Portfolio Sophie Brauer
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Transcript of Portfolio Sophie Brauer
sophie brauer architect maa
p o r t f o l i o
c o n t e n t s
june 2011- present. freelance and internship work, Copenhagen
2009 - 2011. master of arts in architecture, Kunstakademiets Arkitektskole
2006 - 2008 bachelor of arts in architecture, Dalhousie University, Halifax
balcony study
fieldwork for thesisValletta, Malta2010
chapel window print. Luis Barragán’s Tlalpan Chapel, Mexico City
2008
Yoko Ono HALF-A-WIND SHOW
Exhibition architecture, from concept and layout to detail design of walls, vitrines, seating, and other installations.
Louisiana Museum of Modern Art, Humlebækjune 2013
1: 20 model final installation plan with displayed materialfinal installation
longitudinal sectionplancross section
LED - lit display table for Ono’s records
CEILING PAINTING (YES PAINTING), 1966
Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder
Privateje / Private Collection
CEILING PAINTING (YES PAINTING), 1966
Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder
Privateje / Private Collection
CEILING PAINTING (YES PAINTING), 1966
Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder
Privateje / Private Collection
B2– IMG- Mark.– Instructions
CUT PIECE
First version for single performer:
Performer sits on stage with pair
of scissors placed in front of him.
It is announced that members of the
audience may come on stage-one at
a time-to cut a small piece of the
performer’s clothing to take with them.
Performer remains motionless
throughout the piece.
Piece ends at the performer’s
option.
Second version for audience:
It is announced that members
of the audience may cut each other’s clothing.
The audience may cut as long
as they want.
Instruction Painting opdeler maleri i to forskellige funktioner:
anvisning og udførelse. Værket bliver først til, når andre udfører
det. Anvisninger kan udføres af forskellige mennesker på mange
forskellige måder. Dette muliggør en uendelig transformation af
værket, som er uforudsigelig for kunstneren, og indfører begrebet
“tid” i maleriet. Det eliminerer på forhånd den vægt, der normalt
tillægges maleriet, og kunsten bringes ned fra sin piedestal...
Instruction Painting gør det muligt at udforske det ikke synlige,
verden hinsides de eksisterende begreber om tid og rum. Og
derefter, sommetider senere, forsvinder anvisningerne og bliver
fuldstændig glemt.
Yoko Ono: Yoko at Indica, Indica Gallery, London 1966
the instructions and the realizations. The work becomes a reality
only when others realize the work. Instructions can be realized
transformation of the work that the artist himself cannot foresee,
and brings the concept of “time” into painting. It immediately
eliminates the usual emphasis put on the original painting, and art
comes down from the pedestal...
Instruction painting makes it possible to explore the invisible, the
world beyond the existing concept of time and space. And then,
sometimes later, the instructions themselves disappear and be
properly forgotten.
Yoko Ono: Yoko at Indica, Indica Gallery, London 1966
PAINTING TO SEE IN THE DARK (Version 1), 1961PAINTING FOR THE WIND, 1961PAINTING TO SEE IN THE DARK (Version 2), 1961SHADOW PAINTING, 1961
A PLUS B PAINTING, 1961WATERDROP PAINTING (Version 1), 1961SMOKE PAINTING, 1961PAINTING IN THREE STANZAS, 1961
PAINTING TO BE STEPPED ON, 1961WATERDROP PAINTING (Versions 1 and 2), 1961PAINTING TO LET THE EVENING LIGHT GO THROUGH, 1961TIME PAINTING, 1961
paper and wood
1 : 1 prototyping with Maya Lahmy. Folded paper lamps, milled and stretched plywood screens.
Copenhagenfebruary 2013
lamps in lasercut and folded paper, design Maya Lahmy
exhibition of works in progress at Baghuset, Teglgårdsstræde
making wooden screens at Statens Værksteder for Kunst
Sam Eydesgate
Månaveien
Storgata
Plass til sommerscene
Plass til scene, marked ++
N
solskålenrjukan torgcompetition entry collaboration with Nicola Markhus and Frederik Beckett-Nilsson
Rjukan, Norway
february 2013
adjustable shelf
designed for the changing displays in the café at Republikken, parts produced in-house on the CNC milling machine.
Copenhagendecember 2012
holdfasten redningsstige til danske havnecompetition entry collaboration with Madleena Larivaarasteel tube ladder with cast chloroprene rubber “boots”
Copenhagennovember 2012
1 : 1 0 P L A N & E L E V A T I O N , G R A N I T E Q U A Y
220 mm
70 m
m
33 mm chloroprene rubber tube
1 : 5 S E C T I O N , G R A N I T E Q U A Y
250
mm
70 mm
plan and elevation
section
stronghold: a production house for the women filmmakers of maltathesis project
transformation of a fortificationbased on fieldwork in Valletta, MaltaKunstakademiets Arkitektskole, Afd. 2
Copenhagenjune 2011
longitudinal section
maltese bobbin lace
city of valletta, malta 1: 5000
Ncity of valletta
sectional elevation from ditch
stonelace sketches
cross section
storytelling chair
for a grandparent and a restless grandchildsemester projectKunstakademiets Arkitektskole, Afd. 11
Copenhagen2010
visualization
prototype in birch plywood, laminated veneer, steel and felt
study model of enclosed balcony in valletta, malta