PORTRAYAL OF DOMINANCE IN CHILDREN S · Portrayal of Dominance 6 This reemuch is psesenting a viw...
Transcript of PORTRAYAL OF DOMINANCE IN CHILDREN S · Portrayal of Dominance 6 This reemuch is psesenting a viw...
PORTRAYAL OF DOMINANCE IN CHILDREN S
MYTH, STORY AND LEGEND
Implications for Educational Administrators
Joan Huggins O O
Submitted in partial fuifilment
of the requirements for the degree of
Master of Education, Faculty of Education
Lakehead University, Thunder Bay, Ontario
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Thanks to Dr. Dunial Xlisaon bot empovmring
esrative upraision in an aardda. f o ~ . àl io, t h e s
to Dr. Hope renne11 a d Dr. Doug Thom for supportiva
encouragementa rnd litesary leadership.
Bincere apprecirtion is utandad to i y intomil
and u+rrnrl raaders, Dr. Cotey Wamtaall amd Dr. muci&
Salaer .
This raseuch ~ 5 . ~ 8 th-- of domininca f ~ o i the perspective thrt doiinanae roptm8.nta an intogrition of dialeatiaal aupport and aontrol diranaions. Tha dasign of the inqui- appli.8 an adaptation of Hrtaay and Blurohud's lituitional Zeadar8bip model, o i l l e d tbe Darminance Rffect Teqplate, to th. main ahuaoters in children@a iffth, 8tory and legand. Th. re80azoh atories include THE UGLY WCKZîNG, LITTZE RED RIDaJG HmD, CDmQiELLA, THE: S W I N G BEAUTY, Z!UE R W SNaES and THE WIZD SKANÇ.
&alpsing the contukt of ahilbrea'm ipth, storg and lagand effmctively ormate8 a new 8torp highlighting charactrrisation8 of conttolling and supporthg role exprasaions. The rasulting effectivenasa of such sole manifestations upon the aituatadnras of the m i n ohax8at.r prograsming ouririliaauly through Teohnieal, Interdependent, Political, and Rational Dominanor quadraats is uamined with the application of the Dominance Affect T e ~ p l a t e .
Childrenis ip+h, storp and leguid, when aonnidered relationaïly by affect, oraatea in ecology of little narrative through whioh ohilmen i ay ba aonatniatively guided to discover their o m talents fox interacting rith, having an effect upon, and feeling ompoweted within the wotld that they inhabit.
Portraya1 of Dominance
Table of Contents
In-duction . . . . . . . . . . . . . . . . . . . . 5
. . . . . . . . . . . . . . . . . . . Rationale 7
. . . . . . . . . . . . . . . Theoretical Framework 8
. . . . . . . . . R e v i e w of Related Literature 9
. . . . . . . . . . . . . . D e f i n i t i o n o f T e m m 19
. . . . . . . . . . . . . . . ResearchQueetion 24
. . . . . . . . . . . . . . . G e n e r a l D e s i g n - 2 6
. . . . . . . . . . . . . . . . . . . . Methodology 28
. . . . . . . . C o l l e c t i o n and Analysis of D a t a 29
. . . . . . . . . . . . . C o n c e p t u a l Background 30
THE UGLY DUCKLING . . . . . . . 39
Dominance As A Balance of Support and
Control Applied to THE UGLY DUCKLING
Dambance Affect T q L a t e As Research C o n s t r u c t
. . . . . . . . . . . . . . . . . . . . . 44
L I T T L E R E D R I D I N G H û û D . , , , l , , . 4 6
D d n a n c e Affect of Red in LIT- RED
RIDXNG EIOOD
CINDERELIA . œ . o o . . . . . . 4 9
Dominance Affect of Cinder in CZNDERELLA
THE SLEEPING BEAUTY . . , . , . . 5 4
Dominance Affect of Beauty in THE
SLEEPING BEAUTY
T ) f E R E D S H O E S . o . . œ m . . . . 5 7
Dominance Affect of Karen in THE RED
SHOES
THE W I L D SWIWS . . . , . . l . l . 62
Dominance Affect of Eliza in THE WILD
SRANS
Portayal of Dominance 4
0 u t c o m s s ~ o . o . . , 7 1
Elicited from the Stor ie s , , , , , , . , , , , 72
Analysis of Dominance Application to
LITTLE RED RIDING HOOD; Analysis of
Dominance Application to CINDERELLA;
Analysiu of D d n a n c e Application to THE
SLEEPING BEAUTY; Analysis of Dominance
Application to THE RED SHOES; Anaïysis
of D d n a n c e Application to THE WILD
S W '
O v e r v i e w and Discussion , . , , . . . . . , , , . 84
Assuniptions, Limitations, Delimitations . , , . 90
Conclusion , . . . . . , . , , . l . . , . 92
Implications for Practice . . . . . . 94
Implications for Theory . . , , , . , . 96
Introduction
'men an idea is vanting
a w o r d can alwags be Eound
to take its place. "
-- Joharvl W. von Goethe
Portrayal of Dominance 6
This reemuch i s psesenting a v i w of dolinance froi
the perspectiva that dodnuiar u y be an intogration of +Be
dialectic ideas of support and control. The notion of
dominancm can be viawod through illumtrationa portrayed by
the charaotern in childran@s q t h , atorp and legend. The
focsus o f the rasauch u d n a s thm main chuaotera in
childrenis mytb, story and logend and investigatas the
extent to which role characterisations depict a balance of
the suppor+ and control forms of dominanao. Liplication~
for the adiini8tratorrr of schools, p e i c u l a r l y vith rarpact
to the modelling of a-balance of support and control, are
given .
Portrayal of Dominance 7
A world viev vhich look8 only ompirically at
administrative praotic. i i y neglaut th. Lnowlodge hpliaitly
underlying a11 adiiniitrativa bahaviour. What actually
happens Ray not reflect intuitive uader8t.ndinga of
adrinisttative action. Encouragaant to dmrivr kaowlodgo
froi otherr thrn uporianco alone, thrt is froi thmory valued
for its quclitp, u y rccoiplish graater comptuohansion of an
equilibrioua atate of aontrol and aupport, and sip more to
administratots about dominance through the lookinig at q t h ,
story and legend, than caa be understood by tag.tding only
p t h a r y sense data as valid information.
A ïitarary analpsis rasauch yielding interpretation
and conclusions based on logical inforence and evideaca iri
attractivr f o r its interpretative potentir1 of metaphoric
parallela within adiinistrative decision-making processes.
I valuing of well-inforiad literasy viewing may lead to
reduced prosaic procesaual actions on thr part of
educational administrators.
Theoretical
'Where the w o r l d ceases to be the scene
of our personal hopes and m e s ,
where w e face it as free be ings ,
a-ring, asking and obseming,
there re enter the r e a b
of Art and Science.
-- Albert Einstein
Portraya1 of Dominance 9
!l!he notion of dodaamce as portsaymd in ohildrenis
myth, storp and legend is dosived ftoi within th* litetature
of organiaationa~ psycholo~. -y mchoola of thought
rithin the field of bmhrvioural psyahology conaider this
notion froi differont perspaativas.
The
the idea
rasearch o f sorenaon and Savaga (1989) put8 fotth
that opposite relational responmes are initiated by
dominaacm [control] G d aupportivenese. In addition, it is
theit contention that aupportivaness and dominancm [control]
are ~motthogonal dimenaions of relation81 conunicatiozP
(p.327). Uhen a strong iesaage indicating conkt01 is
received, the reply elicited tends to be acceptaince with
limited active role in response. When a rrlationrl message
is supportive, ideas are evoked and partiaipation is
encouraged (p. 32 9 ) ,
Hersey and Blanchard (1977) contend that power
[dominance] is situational. Initiating Btnicture and
Consideration are dimension8 of observable behaviour that
rhen perceived by otheta ou, be plotted on two sepuata u o s
to bescriba bahaviour an a blend of mach dimanmion. The
result of plotting leader behaviour in th i8 mamer caL1ed
Portrayal of Dominance 10
the Ohio State quadrants of lmadership ii ahom brlow.
S i i i l u l y t w o thmorrtiaal oonaepts of Blake and Mouton
plottad on the Iluiagrrial Grid, fllu8trrtiag Concua for
Production horiaontally and Concern for Pmople vartically
(al80 nhorn below), amphanise t u k aacompliahment aad
development of personal ralationahipa ro8pectivrly. The
concern-for dimension of Blake and Mouton ia atfftudhal
while the Ohio Btate f r a o r k is a behaviozual mode1
: axaminhg actions of leaders as parcaivod or obsemed by
: others (p.95).
Ohio State Quadrants and Managerial G r i d
BIGE CO2JSXDBRATXO# BIGE CO~SIDERATIO~ m W BTRUCTURE HIGH STRUCTURE
f
Conside$ation and Concern MIDDLE RQRD fox P e o p l e
Initiating Structure and
Concera for Pro&ction
Hersay and Blaachaxd~s ri-Dimenaional Mode1 based on
Reddinis 3-D Hanagement Style Thmory (relationship
Portrayal of Dominance 11
orientation and task orientation) desariboa basic style8 of
leader bahaviour with an added ieasure o f effectiveaess.
This inérgrates thœ concept of trak-concarn and
relationship-conaem with situational duanda of the
envi~oment. An appropriate iir of t u k rnd ralrtion8hfp in
a p a r t i a a l u clituation i c r deued effactiva: an inapptopriate
mir of relationship aad task ia termed ineffective. The
interaction of style (a mixture of rolatiormhip and taak)
with the environment creates a degrae of effectioeness as
: the eavironmant reaponda to the stimulus or style, Harsey
and Blanchudws mffectivtrnara dimenrrion is seproarntod bp
quaxtiles ruiging positively froi +1 to +4 and negativelp
f r o m -1 to -4.
Thus, effrotive use of the High Task/ïev Ralationship
Btyle is the careful defining of methobs to help followers
with goal accomplislm~nt. Inaffactively, HT/LR-8 is aron as
unplrasant by iiposing methods and uphraiaiag ahort-te-
production.
Effective use of the High Taak/High Relationship Style
eufisfies group goal-setting and worlt-osganising needs along
with the ptovision of high socio-emotional levela of
cnipport. Ineffectively, HT/HII-B u y be saen as the
provision of a greater amount of initiating atructutm than
necessuy and interpersonal telationship iay be interpreted
Portayal of Dominance 12
Effoctivm rue of the High Relitionship/ïaw T u k Style
is iran u proviiion of iiplioit truat and froilitation of
goal accomplishunt b d n g p r w oonamrns. Ineffactively,
~ L T - s u y ba viawad aa hrving r p t i i r r y interest in
harmoap charactmriaod by unwillingbsa for t u k
accoipliahment at the r i s k of loaing a aigood g u p image.
Bffective use of 5ow ~elationshipflow Task Stylo ii
seen as appropriate delagatioa of dacinion-making to
subordinatm8 of how w o r k is to br donr, and provision of
little amounts of aoaio-uotioaal support rhrn little is
needed. ~neffectively, LR/LT-8 is seen as a provision of
little socio-emotional auppott or itnicture when gsoup
members need support and itructurr (p.107).
It is important to note that the Ohio etatm Hodel
showiag dimensions of Consideration and mffating Structure
and al80 the Tri-Direnaion -adex Effectivmna88 Modal
(p. 106) shoring diaansions of relationsbip &dzaoiour and
task behavior ase delinarthg abselpable behaviour
dimensions. On the othor hand, +hm Hanagorial Osid ahowing
Conce- for People and Concern for Production on it8 u r 8
uid also Raddiaai 3-D Management Style 2ha0r]l about
Portraya1 of Dominance 13
relationship orientation and task orientation u e
delinerting dirmsions of attitude. Ttm iodals of observeci
behavfour rassure the rhat of behrviour; the iodmls of
attituntinal dimendona mersure uotion or foeling toward
!Che mader J5ffoctiveneas Itodal with its effectiveness
dimenaion ia no+ necesaarilp incompatible rith attitudinal
models, An LnHB/HR-8 leader when facid rith vrrying
contingencies and diffasent situations iay engage in vatping
and differmat bahaviourr appropriate to the mnvironmant.
The mief f ectiveness depends upon the 1 eader, the follower (s) ,
and other situational orriables that make up the envitonmant
-- E = f, (l ,f ,s ,)" (p.108) .
Bersep and Blanchard recogniae a measure of the
variables used to Uetedne effectiveneos that can be
de8crib.d by force field aaalpiia devalope6 by X u r t L e w i n to
diagnose situation^. The technique assumai that affecting
any situation there u e dtiving forces and resttainiag
force8 that push or -ive ohaage, or decrease or reutrain
change. Equilibsium or balance is present when the driving
forces equal the restraining forces (p.123).
