESBORO, AR 72404
870-926-3479 - [email protected]
PERMISSION TO PHOTOCOPY AND PERMISSION FOR DIGITAL USAGE (RESTRICTIONS APPLY)
Concert work: Precious Lord, Take My Hand (RSM C011)
This document grants the organization/entity that purchased this work the right to create photocopy reproductions of the parts for use in rehearsal and performance of this work. The organization may create digital copies of the parts for sole distribution to their active members. The following regulations and and restrictions must be followed; failure to comply will result in prosecution by Randall Standridge Music under United States and International copyright law. For legal permission, signatures by the director and a school/organization administrator are required below. Please read and initial all of the following statements. Initialing each line constitutes an understanding and agreement to the terms listed. Without initials and signatures, this document is null and void, along with all rights granted therein. _____ Randall Standridge Music retains all rights to the musical composition. Purchase of the work grants the purchaser the rights listed in this document, but does not constitute a surrender of ownership by Randall Standridge Music. Randall Standridge Music may void this agreement at any time should the purchasing party violate the regulations. Any arranging rights for other ensembles (marching band, etc…) require a separate licensing agreement. Please contact us for details. _____ This work is licensed solely for use by the purchasing organization/entity. This work, in part or in whole, may not be shared with a third party, such as other schools or organizations. _____ Purchase of this work grants the purchasing organization/entity the following rights -The right to copy parts and to create digital copies of said parts. -The right to distribute both physical and digital copies to performers (see restrictions below) -The right to rehearse and perform the work with members of the purchasing organization/entity. -The right to create not-for-profit audio and video recordings and to display them on websites/social media/etc. _____ The following restrictions apply and must be followed. Any violation renders this document null and void, along with all rights granted therein. -Performers may be supplied with access to their part ONLY. No performer should have access to all parts. -Digital copies may not be made available via websites or links that may be accessed by the general public. Randall Standridge Music conducts weekly internet searches for our products. Any such links or websites found disseminating our music will be investigated and prosecuted under United States and International copyright law. This applies to both purchasing organizations/entities AND their performers. -The right to copy parts does NOT extend to scores. Separate scores must be purchased, if required. _____ The purchasing organization/entity acknowledges that composers of musical works depend on the income of said works for their livelihood and careers. By purchasing this music, you are acting as a patron for the composer and are very much appreciated. __________________________________________________________ Director __________________________________________________________ Administrator
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Bb Bass Clar./Bassoon/
Eb Bar. Sax.
Bb Trumpet 1
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Trombone/Euphonium
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Precious Lord, Take My Hand
Copyright © 2020, by Randall Standridge Music, LLCAll Rights Reserved. Licensing and purchase required for public performance.
Sharing this work with third parties is prohibited by Publisher and subject to prosecution under U. S. and International Copyright Law.
ScoreDuration: 3'20''
Grade 3.5
Lyrics by Rev. Thomas A. DorseyMaitland (melody), Traditional
setting by Randall D. Standridge(ASCAP)
for Modular Wind Ensemble
RSM C011
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Bb Cl. 2/T.Sax
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B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
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Tuba/Bass/
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Perc. 1
Perc. 2
Synth
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2 Precious Lord, Take My Hand
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3Precious Lord, Take My Hand
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Bb Tpt. 2
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Synth
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4 Precious Lord, Take My Hand
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Synth
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5Precious Lord, Take My Hand
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Prev
iew C
opy O
nly.
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iew C
opy O
nly.
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iew C
opy O
nly.
&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
∑
∑
œ œA œ œ œ œ˙N œ
.˙A∑∑
.˙
˙A œ..˙̇A
œA . œ. œA .
œ œA œ œ œ œ
œA . œ. œA .
œ œA œ œ œ œ
œ Œ œA
Π!
31
3 Œ Œ
p
p
p
31
p
Div. (opt)
p
Tromb/Euph.
pizz.
(very in the background)
F
p
ppizz.
