Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850 Art of Feeling Early Artists -...

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Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850 • Art of Feeling • Early Artists - Francisco de Goya, William Blake, Henry Fuseli • Rebelling against the neoclassical age of reason • Jean Jacques Rousseau - Primal man, human nature, break free of chains • Leading artists: Gericault and Delacroix (French) • Based on : intuition, emotion, and imagination • Influence : Sublime, medieval and romantic tales, poems, baroque eras, middle and far east • Tone : subjective, spontaneous, non-conformist, broke rules • Color : unrestrained, deep, rich shades, reds, lots of contrast • Subjects : legends, exotica, nature, violence, contemporary history • Genres : narratives of heroic struggle,

Transcript of Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850 Art of Feeling Early Artists -...

Page 1: Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850 Art of Feeling Early Artists - Francisco de Goya, William Blake, Henry Fuseli Rebelling.

Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850

• Art of Feeling• Early Artists - Francisco de Goya, William Blake, Henry Fuseli• Rebelling against the neoclassical age of reason• Jean Jacques Rousseau - Primal man, human nature, break free of chains• Leading artists: Gericault and Delacroix (French)• Based on: intuition, emotion, and imagination• Influence: Sublime, medieval and romantic tales, poems, baroque eras,

middle and far east• Tone: subjective, spontaneous, non-conformist, broke rules• Color: unrestrained, deep, rich shades, reds, lots of contrast• Subjects: legends, exotica, nature, violence, contemporary history• Genres: narratives of heroic struggle, landscapes, wild animals• Technique: quick brushstrokes, strong light and shade, contrast• Composition: use of the diagonal, unstable, chaotic, dynamic, real,

energetic brush, impact of color, elevation of contemporary and exotic subject matter, “Orientalism”, pursuit of passion,

Page 2: Pre-Romanticism / Romanticism Dates: c. 1780s / 1800 - c. 1850 Art of Feeling Early Artists - Francisco de Goya, William Blake, Henry Fuseli Rebelling.

Francisco de Goya,1746-1828 (Spanish) Family of Charles IV, 1800

• Rococo painter

• Early Court Portraits

• Court painter

• Tapestry Cartoons

• Man without and Ism”

• Velasquez “Las Meninas”, 1628

• Mockery of royalty

• Painter of the pueblo

• Ilustrado (enlightened)

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Goya, Sleep of Reason Produces Monsters Los Caprichos series, 1797 - 1800

• 80 Etchings

• Satirical prints

• Public vs. private world

• Vices

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Goya, They say yes and give their hand to the first comer, 1798 / You who cannot, 1798

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Goya, The Disasters of War, 1810-1820Spain’s war with France

Printed 35 years after death

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Goya, Executions of the 3rd of May, 1808, 1814

• French Invasion

• Madrilenos resistance

• Ferdinand VII Patron

• Resistance

• Principe Pio (hill)

• Effects of War

• Brushstroke

• Light

• Focal point

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Goya, Chronos Devouring one of his children, 1820• Quinta del Sordo (Deaf’s Mans’ House)

• Black Paintings (Name by Art Historians)

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Goya, Goat, 1823

• Named by his children

• Goat - devil

• Witches Sabbath

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William Blake (1757-1827), Ancient of Days, 1794

• English Romantic Poet, Painter, Illustrator

• Engraver

• Engravings

• Watercolor

• Subjects

• Religion

• History

• Mythology

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Blake, Red Dragon and the Woman Clothed in

the Sun, 1806-9

• Satan

• Woman = Church

• Book of Revelations

• Inspired Harris Novel

• Conflict

• Sublime

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Blake, America: A Prophecy, 1793

History

U.S. and France

Freedom from British Monarchy

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Henry Fuseli (1741-1825), (Swiss)The Nightmare, 1781

• England• Father - Portrait

painter• Priest• Studied

Michelangelo• Fantasy, Sublime• Freud• Mara - N. Mythology• Incubus

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Fuseli, Nightmare (2 versions), 1781, 1802

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Fuseli, The Night-Hag Visiting the Lapland Witches, 1796from: John Milton’s Paradise Lost

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Percival Delivering Belisane from the Enchantment of Urma, 1783

• King Arthur’s Knights

• Maiden

• Urma - Wizard

• Invented scene

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Gericault, Raft of the Medusa, 1818-19 (French)

