Portfolio Nina Sickenga

RTFOPOR

OLIO

2

ME!

Personal information

1. PROJECTS NATIONAL

2007 TU Interior - Shoeshop

2008 TU Public buidling - NL House

2009 TU Architectural Studies - Liner Museum

2009 TU Interior - Witte de With Museum

2010 TU Border Conditions - The invisible city

2. PROJECTS INTERNATIONAL

2009 TU Urban emergencies - Venezuela

2009 TU Architectural Body - Open Source House

2011 Design acts - Minami Sanriku Cho

3. GRADUATION PROJECT

2010/2011 STUDIO GHANA - The transformation of the urban structure of Kumasi

2010 Building in Ghana - Pure Home Water Factory

4. GRAPHIC DESIGN

2009 Graphic Design - Photography

2010 HEMA Graphic Design Competition

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CONTENT

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ME ANDOUL

2010 Ghana publication

2011 Graphic Design - Soulmates

2010 Webdesign

2011 Graphic Design Housestyle

2011 Graphic Design Housestyle

2012 Graphic Design - African atmosphere

2012 Graphic Design - Housestyle

5. SIDE PROJECTS

2006 Fashion - Earrings

2008 Creative Festival - WIJ + ZIJ

2008 Modelling - Lasercutting

2007/2008 Jeckyll & Hyde - DSTG

2011 Interior - Light

2011 The Selery - Postcards

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Accelerating Clean Techn

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After having graduated as an architect in the �� this actually means. During my last years of study and in recent engagements in intercultural projects I have �� instead of an architect I can apply my skills better and more effectively.

During research projects in South America, Africa � �� more creatively identify appropriate media for the �� address. As a designer, architecture is not excluded, instead disciplinary constraints are suspended until the ��

In some of my late projects I have been exploring graphic design as a means to clearly convey complex information. Information is increasingly saturating �� !�� !�� "� �� internationally demanding cross cultural communication skills. In my personal experience graphic design has been a very important tool to communicate and engage in collaborative design processes across cultures � �� #�� disciplinarian approach.

At the same time I feel that my training as an architect has exposed me to many different media such as photography, 3d modeling, sketching, sculpting, digital art, collage and more. Ultimately, for me as a designer �� beautiful.

$�� !�� challenging and innovative projects.

ME!

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PROJECTS NL

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2007 - TU Interior Teacher: Leontine de Wit

Shoeshop for Marloes ten Bhömer.

Marloes ten Bhömer produces couture shoes that are �� !��!� � �� %�� artistic and technological experiment in order to ��!�� '�� (�)��*� �� of a kind shoes tailored to individual clients. The idea �� her designs as genuine pieces of art.

$�� the idea behind the shoes and the designers, their target ��

:�� !� �� #�� !� �� this shoe-shop. By analyzing the formal logic behind � �� routed exhibition space, atelier and sittingplace.

INTERIOR SHOESHOP

Conceptual design, surfaces

Conceptual design, surfaces in shop

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Conceptual design, surfaces

Main elements shoe-shop

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2008 - TU Public Building Teacher:

PUBLIC BUILDING NL - HOUSE

The Sculpture in the Polder

The project brief is to make an architectural icon in the Dutch polder that can serve as an international symbol for contemporary Dutch culture.

The site, in the polder, is the archetypical Dutch �� :�� !�� and characterized by a vast matrix of large rectangular ��

Because of the small programmatic brief, I used a more sculptural landscape design method to frame the �� !�� " ;<< �� sealevel height at 4m. Besides the private program on �� =��

The concept of the design is to subtly reference the >�� #�� a more autonomous and abstract architecture. Resistent �� *�� strarkly stand out of the green surounding.

:�� ?�� =�� on the social, cutlural and economic organization of the country.