As well, Hersey amd Blanchud aclrnowledge that
Portraya1 of Dominance 14
behaviout is chuactrrisod by threm .go aeates saferrad to
by Berne a8 ehild, puant uid adult (p.76) . Uh8n people opetate from an emotional bu., the behaviour that can bo
obsemed is thrt of a child ego state that containi natural
attitude. and iipulars 1oara.d in ahildhood upmrionom. Two
kinds u e destructive Eaild and h a . child. Conditionhg
taceivad from puonta, tamh8ss and parsons ptoviding value
upesiencea in formative p.ri produees a puent ego atate,
or the part of us that is evaluative. Two kind8 are
critical parent and nurrturing parent, The strte that
e~rpreases behaviour de8cSibeâ 8s pxoblem-aolving, decision-
making or rational ir the adult .go itatr. Hare thr peraon
uamines values, probabilities, and altetnativas before
acting. The healthy state ia one where a balance aiong al1
three ego citates exista (p.78). tlsing an aaalpsia of
transactions consisting o f one stinilua and one responae,
the strongths of mach of the thrre ego states caa be
determinad suggeating individually selected l i f8 poaitiona
which iay predict futur. pattern8 of bohrviour. Am XA
character describes the critical pmeat ego statu of which
the l i f o position @@I@m OA, youare not OF@ .voles a
childlike, dependent, passive, reaponae-effmct set os
pattern o f feelings 1ike: I W m not OX, you're mot ORam or
HIir not O& you@re Olt.@' A YB chuacter rith a balanced
child-adult-parent set of feeling8 @aI@i Of, youmro ORaB
Portrayal of Dominance 15
fosters similu ronponae-effoat foalingm and evokom problu-
solviag adult behaviouta (p.80).
The constmct of dominanao fa muah broader tban the
reseuoher is chooiing to explore. Tâe whole ider of
dominance being soae forr of control or structure couplmd
rith #uppor+ or relrtionship ia no+ osiginrl. Hamy struggle
with the idea.
Fernandes (1991) suggonts that .respect [support] is
inherant in ralationship not in peraonality. In an ecologia
clhate of participation, the ~~benefita of inforul
relations in tems of respect .re diminished in the preaence
of forma1 relationam (p.50). In a ptofeasional clhate,
respect is onhrnced by coibining repoxting and friendnhip
relations. Individual. who pursua and achieve
organiaational effectivenass in hiaruahical org.ni%ations
pay a pria. in te- of 10.8 of rmcognition of their
potentiality for leadership within an organization (p.51).
According to Bluhi, Widiger, uid Hie10 (1990),
Wituational (complameatarity) factors iight be i o a t
important for interpetsonal behaviour along the dimenaion of
affiliation [support], ~herea8 individual diffmrences ifght
be iost important for interpersonal behaviour along the
control dimension (p. 4 69 ) . Intmrpersonal coipluentazf ty
Portrayal of Dominance 16
is prasont when a ohuactar@u bahrviour is a funetion of
rnothu@s behaviour. Ralationship or aoiplaontuity
accounts for rare raspon8ivitp in psadicting affiliation
than dors aa individual' i par8onality style. The
aituational or interparional deterrinuits u a lem widant
in psadicting control hhaviour, rithmr individu81
differmncra in pesaonalitp affœct oontsol bmhaviopr m o r e
œvidentlp. Tha thaorotiaal fruawosk for undorstanding
relative personality and behaviour influuicas on
ilifespersonal behaviour (in rhich aituational or
coipl-entrtity factor8 are mont important for affiliativa
interpersonal behaviouk and individual differences are roat
important for detedning control diiension) ia the
Interprraonal Circumplu, r iatwo-dii.nsiona1 iode1 of trait
descriptive t e r i i l a a (Beajafirld & mckenhaim, 1989).
Benjafield and Muckenhah@s historiaodrvelopi~nta~ iode1 ii
ueed to study interpersona1 behaviour. Zn this modal, the
emergence over t h e of a positive/negrtivo distination that
is central in language is succeeded by an affiliation
dimension, followed by a dominance dimension differentiated
from affiliation, genesating two oon8istant octant8 followed
by two inconsistent octants, finallp reaulting in
prototypicality. It is alao auggeatad by Benjafield that
wordr that appeu early in the hiatory of languaga u a th.
f i r a t w o r d s accnrired bv childrrn as wall.
Portraya1 of Dominance 17
Brrdlao@s (1991) lPuai88imtia Parsoarlity Invaatorg
(-1) repraaents naxai88irn aa a @Welitivrly healthy line of
agentic developmentg@ (p.821). In r d.v.lopi.nta1 .anse,
naraissiam describos a l in* of peraonality drv.lopient
reflecting auuaasmful peraonality htegrr t ion uuah th&+
norciilaiin i r y bu deacsibed as 8 normal perionality
vuiablm. The BIPI as i mamure of n a s c i a s i n may bo loeated
within the fntmrporsonal C i r a a m p l u on whioh coiprahrnsive
t u o a o i y the lDPI ia overlaid to cldify the concept of
nucissism in relationmhip to the HPI*s orthogonal ares of
space. The axes or paks of descriptors have bmen callad
u@doPfnance and nu~tura~ce,n ~~control and affiliationp
u@status anâ love,@@ @@aganoy and corrunion@@ and baeiicrally
rapteclent pairs o f iodrlities vithin the u a n r of
interpetsonal behaviour. Clasiically, the iodalitiaa or
axial dimensions o f the faterpersonal Cixcumplu axes hava
been described as a dualitp (p.830).
Birtchnell (1987) looks at a two-dimensional iodel of
aktitude and relationahip that poluizes dismctiveness and
rmceptiveneai on one u i m , r i t h rttaahment aad dataahmant on
the othet axis. Birtchnellm8 s p i t u olascrifiea principal
positions, each reprecieriting a set of khuvioural
oharacteristics and attitudes as defined i n relation to
others. A distinguiahing featurm of hi8 iodel ii the
v i r i n g propor+ionrlly of the dimplry of aucissi.i in
attitudes and bahaviour to detedne the utant of aontrol
and support.
Bach author or set of authors viewn the aonstruat of
doiinancm fsoi the viergoint of a 8yst.a and arch s]lstu i r y
be differentirted in terus of descriptive laquage. What i a
signifiaan+, howevar, ia th&+ the i y n t w prasrnt poluisad
viewpoints 80 that it may ba said that al1 these ideas vier
the construct of the notion o f dominance, although
nondichotoious aad noaaategorical, as able to be orderad a+
soi. point upon continuum# that u e p o l u i m d . los
instance, the concept of control c m ba conaeptualised by a
continuum of directivenesi and receptivenesa, uid support
can be viawed from the utrem8 concepts of attachmaat aad
detachment in language according to Birtchnell, and theae
dualities Ray be representad in the followiag ~aztesian
marinez:
The rofercmces in the aection Raviow of Rœlrtmd
Literature tgpify the litarataare surrounding th. notion of
doiinrnco. Though thosa is no daasth of utorial about the
notion of doahance, an overviow of the literrturr shows the
concept inconclusive and not necessarfly clearly drlineatad,
Because of the confusion surrounding the conceptualiration
of dominaace, the rosmuahor i8 ah68ing to rvolvo a
definition that incorporate8 the concept of supportivenesa
and brings nev light to the notion of dominance. Childranms
myth, storp and legend is being aeasched to disoovor if,
how, and to what actent the concept of doiinmce in concert
with supportivenees is illuatrated with and through the
characters in iyth, storp and logend.
Support is obsemable in the viewing o f procoss;
control, is observable in the virwing of content.
Worinanoeii is erpressed by the charactese in some blond of
the two concepts in v h t they do and how they do it, In
situation^ of mythical .tory and in the f o a of logendary
setting, Hersey and Blurchud r8y soe thm control form of
doiinanco ruling whon person8 contra1 to the .tory alionate
themselves froi th. psocess and believe that content is the
entire storp. Uhen a chuacter thinks the support forr of
Portrayal of Dominance 20
dodarnco is a11 eacoipaa~ing than nothing 8.- to happa
becauae no agemâa is appuont. The upect of dominance that
in about aontrat rith task-aoatrolling ru la i aaâ ragulrtion
is the iwhatia; the aspmet of dominume that ia of auppott is
in iahov relationship ia developed and the proceas of action
(if aay) is performod.
A charaetet with a foous on control would uprmus
onesmlf in a stut-nt lik8: aaTo conc8atrate on the psoduct
i s mough: it ia no+ nmcassuy to aonsidar propla.al a
character rith a consciousnems of support would have a self-
statuent like: @@To eonsidet relatioaahip is eaough: I do
not need to focus on the tasLeai
Reeearching dominaace in childreni8 iyth, story and
legend is looking at: the balancinq of support and control
and to what -rat the charaeters aze coatrolliag or
coatsolled uith or without aupport, and supporting or
supported with or rithout control. Bimilarly, instzuctional
strategiee and styles of administrative leadership hava
varying blends of the tue rluents of dominance.
Use o f te- ~~supporti~ and ~aontsol@@ is according to
Hersey and Blanchardis set of languago davoloprd vithin
situational leadership theory. Herrrey and Blanchud
recogniae a paradorical description betwaen behaviour and
Portrayal of Dominance 21
attitude that behavioxu patterns rapreaanting interper8onril
behaviour can ba identified uith Thaory X and Y attitudea.
Bor inmtaner, A Patterning rapsesont8 a art of group
dywica, intrtperaonal noru, and acceptaaca of
organisational n o r u associated with Throry X; therofore, A
Patterning depicta person8 or churotars uho are not open,
do not aoknouledgr oz oni feolinga, rajaet .rperh.ntrtion,
and refuse to help 0th.~~ mngaging in these desoribed
i interpetsonal noru, and aacaptuiar of orgrnisational n o r u
with Theosy Y and describes individucila 8s orning and
ackmowledging their femliags, uperimenting and baing open,
and helping othess who ate engaging in like bebavioura.
These facilitating and suppottive behaviours reault in n o m
characteti%ed by conoern, individuality and trust (p.56).
H o r i a l l y X attitudes u e usoaiated rith A behaviour
and Y attitudes are associrtad with B bahaviour. Bowever
acaording to Argyris, in certain situations due to
conditions in the environment, an XB or a XA combination may
occur. ZLn .B chaxacter may very ver1 beliere that people
are unreliable and larg but engage in facilitating and
supportive behviours becausa thay hava laamed by
srperience, or been told, that thi8 typa of behaviour &a
likely to increaie productivity; or paople around th- hava
Portrayal of Dominance 22
orartad a supportive atmonphare uid to ruain in that
setting the upactation i a that their Mhaviour bo according
to that nom. S h i l u l y , r Yn chuactœr rould balieva that
people are mature and generally aelf-iotivated, yet closrly
supernise or oontrol bacauae thrfr ambience demandr that
like behavioux; os, aontrolling diseetive behaviour might be
an attompt to help othera to devolop the abilitieu and
skills necrssary for self-direction. In that situation, a
lessening of uternal control allowi for am i~csoaile in
salf-oontrol (p-57)- Azgyri.8 continuum of rirlturity +O
Maturity furthes illugtrates general tendenciam of human
gr0-h (p 62 ) 0
Portrayal of Dominance 23
Passive
: t Dependent
; Behave in only a fer ways
Short t h e perspective
Subosdinate position
Lack of awareness of salf
Capable of behaving in iany ways
Deapar and strongar interests
Long-the perspective (past and future)
Bqual or supetordinate position
Awarmnman of and oontrol over self
Portraya1 of Dominance 24
Re88Uch Quantion
Maay old traditional and classic chfldrenms talm are
fsom an obsoure origin. The faamimile editioa of +ha
original publication of the wosks of H a n a Chtintian
Andetaon, 8ad additional aononly kaoun faim tales, u e
perused with a vinr to discerning:
+ what is the nature of the manifentatien of dominance in
childrento iyth, .tory and legend;
what is the essenam of dominance in childrengs iyth,
story an4 legond; and,
how the presence of dorinmce is recogniaad and
urpresied in individual ditferences in childrenis myth,
story and legend.
The extension to knowledge that this thesis dmvelops is a
repreaentation of how the role of dominancm as rn ocologic
balance in the whola of th. .tory i a effected by aontrol and
support. 1% live in a culture uhereb dominuice rith optimal
suppott and optimal control may b. saen in a mature teachor,
leadet or munagez. The question is whether iyth, story and
legend that our society is raading, showing and telling to
chi1ds.n portrays a mat\irity that reprmsontm dominince a8 a
balanca b e t v m u k support .ad control, or is the e h , story
and legend of childrenii litarature portraying dominance
froi a differmnt point o f viar?
The design of this inqairy appli.8 Harnry ind
Blaachud@8 situational Iaadership modal to the situ~t~da~ss
of m i n ehuaatars in rell-Laown childson's ipth, .tory rnd
legend to ascertain thm manifestation and uprmsrion of
control and support. The content and proces8 are analysad
based on the appearancm of situationrl variables defined by
the theories of Hersey aad Blamhrtd. The significanca of
the apperrance of the afturtional vuiablos as viwed is
diseuasrd according to the theorios of Horsry and B l ~ k ~ h ~ d ,
and alao fsoi further invrstigation fnto th. Piterature to
asoertrin the dagrme and datexmino the irlionce of the
appearance of such manifmstations of dominance.
Anrlysis of content progresses in the following ianner:
+ retelling of a partiaulrr iyfh, atory or logend to
refresh the readeris reiorfl:
+ appliaation of the notion of dodnaace a8 r balance of
support and control to r ohuaotar in m y t h , stosy or
legend ;
content analy8in of the disaovmrp of the mingliag of
dorinume factors, nualy aontsol and mppo*, with
rogud t o the roaognition and uprmssion of
ianifastation of ddnaace , and the extant and
significuice of this frwwork of dorinrnce within mach
iyth, story or lagond. According to Langrabrah at al.
( ~ 9 9 4 , p. 365) , content analysin ir, mithe uamiaation of
qualitative &ta by quantitative or qualitative moaas . . . and de ter i inhg what impact they d g h t havon . . .;
+ analysis by viewing the affect of the main chuactar
resulting fsoi the interpersonal psoceasea deicribed
within the storp, rnb th* hpl iaat ions of aaalynin with
reapeat ta the evolvuent of a perspective rhich
regarda dominance i n l ight of inclusiveness of support
w i t h control.
