Portfolio Maia Zheliazkova

[ Maia Zheliazkova - Selected works 2012 ]

Maia Zheliazkova

Spa/Wellness centre in Sofia

Doppio Parco, Augusta-Siracusa

Pavilion of the poets next to the Russian church

Rehabilitation centre in the downtown of Sofia

Redevelopment of the area Ex-Armaguerra, Cremona

Castello di Brivio on the river Adda, Italy

Interior design for a piano bar in Sofia

People. Event. Streets. Ispartakule, IstanbulPortfolio

Maia Evgenieva Zheliazkova

[email protected] 3888724810

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academicprojects

Index of contents

portfolio of maia zheliazkova 2013 index

291

B. plan

The project is situated in Ispartakule, Istanbul - a neighbourhood made mainly of houses built overnight - gecekondu. The alternative suggested for this neighborhood is given by the governmental institution TOKI - a series of multi-storey towers without any connection to the local features of the area and the way of life of its inhabitants.

This project is trying to give an answer to the TOKI towers and to propose a higher quality of life for the area. The work on the project was organized from the bottom up. There are four main groups of people typical for the area - the gecekondu inhabitants, the new immigrants from Anatolia, the middle class Turkish families and the new nomads. On the base of those target groups were

developed four main apartment typologies which rely on the tranformability of the space for alternative scenarios. This bottom-up method continued in the building generation and the masterplan development. The building itself proposes different spaces for common activities which are situated between the apartments. [ project 1 I architectural design I academic project I year 2012 ]

portfolio of maia zheliazkova 2013

People. Event. Street.

1st level

2nd level

1st level

2nd level

Master bed area

Kitchen/Dining area

Living area

Children bed area

96 sq.mcrafts & manual work

96 sq.m4 environments

4 bedsup to 5 persons

possibility for balcony

alternative configuration

everyday configuration

page 2

project 1people. event. street


alternative use

environments/everyday use

1st level

2nd level

1st level

2nd levelKitchen/Dining area

Living area

Master bed area

72 sq.moffice


2 personsup to 3 persons

possibility for balcony

alternative use

everyday use

page 3



alternative use


Kitchen/Dining area

Living area

Children bed area

Master bed area

80 sq.m3 environmants

4 bedsup to 5 persons

balcony


big living room+bedroom



page 4



alternative use


1st level 2nd level

1st level 2nd level

Master bed area

Office/Alternative bed area

Children bed area

Kitchen/Dining area

Living area

104 sq.mhamam

104 sq.m5 environments / 5 persons

up to 7 personsbalcony



page 5



alternative use


for the four apartment typologies are used

four different patterns characteristic for Turkey.

The patterns are not only a tool for recognizing each

apartment and giving cetrain individuality but also

for sun protection against overheating. This typical for

the turkish tradition element is gives the possibility of

seeing without beiing seen

middle class patterns new nomads immigrants gecekondu

interior view

page 6



12

3

45 6

78

plan of the apartments configuration and

entrances together with some common rooms - the

swimming pool and the common dining room

1/Swimming pool2/Common dining room

3/Workshop4/Cafe5/Gym

6/Workshop7/Nargile8/Office

common open spacescommon closed spaces

alternative functionsbalconies

apartmentsapartment balconies

floor plan/13th floor

building generation diagram

floor types

Panoramic balcony

Swimming pool

Common dining room

1st floor 2nd floor 3rd floor 4th floor 5th floor 6th floor 7th floor 8th floor

9th floor 10th floor 11th floor 12th floor 13th floor

page 7



masterplan scheme

exterior views

location/masterplan

Main Streets

Main Pederstrian Paths

Accesses & connections

Public Spaces

Playground/Swimming pool

Kindergarten

Commerce/Shops

Commerce/Shops

Playground/Mix

Playground/Offices

Library

Cinema

masterplan generation

page 8



public functions/neighbourhood levelcommon space/dwellingssquaregarden

permeabilityinteraction

100m

100m

collective housingdensity 600/haaggregation of cells100m

100m

turkish lifestyle and especially of the gecekondu inhabitants is based strongly on the connection with the street. In this project the presence of the main public functions is organized on the main streets in order to create the street life typical for the turkish neighbourhoods

street life

residential units/density

public buildings/communications

ground floor plan

1

2 3

5

6

4

7

4

1/Gym2/Kiosk

3/Bakery4/Shops

5/Restaurant6/Supermarket

7/Offices

page 9



[ project 2 I architectural design I academic project I year 2011 ]


Spa Wellness center in Sofia

the picture on the left is a view from the street passing

under the bulding.The picture on the right is a

view showing the bulding from the park

masterplan scheme

exterior views

The project for a spa & wellness center is in the centre of Sofia, in a plot formerly inahbitated by Romans nomad village. The project is based on a strategy at different scales. In a first urban scale, the project is providing an urban order, creating a morphologic grid able to give a smooth transition between the new settlement made by commercial activities and the surrounding context. The grid is also deformed by a green vector which is connecting in the direction north/south two

urban parks, creating a green corridor for the citizens. The spa & wellness center building is born from the interesection/union of a water path (coming out of a natural mineral source) and the green corridor.This union produces a topologic form which becomes a continuous shape, with no barriers: the bulding is a brige which frees the circulation in the open public space. The continuity of the building with the water path is obtained with a double entrance, which allows to experience the building in

two different directions. The idea of continuity of the space is reflecting on the interior organization where a perimeter corridor creates a free circulation. The different activities are organized on an archipelago of rooms, set by group of activities, which is flipping the traditional relationship - functional space/connective space - in favour of the continuity of the space, according to the original concept.