• “Official” Founder of movement

• Contemporary History

• French colonialists to Senegal

• Primal Emotions

• Anatomical Studies

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Studies

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Gericault, Insane Woman, 1822-23The Woman with Gambling Mania, 1822

England

Etienne Georget, Psychiatrist

Study of Physiognomy

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Gericault, Man with Delusions 1819-22 Portrait of a kleptomaniac, 1819-22

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Delacroix, Death of Sardanapalus, 1826•Student of Guerin & Gericault

•2nd Leader

•Salon shows

•Outspoken

•Byron Play

•Orientalism

• Assyrian

• Imagination

•Chaos, drama

•Heightened emotion

•Rubenite (color)

•Vignette

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Delacroix, Liberty Leading the People, 1830

French Revolution

Proletariat - working class

Contemporary History

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Delacroix, Massacre at Scio, 1824

• Greeks Vs. Turks

• War of Independence

• Sickness & despair

• Before Massacre

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Delacroix, Greece Expiring on the Ruins of Missolonghi, 1827

•Emblematic

•Greek suicide

•Freedom

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Romantic Landscape

•Jean Jacques Rousseau

•Cistercian Abbey

•Near Artist’s home

•Universal Spirit

•Temples

•Altarpieces

•Death/desolation

•Destruction of time

•Unity/harmony

•Sublime

Caspar David Friedrich (1774-1840, German)

Abbey in the Oak Forest, 1809-10

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Cloister Graveyard in the Snow, 1810

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Friedrich, Wanderer, , Moonrise over the Sea, 1817•Nostalgia

•Sublime

•Moods

–Isolation

–Loneliness

•Modern Man

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Joseph Mallord Turner, 1175-1851, (English)Burning of the Houses of Lord and Commons, October 16, 1834, 1835

• Abstract

• Elements

• Power

earth, fire, water, air

• Observation

• Layers of pure color

• “painterly”

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Turner, Rain, Steam, and Speed - The Great Western Railway, 1844

• Technology vs. Nature

• Industrial Revolution

• Elements

• Power

• Calmness/order

• Abstract

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Turner, Slave Ship, 1838

•Contemporary events

•Slaves thrown overboard

•Insurance

•Turner’s Style?

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John Constable, The Haywain, 1821

• Stayed close to home

• Skying

• Teacher/Critic

• Meteorologist

• Nostalgia

• Industrialization

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Constable, Hadleigh Castle, Mouth of Thames, Morning after a storm, 1829

• Decay

• Loss

• Sentimentality

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Thomas Cole (1801-48), View of Mt. Holyoke, Northampton, MA, after a thunderstorm (The Oxbow), 1836

English

“Hudson River School”

East Coast

Preservation

Transcendentalism

Manifest Destiny

Moral/religious

AMERICAN ROMANTIC LANDSCAPE PAINTING

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Cole, Course of the Empire, 1836

Savage

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Arcadian

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Consummation

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Destruction

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Desolation

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Bierstadt, Among the Sierra Nevada Mountains, California, 1868

Elements of Romantic landscape paintings?

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Frederick Church (1826-1900), Twilight in the Wilderness, 1860

• Connecticut

• Constructed Landscape

• Student of Cole

• Travels to capture Virgin land

• Divine light

• Pre-Civil war

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Church, Heart of the Andes, 1824

• Columbia

• Ecuador

• Peru

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George Inness, The Lackawanna Valley, 1855

• Pennsylvania

• Signs of Invasion

• Manifest Destiny

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Neoclassicism / Romanticismcompare/contrast

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Elizabeth Vigee-Lebrun (1755-1842), Portrait of Marie Antoinette with her Children, 1787

• Guiard and David’s Rival

• Father portrait painter

• French Royal Academy + Academy of St. Luke

• Court Painter

• 900 paintings

• Rubenite

• Personal friend of Queen

• Ideal Queen and Mother

• “Virtuous Women”

• Combat negative press

• References to deceased child

• Never publicly displayed

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Vigee-Lebrun, Self Portrait 1790, Self Portrait with Daughter, 1786

• 40 self-portraits

• Artistic success

• Aristocrats

• Aligned politically with upper classes

• 12 years in exile

• Austria and Russia