Portrait Charcoal Gesture and Light - Rembrandt

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Introduction to Charcoal and Gesture Exploring the Portrait/Self-Portrait Glenn Hirsch, Instructor

Transcript of Portrait Charcoal Gesture and Light - Rembrandt

Page 1: Portrait Charcoal Gesture and Light - Rembrandt

Introduction to Charcoal and Gesture

Exploring the Portrait/Self-Portrait

Glenn Hirsch, Instructor

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charcoal technique

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Chiaroscuro Lighting

in the style of Rembrandt

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Rembrandt

“chiaroscuro” means “clear dark”The figure emerges from the shadow into a spotlight

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Florence McCafferty

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Renee Kelley

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Sandra Schlutz

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Thuy Kang

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Suva Chatterjee

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Larry Elias

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Review of last week

shape of the skull

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The skull in 3/4 view (the view in which you most often see it in life).

Directional light from a single source helps to define the planes of the skull.

Otto Dix, 1913

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The boundary between the side of the face and the front.

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-Eyes are in shadow;

- The upper lip is in shadow;

-There’s a 'ball' at the end of the nose;

-The chin is rounded.

Lucien Freud

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Review of last week

Contour Line

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Variety of line = "beauty"

fast/slow

thick/thin

light/dark

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Blind contour drawing drawing without looking at the paper

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Gesture and body

language

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Body language

The tilt of the head gives added interest to a portrait.

Auguste Rodin

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Alice Miller

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Alice Miller

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