Tranquil q=90∑
Œ œ œ œ
œ œ œ œ œ œ˙N œ
.˙∑Œ œ œ œN
∑.˙
˙A œ
..˙̇
œ.Œ Œ
œ œ œ œ œ œ
œ.Œ Œ
œ œ œ œ œ œ
œ Œ Œ
Π!
32
∑
F
B b Clarinet 1
F
∑
œ œA œ
œA œ œ œ œ œœ œ œ œ œ œ
.˙∑
œ œ œ
∑.˙
œ œ œ œA œ œ
..˙̇A
œA . œ. œ.œA œ œ œ œ œ
œA . œ. œ.
œA œ œ œ œ œ
œ Œ œŒ !
33
∑
∑
œA œ œ œ œ œ
œ œN œ œ œ œœb œ œ œ œ œ œ œ
3
.˙∑
œ œ œ œ œA œ
∑.˙œb œ œ œ œ œ œ œ
3
..˙̇A
œ.Œ œ.
œ œA œ œ œ œ
œ.Œ œ.
œ œA œ œ œ œ
œ Œ œ
Π!
34
∑
Œ œœ œœ
œ œ œ
œ œ œ œ œ œ˙ œ
˙ œ∑
œ œ œ
∑.˙
˙ œ..˙̇A
œ. œ. œ.
œ œ œ œ œ œ
œ. œ. œ.
œ œ œ œ œ œ
œ Œ œ
Π!
35
∑
F..˙̇
.˙
œ œ œ œ œ œœ œN œ
˙ œ∑.˙A
∑.˙
œ œN œ..˙̇
œ. Œ œ.œ œ œ œ œ œ
œ. Œ œ.œ œ œ œ œ œ
œ Œ Œ
Π!
36
∑
6 Precious Lord, Take My Hand
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opy O
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
‰ JœœAA œœ œœ œœAA œœ
‰ Jœ œ œ œ œ
œ œ œ œ œ˙ œ œ œ
˙̇ œœ∑∑
.˙˙ œ œ œ
..˙̇
œ. œ. œ..˙
œ. œ. œ.
.˙
œ Œ Œ
Π!
37
∑
..˙̇AA
.˙
.˙
.˙
œœ ˙̇
‰ jœ> œA > œ> œ> œA>
∑.˙.˙
..˙̇
œ. -̇
∑
œ. ˙
∑.æ̇
∑
38
.æ̇
F
pBass Drum
Play
arco
∑
∑
Œ œ œ œŒ œ œA œ
Œ œ œ œ˙N œ œ
˙ œ œ
Œ œ œA œ
Œ œ œ
Œœ œ œ
Œ œœœ œ œœœŒ
œ œ œ
Œ >̇Œ ˙
ΠX>
39
jœ ‰ >̇
39
f
f
f
f
f
f
f
Play
ff
f
fCrash Cymbals
Chimes
f
f
f
∑
∑
˙ œ œœ œb> œ> œ>
œ œ> œ>œ .œ> Jœ
œA .œ> Jœ
œ œb œ> œ>
˙ œ
œ œ> œ>
...˙̇̇
œ œ> œ>
Œ >̇
Œ æ̇
∑
40
.æ̇p
∑
∑
˙ œ>̇ œ
œœ œœ œœ˙ œ œ
œ œ œ>̇ œœ œ œ œ œ œ
œ œ œ
...˙̇̇
œ œ œ
Œ >̇
.˙Œ X>
41
jœ ‰ >̇f
Œ Œ œ œn
Œ Œ œ œb
œb œ œ œ œ œœ# œ œ
œœ## œœ œœb œ œ œ œ œb
œ# œ œœn œ œœb œ œ œ œ œ
œn œ œœb œ œ ˙.˙
œn œ œ
œn œ œnœ Œ Œ
∑
42
.æ̇
f
f
p
rit.