' ,For in imagination I had gone into a shop;
it was l a id t r i t h bhck and w h i t e pavhg;
i t a s hung, astonishingly beautifully,
ri th coloured ri_kihr,ns. "
-- Virg3nia Woolf
P o r t r a y a l of Dominance 29
In raferenoe to uthodologp Sartre h u auaoinctly
defined rriting itaelf ui the mathoâ (oited in Vaa mm8
1992). Accotding to Van Hanen, the &et of d t i n g and
thaotising is bringing sigmifying smlrtiona to languagœ WB
a portic tutual . . . psaatiamn (p.125). Doaatiptively
t h i s reaearch lets ri8 8.0 vhat is shining through the t u t
of iyth, story aaU laguid that ha8 a propensity for hiding
itself.
Attentivenoss to the ierning in, through ind bohind
worda m y ba of iota ~ i ~ i f i o m a . tham the words thuumîvaa.
Content iay be visibla oaly in form, by that concmaling
itseXf as contant.
Collection and 1Lnalpii8 of Data
A display of the role expressions manifestad within
each story in the reseuchar@s studp is v i m d through the
application of a barninance Rffect Template. The Daminance
Affect Tauplate, Ueveloped through u d n i n g the individual
behaviour exhibited bp the main character in the story THE
UGLY DUCXTrI#G, ia appliad to the pessonalitiei involvmd in
and evolving within each 81abs.quent storg examined in this
reaearch.
Portraya1 of Dominance 30
Fairy tales an sapsaseatativa of chil&en~s nyth, .tory
and lagend have historically h a n interpretad fsoi the
protagonist@s viorpoint (Waxaer, 1994, p.214). Pet e v n
though protaganist ii r traditionil n u a for atoryteller
(Warnex, p.231), g@faiq t.l*a u e mot to ld in the fitst
pmrson of thr psotrgonist~@ (p.215). In liitening to
itoriecl, a fusion of storptellar, protagoniit and listuner
ocorus. The ~~simultineous occupation of diffarent positions
i n relation to the tale, which a listeaer (or raader) can
experiencemm (p.225) through the medium of faiq tales, lands
the genre to viaing through th. rindoued qurdsints. Usiag
the concept of dominrnae a8 a balaaae of control and auppo~t
based on Hetsey and Blanchudms theories, a description of
what happens and how it progreaseo inteznally for the main
charaster is analysad rithin the language s y s t u of the
researcher@a concaptual framewosk. The main aharacter i8
viewed to deteriine the extent of demonstratien of a mature
form of dominanor portrayed by the aharacter@s situatmdnass
in each atory.
Conceptual Baokground
Because of theorfes expressad by Hersey and Blanchard,
it is possible to look at dorinano. as a dimension of
control OS structure on a horirontal ar ia , a dimension of
Portraya1 of Dominance 31
support or salationship on a vmrtioil uis, with 8 third
dimension of effectiveness to rccouat for a charr&ar~s
affect in the environubt. This would rasult in r view of a
charaatar through four quadtrnts or windowa to datermina the
style or bl-d of aoatrol uid isuppo*, and the effaativmnois
of this blend in a givon situation.
Eeraey and Blrnchasd (1977, p. 1 4 5 ) racogaise thrt,
according to Stinson and Johnson a highlp controlling ntyle,
referred to by the researchsr as ---:CAL
DmzlsmucE (shom belor in diagru), iap ba effective when
attmpting to influence others with atroag neads for
independmncs ind aahievameat who hao. high u p a t i a n t i i l and
educational levels, and the ta8k duand is highlp
structured; or when ottupting to influence othera rhea a
task demand is unstructursd, and others have low
independence and achievuont neads, and al80 low task-
relevant erperiemtial and aduaation levels. A lor
controlling style, refersed to by the rasearcher as
POLITICRL-RATIOBUU -CE (8180 8h0m in d i i g r r i -Io-),
iay be effective rhen the task daand is highly strrictutad,
others hava lou needa for indopendence and achiovoment, and
alao adequate expetiential and educational levels; or when
attempting to influence otheri with strong indepondence and
achievuent needo .nd i l 8 0 high uperhnt ia l and educational
Portraya1 of Dominance 32
l e v l s and the tank duanâs u e selatively uaatructured.
Technfcal Damiaance i r i therafore invitad in situations
where unitructured task rmquiruents u a to b. p8sforr.d by
p.oplm with low desirms for indepandance and achievamuit and
al80 lor aduartion and uprrienae lovoln.
In te rdepena t aoarinance is invitad in situations by
highlp stmctured task taquiramant8 to be p8rfori.d by
people r i th high desiras for independenae and aohievamant
and al80 high educatioh and experiance levela.
P o l i ti cal Danbance is invitad in aituationn where high
requirueata o f task mtructurc are to b. coiplmted by people
with low derrirus for independence and achiev.i.nt and al80
admate levela of education and .xperience.
Rational Daminance is invitad in situations of low
requirements of tamk st~cture and to be coiplrted by people
with high nead8 for independence and achievuent and al80
high levela of education and experiance.
ha represented by eumilineu progression, the aaount
of relationahip iequised is affected by the m a t u t i t y 1.vel
Portrayal of Dominance 33
of thosa Ming influonamd 88 relrtad to the drirads of the
task to be aoiplotod. Am uaatniet=md t8.k rmquires high
oontrol, or ~ochniorl Stylo, to bo effootivo v h a the
capacitp of those bring influanoad is lov, but doas not
necessuily tequite socio-uotionaï mpport. TO achi.v.
effectivenoai rith r stniotusad task vhen th. capaaity of
those Ming influenced ia high sequite8 high aontrol as rall
as bigh S O C ~ O - U O ~ ~ O ~ ~ ~ auppott, ot faterdepandont 8tpla.
m o n th080 bmiag influenaad hava adequato capaaity but the
taak structura ia high, than high socio-uotional support
with leas control, or Political Btyle, is necessrry. If
those being influenaad-havm high capacity and i t e tequirad
ta perform an uazstruotured taak, than littls aontrol and
socio-uotional support, or Rational Style, in tequitad.
To fu l ly understand the baaia aoncept arisiag froi
situatedneas in Hersey and Blanchardus leadership theory,
the -portance of task-televant maturity needs to bu
highlighted. Yaturity involves two factors: pirpchological
maturity, or feeling of self-respect aaâ self-confidence;
and performance matutfty, whiah ii ability or coipetenco as
well as willingneas or motivation. ability and Lnovledge
need to be coupled with self-esteu to motivate the
attainment of high levals of task-relevant matauity.
situational leadatahip thaory propoaea that a8 maturity
levels increarpe, control dominance behaviourr aeads to
Portrayal of Dominance 34
decrease, aad f acilitrting or support doiinanee behaviour
needs to increase uid f inr l ly decrease 88 wmll.
Efféctiveness S t y l e s
Perfomed by Those by Those w i t h
Low ~ttong~~ndapend~nco Ilordi and Eigh ah Ralevant Sducation os ~lrpethenaa
\,
and Unstnacturad T a ~ k -and Unst
by Those w i t h Performed by Those w h \
Lou Control/ïiow support ~ o w Bupport/High Control
Portrayal of Dominance 35
Situational leadership thoorp is foouiod on tha
effective and appropriate usa of dodnuiaa stylo8 in
relatioaship to th. t u k rolavant maturity of thos. being
influenced. The appropriate enoiromnental style of
cbnimmce, or blond of control and aiipport, having an offact
upon 8 chuaatarmn 1.v.l of utiirity is raptasontad in the
previous diagram. The our9il ineu progression or iibell-
like" path portraya an ob8arvable linr of uturitp
and Blanchard propose that 88th. reaaon for o u
action is not always apparent to th. consaioui: dnd. The
drives that motivate distinctive individual behaviour
patterns (g~personalitpn) u e to a aonsid.rrble degree
subconscious and therofore not oasily susceptible to
axamination and evaluation@@ (1977, p. 15) . If the deteriination of task relevant maturity sets the conditions
or rationale for use of controlling behaviouts, and if use
of controlling behavioura is detedned greaklp by task
rulavant matutity, the iuin.r of detarmining th. dagrme of
relationahip brhaviour aaodn to br considerad c lao . In the
mode1 diacuased by Hersey and Blanchard, the dafining
characteriatics that aignify the prosence of relationahip
are conaideration and aoncorn for people. FOS the purpoaos
I Portraya1 of Dominance 36 ! i of identification of dominancm as a b a l u w m of support and
control, indiortors of rupport need to ba distinguishrble
froi the prrapective of structure or eontrol.
In Tachnical Dominunae, a chuactar i8 fooured on a
task through controlling stylm balmoed by aa mavironi.nta1
condition raquiring no relational rmaponae. I ahuaatas is
thesefore being engaged in nonralationship behaviour.
I In Intasdependent Dominanam, tha controlling doiinaace
1 style, in uhiah a ahuaotmr ia foaused on the task to
balance a high-task sequiruent in the mituation, ia
supplemented rith an apathy proamnt in a nupportivi 8ocio-
emotional persona1 interrelationrrhip.
In Political Doiinrnoa, we diicover the prosence of
aooio-eaotional auppo* that tend. to balance the low
independence uptescrioa of 8 charaatar. In addition, we
find that the charactet iir positivaly regarded ai indicatod
by low task direction or low controlling style towud a
chazacter pos~essing adequata education or uperience.
In Rational Deminance, these is task cantaring providmd
by the matum perforres, a ahuaatar posmeaaing high
education and arperience and diaplaying high independence.
Such a chuactar has self-ampathy evideaoed by observable
self-confidence rnd aolf-aaamptrnae. A congnaont balance is
providad by a regard for thr prrformar ovidaaaed by lov trsk
diraetion, and treatioat of m ehuuetor un~~~lditioaally
portrayod through lov sooio-uotioarl support.
The diagram on the n u t page intogxatea depth of
telationship and iiupport rith taak relevama and control.
!Fhe concept d g h t b. teatad bp looking at UGZY DUCKLING
through the evolvod qpaârants or rindoui shom in tha
diagru on the following pago.
The popularity of Charles Perraiiltis original
adaptation of a traditional story, LITTLE R W ZUDZZUG HOOD,
as well as CïXDERELLA, uad !EEE SLEEPING BEAUTY, lands thosa
stories to retelling a i conon uamples of childran~s m y t h ,
story and legend, l W E RED SWOES and THE W I Z D ÇnrAXS by ffans
Christian Anderson, favousita storiea from the authoris own
childhood, are also intervfewed using the Daminance Rffect
T a n p l a t e developed while applying the notion of doiinaaae as
a balance of support und control in the atory of TIIE UGZY
DUCKLING,
Portraya1 of Dominance 38
Daminance as a Balance of Support and Control
THE UOLY DUCXLIarO
Christian Andoraon, wo first m e e t the m i n ohuac to r beforo
hi. bir th. r t im na- h w m s t tire. mila the vgly
hlckiing is still an ogg, rn o ld duok t r i a s t o dissuade the
mother from s i t t i n g on the agg any longer becauam of i t8
d i f fe ren t appearanoe. When the ogg fin8lly brauki open, the
duc& m t h e r cannot regsain f r o m pronounuing h h l u g l p t ;
h o m s , bocause he s v i u r o l l , ahe iccapts hin an one of
hot oun. I#avertholas8, o thots in th. famyud bully and
harasa thœ duckling by flying, biting, proking, hiasing aad
aaseeching a t him. O f coumm8 the duckling is r iserable.
The mother a t fisst grooms hi8 feathers aad mooths his
cowlicki, but she gtowa t i r e d of defending him and f i n a l l y
exproases am uasporatod vinh t h a t ha ju8t go away. 80 he
does. Bedraggled aad with i o s t of hi8 feathers i i s s ing , ha
runs away to the marsh. The duckling l ies by the water wftk
outstretched neck ao t h a t ho can s i p now and than.
Bunterr appear and shoot two nearby ganders. Their
blood tusns the r u s h w a t e r red. Tho duokling flema again,
this t h e to a hovel whero a raggedy romut 1iv.s with 8
cross-eyed hen and uncombed cat that lay eggs and catch i i c o
respectively f o r t h e i r Leop. Haro the duckliag, rho aannot
Portrayal of Dominance 40
1 lay eggs or catch mice, 18 =de fun of fer wishing to ba t
1 iarely under either the blue aky or blaae -ter. He f l o m m a 1 third t h e and aomes to pond. On th. pond he .riu and
ratches beaufiful areaturas f ly oves. They cal1 d o m to him
and in a navly disaovased voiae be cries back, feeling iuah
alone when they fly out of aight.
As it becornes colder, the duckling n r i ~ fastor and
fastes ta keep a place in tha ice. One rorning whbn he
awakena he is frosem i n the ice but a paasing fumer f r m . 8
h h with hie staff and W e a h h home. H e r e the duokling is
frightened of the childron and flies to the rrfters cauning
duet to fa11 into the butter, dive8 into the i i l k pitcher,
struggles out, and fa118 oves into the flour busa l . Of
course, the farieris wife chases him and the chfldren laugh.