Modern Polder Landscape in Holland

Conceptual drawing NL House

Part Floorplan NL House

Section NL House

11Impression NL House

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Impression NL House

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ARCHITECTURAL STUDIES LINER MUSEUM

Repetition is overruling the world

“With scaly silvery skin, a long, low body and a great spiked crest, the Liner Museum in Appenzell, Switzerland, lies like a gentle dragon between railroad tracks and a curving road. The Liner museum is glimmer against the sloping farmlands and “the form is meant to have many different meanings and associations,@ �� "�� Q�� "�� Q�� X Mike Guyer Architects.” The building is an abstraction of repetitions found in the surroundings of the museum. This repetition can be found in the small houses, the mountains, the forest and

Y�� used for many years, often by philosophers. “The philosophical discussion of repetition ranges from Plato’s understanding of repetition as reminiscence or recollection of an already existing knowledge. Deleuze discusses Nietzsche’s concept of the “eternal return” as “the power of beginning and beginning again” Deleuze counters Freud’s understanding of repetition as a compulsive reiteration of the past which psychoanalysis attempts to stop by representing it, with the understanding that repetition allows for reinvention”.

By analyzing the existing building a abstract model �� :�� to make the abstract model. Every hole, size, movement � �� =�� [�� '�� >��

Abstractification of the Liner Museum

2009 - TU Architectural studies Teacher: Jola Starzak

Abstract Maya model Liner Museum

Model Abstract model Liner Museum

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Conceptual design of a museum

:�� $�� $�� \]]< �� contemporary art and theory in the context of the city Y�� The �� $�� $�� '�� on the Witte de Withstraat in the bohemian cultural district of Rotterdam. Using the same site as the old museum, the redesign uses .

(�� exsiting city I used the old parcels dimension of the neighborhood to organize the massing of large bays for various exhibition spaces of the museum.

:�� contrasting masses are psitioned perpendicular to the bays emphasizing the public components of the building such as the foyer and the public roof garden.

:�� !� �� !�� $�� $�� if the museum.

Developing a feeling for art

Conception drawing - section

Design Museum in it’s environment

INTERIOR WITTE de WITH MUSEUM2009 - TU InteriosTeacher: Nicolaas van de Keere & Carin ter Beek

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Impression design for the Witte de With Museum

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The invisible city of RotterdamExperimental Architecture in Sociopolitical Contexts

:�� :� �� behind the Border Conditions department, here a small �#�� :�� '��

L�� ^�� _�� in Rotterdam, the site is characterized by the dynamic =�� Y�� _�� !�� destinations in the city. This emphasis on movement at the representative entrance of Rotterdam lacks the �� #�� meet, interact, exchange thoughts, express themselves freely, and enjoy the city.

Paths Articulating the urban condition of the site as a mayor �� !�� Y��*� diverse population, paths are designed to create an �� !�� Y��*� �� :�� density recreates the currently lacking congestion essential for a public urban experience; the exposure of oneself to difference, to others - a density of different desires.

LocusThe meandering paths connect special locus that �� !�� !�� q��w Y��*� �� :�� !�� !� �� :�� as intermediate destinies, but also as podia for the passerby.

Movement + Interaction:�� q�� !�� (paths) and human interaction (locus). By spatially �� the human and built environment are stitched together as one cinematographic experience of Rotterdam.

Abstract Model (Soft Foam)

Pinhole photocamera

Abstract Model (Cork & Wood)Photo made with pinhole photocamera

BORDER CONDITIONS THE INVISIBLE CITY2010 - Border Conditions, Public buildingTeacher: Sang Lee

Research graphics

Abstract Model (Museumbord)

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Crowded Spot

Public Space, How to feel isolated or meet people? Get an overview of the space Entrance of the city

Enormous Crossing Point,

Public Stream to centre

Enormous scale of the buildings, remember the spot

Viewpoint, Long axes of city

Entrance of the city

Public Stream, introducing the green Possibilities to be a kind of a boulevard

First sight on entering the square Viewpoint

School of art and music Students hanging out in front of their school, cultural

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Entrance to the open public space Viewpoint, directionpoint

Dwelling, Industrial, Shopping, Cultural borders.