7Precious Lord, Take My Hand
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opy O
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
4
4
4
4
4
4
4
3
4
3
4
3
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
Ÿ~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~
˙A œ
˙ œ
œ ˙N˙N œ
œ œ œN˙ œ
˙ œ˙A œ
œ ˙
œ œ œA
˙̇̇N œœœ
œ œ œA
.˙A
.˙.X>
43
jœ ‰ Œ Œf
Broadly q=80 œ œ œ
œ œ œ
˙ œ˙ œ
œ œ œœ œN œ
œN œ œ
˙ œ˙ œ
œ œ œ
œœ œœœ œœœœ œ œ
∑Œ Œ œæŒ Œ x>
44
Œ Œ œ>
p
.˙
.˙
.˙œ œ> œ>
.˙
.˙
.˙
œ œ> œ>
.˙
.˙
...˙̇̇
.˙
∑.æ̇.X
45
.æ̇p
rit. w
w
w‰ œ œ œ œ œ œ œ œ
ww
w‰ œ œ œ œ œ œ œ œw
w
wwww
‰ œ œ œ œ œ œ œ œw>X>
46
jœ ‰ Œ Ó
Vibraphone (med. hard mallets)
ƒ
ƒ
Solemn q=90
ƒ
ƒ
ƒ
ƒ
ƒƒ
ƒ
ƒ
ƒ
ƒ
ƒƒƒ
ƒ
ƒ
w
w
ww
ww
w
ww
wwwwwww
wwæ
∑
47
∑
p
p
p
pp
p
p
p
p
π
p
F
F
F
∑
.˙
.˙
∑
∑
.˙
.˙
.˙
Œ Œ œ
∑
...˙̇˙
∑
....˙˙˙̇∑
.!æ
48
∑
π
π
π
F
(Stagger Breathe)
(Stagger Breathe)
(Stagger Breathe)
p
p
Triangle
48
π
π
p
F to Gb
~~~~
U
u
u
uU
u
uU
u
u
u
u
uU
U
8 Precious Lord, Take My Hand
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iew C
opy O
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
.˙
.˙
∑
Œ œ œ.˙
.˙
.˙
.˙
Œ œ œ...˙̇˙
∑
....˙˙˙̇∑
.!æ
49
.˙
F
F
(Stagger Breathe)
PSleigh Bells
∑
.˙
.˙
∑
˙ œ œ.˙
.˙
.˙
.˙
˙ œ œœœœ ˙̇˙
∑
œœœœ ˙˙˙̇∑
.!æ
50
.˙
π
∑
.˙
.˙
∑
˙ œ œ.˙
.˙
.˙
.˙
˙ œ œ...˙̇˙
∑
....˙˙˙̇∑
.!æ
51
.˙
∑
.˙
.˙
∑
œ œ œ œ œ.˙
.˙
.˙
.˙
œ œ œ œ œœœœ ˙̇˙
∑
œœœœ ˙˙˙̇∑
.!æ
52
.˙
∑
.˙
.˙
∑
˙ œ œ.˙
.˙
.˙œ œ œ
˙ œ œ...˙̇˙
∑
....˙˙˙̇∑
.!æ
53
.˙
F
.˙
.˙
.˙
∑
œ œ œ.˙
.˙
.˙
.˙
œ œ œœœœ ˙̇˙
∑
œœœœ ˙˙˙̇∑
.!æ
54
.˙
p
~ ~ ~~~~~
æ æ æ æ æ æ
9Precious Lord, Take My Hand
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iew C
opy O
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~
.˙
.˙
.˙
∑
œ œ œ.˙
.˙
.˙˙ œ
œ œ œ...˙̇˙
∑
....˙˙˙̇∑
.!æ
55
.˙
π F
∑
∑
∑
Œ .œ Jœ
.˙
.˙
.˙b
œ .œ jœ.˙
.˙
...˙̇˙b
∑
∑
.æ̇
∑
56
∑
F
π
Œ œœ œœ
∑
∑
.˙
.˙
.˙
.˙
.˙
.˙
.˙
...˙̇˙
∑
∑
.æ̇
∑
57
.#æ
F
P
pSus. Cym.