H e fiees again and stniggles to another pond . , . house , , , pond , , house . , , pond,
Gently spxing cornes and the duckling floating on the
w d n g rates itretohes hi8 rings. The winga are atrong aad
l i f t him high where he sees the orchards and, on another
pond, three man creatures. He is pulled and âraun toward
them. As he glidea to the pond, they a r h toward hh. He
decides if he is going to be killed it ri11 br by these
beautiful creatur.8 rather than froi a hunter, fariarts
w i f e , or cold wfnter. As he bows hi8 haad to avait thoir
blors, to hi8 surprise a man trflocts back. 88 is alike
th* .rans who touah h h guntly nor vith thrir rfng fip.,
! 1 ~ h e childtan at the edgo OZ the pond man to te l l averyone
Portrayal of Dominance 42
Lbmhance As A Balance of Slrpport and Control &@,ied
to lmz UGZY DuCKZmG
As a character in thr sto-, the U g l y Duclcling is ablm i / to complet. tha tamk of swimdng ao the iothor iacaptm hir !
as one of bar o m despita hi8 unuaurl appmuaaea. Ugly
Duokling is dopondant on hi8 rother and, a8 pt, ha8 neithrr
deaire for indapendanou or aahievuant nor uiy upariencm or
education. He is contant to ah nattarally. Yat, i n the
absence of conaidesation, he feels harassed and sedu
support elaawhere.
Th8 ganâers symbolisa Ugly DucIrlingQ~ entrrnam to
adolescence. Ugly Duokling tries to join the cross-eyed hen
and unccmz&ed cat cl& but neither their cajoling a t t u p t s of
support nos h i s obaariring thair laying of aggs and catching
of -ce enable him to coiplete thoae t a k a high in
ini t iat iag structure. Ha yearns to ba achieving h i s b.st
under the &lue sky or to ba independently contupla t ior and
reflective under the &lue rater. Bis own voice is
developing in reaponse to cteaturas he aâmiringly obsetvea
and with rhor he feela a commotion a8 thep p u a over. In
this fnterdependence window, Dgly Duckling uperiancrs the
highly conttollad requesta of othera and 8 aonmidarato cal1
from rlike creatiir.8. Thxough the cold vinter Ugly mackliag
is freed from hi8 frosan hiâing place on the pond bp a
priserby who te08 h a home. Ugly Duakling h u adoqurte
merience but iinding the butter, d l k and f l o u of othors
seadil hii baak to a vicioua cycle of hiâing, fraewing and
bdng smmued so that hi8 dosira for stretohiag to iohhve,
and bo frea aad independent, uuiaa in the Political wiadow.
In t h i s situation, Ugly DucLling upesiaacea low atructuring
of tarrks that are congruent vith otheraa vanta, needs and
desises, couplod with hi8 o m indep.nbuice neada not Ming
met. Considaration ia inharent in the invitation8 ha
receives, and oxpectationa that ha succeed are
chuacteristic of the environment in the PoUtical window.
As the water w-, Ugly Duakling tries hi8 wings. He
sees the beautiful creatures ha once callad to and
surzenders t o the task of joining them. Since hicl
experiances have b m m le88 thaa unconditional 80 far, Ugly
Duckling believes that these creaturos too d g h t rish to
dirfniah him. He is ready, but ha is surpriaed. They
regard h i i ~ p a t h i ~ a l l ~ ~ and with gentle support. Ha sari
in the Rational windou hi8 raflection of a avan 8uch an
they, an elegant and gsaarful boing. With hi8 o m apms ha
views corplete ucceptance l i troring a now situatedneaa.
Portrayal of Dominance 44
'Ch. conaapt of dorinama as r baïrnae of mapport and
control appliad tochfldren's iyth, story aad lugend
effeativaly craates 8 new 8torip that mmph88i.m~ the prmsmae
of doiinanae in r vuiety of f o r u . !Fhe ntory of TEB: UGLY
DUCECLING ia isolatod as an illuatrrtion to rdd c lu i f i cr t ion
of the tesoaraher~s iethod 8s r psocrssual itop i n tha
forrriulation of the Danrinance ~ f f e c t T e n p h t e . Eauh
subsequently u d n e d storp contribute8 to an interpretrtive
f r a m e w o r k of d o m i n a n c e by viaring charactmriaationn of
controlling and aupporting sole uprassions in four
quadrants and the resulting effoctivuimsa of such
expressions upon a chuacter 8ituat.d i n the T e d m i c a l ,
Interdependent, Political or Rational quabrants as shom in
the following diagram.
-CE ium!z!P mwUIxE
Daninance m ï i c a t i o n As A Balance o f wrt and Control
Low Socâo-haauonal Support
LITTLE RED RïDIBïG HO00
Rad Riding Hood w u r yeung roman rho wore a vool cloak
of a bright criuon rom. rnd -y rad oolour rith r hood
that her i o t h e t had rad. fox har. Thia is hou sba oame to
be called Little Red Riding Hood for the hood would ridm
upon her shouldera air iha faaod the wind. Uhea Rmdms
G r a n d n a was uawall, Redma rothar made aoma eakar aad put
th- r i t h buttas and frmab aggs into a b u k e t ind sent Rad
to delivar t h u to O r a n d u r i t h graat adionition not to
leave the Path. Red waa happy to taka the basket tu Grandia
and, thinking soie flowars would help her G r a n d m a to feel
bettes, sho left the Path just a l i t t l e ray to pick
Periwinkle, Queen Anneia and Golden rem.
But in the woods rra a duigar to nea. A Duk-Heartad
Predator, who diaguicied hiuelf as wood Wolf, vi8r.d Red as
a juicy morael. Slipping from behind a tree, the
hperaonator spoke softly and askad her if he could car-
her basket so that it uould be eaaiet to pick the
PeriwinL1eg Lace and ~ern. ~ e d told hii she vas going to
Grandiais and, sine8 sha was almort there, wauld not nmmd
help curying her basket. The iipetsonator disguimed as
Wood Wolf rished Red a good day and 8aid ha hopad they d g h t
ieet again soon. BU^ Red had tisaod the mvil glint in th.
Portrayal of Dominance 47
Predatormr eye whea 8ha hrd arid ~ h 8 r a #ha U88 bo-dm With
just a couple mora handaful of Pmririnkle, Lace anâ .mm,
Rad ras on the Path oaaa again t o Qrrnduis.
A t Granairi8 hou88 a h 0 ~ 8 e voiao a r l l ed h8r in and Rad
aaw G r a n d u w8aing a f r i l l y nightarp r i t h badolothaa pullod
to her chia. Uhen Rad had put the food 8- and urangmd
the Per iwinkle , Lace and f a n , the Duk-Haartad Predator
disguiied as Wood Wolf diaguisad as.Grandm beckonmd Red t o
l i e d o m and rea t . A8 Rad appsorchad t h e bmd mhe thought
hor much her G r a n d u &ad changad and conea ted that sh8 had
very big eara. G r a n d i a srid it was al1 the easier to hear
her with. Red aaid G r a n d u had very big eyes aad G r a n d u
aaid a l1 th8 easier to see her with. R e d said Oran- had
big asna ind Grindia 8 i i d al1 the eaaiet t~ h ~ g h 8 ~ ~ith.
R e 6 aaid G r a n d u had big teeth and G r a a d i a said a11 the
easier t o îat hot with. Fortunately for Red, junt thon a
wasp atung t h e nose of the impersonator and an arrow pierced
the heart of the Dark-Heaxted Predator. The arrrow w a s t h a t
of Green àreher who protect i the forast. G r a n â m a va8 really
a t G r e e n lbschetms houne and Puck the Faery had changed to r
wasp t o help save Red who hab wandarmd from ber Path iato
the deptha of the t e r s i to ry of the Duk-Hearted Predrtor.
Daminance A f f e c t of Red in LITTLE RED R W m G HOOD
In the Tecbniaal Doiinrnaa window, Red 28 alomrly
supmmiaed bp ber iother, Rmd,s iothar carefully dafines
Radr8 m e a n 8 to accoipliahing hes goal, by stapiag on the
Path. But Rad ha8 atrong indepandana8 naedu. Vieued
thtough the window of Intardepondont Doainaaca, it oan bo
seen that Red believms this irpoiing of mathoda initiatan a
greatar amount of structure than is~neceasary, 80 ah. leaves
th. Path. The relationship uith the impœ~sonrtor in this
rindow is a nongamine one, but Red in no+ yet a w u e of
thi8.
Red displaycl the iiplicitly trusting nature of one
being viewed in the window of Political Dominanoe. Here Red
is priiarily interemted in maintaining haxmony a8 portraymd
in her cireful and polite quastioning o f the irparaonrtor
who is in peril of losing hi8 image of goodness. Finally,
in the window of Rational Dominance, Red is in the midst of
appropriate delegation of deciaion-making uhiah ocours
simultaneorislp with her discoverg of the iipersonation. Red
has awareness and control ovet heradblf and is in an equal
position to her t a u iembors who are helping .nothet
engaging in behaviour chuactariamd by aonaem, indepandence
and trust.
Portrayal of Dominance 49
Uhen Cinderia Father iuried rgrin hi8 Hev lifa, who
ras Bad-tupesed and apiteful, had tro Daughtmrs juat like
her. Cinder vas baautifu~ and gentla and u n d 80 the n.r
Stapsiothrr and Btepmisto m r e jarloun aad did a11 thay
could to rake Cfndetis life misarable. Cinder did a11 the
di*^ IVork, scrUbbillg8 S C Q U ~ ~ ~ L Q .II~ d u ~ t i ~ g ~ ~hil. the
Sisfers polished their aiils and adiirad thuaelvem in the
looking-glas.. Thay wore fan- silk and satin whila Cindet
hrd only rags. The Bister8 mlapt on aoft varm daep feathes
mattraaars whilnt Cinder mlapt on straw in a drrughty attia.
Cinder wotkad and shivesad and atamed patiently without
complaining a word to her Father. Uhen the work was done at
the end of the day, Cinder sat huddled amongst the chîmney
c indenl ia the kitchui oornor to keep w r r i whilrt the
Sistars laughed a+ her, and this i s hou Cinder got her w e .
A Great Bal1 #as being givan for the Priacm and the
Btepmother and her Daughteta rare goiag. Cinder ras
tetahing and curying, sewing and pressing but they iocled
har instead of being grateful for h8r help. lithout evea a
thankyou they swished out the door. Cinder sa+ d o m by the
heazth and cried. Cinder heud r bnock rt the door and
opened it to a L i t t l e 016 W o m m in a tattered cloak who
Portraya1 of Dominance 50
vanted to knm vhp Cindor wrs axyiag. %ut bafora Cindas
coula rnmmr ah. ~ a i d th8t 88 Cindar'8 aodmothar #ha alraady
knew rhy. raary Gdmothor sant Cindor te f ind 8 plplpua and
tapped it r i t h har Staff 80 t h a t inatord of t h r puiplin a
O t u i d C u r i a g e stood before Cindor g l i t t e ~ i n g 88 goldon 88
th. 8Pn. I h O aciipetad f t 0 i the m d ~ i t h 8 W 8 V e
of the mgic staff rasa traasfori .6 i n t o beautiful
~ippisanrr marom. A rat wam traamforiod into a ooaohw
with a br igh t red tunie uad llountio~a hat. Sir l i s u d s
becua ta11 dashing footirn. Haxt Cinder f o l t a o f t ruat l ing
aad fsagrant a i t and opomad hor myes t o see hers r l f i n 8
rrtrikingly oleqint gown of silver-threaded aky blue s i l k
decoratad with miniature seed peatls. But mont uasing of
a l 1 are t h e daisl ing cry8t.l shoes upon her fae t radiat ing
brilliant rainbows of l igh t . W i t h a promi80 to laavo the
bal1 before t he l a s t stroko of midnight, C i n d e r a l l a gl idas
out tbe door.
As t h e golden coach passes the palace gates news
spreads of a G r e a t Lady arr iv ing and the Pr ince invites her
to dance t o t he rusic of one-hunâsed-one v io l in quartettes.
T h e other Guests u e f i l l a d with on- and joaloiuy 88
Cinderella and the Prince waltr and t w i r l i n gtaceful
hariony . . . but a l 1 too noon the clock begins t o strike
twelva and Cinderella ruas from the ballroor , down the
muble ataircaae, and i n to her waiting coach.
Portrayal of Dominance 51
And not r riomont too seon for the inrtrrnt the aorah
passed out of the gatas, Cindar stood in rags as t w o rice, r
rat and sir l i r u d a saamparad way, fa the prliaa the
Prince's only ruembranoe of Cindesallr ras a tiny glas8
slipper found on the aarbla stairaase, aad ha damed no more
at hi8 ballm On the nrrt dap the Royal Henld proalahed a
search for the roman whose foot f i t t e d tha arya t l l slippor
and the Princa cma at lart to th. Sto~moth8s~r door. At
the aound of the T r u a p e t the 8istora.triad to fit thair foot
iato the daaaling arystal alipper but eventui l ly gava it up.
cinder in her rags is discoverad bp the h e u t h and when ~ h e
holds out her foot the crgstal shines brilliaatly upon it.
Cinder t a k m s the iatching alipper fror hot poakat. Placing
it on her other foot, a transforiled Cinderella stands in a
snow white gom foried by multiaoloured stars and s u n b e a ~ .
cinderella raves to her Si8t.r~ as ah. traveli away in the
Coach of the Prince.
Cindatellr appoua Uapaadant upon har fathar in +ha
vindow of Techniaal Domiarnae and bmcomes aubjectad to th.
aontsol of her new itqmother and stapsiiters. She Lnow8 to
bhave only in pleasing and gentle waya and iems only +ha
short-terr in her aoncern for relationship and people. 100
one helpi hat to asseas the situation, or onoouragma hmr to
axperimeat aad be open to na+ raya o f bohaviour. Cindoralla
drifts into a aedngly parianent position of aubordinacy
and passivity.
