PORTIFOLIO ERICO GONDIM
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Transcript of PORTIFOLIO ERICO GONDIM
forUniversity of
the ArtsLondonMA Industrial Design
(Central Saint Martins)
Érico Gondim
for
University of the ArtsLondon
MA Industrial Design(Central Saint Martins)
Érico Gondim
Visual Analogy
Concept Bases on a Bionic Structure
Technical Drawings and Manufacturing Process
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Example of Exhibition Layouts
Drinking water fountain for public school in Brazil year 2001 Academic Design Project from Design Center of Ceará - FortalezaRe design of Drinking Water Fontain and Water Container ‘ cover’ for a fiberglass and refrigeration Company - MASISA. The aim was, give more hygiene, security and space on its use. The project passed through market research, industryvisits to process analysis, concepts, sketchs, renderings, technical drawings and a three-dimensional mock-ups.
Product and use before intervention
SIMILAR PRODUCTS RESEARCH
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waistcoat for motodriver´s safety year 2008 The aim of the project were to Re design a new waistcoat for motodriver´s safety in Fortaleza.The product with required patent, got new moudeling, materials and a low cost to its users.It has been stablished as a patern waistcoast to motordivers safety.Co-author: Sergio Melo
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CARNAUBA THE RICHEST IN THE ITAIÇABA´S REGION, THE MAIN RAW MATERIALFOR HANDCRAFT WORK.
PLANT
THINK NEW WAYS OF REPRESENTATION
THE PALM ORIGINAL CRAFTWORKHANDMADE THE STRAW
SKETCHINGS
ICONS RESEARCH
Carnauba’s straw handcraft year 2001
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IMPLEMENTATION OF NEW COLLORS AND MAKING PROCESS
USIG THE SAME TRADICIONAL TECHNICS
IMPROVING WITH DESIGN APROACHES
Susteinable furniture year 2007Furniture project taken at Aruaru Ceará- BRAZILThe aim of the project was to develop furnitures with low cost with spared wood that has been cut inappropriately and should be used by very small woodworkers as an opportunity to improve their simple production and sale. So the project intend to be susteinable also explroring diferent design paterns through the double color found at this wood in Aruaru.
PROTOTYPING
VERTICAL WOOD CUT
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HORIZONTAL WOOD CUT
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Bio jewelery year 2010An expedition at The UNESCO Geopark Araripe in Ceará BRAZIL has been the focus for the developmentof new products to attend visits from all over the world. In partnership with SEBRAE in one weektrip, jewleries were developed with the participation of craftsman, goldsmiths and lapidaries.The aim of the project was develop jewleries with low costs. Using concepts related to Geoparkbased on the earth sediments formed by milions of years the design of rings and necklaces usedspared fossil stones found at Geopark, joined with plated gold and leather.
dinosaurs structures fossil (decay) diversity of sediments and layers
GEOPARK REFERENCES
SEAKING MAIN REFERENCES THROUGH DYNAMICS
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LEATHER
STONES
GOLD
MATERIALS SANDWICH
BONNES REFERECE
FINAL COLLECTION
Briefing
Research
Concept
The way Thiago liked to be caried
Canguri year 2003Trasport Chair for child with special needs. Fortaleza BRAZIL The aim of this equipament based on Canguru was to give a better qualityto a special child with muscle atrophy. It has a seat for the boy and a back protector for the person who carry him. The project has also gained a Honour menssion in a Brazilian Design Award ( 5th Liceu´s Design Award - BAHIA 2004 )
Co-author: Cristiana Vieira
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The Kangaroo Concept
SKETCHESConcept reference
for development
THIAGO AND HIS FATHER
Raiz lighting concept year 2011RAÍZ is a project under development that seeks through the concepts of sustainability that make use of natural raw material not been used before and that may represent a second use with no real damagedto nature or to their natural cycles.RAÍZ is made of a reuse root of a palm (Rhapis excelsa) that died naturally in a jar and left his memory in its form. The format of the jar work as a template for his new role. The roots as a natural embroided is a cover for the lamp and its trunk as the main lighting pedestal that has been riched with a spiral gold metal.
As all every living being there is a life cycle of birth, development and death, and it is just after the end of its cycle that the memory left, could be trasformed in a second life use.
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The format of the jar work as a template
The trunkwork as thestem of the lamp
Etá means ‘much’ and also makes part of the brazilian indian´s language also part of the whole brasilian culture. Much are the possible ways to reorganize elements and to inovate new use to objectsfrom our everyday lives, like the broom , one of the most traditionl producs handmaded in Brazil and nowcan be used as an object of contruction for this new seat.This project has the aim to be susteinable as it valorates carnaúba´s raw material and helps the comunities through their own broom´s production. Etá is a new way to re mean the use of objects.
etá (the broom´s seat) year 2012
CULTURAL REFERENCES
INDIANS TIES
CARNAÚBA STRAW
CARNAÚBA´S BROOM
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VISTA DE PEÇAS EXPLODIDAS
48cm
GRÁFIC PATTERS FOR TIES
MODULATIONS
mobios(lighting) year 2011Mobios is a project based on the use of spared fabric rolls, material used for curtains.The object express mobility like a live organism. The gradient of colours was stained manualy and it can assume diferent forms functions.