˙̇ œœ œœ
.˙
.˙
.˙
.˙
∑
∑
∑
∑
∑
∑∑
œ œ ˙
∑
Π!
58
3 Œ Œ
p
p
p
p
P
P
Bells
58
P
(bring out)
œœ œœ œœ
.˙
.˙
.˙
.˙
∑
∑
∑
∑
∑
∑∑
œ œ ˙
∑
∑
59
∑
œœ œœ œœ œœ œœ
.˙
.˙b
.˙
.˙b
∑
∑
∑
∑
∑
∑∑
œ œ ˙∑
Π!
60
∑
~~~~~~~~
æ
10 Precious Lord, Take My Hand
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
˙̇ œ œ
.˙
.˙b
.˙
.˙#
∑
∑
∑
∑
∑
∑∑
œ œ œ œ œ œb∑
∑
61
∑
œ œ œ
œ œ œ
.˙
.˙
œ œ œ∑
∑
∑
∑
∑
∑∑
.˙∑
∑
62
∑
œ œ œ œ œ
œ œ œ œ œ œ
˙ œ
œ œ ˙
œ œ œ
∑
∑
∑
∑
∑
∑∑
∑∑
∑
63
.#æp
.˙
œ œ œ œ œ œ
.˙
.˙
.˙
∑
∑
Œ œ œ
∑
.˙
œ œ œ
.˙
œ œ œ œ œN œ∑
∑
64
3 Œ Œ
P
p
P
Moving forwardq=100
P
p
64
P
P
.˙
œ œ œ œ œ œ
.˙
.˙
˙ œ œ∑
∑
.˙
Œ œ œ
˙ œ œ
œ œ œ
˙ œ œ
œ œ œ œ œ œ∑
.!
65
∑
P
pBass Drum (very distant)
.˙
œ œ œ œ œ œ
.˙
.˙
.˙∑
∑
œ œ œ
.˙
.˙
œ œ œ
.˙
œ œ œ œ œ œ∑
∑
66
.æ̇π
11Precious Lord, Take My Hand
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbbb
bb
bb
b
bb
bb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbb
b
b
n
b
b
b
bb
bbb
bbb
bbb
bbb
bbb
bbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
.˙
œ œ œ œ œ œ
.˙
.˙
.˙Œ œ œ
∑
.˙
.˙
.˙
œ œ œ
.˙
œ œ œ œ œ œ∑
.!
67
.æ̇
P
P
∑
œb œ œ œ œ œ
.˙
.˙
˙ œ œ.˙
∑
Œ œ œ
.˙b
˙ œ œ
œb œ œ
˙ œ œ
œb œ œ œ œ œ∑
∑
68
.æ̇
∑
œb œ œ œ œ œ
.˙
.˙b
˙b œ œ.˙
Œ œ œ.˙b
œ œb œ
˙n œn œb
œb œ œ
˙n œn œb
œb œ œ œ œ œ
.˙# æ
.!
69
jœ ‰ Œ Œ
rit.
π
p
P
∑
.˙
.˙#
.˙b
œ œ# œŒ œ œ
.˙bœ Œ Œ˙ œn
œ œn œ
œb œ œ
œ œn œ
œb œ œ
.æ̇
∑
70
∑
Œ œ. œ. œ. œ.
.˙
.˙
.˙
.˙
.˙
ΠΠϷ
˙A œ
.˙
...˙̇̇
.˙
œ œ œ œ œ
œ ˙.!
71
∑
P
F
Rising with hope q=90
F
F
F
F
F
F
F
F
F
FF
œ. œ. œ. œ. œ. œ.
.˙
.˙
˙n œ œ
.˙˙ Œ
.˙nŒ Œ œN œ
.˙n
..˙̇
...˙̇̇n
..˙̇
œN œ œ œ œ œ
Œ ˙
∑
72
.#æ
P
pSus. Cym.
P
(opt. Divisi)
12 Precious Lord, Take My Hand
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opy O
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbb
b
b
b
b
b
bb
bbb
bbb
bbb
bbb
bbb
bbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
œ. œ. œ. œ. œ. œ.