Refer to History In history there was water on the square Paths are giving direction

Urban playground Introducing green, stop between

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Entering Central space, hard border Feeling public, social, personal or intimate

public

Social

Personal

Intimate

Graphic explanation of the site

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Final Drawing, Roof plan, Kruisplein / Schouwburgplein RotterdamAbstract Model (Steel wire frame)

Path catalogus

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Final abstract Model

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Final impression Design

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PROJECTS INTERNATIONAL

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URBAN EMERGENCIES LANDSLIDES 1999 VENEZUELA

Venezuela - Vargas

Urban Emergencies is research group at the Delft University of Technology that looks into post -disaste redevelopment at the urban-regional scale.

In 2009 I parricipated in a global survey that lookd at the long term affects of redevelopment reponses after natural disaster in Venezuela, El Salvador, Ghana, Bangladesh, the Phillipines and Indonesia.

In the spring of 2009, I traveled to Venezuela to study the redevelopment after the 1999 landslides in Vargas, locally referred to as La Tragedia. In a period of 24 hours the average annual rainfall in the region came �� "!�� massive landslides that affected 90.000 people. Our study in Vargas, 10 years after the disaster, investigated the spatial implications of various redevelopment responses in the Vargas state.

Given the vast complexity of redeveloping an entire �� made after the disasters and the contemporary spatiality �� }��w $�� #�� of Vargas that the government prioritized infrastructure � �� ~ �� q�� ~

$� �� !�� !�� !�� :� �� !�� capital).

$�� !��!�� '�� %�� !�� observation, surveys, spatial analysis , and comparing ��!�� in Macuto.

:�� '�� }��q�� RedCross, on other cities in Vargas. This gave us insight �� !��

2010 - Urban Emergencies, pilot studioTeacher: Alexander Vollebregt

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Research Urban Emergencies Venezuela, local paper Vargas

Research location

Time line Venezuela

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Research Location Caraballeda

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Section, plan and impression Research location Caraballeda

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RESEARCHING POST DISASTER URBAN RESPONSES

Cover publication Urban Emergencies

General panels exhibition Urban Emergencies

Impression part of the exhibition

Publication, Exhibition and Symposium

At the completion of the Urban Emergencies research (pg. 26) I organized the conclusive exhibition and �� '� �� !��!� �� !�� speakers, design-building the exhibition space and the �� q� � ��q� ��

:�� #�� !�� research groups could appropriate and customize. This �� redevelopment.

� �� #�� q� �� types of media such as photography, graphic design, �� !�� "�� an exhibition that could be built up in a very short time � ��

� �� :�� and meaning. :�� !� � ��

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Impression Venezuela part of the exhibition

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ARCHITECTURAL BODY LANDSLIDES 1999 VENEZUELA

Venezuela - Vargas

:�� !� �� of the Urban Emergencies studio. As an architectural �� a local innovation incubator ENVIU . The design demonstrated some conceptual proposals in relation to the 6 month research done for Urban Emergencies.

The OpenSourceHouse project by Enviu looked into the �� and redistributed globally.

%��!�� because our research emphasized a thorough investigation of a particular location, �� _�%�� of an attempt to implement the concept in Venezuela.

Each of our three proposal touched on a critical point �� to identify crucial aspects of the (in)formal building industry in Venezuela, through conceptual design. The ideas could be seen as creative indications to inspire, inform or give direction to further development of actual prototypes.

2010 - Architectural BodyTeacher: Arjen van Timmeren & Loriane Mina Icibaci

Impression part of the exhibition

Section design architectural body

Constructional concept Barrios

Geography Flexibility Small elements

TRADITION AND WORK

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DESIGN ACTS MINAMI SANRIKU CHO2011 - Design ActsProfessor: Miho Mazereeuwhttp://designactsjapanese.wordpress.com/

Miyagi prefecture

Tohoku Region

Minami Sanriku Town

Sendai

Oshu

Tokio

Japan - Minami Sanriku Cho

� �� ;<\\ � ��!�� team of Harvard graduate students to the disaster area Minami Sanriku Cho to do research into the redevelopment of this area in the next couple of years.