10
Paper Ilustration year 2011Ilustration in paper sculpture fo a Indian book (Sex and Intimacy)Fundacao Democrito Rocha Editions
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Paper sculpture Instalation year 2006Handmade Paper Instalation fo Lingerie Fortaleza Dragao Fashion Show- BrazilThe development were based on paper sculpting cenography. the concept werebased on the langerie’s collection with the references on romantism and luxury dolls.Co-author: Sergio Melo
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Fashion Paper acessories year 2009
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Gold Rain year 2010Instalation Christmas project for a curtains and persians company. The project has the aim of reusing spared wood courtainsfor interior design showroom by th time of christmas. The concept of the project was based on rain of gold.
the material
the making process
14
Fashion cenography year 2011Fashion cenography made with spared materials such as egg packagings and pizza`s basis. The concept of the project was based on the theme of theevent about susteinability for the fashion industry.Co-author: Sergio Melo
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Creative Concienceness Project (Cenography) This cenography project for DRAGÃO FASHION BRASIL SHOW has the conceptbased on the title of the event Creative Concienceness. The designers minds has ben represented in 4 diferent ways or styles through the materialisation ofideas like the braingstorming process .
Dragão Fashion BrazilShow Cenography year 2012
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DESIGNER MINDS BEHAVIORSPOSSIBILITIES FOR CONSTRUCTION
CUBIST ROMANTICDARKCONSTRUCTIVISTCIENTISTEXTRAVAGANTFREAKSEXYURBANELEGANTETC
Bio labirinth year 2000A play labirinth with 30 animals to be found.
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Object with the concept of reversal of everyday objectsInverse year 2005
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.Tension year 2003
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Papermade and folding object with the concept of bio organism that has mobility and can assume different forms.
Metamorphosis year 2003
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REFERENCE ARTISTS RESEARCH Victor Vassarely / Sabah Naim / Zaid Mustafa / Sônia Guggisberg / Frank Stella
Volumeries (Experiments of three-dimention on painting) year 2006/2007
Graduation final work (Visual Art -Painting)The final work for graduation was focused on three-dimensional impressions throughthe two- dimentional painting. The work has first based on some artist paintings thathas the volume as the main carchteristics of their work. The development has gone throughby the development of volume paintings and by other references through object and volumes observation.
FIRST PAINTING STUDIES (LEAVING THE SQUARED SPACES)
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Painting Size: 140cm x 100cm
Painting Size: 150cm x 70cm
Painting Size: 100cm x 100cm
Painting Size: 100cm x 100cm
WORK PROCESS
NEW APPROACH OF OBSERVATION ( SURFACE DISTORTIONS )
DRAWING STUDIES
VolumetriesAcrilic painting over mdf
Tensions and Simphony year 2009Wall Sculpture for interior Design Decoration. This authoral visual artwork is based on visceralforms. Tensioned strips comes out fluid from inside the wall. Initialy made of acrilic but alsomade of aluminium strips.
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Alexandre sidou identity and packagingGraphic Design Corporate Identity Paper and Pakagings for Jowelery Company - Jericoacoara Ceará- BRAZIL 2007The concept of the project is based on handmaking jowelery with reference on nature and trasformation.
+ =
medieval money bag
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Graphic Design Identity for Art Ehxibition in Fortaleza.The concept were based on the heart as the eye of emotions.
Identity brand year 2008
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Corporate Identity year 2008
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Érico Gondim
Undergraduate Thechnology in Visual ArtsCEFET (Federal Center of Thecnological Education of Ceará) 2003-2007
Post Graduation in Creation and Development of Fashion Products (Catholic Coleges of Ceará ) 2009-2011
Thecnic in DesignDesign Center of Ceará - Dragão do Mar Institute of Art and Culture 1999-2001
High Level Education program Course in Strategy Design (LAB- CE)CRIED ( Centro Ricerche do istituto Europeo di Design - Milan) 2004-2005
Design Thecnology and ArtsWreen School GM, Wellingborough - England 1996-1997
Twelve years of experience in Product Design, Graphic Design Consultancy and practice
Other works related:Handcraft design, Visual Arts and Cenography
address:Av. Alfredo Weyne 100 bl2 apto 1101B. Fátima Fortaleza Ce BRAZILcep 60415520
phone: **55 ***85 32566880 **55 ***85 – 86793306e-mail: [email protected]