But a structured taak in the form of prepuing for the
ball cous along, aad cindermlla diaplay8 high ability to
prepare for and support others to accoiplish their goal of
goiag to the ball. In t h i s rindow of Intardapendent
Dominance, she ~erliaes that she too vants to go to the ball
but lacka the self-reiourcefulnesa to attend. Fortunately,
just whan Cinderella needs it the iost, she is provided vith
aocio-emotional support in the f o r i of facilitating and
suppot+ive bahaviours froi her godmother that ara self-
enhancing to Cinderella,
Cindrrolla ha8 an uperionce of adriration and
aaceptanca in the uoaderful activity of the bal1 an seen in
Portrayal of Dominance 53
the window of Politiarl Dominana& Blmarthalass, Cindmrellr
is urublr to mintain that indopuidrnea without u t u n a l
supporfive consideration aad bolstesing of ber salf-ego,
In the Rational Dorinance window, Cinderellr ia sean to
blosclor in th. pesfori.nc0 of the abiliti.8 and 8killa
neaessary for aalf-dismotion. In her aapraity fox bahaving
in w y diffarent ways, Cinderella ovorcoies passivity aad 1
as a aelf-motivated ~esouroeful individual ia abla to lmave
: behind those rinrrliable and lasy parsons rho dirmcted and
8ttuctur.d her life w i t h neithar aonsidœrrtion nor seapeat
for her.
When B~aUty was born her paronta hold a Groat
Chriatoning Ioaat to whioh thay invitad oaîy twalve of th.
thirtaaa Fieria8 of th. laad aina. thry hrd unly twalvo
Golden Plates. Bach Faery prmsantad Baauty vith u g i c i l
gifts of riador, beautp, riches and 80 on uatil the alevanth
Baery had bestorad har gift. Buddenly, the thi*aoath Faery
dresaed a11 in black parted the glittating crowd. Lift ing
het rricr like black rings Beauty, the thirtaanth raory
crird tersiblp th& BIatatp would ptick horaelf upon a
spindle at age sixfoen and dia. Tho tralfth Faory had not
yet given her gift. Aithough unable to undo the spell of
the thirteenth Faerp, she softened it by saying that Beauty
would no+ die but fa11 deaply asloep for one hundred yarrs.
To avoid thia tragady a11 apindlmn in the land rare
burnsd and the ourse forgotten. A t Baautyis sixtoenth
bitthday p u t y , Beauty plaped hide-and-aaek and ran to hide
i n the tower. Emre an Old ~ o m a n sat spinning f l u with a
spindle. Beauty uho hab never ieen a spindlr sat dom to
spin ana, of course, pricked her finger. As sha fol1
aaleep, a11 who werm in thm palace except the Old loi in
cloaed their eyes aa well. R O t 8 e 8 , doga, dovos and avaa
the. heuth fites irlept.
I n o d i a t e l y a hedga of bries8 gr- uound t h e Cutle
highes and widar aurrounding the C u t l o i n brmablr utd
thorn. The clocks ntoppd and n i l e m e reignod. Y.np
Prinoes a t t u p t a d t o rarch th. Caatl. through the th ickat
but pariahad in th* attampt.
m e n one hunâred p u s wase aading, a Prince with
determination rode to th. thickot thrt to averyoneis
aatonishment bmaame a hedge covormd with baiutifal l u g a
roses umfolding t h o i r petala. IL. he rode, t h e b r i a r s opened
r path before h h aad closed it agrin bohind him. The dogw
noses restod upon t h r i r prro aad the dovesi hardr wore
tucked undrr t h r i r wings a8 +ha Prince t ip toed t o th.
charber where Beauty 1.0 Sleeping. ILfter kiasing Beaufy
gently on the l i p s , t o hi8 wondermant sha openod har ayms
d d s t the fragrance of t w o hunâred doaen bloarroming roses.
The hounda wagged their taili, t he dovas f l u t t e t e d their
wings, and t h e fire leapt aa i f a centurp w e r e aothing i o t a
than a Tuinkling of the Eye.
Portrayal of Dominance 56
ibnthance Af' '8c t of Beautp in lT3E S W I N G
Boa- i n the Tecbniorl Daminanue window nards only to
LH bmautiful .nd rnjop hot wonderful gifta. mis situation i n which Baauty finds hetarlf is rctual ly highly aontrolling
bmoau8a thrrr is no indiartion of otharneaa rnd Baauty i8
thesefore unprepared f o r a atructured task or other: than
i d p l l i c telationshipe.
m e n she steps through to the Intardependent ~ominanca
windov Beauty sœes the spindla. Without ptepu i t ion for
independence Beauty f a l l s back on a g i f t of suppott proriaed
when she vas born; she falls deeply into th. sleep o f
denial .
In the Political Dominance windor, Beauty ha8 oaiy the
deep aupportive sleep for rhich she vru rdequataly prepuad
at her birth. With no need for independenae, Beauty is
paralpsed r i t h i n the structured w e b of nothingness.
With Tfis as Bea-8s only a l l y , her growth to
awareness and utur i ty occurs rith the long-t-e persprctive
aaquirad of part riid futura. Boauty aualcens +O a knowladge
o f hetsrlf as able to be salf-mupportiva with tha a b i l i t y to
control and own hez future performance.
Portrayal of Dominance 57
TEE RED 8noES
Xaran was r ohild without a iother: who hrd no shoo* 80
when sho found oloth scraps she used t h u to fashion hesaalf
~ e d 8h088. X U m felt tiah ~ 8 b I l g her h a d u d a rmd ahou
whilat gathering food in the toron+ long p u t drtt. An ahe
travelled a duaty toad on0 rorning in het hanQuda rad
shoes, a Great carriaga 8topp.d to collmct hmr for a Wealthy ' Old loian ha4 taken pity on ber and would nov provida fox
Itaraa thought the Werlthy Old W o m a n vaatœd har 8h0e8
but tha loalthy Old U o i r n doclued t h u ridiculou. and thep
were thrown into the fira. Karonis hais was c o m d and sha
had cleu white anderclothes, white itockinqs, .nd a fine
wool dreee with shiny blaak ahoes. But without har o m
handmade reb shoes, Karen vas verp unhappy and aven though
she vas sutrounded by riches shr, yearned for her orn rad
shoes.
Xaren was taken to a Crippled Bhoemaker@s for
confirmation shoes. Pinaly toolad rad laather shoes r e m
purchased because the Wealthy O16 Womanae eyesight was 80
poor that sha was unable to saa that the shoos were rad.
xmen received the aho.8 rith a wink froi the Crippled
informa4 th. We8ithp O l d l o u n thay *atm rad. !Che We.lthy
O l d Woiian sooldod -en and to ld har t o w m u blaok shoes to
chotch froi nor on, evoa i f they rate old; but the n u f
week, Kaxea chose th. rad aho.8 agaia. I i r m a r the ahurch door
ras ara Xajured Solider w i t h a red b a u d vho asked politolp
if ho could b ~ 8 h the du8t fror t h m 016 lo ian@$ 8h0a8 md
Xuon 8lso atretahed out h r r foot. The fnjurod Soldioz
tapped the soles of Itarangs shoes and adifrad such beautfful ' red dancing shoem. In ohuroh f i r e n could t h i a k oaly of her
i bright red mhoas. mon leiving the chutch tha 1njur.d
Boldiet cal lad out t h a t I(rreni8 dancing shoms uese b.autifu1
and hi8 wosdi oaaaiad Itrton to taka a fav uteps and twirls.
But one. begun her f o r t would net .top dinoing. Bhr danoad
through flower beds arouad the church so that the Wealthp
O l d Womanws Coachaian ran after Itaren and carsied bar back t o
t h e csrriage. A f t e r iuch tugging and pulling the ahoes r a re
finally ruoved and put awry in a cupboatd and f r r m n ' i faa t
were calred; but she could not resist looking a t the shoes.
Th8 Uealthy Old Woman becam8 il1 and I(rr8n waited on 8nd
nursed her faithfullp. men Karen was invitad to a O r m a t
B a l l , she thought there would b. no haxm and put on the rad
shoes and began t o dama. But rt the bal1 whan #ha wantad
t o dance r igh t the nhoei wmnt left. When she rantod t o
t w i s l , t h e shoea weat atraight ahead out the door into th.
Dazk Forest. Geaning on a tree ras the Injured 8oldier who
1 i
Portraya1 of Dominance 59 I
i adiised auah brrutiful red drnoing ahoea. -en w r s
frightened and t r i r d to trLe t he ahors off but they had
groun to har f a e t rnd she was compelled to &ana* o @ a r fimLd
and meador i n aunshine and in rain by day and by night aad
thera was no rest for 'Itlron.
lh Golden White m g e l with a broad glmaifng mord to ld
-en that people would f aa r has fate fo r thomsalves. A s
clha danced by het old home she saw-that t h e Wealthy O l d
Uolan ha& died. -an danced t o the door of the Town
mecutionet and begged him to i t r i k e off hot f r e t . Ihan ha
did, the feat danced away i n the rad shoes. IOow frr.n
delicately carrred i n t r i ca t a ly beautiful ner f a e t fsom
rosewood, so t h a t the Goldan nitr Aagal appmumd bruiag
emerald green branchas t h a t blossoied with rosas aad gsev on
sunbeaiil into silvary golden i tazs.
Portrayal of Dominance 60
-.no who is on hms own in th. boginning o f o u t story,
is ncrcrhing do@@ quite well. Viowed through th. T ~ ~ b n i c l l
Dominance windor whoso .uui@s sole occupation ia i w i v a l ,
'Itarea is irnrging. m a n i m aoipletaly foausod on hor
auxvival intarrsts, bohaving in 8 irnnor that acaoiplish~s
hmr goals, ind hor t h pat8pootive i8 on the momat only.
Uhen ïûuen bawmea r w a x d of the a d lady, 8ha ooms under
the 014 lady@s ooiplete control and aannot koep uip p u t of
hesself that she has.created whioh ha8 workod for hrx until
now. Xaren ha8 no stmctured task per se .xcrpt to iatiafy
rhat to het as8 tha whhs of an old lady. An th. old lrdyms
dependant, -en bugins to lose her parsprctiva and
awareness of haraelf.
Karen bagins to identify in the Interdependont
Dominance rindou with peraons who are cripplad or injurrd as
these are the oneo who interrelate with her through Wimksii
and @itaps.li Karen, in an attempt to reaoverr uhrt mho hrs
lost of hersslf, replace8 her 6- lost rad ahoaa with rn
illusive copy. She attend8 church and doe8 rhat the old
lady wishes r ~proper young lady@@ to do, but wauiag hat
ahïny red ahooa.
lCaren dutifully attonâs the old lady in hrr dokno88
showing deep cannidosrtion in th8 Politicaï Dominance
windov, yet th8 aaaa xith vhiah .ho i8 abla to r a u the
shiny rad shoas ovarwheïma her. fnstord of grouing capable
of behaving i n many vay. and duvaloping doepor and 8trong.r
interests, muen losea aontsol ovor hernalf.
8ren through the Rationil D o r i m a n c m vindor, -an is
able to sever fror the puct of hersmlf that becua out-of-
control, and begin the joumay to saoover her lost self
overtaken by her utamal anvisonmant.
Portrayal of Dominance 62
In a pmrpetuallp w r r r c lha ta l ived e1av.n Princas and
thoir sister B l i s a . Bach Prinoe wora r Str+ .nU Suosd,
wrote w i t h diamondm upon gold and ruambased knorlmdgm a m if
reading it. E l i s a saad a piaturo book rotth half a kingdom
as she aat upon a plato-glas8 stool . O n e day the Bsotherm
and €lister roceived oaîy a teacup of aind instord of r o u t e d
applas and caka, and were told to-raka-believa tha s u d w r s
goed. E l i m w a s taken t o the a o u a t q i i d e t o live, and l i on
to ld o f the Princes by a l icked Queen turned th- i a t o
voiceless rlbeit u g n i f i a e n t swaa croatures. In har ne*
home, Eliza played v i t h an u e n l d green Leaf through which
she could a60 her Bsothmrai ey.8 whm 8he hold it up t o t he
Bun and f e e l their Lisses a s the Sun shone upon her. men
the King r ished t o se. Eliaa, tha Wicked Queen a o d a n i o n a d
three toada to sit upon her head, forehead and h a u t to
cause her t o becoi. stupid, ugly and painfullp -il, yet t he
toadi becam poppies and aould have been roses i f they had
not been poisoned by the Uicked Queanis Li... B o the Wicked
Queen rubbed Eliaa with walnut o i l t o turn ber hair dark
brom, put hurtful oint ient on her faae and hung her h a i r i n
confu~ion. The King would not admit hi. daughtcr, aad E l i s a
went t o the G r e a t meod and îay upon s o f t moi. with hor hmd
against a t r e e stinp. Elisa b r e r u of hmr Brothrra r t i t i n g
Portrayal of Dominance 63
upon gold rfth diuonds of their brave deedu, upuienaos
and al1 they have mon; in Blisris pictiu. book ~irbs d n g
and al1 the Poople coma out o f the book and intedngle r i t h
Elisa and the princes, umtfl at the turning of the Garf they
jump back in to prevent oonfuaion. Elisa awoke ahadrd by
the veil of trme branches and follouad a Path of 8tag8 to
such a cleasly mirroring lake that it appoued u a
painting. Hase she saw her condition. Cleaniing her akin
and eyas and plaiting har hais, B l i g a drank fsoi the
Bubbliag eptings, ate froi a Wild.Apple free, and th-
enterad the stillnasu and iolitude of th. dukmst placa in
the Forest. Unable-to ba certain if thia was a & e u or if
it were really 80, ~1i.a met a woman who gave her b.rri.8
from a basket and told Elisa she had sean eleven swans
swiB(ling in the nearby river, rach vith a golden csown upon
hi8 head. Taking Eliaa to a domward slope rhera the traes
stretched thsir branches and rwts over a river, the woran
said farewell. ~liaa followmd the strou to the ooern whera
the pebbles had been unwaariedly smoothed soft from hasd by
the rolling waves.