In March 2011 the site ‘the Minami Sanriku region �� '�� ?�� :�� ]�< � �� !�� !�� \� �� destruction of 95% of the buildings and thousands missing from an original population of 17,666. As a �� _��q�� _�� above the tsunami inundation line, most of the children survived.

$� �� '�: � �� '�� !��

After doing some site related research and many ��!�� !�� "�� !�� !� �� !�� disaster.

(�� built a temporary community center of local materials. With the help of local volunteer carpenters, people ��

The research location

Community participation

Design session

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Community building

Inside the Community building

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DA REBUILDING WITH MINAMI SANRIKU miyagi university designacts.orgkeio university design acts 4harvard university

海抜 - 0 (メートル)0 - 5 5 - 1010 - 15

住宅地道路・交通網学校関係施設産業集積地

神社・仏閣サステナビリティー観光防波

15 - 20 20 - 25 25 - 以上東日本大震災・津波浸水エリア

三陸沖地震津波浸水エリア 1933チリ地震・津波浸水エリア 1960

既存建造物 2011年以前津波により被害を受けた建造物

0m10m

20m

0m10m

20m

0m10m

20m

海岸線

住居農地

林業(農業)

教育スポーツ

住居公共施設町営住宅

高速道路漁業

海岸線

海岸線

住居公共施設

高速道路バフッファーゾーン（緩衝地帯）漁業教育

工業

水平方向へのつながり

高速道路農業エコタウン

住居観光工業学校農園観光

住居公共施設

教育スポーツ

農業林業工業スポーツ公園

インフラ観光漁業

未曾有の津波被害を受けた三陸沿岸の町は再建、復興にあたり、安心と安全についてより一層の熟慮が不可欠となる。津波被害に脆弱な地域、十分安全な地域を検討し、それぞれの地域に相応しい土地利用形態のあり方についてまとめた。

職や住といった生活の基盤を空間的に切り離すことなく、様々な土地利用・アクティビティが小さいスケールで相互に関連し合えるような町づくりのあり方を提案する。4

高速道路（計画案）

住居

観光

農業

津波浸水地域（2011）

経済

教育

エコタウン

安全対策震災以前の状況

国のプロポーザル

デザインアクツのプロポーザル

デザインアクツのプロポーザル

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GRADUATION PROJECT

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Kejetia InterventionsGiving public form to the Kumasi Central Market

“The market is not a place, a thing, or a collective entity. The market is a process, actuated by the interplay of the actions of the various individuals cooperating under the division of labor.“1

“The mere presence or the market has a transformative impact in myriad ways: increased economic activity, creating spaces of social exchange, bringing together diverse populations, and contribute to the organization of the city.”2

Inter-Cultural ExchangeDeveloping an architectural proposal in Ghana as a >�� position regarding the obvious socioeconomic �� :� ��!� � appropriate architecture, patronizing tendencies of �� !�� perspective into the local building industry should be established. A sensible approach to the geography and climate are also essential. Ultimately, instead of �� * Q�� q� �� =�� $�� and African design culture.

Urban AcupunctureIn response to the plans to destroy and rebuild the market as a Western modeled shopping mall this design proposes an alternative solution for redevelopment. First � �� Q�� "��'�� _�� (�� * �� #�� !�� the market. This subtle intervention is crucial, because �� !�� !�!� � � �� !� �� !�� :�� opposes the dislocation of traders, prolonged disruption �� q�� 1 Mises, (1949 )2 Gantner (2009)

Final Image Public intervention in the Kumasi Central Market

STUDIO GHANA KEJETIA INTERVENTIONS

Market structure in Layers

Main Structure Products

Public facilities Actors

Main supply Intervention

Electricity Display

Drainage Sub Structure

Geography Fields

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Final model design Kumasi Central Market

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of this vivid and dynamic system, and rather seeks to implement a structure that can gradually be built ��

Public Amenities%��!�� !� �� (� �� !�� q�� and bad access, amongst other issues, are part of a daily �� (�� !�� participation in a daily trading routine, certain problems �� :�� $�� *� �� !� �� Section final design Kumasi Central Market

