PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 -...
Transcript of PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 -...
HEATHER TUNG | GRAPHICS 1PORTFOLIO
FALL 2014
CONTENTS01 - ORTHOGRAPHIC PROJECTIONS
02 - DIGITAL DRAWING
03 - MAPPING PART 1
03 - MAPPING PART 2
04 - DIGITAL FABRICATION
05 - RENDERING
06 - TECTONICS AND INTENTION
07 - SURFACE ARTICULATION
08 - LAYOUT
09 - MEASURED DRAWING
10 - PHYSICAL MODELING
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Orthographic ProjectionsMetronomeHand Drawings
01
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Digital DrawingMetronome02
SECTION 3SCALE 1:1
FRONT ELEVATION
SECTION 1 (FRONT) SECTION 2 (MID) SECTION 3 (RIGHT)
SECTION 4 (BACK)RIGHT ELEVATION
COMPOSITE 1 COMPOSITE 2
ASSIGNMENT 2 - DIGITAL DRAWINGMETRONOME SCALE 1:1
FRONTELEVATION
HEATHER TUNGSEPTEMBER 20, 2014
RIGHTELEVATION
SECTION 3(RIGHT)
SECTION 2(MID)
SECTION 1(FRONT)
SECTION 4(BACK)
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Mapping - Part 11st Street LRT Station031ST STREET LRT STATION
STUDY AREA:
THE USE OF THE TRAIN INFRASTRUCTURE AT VARYING TIMES OF THE DAY
INDIVIDUALS ARE REPRESENTED WITH LINE AND COLOUR COMPOSITIONS
THE CAMERA ANGLE OF THE PLATFORM WAS CHOSEN SPECIFICALLY TO MAP OUT THE ACTIONS OF ITS USERS.
IT INCLUDES A CLEAR VIEW OF THE LRT BENCHES, POSTS, AND STANDING AREA OF THE PLATFORM.
ARST 451 - GRAPHICS 1 | BONNIE CHUONG, HEATHER TUNG, DUSTIN YEE | SEPTEMBER 27, 2014
PROCESS:
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Mapping - Part 2031st Street LRT StationCommunicating Context: The Physical Dimensions of Site
Project Description:The way objects on the platform interacts with sunlight to produce shade.
PLAN VIEWSCALE: 1:200
SECTION 2SCALE: 1:200
DIAGRAM - SHADESCALE: 1:200
PLAN VIEW
SECTION 1
DIAGRAM
PERSPECTIVE
SECTION 2
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Digital Fabrication04Cubes
Detail: Taking the inverse of the spaceMaterial: 1/4” Baltic Birch PlywoodConstruction Method: Contouring & Stacking; adhesive - glue
LASER CUT FILES:
- Cut
- Engrave- Cut
Bottom
Main Structure
Base
Detail: Tabs added to initial designMaterial: Cardstock & 1/8” Millboard BaseConstruction Method: Folding with tabs; adhesive - glue
Detail: Stacked with equally sized spacersMaterial: 1/8” MillboardConstruction Method: Contouring with spacers; adhesive - glue
Base 4
Base 5
Base 1
47 6 5 3 2 1
7 56 4 3 2 1Base 2
Base 0
- Engrave- Cut
Base 3
Base 6
Base
MiddleSupport Pieces
Spacers
Top Finishing
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Rendering05Reading Space
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Tectonics and Intention06SANAA - Toledo Glass MuseumSANAA | Toledo Glass Museum | Tectonics and Intention
NOVEMBER 02, 2014
The transparent property of glass allows the horizontal aspect of the design to dominate, even though the glass is constructed in a vertical manner throughout the space.
- Section is chosen due to the proximity of multiple
vertical surfaces.