Here Elisa found upon the foamq sea gram aleven 8 w m
feathers with tear-like âropo of watar upon th-. The mea
changed continually. Black alouda and wind tutned th* white
sidas of the wavem outwasd; gledng rad clouda aad mmeping
winds caused the sea to look somrtbes white and soimtfrms
Portrayai of Dominance 64
~ 8 t 8 l d grmœn like the roacloaf. md horever @&ly the
rater might rast, it etil1 rose gently on the shore. A8 th8
aun began to met, 8l.v.n esommd rild mana flyiag in a long
white buad rlightmd by Elisa. m e n the sun dimppeued
beneath thm sea their faath8r8 Fe11 off. Eliaai8 Brothers
rerm 8afe on lrnd for the night. Thmy rojoiced to 8.8 their
Sister and wonderad hor they aould take her baak with tham
to wher. +hep dwelt fox thœy could only visit the land of
their bitth for elavui days each ymu. Th. journey to the
glorioua luid whete thoy now lived ras two days flight away
with only one Rock batueen on rhioh to p u s the night. H o r
could they bear Elir. rith th-? Hou aould she ralmaae
th-? The n u t day her Brothers, enchantad once again, fler
far away whilst the youngest atayed with her. In the
evening when th8y reacquired their o m shapes, they rov. a
net of willow on which Elisa lay. At suariam the mana f1.r
with the net high above the alouda rhere i unbe8~ fe11 on
Elfaais face. The youngoat man fler oves har to provido
shade and trhe ate berries and meet rootri that ha had
collected. Behind th- a parfeatly iountainoua cloud
reflected the shadow of Slisa and the elaven swans
splendidly and gigantically. As eveniag d r e w near dark
clouds and lightning appeuad, but no Bock ras to be sean.
th8 8- touched the 8.8 -gin, the 8 W m 8 d ~ t œ d 8~iftly
domrard. Wesa they falling? With the sun half hidden by
the wates Bliaa sar the Rock. And a8 the B ~ t t i n g Sun 8-
Portrayal of Dominance 65
finclly to appou only au r Btu, har foot touehod f i a
land. Elirais Brothara stood uouad hor a m in a m on the
-11 Rock througit Thunder and m i n that nsght. 11 thm
tuilight of iorning the lwum flaw up froi the islaad,
passing th. palico of m t r Yorgrna tovud land o f Blue
Mountains, Cadu Foreats and glorioua aitirna, to a Great
Cave protaotod at the onttame with aupots of doliortmly
eibtoidered trailing green planta.
Hese E l i 8 a Umm8 ihe flios to Fata Horgaaa's etharerl
palaoe whrro th. radiant and boautifut roman rho grrata har
r d n d s Elira of the roman who gava hor b.rri.8. 8ha tells
Sliaa that as the rater changes thu t ~ t o n e s ~ shapa, her handa
by pltacking itinging nettles and her feet by breaking
stinging nettlea ri11 create f l u to weave .nd plait into
eleven long-sleavad mail ahirts that whea throm ovez the
amas will braak the lickod Queea@a evil ch-. Unlik8 the
rater that ha8 no H o u t , E l h a vil1 fael pain aad agony u
the nettlesa fie- sting blisters and Burns hot hands. But
she iight no+ speak until this rork is finiahad for the
first w o r d ri11 b. as a piarchg dagger in the haarts of her
Brothers. men het Brothers find her plaiting the gseen
flu and m e hat blistering arma and hmd8, theg understand.
The te r rs o f th. Youagest Brothot aause the blistorm to
vanish aad she no longer foels the pain. With one shirt
finished and another becnin. a Huntinu Horn strikea f e u in
the heu+ of liaa a. A King lifts her upon hi8 Horsa and 8.
she ia draarrd in royal robe. and peuls u e wervmd in her
hait, she mournm aad weeps for h8s bundle of nattles
prepued and oollaoted in the Great Cave. In the midst of
aplendour the f ing prœpues r ahamber of grmen tapestry
resembling the Great Cave aad includea the bundle of nmttlea
aad completad nhixt of mil. Evea thorigh the uchbishop
uhiapers evil of Eliar to the Iiag, Elisa aad the ring are
married; yat th. archbishop preaseir the crown so spitafullp
tight on hes forehard that it cruira het pain. 8ha long8 to
shara har grief about her Brothers with the lCing rhoi she
loves wholeheartedly~but is compalled to coiplete her wosk
in silence. m e n Bliaa begins the smventh ahitt she has no
flax laft and goas to the ohurahprrd where nmttla8 eaa b.
found. By th. roonlight mhm m a t pas8 neuby soir flash-
eating lamias to collect her nettlerr. E l i s a curie8 the
nettles to the Castle obsemed by the archbishop who tells
the King sha is wickad. In the cathedraX the piatureu of
saints shake their heads as if to crp EliaaW innocenta, but
th. rrchbishop talls the King thay are boaring witnema
against her. The Kingam facm m i n 8 to duken. Elisa 8a.a
hi8 face darkening rnd in fright arias teari of mprrkling
diamondi. Those uho view the splendeur wish they w e r e a
Queen. With only one shirt to finish Dliaa ha8 no more f l u
and not one nettle. Bha ruat go again to the ohurahyird and
pas8 the âreadad lamias to pluck only a fer handsful. The
Portrayal of Dominance 67
rroabiahop follown her with th. Xhg and thay 8ar har v&sh
through the wiekat gatœ. They draw n e u aad $8. the luiam.
The Xing tunm avay fancying Bliri uong th- rnb dacluar
that +ha poople mur+ aon- haro Zlira ir takan from
gorgeous regal halls to a darp dark ce11 where the chllly
wind rhistles through the window grata. Bha ha8 hrr nettles
on which te lay her head and th. ooats of d l are hat
coverlet. Elisa continues her work,
I Toward evudng the f l r p of r swani8 wings whirs close
to the grating. 'Ph. poungest of hot Brothrra hrs found har.
The archbishop corner to stry rith har for her las+ hours but
she gestures that he depart for if she dors not finish hat
vork, al1 her taars, pain aad sleopless nights ri11 be for
naught. Taking offensa, the uahbishop grumbles away. In
the twilight before sunrise, the eleven Brothers stand
before the caatle gate duaading to m e the Hng. m a n the
King appears, the sun rises and alaven uild swans fly ovar
the Castle. On the w a y to snecution ten shirts lie at
gïisris feet in the aart ~8 she works to finish the
alevanth. The croud pres8.8 to dmstroy her wotk by tearing
it in a thousuid pieces but elevon rild srans alight about
her beating their great rings, The terrifia4 mob draws
baok. lYor believing Elisa innoaent, thay d u e no+ Say if
aloud. As the arecutionex aeisea Elirais hand, she throws
the cloaks ovar the maris haatilp and eleven Princes at8nd.
Portrayal of Dominance 68
Alam, th. Young.mt B s o t h o r rotiins i man-wiag fot
E l f ~ a hrd not ffnishod ona alrave of han ahire. Slisa
dealares het imaocance aad ainks lifelenslp into her
B r o t h e r s ' rrns. Th& Eldest Bzothor tells +hm s t o q of &il
that ha8 taken place. As ho speaks, the fragtanca axfses o f
million8 of rom8 for a rad-rose hodge is taking soot,
sending forth shoota, bloaaoiing and atanding ta11 rnd great
with a bright .tu-glodng flowor atop. The King pluaka
the shining white flowor .ad plrc+s i t o@er Elira@n hoart.
She amkana in peaooful happinass a8 birds flocl 'round and
bells ring out.
Elisa aad hor brothors have no nord for indopendonae in
the Tachnieil Dominrace vindow. They u m aontant to
uperience rhat thmy Lnor hor to do uell and no st~ctrirmd
duands axa made upon th8ir t h e . Bii+ rhmn thay a o m unb.r
the control of the Wickad Queen, they u e without rmcoursm
or support againrrt het powar over th= and thdr
In the Intardependent Dominance window, Elisa i u s t
strivm for indepandance and iha seceives 8uppolrt fsoi a
woman with barries or fruits to offer. X t becores avident
that Elisa must perfori certain structured d-da to frea
herse12 and her voiceless brothera, and thia ru8t be doae in
erulation of her brothorsa silance.
In the Political miinance window, E1i.a parforu
adequatelp and her proteetion froi the 2Ung allowm her to
uork on her stmctured task rithout need for independenca.
In the rindow of Bational Doiinrnoe, Blisa perfonia
amaringly well under conditions of ieagor iupport and
without any control over or active putioipation in her
egteraal envisonmental conditions. Onlg when she oompleten
Portrayal of Dominance 70
her taak does the recognition of har mturitp and u t t u o l y
indopuident compatutcm oaaus. Elisa@. mrliirtion of
herself, Elirais ovn new situatrdnens, ha8 brea affaoted by
the style of dominance in her envirommant und the ~vœnts i n
ber ecology.
"Al1 [people] dream: but not equally.
l!ïzose who dream by night in the
à u s t y recesses of theix min& rnke
in the &y to fïnd it vas mt.:
but the dreamers of the &y axe
dangerous Lpeople] , for they may act
their cire- with open eyes,
to make it possible. "
-- T.E . Lawrence
Anafysis of -ce Application to LITTLE RR3 RIDIXG
H m ! !
Redis rother, a cuegiving individual, u p h u i a o 8 Radia
dependency through the tachnieal aâmoniclbiebnt to atay on the
Path a8 an expsrmwion of her o m iuppreusrd dapondanop
nards. fn a type of projective identification, she darivea
enough satisfaction as to potmntiaïly hinder Redis psogreas
or iovement t o w r t d hterdependence (Birtchnell, 1987).
Red waarn a c1o.L fanbioned by her iother whom
directive attachment is diaplayrd thsough her caring alboit
restrictive behaviour toward Red. Redis task is structured
and her motherQ caring athonitions a m supportive, but Red
has a etrong need for independence. With her preparation or
mantle of protective uprthy in the f o a of the aloakD Rmd
is basioally prepued by uperiance vith kaowlmdge of
interdependence that a- In transferred to a new situation
(Birt~bn~ll~ 1987)
Red leaves aside het cleir demand, the Path, to pick
soie flovats. ûpon meeting th. political Proditos, #hm is
aupportad by hes ability to aonverse rithout aaoepting the
Pradator~s attuptad stnaoturing of the aiturtion. Rad doms
not f e u the othernasa of the Preâator aad so rvofds the
attempted tranmfodng dirmativuiass of Rad into r parion of
tha Psmdatorgs arortion w h o naad8 halp to piel flov.ra. As
a villing victii, Red oould hava b a n convertad into the
trrnsfomergs utmarion and therefora bo lovœd in r
nardsaistic w i y . Rad doa. aot iaquiesca boaausa of i tom
of self-empathy, that being her belief that her o m
ideatity, or iantle or cloak, in worth pceser~ing
(Bi *chell, 1987) .
Red arrivas at Grrndugs and thm Prmdatot i8 upresming
an inappropriata ray of aatiag, ovaluating aaâ paroriving
its own health. This illnmss behaviour se- basad on a
deaire for increased aaregiving by Red. Red, 88 a highly
independent, uperieaced rnd educated p8rfori.r rith a self-
accepting and self-confident uturity, rationallp qumtions
t h i s behaviour. Red88 oatological aiuiety in response to
ovartuxes of the Predator to swamp her frai1 iUentity is
eachibited in a detachment that anables her to avoid bring
smothered, or overwhelred or iaeateniv, by the closeness of
the Predator (Birtchnell, 1987) .
Portrayal of Dominance 74
Cinderella ia unable to oscape th* sadnesa of her life
causad by her jerlous stmpmothmr and ravious stepsisters who
make ho= life mimerable. Bhe is dapendant upon thm
situation orerted by the aontrolling others and apports
techaically unable to help hersmlf. Cinderellaws task ii
helping witk the otharsi aeeds. Cinderellaia dependenor on
a single situation and a mal1 amber of othesr renders her
vulnerable t o disapproval. Eere Cindrrella tolrratra abuse,
and criticism causei.hetto double har mfforts to please.
In thfs situation, Cinderellris framework of identification
ia one of affectional receptiveness in which Cindermlla, an
individual lacking inp intriasic appraiaal of self-worth, is
unable to boliave -one cight love her or approve of hor.
If praise, reassurrnce and encouragement were bountiful,
Cinderella could thrive; sincm it is not, Cinderella is
dejeated and despairingly aita dom by the hearth and ories
(Birtchnell, 1987) .
But Cinderrllaws wish to go to the bal1 after meeting
the phyaiall doaands of har 8tapiother and stapsistmrs i s
fulfilled as a sesult of ber Faerg Godmotherma aontrol of
resources. Faerp Qodmother upathisea vith Cinderella aad
responds to Cinderellrme nmw need for interdependance and
P o r t r a y a l of Dominance 75
developmnt of abilitias to ormito ber own fortuno. The
inaoanpicuou~ Cindorellr rosponds coiplirntlp rith hor Faaxy
Ooâmother and, feeling unvo*hy and upacting little, ii
grrteful, humblm aad rospmatful in the imn.t of Uefamntiil
reaaptiv.neas (Birtchaell , a987 j .