Plan final design Kumasi Central Market

Facade final design Kumasi Central Market

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� �� !� �� !� ��

Architectural Aesthetic"�� !�� intervention, the proposal uses architecture as an organizational device to make the generic form of the market more legible. In order to create a strong architectural presence, the main structure is lifted ��!� �� =�� ^�� the homogeneous roofscape of rusty corrugated steel �� Q�!� �� #�� structure is implemented that has a formal resilience and �� architecture on the Kejetia Market. Impression final design Kumasi Central Market

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GRADUATION PROJECT THE TRANSFORMATION OF THE URBAN STRUCTURE OF KUMASI

KEJETIA INTERVENTIONSGIVING PUBLIC FORM TO THE KUMASI CENTRAL MARKET

BY NINA SICKENGA

Publication

Next to the publication of my personal �� !� �� :�� results of our analysis, a mapping of the city Kumasi, ��!�� *�� :�� *� �� #�� >�� !�� Technology. Q�!� �� !�� challenge to combine them and still retain an clear and �� !��

The cover is consists out of all the different titles of our projects superimposed on a photo of the Central Market �� ^��w ��

STUDIO GHANA PUBLICATIONS

Cover publication personal graduation work

Publication personal graduation work

Publication Studio Ghana group work

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Cover publication Studio Ghana group work

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Rammed earth brick

�� !�� Q�� ; �� ; �� students from MIT.

Q�!� �� q� � �� !�� decided to stay longer to get a better feeling of the local ��

:�� !��!� �� in the North of Ghana. "� �� !�� investigated innovative methods of producing rammed �� :��

:�� !�� q�@ �� ^�� ?%$*� �� !�� :�� based on the idea that the high urbanization rate of :��

BUILDING IN GHANA PURE HOME WATER FACTORY

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GRAPHIC DESIGN

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Graphic design CHANTAL

Graphic design - TESSA & CHANTAL

During my years as a student in architecture I noticed �� available. As an a architect I do think it is important �� #�� ideas. Every different client, person or project needs a different approach. This is also the reason I invested � �� illustrator, painting and many others.

GRAPHIC DESIGN PHOTOGRAPHY

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Graphic design TESSA

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The competition for the new main ��.

Hema (a dutch department store) organized a �� the thought, concept and feeling of their store. The �� q� � �!�� "��

Our idea behind the ones we submitted:Hema stands for everyday happenings. Everything is ment to be and the Hema stands for this. Hema is challeging and familiar at the same time. Hema keeps �� q�� *� �� the imagination of the people play. There are coming many elements of the Hema back in both designs. From products, to marketing elements to all the amazing colours they use.

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GRAPHIC DESIGN HEMA DESIGN COMPETITION

Winning proposal HEMA graphic design competition.

Other proposal HEMA graphic design competition.

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Realization of graphic design HEMA main office

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Publication of the Transformation of the Urban Structure of Kumasi.

�� Q��

This integral studio did research on urban, housing, and �� !��

This publication is a collection of these integrated spatial � �� !�� pilot projects to improve the situation in Kumasi.

GRAPHIC DESIGN STUDIO PUBLICATION

Cover publication

Photograph

Personal pages

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SOULMATES

During my years as a student in architecture I noticed �� available. As an a architect I do think it is important �� #�� ideas. Every different client, person or project needs a different approach. This is also the reason I invested � �� illustrator, painting and many others.

GRAPHIC DESIGN SOULMATES

JUST ME ANMY SOUL

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T ME ANDSOUL

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Website Wij Zijn Koel (WZK)

$�� ̂ �� !� �� on solutions for sustainability.

The company has a large portfolio and an story going �� :� �� #��

GRAPHIC DESIGN - WEBDESIGN

Homepage

Portfolio

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Website De Groene Bocht

:�� !�� !�� enterprise.

De Groene Bocht hosts sustainable businesses and initiatives to collectively undertake.