PHYSICAL MODEL
FRONT FAÇADEVERTICAL GLASS PANES- DETAILING
HEATHER TUNGSCALE 1:10 ARST 451 Graphics 1 | Heather Tung - Fall 2014
Surface Articulation07Surface Articulation: PatternHeather Tung
The repeated use of the star shape demonstrates Antoine Picon’s feature of pattern in contemporary ornamentation. The overlaying of the geometric shape is placed in a grid format, then projected onto a 3-D surface, thus creating a pattern on the surface.
1 Created Truncated Cone shape, then modi�ed it
using CageEdit
Array star shape to ceate a repeated pattern. Then the surfaces are extruded
for depth
3 Deleted all surfaces except for the ones highlighted in purple for variation within
the pattern
4 Pattern is Flown Along Surface 5 Delete the original
surface
Renderings:
Process Matrix:
2
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Layout08Chosen Project: Orthographic Projections
The metronome is used by musicians as a source to rely on for the speed of which they compose and play at. The device produces ticking noises that are synchronized with a swinging pendulum, allowing the musician to follow the visual movements.
This metronome consists of an enclosing wooden frame, the pendulum, as well as the gear technology within.
SECTION 1 (MID)
WOOD CASING
PENDULUM
GEAR TECHNOLOGY
RIGHT ELEVATION
FRONT ELEVATION
SECTION 3 (RIGHT)
SECTION 3SCALE 1:1
SECTION 2 (BACK)
FINAL COMPOSITE IMAGE
MetronomeThe Time Marker
HEATHER TUNG
2 PAGE SPREAD [2 X (8.5” X 11”)]
This metronome consists of an enclosing wooden frame, the pendulum, as well as the gear technology within.
The metronome is used by musicians as a source to rely on for the speed of which they compose and play at. The device produces ticking noises that are synchronized with a swinging pendulum, allowing the musician to follow the visual movements.
MetronomeThe Time Marker
SECTION 1 (MID)
RIGHT ELEVATIONFRONT ELEVATION
SECTION 3 (RIGHT)
SECTION 3SCALE 1:1
SECTION 2 (BACK)FINAL COMPOSITE IMAGE
HEATHER TUNG
WOOD CASING
PENDULUM
GEAR TECHNOLOGY
20” X 30” BOARD
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Measured Drawing09KASIAN Gallery
H1.0.4 | AXONOMETRIC
15.75
H1.0.2 | PLAN
H1.0.3 | ELEVATION
H1.0.1 | SECTION
The Kasian Gallery has been dimensioned and documented as seen on the drawings on this board. Using the articulated surface from the previous assignment, the display wall has been replaced.
KASIAN GALLERY - REDESIGN
UNIVERSITY OF CALGARY
FACULTY OF ENVIRONMENTAL DESIGN2ND FLOOR GALLERY
BY: HEATHER TUNG & DUSTIN YEE
SCALE:1/4” = 1’-0”
DRAWING #
H1.0VERSION:ORIGINAL
H1.0.5 | PHOTOGRAPHS
D1.0.4 | AXONOMETRIC
D1.0.2 | PLAN
D1.0.3 | ELEVATION
D1.0.1 | SECTION
The surfaced wall was created with the use of two rectilinear, interlocking spirals. These spirals were multiplied using the array technique. The resulting form was then rotated 90 degrees and copied to create a continuous, fluctuating arrangement.
The articulated surface has replaced the original display wall in similar dimensions for the frame. The surface can be observed from both sides of the wall.
KASIAN GALLERY - REDESIGN
UNIVERSITY OF CALGARY
FACULTY OF ENVIRONMENTAL DESIGN2ND FLOOR GALLERY
BY: HEATHER TUNG & DUSTIN YEE
SCALE:1/4” = 1’-0”
DRAWING #
D1.0VERSION:NEW
D1.0.5 | RENDERING
ARST 451 Graphics 1 | Heather Tung - Fall 2014
Physical Modeling10KASIAN Gallery
Model: Heather Tung & Dustin YeeOriginal Drawings: Anne Kemp & Caila Anderson
ARST 451 Graphics 1 | Heather Tung - Fall 2014