∑
Œ œ œN
˙ œ
œ ˙∑
∑
˙ œ∑
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
73
3 Œ Œ
p
p
P
p
p
F
Wind Chimes
p
P
73 œ. œ. œ. œ. œ. œ.
Œ Œ œ œ
Œ œ œ
˙ œN œ
œ ˙∑
∑
˙ œ œ
∑
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
74
∑
P
œ. œ. œ. œ. œ. œ.
˙ œ
Œ œ œœ œ œ œ
œ ˙∑
∑
œ œ œ œ
∑
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
75
∑
œ. œ. œ. œ. œ. œ.
˙ œ œ
Œ œ œ
œ œ œ œ
œ ˙∑
∑
œ œ œ œ
Œ œN œ
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
76
∑
P
œ. œ. œ. œ. œ. œ.
œ œ œ œ œ
Œ œ œ
˙ œ
œ ˙∑
∑
˙ œ.˙
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
77
∑
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
œ. œ. œ. œ. œ. œ.
œ œ ˙
Œ œ œ
˙ œ
œ ˙∑
∑
˙ œœ œ œ
œœ ˙̇
Œ œ œœœ ˙̇
œ œ œ œ œ œ
Œ ˙.#
78
∑
13Precious Lord, Take My Hand
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbb
b
b
b
b
b
bb
bbb
bbb
bbb
bbb
bbb
bbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
√œ œ œ œ œ œ œ œ œ œ œ œ œ6
œ œ œ œ œ œ œ œ œ œ œ œ œ6
˙ œœ œ ˙
œ œ œ∑
∑
œ œ ˙˙ œ
œœ œœ œœ∑
œœ œœ œœœ œ œ œ œ œ œ œ œ œ œ œ œ
6
.˙3 Œ Œ
79
∑
.˙
.˙
.˙
.˙
˙ œŒ œ œ
Œ œ œ.˙.˙
˙̇ œœ
Œ œ œ
˙̇ œœ.˙
˙ œ
∑
80
.æ̇
f
Molto Rit.
f
pBass Drum
f
˙ œ œ
.œ Jœ œ œ
Œœ œ
‰ œ œ œ œ ˙
Œœ œ œ
.œ Jœ œ œ
˙ œ
‰ œ œ œ œ ˙
Œ œ œ
Œ œ œ œ
˙̇̇ œ œŒ œ œ œ
Œ >̇
Œ >̇
ΠX>
81
jœ ‰ >̇
f
Triumphant q=90
f
f
f
f
f
f
ff
f
fCrash Cymbals
Chimes
f
81
f
œ œ œ
œ œ œ
.œ jœ œœ œ œ œ œ œ
œ œb œœ œ œ
˙ œœ œ œ œ œ œ
.œ Jœ œ
œ œb œœœœ œœœ œœœ
œ œb œ
∑Œ æ̇
∑
82
.æ̇p
.œ Jœ œ œ
.œ Jœ œ œ
œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ.œ Jœ œ œ
˙ œ
œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ
œ œ œ œ...œœœ Jœ œ œ
œ œ œ œ
Œ >̇
.>̇Œ X>
83
jœ ‰ >̇f
.˙b
.˙
.˙
.œb Jœ œ œ œ œ œ
.˙#
.˙b
.˙#
.œb Jœ œ œ œ œ œ
.˙
.˙n
...˙˙˙#n
.˙n
∑.æ̇
∑
84
.>̇
14 Precious Lord, Take My Hand
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbb
b
b
b
b
b
bb
bbb
bbb
bbb
bbb
bbb
bbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
(√) .˙
.˙
.˙
.˙
.˙
.˙
.˙
.˙
.˙
.˙
...˙˙˙
.˙
.>̇
.æ̇.X>
85
.æ̇
p
p
p
p
p
p
p
p
p
p
p
p
p
p
Jœ ‰ Œ Œ
Jœ ‰ Œ Œ
jœ ‰ Œ Œ
.˙
jœ ‰ Œ Œjœ ‰ Œ Œ.˙
Jœ ‰ Œ Œ
Jœ ‰ Œ Œ
Jœ ‰ Œ Œ
jœ ‰ Œ Œ
Jœœœ ‰ Œ Œ
jœ ‰ Œ Œ
∑
Jœ ‰ Œ Œ
∑
86
jœ ‰ Œ Œ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒSolo
ƒ
ƒ
ƒ
ƒ
Peaceful q=80
Eb Alto Saxophone
∑
∑
∑
˙ œ œ œ3
∑∑
˙ œ œ œ3
∑
∑
∑
∑
∑∑
∑∑
∑
87
∑
F
F
∑
.˙
.˙
.œ jœ œ œN
.˙∑
.œ jœ œ œ
∑
∑
∑∑
.˙
∑∑
Œ ˙∑
∑
88
∑
p
p
p
Bb Bass Clar./ Bssn./ Eb Bar. Sax.