In fulfillmant of her awn noadr, md rrlrting ko plants
and septilos rr though thoy u e Lippisanorr, ooroairn and
footien constituting a substitution.or interiadiata
attac-nt, Cindetalla att.nd8 the balle Here, sha develops
a feeling of rell-being through dancing, empathiaing or
meicging with an idealiaed other, a miself-objaatii (the
Prince), thereby creating a saif-aenme of ïovablenaas in bar
own right. This nardssistio reoaptivuiosa in the
manifestation of a nerd to be positively ragrrded and
adiited by others seaultiag froi Cinderella's inadequate or
underdeveloped senae of iolf-worth (Bfrtohnell, 1987).
m u t Cinderella's aew senae of well-being is the usual
politics of envp and jealousy, with an added new addition of
curiosity ai to the identity of the ipsterious princes., as
well as anges at hrr ionopoly upon th. prince.
Awhile later, the Prince unites with Cindarelle
rendering her a radiance within the protaetive sholl of the
Prince's Coach,
AnaZysis of Daminance Application to TWE SLEEPING
BEAUTY
Beauty is bom into 8 situation that darnds nothing of
her such thrt ah. ha8 no aamd for independancm or aducation
of any kind other than the upmrianeing of baing beautiful.
This is a technioally aontrived blisn aina. har puent8 hava
hidden away or disposad of inything thrt d g h t ba of
potential hazm to Beauty.
The old womaa of the .tory suddenly psesenta Baauty
with a verp etructuzed taak demand. But the excessively
receptive Beauty, l a ~ k i ~ g =y task relevant education or
uprtiencr and without any ntsrngth of nead for
independence, faigns personal inadequacy to avoid anp
display of initiative or daoisive action. 8hilar to th8
state of Iaarned helplesaness, the ontological tacoptivaness
of Beauty leavus her without any cleat eenee of self or
disaction resulting in inrffectualnerre when having to rely
on ber o m resoutae8, aad that inclinas her te prralyaia in
the face of a etronger p~rionMs identity. ~ n a b l e to attach
resultfng from imperfeotly established baiio tniut (the
iaternaliaation of clocieaaas being unneceasary in her
blisaful childhood), Baauty ha8 no oapaaity for alonanaaa.
Her f e u of tolerating isolation bringa about the deep sleep
Portrayal of Dominance 77
of heraelf uid iII w h o u m alose (8irtohriol1, 1987).
As the .tory unfoldn, it ia T h e that devalopn +ha
intemaXisafion of closeaess uongst the peoplr of Bmauty*~
childhood. Beautyis f e u of becoiing nonattaohrd rh.n
facing 8 struiger with r atrong identity ia ahrllengad bp r
smward upectaacy which, a8 a samalt of Baautya8 growth ovar
t h e of s e l f -aa tea , in gsartrr than the upeotrncp o f
p d 8 - t ( B h t c h n . 1 1 , 1987) .
Upon awakening, the rorld as aeen through Bemuty8s eyas
is muah changed f r o m that whiah the Prince ha8 triouad on
approach.
Portrayal of Dominance 78
Analpis of Dmünance Application to !R!E RED -S
-en warr a child who frshfoned a happy life for
herself in tho irorerrt, a life of hes own ialting avom though
it was hard work for a chi ld. But she was aoon to ba
doiinrted in a rry unevolvod mmotionally bp inothar, 8
directive individual who wirhed to live vic.tious1y through
Karen as object of directiveneas, a Iealthy Old Uoman rrho
technically iitook pitp upon Allsen. The Wealthy 016 W o m a n
felt aafe by Ming rœsponsiblœ, and toaeivod artiafaction
froi Wing in control of Kazen due to the sana. of uatery
and power generatad, and ~treagth gained, rhmn viewod in
contrast to the weaknesa of a child (Birtchnell, 1987).
In I(aren@s own detached motional state, sha was
auspicious and had the expactatioa that she would bo
betrayed bp the Wealthy Old Woi.ni8 coveting of her handude
ehoes. This perception about the Uealthy Old Woman is
further defined bp the Wealthy Old Woaianis remarks that the
shoes ara useless and her aation of thzooring the shoea away.
How IUtenis self-belief begins to ehatter given het
perceived ulevolence on the part of the Uealthy Old Woman,
and ltarenis supprosaion of uotion inareasas baaed upon
ferring the hurt of rmjeation. Xarea b.gins to abhor
sentirentality by preferring other thaa black ahoea,
Portrayal of D o m i n a n c e 79
keoiing uotionally aold aad aexioua vithout rny sans. of
humoux, thinking only of finaly-toolad sad 8ho.8, and
paraonillp a p h u i z i n g srlf-disciplina by rosiitiag but
neverthelasci looking rt hrr nev rad ihoas (Birtuhnrll,
1987)
Itiren further distasmes berself by feaxfully
iistrusting efforts by the Wealthy Old Woman to rmstrain
her. Xaren@s alartnes8 is honed to the poteatially
derogating socirbility of the utrumly directive Waalthy
Old W o m a n whosa selflaas rltruistia attitude m e s f t
difficult for others to br a.ring toward her. Thr lerlthy
Old Womrnmi defanse of psojection aad denial encourages
~ a r e n ~ a incapacity for affective espression and unawareneas
of thoughts and feelings o f other8. I(.rentm mstraagoment
leads to baing out-of-touch with saality conventions as shr
interack8 rith the crippled shouaker and injuradi 8o ld ie t .
Karen f inally displaya @@or8ay@i brhaviout and thinking as 8he
waltms through flouer beds around the church.
Karen 8-8 the Wealthy Old Woaaa@s gratitude and
devotion by dutifully nnuriag h a r d thii i a I(arur@s only
affection. Karen ha8 depetsonaliaed the Wealthy Old Womn
by treating her as an abject not requiring any ralationship.
Krren takes froi nonhuman things repraaonted by th. rad
ehoes ind this addiction is her psogreaaivm manifestation of
Portrayal of Dominance 80
detacbrieat. Kamn@s narcisririir or the alosfnesa thrt
denias .ny nead for amothmr, baconhg praocoupiad mntirely
witb hasaself, cieifaata in X u m n @ m aoipulmivm self-ralirnoa
and out-of-aontrol behrviour. Xuan retrmats privately to
the oountrpsibe -hm hurt to furthes conaeaî and dony her
distress and deficiancima (Birtehnell, 1987). ZUl thrt
remainu for -en i8 to retraoa har path aad ruaka hat orn
red shoes.
Portraya1 of Dominance 81
In our atorp of E1i.r and hes 0l.v.~ ptinoely brothers,
the controlling style of thr wiakad *en reflmcts r highly
teohnieal stylo mah that king dirmative aaa inalinad to
assume an attitude of detached dominancm ia disp1ry.d by
dictatorial behaviour (Birtchnell, 1987). Elisa is banfshmd
and thia undmrriaing of her aonfidrnae uphaaisas Elisris
weakneai and vulnerability; the voiaes of her bsothar8 are
silenced rith insulting and dismissive lies vhich semalt in
devaluation of and injuq to the Prinoea; and Elira88
spirit, mind rnd body u m foraibly attaaked &y toada (on her
head, forehead and heart). Elisa is caused to be
unrecognirable by the wickad Queen, uho, with ralnut oil,
ointment and the act of di8ur.ping Elisa~s hair, ahowa
aggresaive aad dorineering behaviout craating an opening for
persistent finding of fault and criticizing of Elisa; and
the sesultra+ rot of judgiag by th* fing i ipli .8
superiority, another fori of deatructiveness (Birtchnell,
1987)
Elisa spends a length of t i u in the G r e a t Wood uhate
the accomplishirnt of speoifia taska ocout8 in the absenue
of her beloved brothera and ptotoctors. Elisa diaplay8
strong independena. in her oxpariantial devalopment and
Portraya1 of Dominance 82
rocaiva. knorladga ralating to an ulthatm goal, thrt of
rmlœuing har btothum froi ui .vil a-. Th. friandly
Bemy W o m m saeks Elisa's compamy and taking Elisa by the
hand leads her in the dfrection of her brothers to the Saa
and 8im. Elisa ha8 littlo uprriaaae or oduortioa to liva
indepandentlp of har belovad brothrra and protaotors, yat
their voiaalassnmss ha8 coipallod her ta discovat the
ability to coiplete 8pecifia tasks to relaase her brothers
froi permmant enchantment. Eliaa and hsr brothua diaplay
intense cooperation a8 thay detedne a mana.= of taking hat
across the Sea on wovea rillor b u k and reeds. The npatlay
Elisa uprrienaa8 with hor youngaat brofhat i8 p u t i a u l u l y
streng as it is he vho reaponds to her naeda a8 hm shadaa
and nourishes hrr. The paasing ovœr of Fata Horganais
palace is signifioant as it is clha who instmats Eliaa in
the method of releasing her blrothers. Ironically Eliaa iust
emulate their voiceless fat. to accomplish their redemption.
With her task cleaxly coastructed, Eliia is capable of
beuing in her graap the political pain repreaanted by the
stinging nettles. Again, sh8 is assisted in this task bp
the youngest of her brothers whose taars assuage the
hurtfulness. With the arriva1 of the King, Elisa no longar
needs te act independentlp. Dlisaim empathie involvuent
w i t h har brothars rnb het a l o u l y enviaionad que& support
her effosts to deal adrquately with the invasive
Portrayal of Dominance 83
diraotivumaa of th. uahbiihop. The uohbishop bm1irv.a ha
knows whrt is good for the ring and E l i s a i n t u t he spaaks
When the brothess t ry i n the dark t o 8peak for her
seleaao, th. shultanoous arriva1 of th. lting with the
s i s ing Sun thwarts thoit 9ff0Zt8. ~y th. t i i o zlisa is
being taken t o uecution i n the e u t , ah. i a i titionilly
m a t u t . perfonies. H.X aelf-acceptaaoe of hor ability to
f o a the irntlo-shitts , and har aalf-confidonoo mvidonaad bp
the crowned swans about hor, suatain har f inal af forts
toward her goal i n spite of the f ina l sastriative or
possessive directivaneas of the uahbishop. The uohbiahop
continues t o behrva psoprietoriallp toward Elira, upacting
her to receive hiri preeence in hes final hous and becomiag
offended rhen she behavms indapoadontly (Birtohnoll, 1987).
No longer rebquiring guidance fror Fat& Horgrna, Elisa
competently caste the cloaking u n t l e a , aad i n har aurront
form .rpires.
Portrayal of Dominance 84
O v e n r i e w and Discussion
wZ%erefore re should obsezve certain rules,
such as have coitue dom to us fram ancient traditions
--not to eat of the food of F a e r y ,
nor àrint aught but rater:
never to n m ri&rshin_cr (counter-clockxise) agaiirst the sun . And re should al-s &y the lars of the Otherrorld,
as a e y are presented to us whera re va- the-
W i t h these thoughts i z z mind,
we zuay go a l vil1 into the ancient realms,
and cane back again rith more tban Faeaerp gold
(such as tu;tns to mt)
in out possession.
A mature plrying out of dominance represents control
aad support and the equaiity that Rad .rprrienaem at thm
denouement of hmr story is representi+ive of a senue of
egalitariamiir. Egalituirnim bas beea intsoduoed as a
relatively aev idur to hui.nlind by reaent dmv~loprent8 in
deiooraey. The way people u e iiaaged aad the way paopla
manage others is differant in an ogalitrtiaa aulture than in
an autocratic cultura bmcauae it includan supportive
bahaviours. This egalituian modal fertur.8 a v i w of
dodnance as an approptiate balancinq of control and
support.
To -and upon Hersey and BlanchudW reoognition of
behaviour as characteriaed by three .go statms (prwioucrly
mentionab in the review of related litaratu* section), let
us recall that people operating from an rnatfonal base or
child ego statu are characterised as destructive or happy.
Conditioniag in formative pars produces a parent ego state
or the evaïuative critical or n u r b i n g state. Tbe
behaviour described aa pr0bi.i-80~~illg~ d8~i8ion-&hg OS
rational is the adult ego i t a t e vhare valua8, probabilitias,
and alternatives ire u d n e d before action is petfori.d.
Where a balance aiong al1 three ego states exista is
considered a h e a l t h . state. Using an analyaii of
traniactions concristing of one stiiulus anâ one reaponae,
the atrengtha of aaeh of the thraa .go r t a t a r rruggested
individaaally aeleated î i f m positions that u y prediat future
pattarns of behaviour. lhn XA c h u r c t e r daacribad the
critical parent ego s t a t a whose l i fe position m@Imr O&
youire not OP8 evokes 8 childl ika dapendent, piamiva,
responsceffeat a r t o r pattern of feeling. auah as: "fmi not
OX, pouire mot O F i o r i@Vr not O& flouire A YB
chuactar , w i t h r balanaad child-adult-puent set of
f aalinga ' 8 1 Ur Ol, youm se 011, m m f oaters similar responre-
effect feelings and evokas p s o b l a ~ i o l v i n g adult bahaviours.