Homepage

Company pfrofile

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Blue Generation

Blue generation is an initiative to built on a sustainable �� (��Q� �� *� �� !�� < �� :�� (�� Q�� colors in the style,

GRAPHIC DESIGN - HOUSESTYLE

BlueGenerationVirtual PowerPlant

Energie centralegenereert elektriciteit

Transformator zet elektriciteit van lage

voltage om naar hoge voltage voor

efficiënter transport.

Transformator converteert

elektriciteit van hoog voltage naar laag voltage voor

distributie.

Huizen, kantoren en fabrieken gebruiken

elektriciteit voor licht, verwarming en

apparaten

BlueGen

Huidige situatie

Nieuwe situatieBioGas

BlueGen

BlueGen

CH4(Aardgas)

40%

60% +25%CH4(Biogas)

Balancering

Balancering

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Explanation panel

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GRAPHIC DESIGN - HOUSESTYLE

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- Recycle service: We verzorgen de recycling van uw oude lampen.

- Voorschot service: U kunt uw voorschot bedrag omlaag bijstellen.

We kunnen het bedrag van uw energie rekening verlagen waardoor u

direct profijt heeft van uw besparingen.

switch nu !

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African Woman

"�� !� �� "�� #�� :��

GRAPHIC DESIGN - AFRICAN ATMOSPHERES

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The Selery

:�� _�� >�� >�� founded in Amsterdam by me and my friend.

In a saturates market you have to distinguish yourself, be different. This is an ambition, our drive.

$� �� #��

ASK ATTENTIONGET ATTENTIONGIVE ATTENTION

It is as you think it is!

THE SELERY - HOUSESTYLE

72

African Woman

"�� !� �� "�� #�� :��

GRAPHIC DESIGN - PLUS

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SIDE PROJECTS

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GRAPHIC DESIGN - EARRINGSCreate an identity

_�� for themselves. You should be careful by using them, especially in larger graphic illustrations but they can �#��

T-SHIRT DESIGN - RUN FOR HUMAN RIGHTS WATCH

T-shirts sold on a party for a charity

� ;<\< ;� �� Marathon for the charity Human Rights Watch, an �� Q� �� (�� '�� :� �� different activities they asked me to design the menu for the dinner, the poster for the party and the T-shirts sold � �� :�� * �� !��

FASHION EARRINGS

Earrings

Earrings

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T-Shirt design

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CREATIVE FESTIVAL - WIJ + ZIJ(People’s choice award)

:� �� =��

:�� >�� !�� :�� !��!� �� Architecture in Delft. Contrary to the other teams, our team decided not to focus on the content of building or the program, but on the context - our daily life. $� �� beginning of the campus, instead of staying on the old location.

Architecture is a discipline that should be amongst the people, and close to them - in this case close to the city �� >�� " �� !�� both bring the architect once again in the central position � �� !�� students on campus, creating a mutual understanding of the importance of social context in architecture.

CREATIVE FESTIVAL - WIJ + ZIJ

��

2 of the 3 final posters for the Creative Festival

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Venice workshop

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Making models and Art

:�� !�� $� �� !��!� �� !�� of visualize ideas in both 2D as 3D.

MODELLING - LASERCUTTING

Wooden sculpture DAAN

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Final model city hall Amsterdam (design 2005)

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Jeckyll & Hyde

:�� %�� $� �� producer, conductor, sing-coach, location and building � ��

�� !�� people, trial and error, and a lot of effort. But this �� performances, an enormous amount of spectators and a great decor both day and night.

JECKYLL & HYDE - DSTG

Cover programm book theater play

Decor theater play

Decor theater play

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Decor theater play

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The Selery

:�� _�� >�� >�� founded in Amsterdam by me and my friend.

:�� :�� _�� > �� standard 2D postcard into a tiny 3D present. Something to place in your surrounding and keep it there for a �� !��

THE SELERY - POSTCARDS

Postcards

Postcard - elements

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Nina SickengaArchitect / Graphisch ontwerper

The Netherlands:Keizersgracht 644-41017 ES Amsterdam

+ 31 (0) 6 426 54 906

[email protected]

Portfolio Nina Sickenga

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