p
88
P
∑
.˙
.˙jœ œ œ œ œ œ œ
.˙N∑
jœ œ œ œ œ œ œ
∑
∑
∑∑.˙
∑∑
Œ ˙∑
∑
89
∑
rit. ∑
∑
∑
.˙
∑∑
.˙
∑
∑
∑
∑
∑∑
∑∑
∑
90
∑
a tempo
All
15Precious Lord, Take My Hand
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&
&
&
&
&
&
&
&?
?
&?
&?
ã
ã
bbb
b
b
b
b
b
bb
bbb
bbb
bbb
bbb
bbb
bbb
Fl./Ob.
Bb Cl. 1
Bb Cl. 2/T.Sax
A. Sx.
B. Cl./Bssn./B.Sax.
Bb Tpt. 1
Bb Tpt. 2
Hn.
Tbn./Euph
Tuba/Bass/
(C.B.Cl)
Mal.
Timp.
Perc. 1
Perc. 2
Synth
∑
∑
.˙
.˙
.˙∑
.˙
.˙∑
.˙∑.˙
...˙̇̇∑
∑∑
∑
91
∑
p
p
p
p
∑
∑
jœ ‰ Œ Œ
.˙
jœ ‰ Œ Œ∑
.˙
jœ ‰ Œ Œ
∑
Jœ ‰ Œ Œ∑jœ ‰ Œ Œ
jœœœ‰ Œ Œ
∑
ΠΠϷ
∑
92
∑
p(distant, but audible)
∑.˙
.˙
.˙
.˙
.˙∑
.˙
.˙#
.˙
.˙
.˙
...˙˙̇n∑
.˙∑
∑
93
∑
p
p
p
Play
Bb Clarinet 1
p∑.˙
.˙
∑
.˙
.˙∑
.˙
jœ ‰ Œ Œ
.˙
Jœ ‰ Œ Œ
.˙
.˙∑
˙ œ∑
∑
94
.#æπSus. Cym.
∑.˙
.˙
.˙
.˙
.˙∑
.˙
..˙̇
.˙
.˙
.˙
...˙̇̇A∑
˙ œ∑
.#
95
3 Œ Œ
π
π
π
π
π
π
π
p
PWind Chimes
Div.
π
π
∑.˙
.˙
.˙œ œ œ œ œ
.˙∑
œ œ œ œ œ
..˙̇
.˙
.˙
.˙
...˙̇̇∑
˙ œ∑
.#
96
∑
Solo
∑.˙
.˙
.˙jœ œ œ œb œ œ œ œ
.˙∑
jœ œ œ œb œ œ œ œ
..˙̇
.˙
.˙
.˙
...˙̇̇∑
.˙∑
.#
97
∑
rit. Ó ..˙
.˙
.˙
.˙
.˙∑
.˙
..˙̇
.˙
.˙
.˙
...˙̇̇
..˙̇
.˙Ó .
.#
98
Ó .
p
p
Uu
u
uU
u
u
uU
U
u
u
u
uU
U
U
16 Precious Lord, Take My Hand
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