In the following dAagram w e see tha t the .xgmrioncing
of ralationship i n the Intmrdependent Doiinuiaa and
Pol i t ica l Deminance quadrants enables r chuaater ioving
along the path from hmaturftp to matxuitp t o develop the
a b i l i t y t o make an inf0ri.d ahoice between (a) the point of
s t h u l u a or domhance s tyle , and (b) the point where
character response or situatednma regis ters i n the
environment a8 affact. or uarpîm, = l i a i ii mde awue of
and able to racogniae t h r t those who have poaitionu of
control over har may be happy o r destructive, and as E l i s a
beginn to in teract with others and discover that thom
others iay be nurtuxing or c r i t i c a l , she f ina l ly s ea l i r e s
that it ia actually possible t o maka deai8ions based upon
diaaovery of th. wholo .tory. ônly thon doma Hlisa h o w
that it is p088ible to m a k a an ef fec t upon, o r influence,
O h i o 8t.t. Quadtantrr and Mamagerial Gkid
! and Coricern
i for People
Y B .
* I M P ~ ~ b TASK
Initiating Struotura and
COAC~M for prOdU~ti022
R A T I O H A L T E C H M I C A L D O H I W A X C E D O H X I A H C E
Portraya1 of Dominance 88
the 8tylma utornally appliad tovud hor. Elinr, r t this
point of dhcoverp, ha8 rerohed .n optiiilly irtura self ego
state 8iiilar to that which Rad wan al80 able to attain.
Uhen other characters in the stories are unable to
demonstrate the skills of upouerment embodbd by mupport
aaâ apathy i n the IntorUep.rid.nt and Politicaï quadrant6 to
asiist the m i n mtorg ohrtrctarn, the inevitablity of th.
main characterai resorting to escape toutes is high. Por
example, Beauty.8 parent8 denie4 the exiatenoe of poteatial
harm, and Karenia guardian was unable to acknouledge har
contribution to Ilrirenici bisure realfty. 19eith.r Beauty in
her tuporaî denial, nor X u e n in sucainbing to addiction,
was prmparmd to ohooae how to ahow affect (or rat or
petfori) as she ras iapacted upoa by various blendm of
control and support.
Aa ecology unabla to recogniae the uniqueneas and
intriasic value of a ch8m~t.t at any partiauîar point .long
that chatacteria story path by heuing, aokmwledging and
homouring the .tory of the ahrractar with aemmitmeat and
appropriate action, producas in th* aharaetor a 8iturtadnmss
of inviil ibility such ai the Ugly Duckling and Cinderella
axperience. Ugly htokling and Cinderella u e only able to
intrgxate their emotional, evaluative aad rmlational
components after esperieaaing eventa beginning in the
Portrayal of Dominance 89
Taahniaal Doiinaaaa quadrant, th- ioviag through the
Interdependant and Politiarl Dodnancm quadrants. Untbl the
fusion of m~pariencas in thoae quadrants craatas a srlf .go
state tbat is whole, complote and eonoretely manifastad in
self-itzturliiing bahrviorir in the Rationcl Daminanae
quadrant, Ugly mkling rnd Cindarrllr are, in aaranea,
concealad by theit form.
Analyring th. contant of ohildran'i q t h , atotp and
legond effectively craataa a new 8tory whiah highlights
characteti8rtions of-aonttolling aad aupporting role
upressiona, and uplores the rrsulting rffaativaneas of
suoh manifestations upon the main character situated in and
progressing crir~ilinearly through Techaieal, Interdapendent,
Political and utional quadtants. The story of r oha~aatat
fn chilbran~s rglth, atory and legend illustrates that
charaater~s affeot, inte- procaaa, .xgerienae or
aituatedness. The dialactical support and control
dimensions of dominance, aonsidered relationally by affect,
create an environicrntal ecology or little narrative through
which childrmn may be con8tructivrly guided to disaoves
thait o m talents for intaraating rith, having an affaat
upon, and feeling upowarad uithin the vorld that they liva.
Portraya1 of Dominance 90
for edaacational purpoama. f t ras furthmr uaumed that iyth,
.tory, legrnd and tales have a aonon influenae upon the
. grorth riid davelopmoat of ohildten and that tha medium of
1 fairjl tales u y ba used to errata a bridga aonnaating the
I f i o l d s of leadetahip pyaohology and educational
admiaiatration. a cronstruct sueh as the Damhance Affect
Tenp la i t e may increase the range of probla-solving tools and
approrches to the atudy of adiiniatrative thought and aation
by lookiag at the mytho8 or undarlping ayatui of beliafs in
the field of educational administration,
~imitationa of this study include a sample restricted
by the nature of thesis work. A l 1 childrenW iyth, atory,
legend and tales could not be reaeasched. The saiple was
l i i i t e d to r viewing of dominance in well b o n i original rad
tatold versions of populu ahildrenis igth, .tory and
legend. Additionally, the impact of the gorua of fairy
tales on adriniitrative theory in general could not ba ful ly
rxplored in this vozL The ider that wa u m alwry8 'telling
storieiM about leadess and haroes aad villaina 8uggmsts that
thote is iora subatuioe to fairy talai than thofr paranniil
populuity would suggast 88 avidenaad by 8ofna.i mtudias,
such as Vladimir Propp.8 1928 uorJc, Thr Y w l a q y of thr
tsrnslated into English in 1958, whioh
subutintiata8 th. genre of fairy tala8 88 wor+hy of aariouu
attuition aad malpsia.
Deliiitations of this atudy acknowledge that th. seuah
for dapietion of dorfnaaca is not looking specifiaally at
the problus, challangm8 o t coacmnm raised in connoetion
rith dominaace by the ismuea of gender, senaal orientation,
taoial and ethnie identity, disabilitiei, or aga.
The .tory of 8 charaetor in ahilUranis m y t h , .tory and
legend i8 al80 a deacsiption of a chrraoter@s affaat or the
intrrnal psooass or . r p m r i . n o r of that uhuactar. Bp
heuing aad liatening to a ahuaoterms .tory, th.
uperiencing of affect bogins to u p the understanding and
lwaing of childten. lithout th. acquisition of
intrrp~tsonal aompeteaca aaaoipliahmcl by auoaaiafully
folloring the path of ouilrilinau progre8sion tbough
relationship quadrant#, and 8urpaosing the challenges
praaented by th8 fatmrdepandmat and Politiaal Dominano.
enviro~ents nuch as R a d r n d E1i.a rchievod, +ha propenmfty
i s fox main chaxaeters aueh a8 Beauty and ltardn to fa11 prey
to riaera of pewer or control who do not provide supportive
attending or listening behaviours whiah ampower. A
charactes without the opportunity to expetionce the ability
to define onei8 o m atotp thtough providing control over
responses to environmant as Cinderella leuned to do by
aontrolling har o m affoct, or a ahuactrr lroking interna1
congruence to onen8 inner self without skills to perfori
initiai 8tniCt~ring S U C ~ a i Uglp Ou~kling & c ~ u ~ s o ~ , WOU^^
tend to fa11 pray to Bprmdator8' or abusœrs of powat . Thm
ryth, story and legend that our soafoty ia seading, shoring,
and telling to childiran portrays doiinanae a8 r ba1.nae of
Portrayal of Dominance 93
support and aoatsol, rnd aontdns r tr~endous rrrlth of
materiaï for use in enaourrging childrem to devalop mt-e
ittitudoa and hhavioura. It ruaina for taaehora aad
adriaistratora rithin our school sya tus to re8i.t
portrayiag doiinrnoe that is only aontrolling or only
supporting, but insterd tu ba vigilant in the portraya1 of
dominancm froi a position of balance. An assesamnt of a
childia place in the childms o n story, riaertrining what
abditional nkills and talents nead-to br accontuatad and
discrovarad, aad mnn.uing thrt aupports and astnictirres u e
preiant to encourage md oahaaoe the child@n ntory or pith,
are extensions to the resouroe of rpth, 8to- and logand.
Resraroh aould bo aoaductad to devolop ourriculu supports,
using childrenii iyth, story and legend, which incorporate
teaching iethodologies with the point of vie= that doiinanca
is a balance of aupport and control. Obseming ohildten aad
exploring childsenis reaction to myth, story and lagend to
devalop aursiculu expariences which encourage daveloprent
of cnicoeasful performaacm affeot is a further possible
avenue of future research.
riplications for Prrctioe
Tho appliortion of the -ce Affect T - l a t e
emphasisea the interna1 .tory of ohfldraa and im indiartive
of hou guida4 intaraetion with myth, storp and Iegand arn be
useful in childtenU journmying froi inaturity to ututity.
lh emphasis is placad upon the imagination of the ohild in
the application of r template aharictorisad by thr driire
for balancing the affact of doiinaace. The ttaâerlyiag
suppositioa is thrt chileen hava pot.nti.1 pores oves the
dominame of thmir O- livra and aaa be aduartod to u p r m . 8
that dodnance in concert vith othars thtough relational
affect aad responire that ia shared and compluentrrg. Thi8
is the effect of educators@ urpowerment. Adrini6trators are
s i r i l u l y eacouraged to heuken to the itories of teachats
and so empowar t h u in their journeys to maturely upower
children.
The dialactical aupport and control dimensions of
dominance when considerad relationally by affect croate an
environieatal eaology in whioh ohildran may oonitnictivaly
discover their orn talant8 for intasacting with and haviag
an effact upon the world that they inhabit. The notion of
individualism in thus queitionod by the appliartion of th.
aominance Affect Templa te . P r o i the position of m l f in
rulation to othors, the @igmaoralised othes vhich im
apolitical and idaulogiaaïly invisiblaii (Fasguaon u citad
in B l a ~ h o t ~ , 1989, p. 119) i8 teplacad bp r ~~~mlrtional
viow of morrlity. . . [whiab] r*aogniwaa the intezdep8ndencm of people . . . no+ being pradicrted upon soi. abstsrct univmrsal iosality or individual rights, but
upon concern aad responsibility consaquant upon the
relationship~ of self to others within apeoificr contutsi@
(Blachiore, p.120).
Portrayal of Dominance 96
fiplications for Thmery
The maanhg of ampouorment of a school aonuaitp h u
been uplained by 8ergiovanni as follovs (aited in WrtLiiu,
1989, p.32):
iiTransforive laadors u a more aonoornad uith
the concept of power to than F e r ovmr . . , . how the pover o f leadership cui help people bacorne
more suaces~ful, to aaaoiplinh tha thinga that
the9 thlnk u o *portin+ to upetienaa a grerter
sense of afficacy."
=en mlauming becoies a social procesaic (siyth, 1989,
p.200), a siturted pedagogy where the means of uriving at
understanding is tiuough nagotiation and aharing, concret.
grounded reality descriptions unaov~r the oprquanmsa of
classroom kaowledge through the use of narrative. The use
of stosy is a base for devaloping the genuineness and
.i-thp naCe88irp for empowaring othars. CC-# 8&id of
his eminent teacher and mentor: 'WC. William waa
constantlp usging me no+ to allow natural egotiu to
obatruct a larger vie= of what it ia that any profenaion
offers in the way of moral poasibiilities aad b i a u d s ~ f i
(Coles, 1989. p.118). col ai^ position ia that tbe ultimate
Portrayal of Dominance 97
test of worth a8 r profeusionaï or teachez rogudm how
bohaviour in conduofed with aaothos paraon, not whit
hiowledge i8 poaseasad, and that the pull r 8torytallrt caa
uut upon r liatemat or suder may produam a kind of
@menchaatient@@ that by iti uncomfortableness m y dreply
influenaa. Bornethes @@tarabars .liait daprndrnaa tathes
th- indapendenca in theit mtud.nta@m ( C o l e s , p. ZZL) by
uerting p0r.t or dominame ove= ratbar than power or
dominance tom
Van Manen contends that ahildrert's value in our livou
has becoie a cultural quaatioa m a r k produord by r ganeral
narcissicn in our aoaiety today (1992, p . l 4 l ) and that iuch
educatioaal thaorising and seseuoh sutfers froi blindne88
and dmafne8s (p.149). Btorytelling and listening to onWu
o m s t o q and represanting it through affect is 8hila.r to
Lyotard@s ~@iiaginative devalopment of knovledge~~ (cited in
Uaher L Edrrrdi, 1994, p.182) which relate8 the ambiguity in
oneas environnent rith g u e s of language in vhich the rule8
consta~tly change. Lyotud@s uguments aztioulate the naed
of aprar for littlr nurrtivma or ~@spooah@a whioh amabla
atudeats to articulate and find th8i~ own Woicaa@ (Wsher C
EUwaSds, p.183)
The relational orientation of which cara, concern and
coiiitmant are repreientational aannot be reatrictad only to
Portrayal of Dominance 98
intaraetion with paoplo. YOOL:~ dosorib.8 #@a moul-acology, a
responsibility to th. thingu of th8 rorld Maad on
appreciation uid rrlatadnosa rather than on abatsret
ptinciplep rhichIend8 8 falt aonnect~dna8s to th. thinga
of the world aaâ tha a a h m mulldi or 8 0 ~ 1 rrriding in artura
and aioh thing (1994, p.270). lovhore in oduoatioa ii this
more demonatrable tham in the impact of teabnologp on th.
relationahip of childtan to computesiied loaming (Usher &
Idwuda, 1994, p.174). @#The computar . . . i n a puadox
that is increaningly important for our cultore, . . . ia 8
point o f teferonco for th088 who place gseatemt value . . . on affectug (nttklo, 1984# p.312). according to Lyotard
(oitod in Usher and Sdwuds, 1994, p.l81), iyth, atorp and
legend, or the little narrative, ia still the most inportant
f o a of imagination and ~ s ~ i s i o n i a t cteativity.
Portrayal of Dominance 99
So nocr the stage is set. F e e l your o m heart beating
In your chest. W s LSfers not over yet.
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