original 10 x 10 meters grid in the configuration of the prexisting Roma peoples houses

a green vector connecting two parks is deforming the original grid in the direction north/south

the grid is adapted in the direction east/west in order to create a smooth integration with the sorrounding urban morphology

a water path emerging from an old mineral water source is introcued in the plot

the bulding is a topologic loop that borns from the intersection/union of the the green vector and the water path

page 11

project 2spa / wellness center in sofia


+5,00

+5,00

+5,50

the inside space is divided in 3 main parts - the spa/rehabilitation area, the swimming pool and the administration offices. The different rehabilitation procedures are situated in separate boxes, each with changing and relax room. Each one is accessible from the medical service

original gypsies dwellings pattern gypsies block as a spatial reference rotation

scaling

administrationmaintenance

changing roommedical service

poolrehabilitation/spa rooms

technical rooms

plan +5,00

diagram of interior morphogenesis

scheme

legend

45

page 12

spa / wellness center in sofia project 2


N 0 1 2 5 10 20 m

cross section

interior view of the pool

page 13

spa / wellness center in sofia project 2


0 1 2 5 10 20 m

Priolo Gargallo


The area consists of a strip of land bounded on the east by the Mediterranian Sea, on the West by SS114, on the north by the SP3 and on the south by the SS 124 and SP 14. The area for a total of 105 km2, includes four different minucipalities: Augusta, Melilli, Priolo Gargallo and Syracuse. Due to the importance that characterized Sicily during the

Greek period, the entire region is characterized by important archeological findings (Megara Hybleas, etc.) The area in the early 50s had become industrialized and was one of the centres of the Italian economic and industrial expansions. So, the area became one of the most important petrochemical poles across the whole Mediterranian basin. The large

industrial plants have now taken control on the territory and on the coast asserting strongly on the scene. Today the area is a complex example of territorial organization in the Sicilian landscape. During the survey of the area, first frightened by the idea of finding the common ugly and poluted industrial site , we found ourselves dealing with a territory never seen before, unusual and varied.

[ project 3 I urban planningdesign I academic project I year 2012 ]

Doppio Parco, Augusta-Siracusa

on the second residential floor the staircases are serving two apartments each. This solution is minimizing the area for communications but at the same time providing comfortable reaching for each dwelling unit. All the apartments have double exposition.

plan +6,40

page 15

project 3Doppio Parco, Augusta-Siracusa

291

B. plan


Priolobliquo 15,5 oplan DoppioParco

1

sports/recreation public park1/ eolic park2/ reclamation fields and alternative energy production

3/ development of the river bank4/ public sea gardens5/

2

3

4

5

urban park

river area

industrial tanks

Doppio Parco, Augusta-Siracusa project 3


masterplan there are three main

systems which are overlapping. The main layer

is the ex-fuel-containers. Then is the area around the river and finally the

conversion of the smaller industrial plant into a sea

garden for public use. These systems are connected mainly through bicycle

paths running along all the DoppioParco

three systems

wind turbines

cinemadancehallclimbing park greenhouse

solar panels heliostat

swimming poolsport fields football fields skatepark

phyto-reclamation

1 2

3

4

59 10

1112

6

7 8

1/

5/

9/

2/

6/

10/

3/

7/

11/

4/

8/

12/

DIMENSION OF THE TANK/ Height: 10 m Diameter: 103 m

PHASES OF OPERATION/ Cleaning of the fuel Architectural project Insertion facilities

USE/ Sport facilities

DIMENSION OF THE TANK/ Height: 1 m Diameter: 87/46/20 m

PHASES OF OPERATION/ Cleaning the fuel Cutting the walls Plantation of flowers

USE/Phyto-reclamation Sunflowers Brassica juncea Thlaspi rotundifolium

TANK DIMENSIONS/ Height: 2 m Diameter: 120/80 m

PHASES OF OPERATION/ Cleaning the fuel Cutting the walls Building the system Insertion of pannels

USE/Solar field and heat storage system

SYSTEM 1/FUNCTIONAL PROGRAM

0908



south elevation

liquified sludgewater treatment

water preheateroil/water separator decanter

dehidrated sludge(inorganic sediment)

Phase 2: oilPhase 3: oil+water

oil

Phase 2: oilPhase 3: oil+water+inorganic compounds

180

explanation of the functional program and a

birds eye view of the sports park

perspective view

method of reclamation

for some of the tanks was introduced a system first developed by Mel Chin called Revival fields. Practically, it is an incubator for growing higly acumulative plants which have the property to absorb heavy metals from the soil. In these fields the contaminated soil is tested and after which the plants are introduced for its reclamation

due to the heavy petrochemical industries present in this area the contamination is present and very high. The project is suggesting an ecological and at the same time aesthetic way of facing this problem

revival fields

contamination

page 18

H

Helianthus Annuus (Sunflowers)

Zea Mais

Thlapsi Caerulescens

Brassica Juncea

Pb, Cr, Cd, Cu, Ni, Zn

Cd, Co, Cu, Mo, Ni, Pb, Zn

Phytovolatilization

Phytoextraction

Phytoextraction

Phytoextraction - Rhizofiltration U, Cs, Sr, Cr, Mn, Cd, Ni, Cu, Pb, Zn

metals in the soil hyperaccumulating plants collection of metals extraction of the metals



12

3

4 5

6

8

7

bike sharing1/childrens playground2/bar/cafe3/sport facilities4/info point5/childrens playground6/fishing/diving/boat hiring facility7/dock/fishing/diving/boat hiring8/

page 19



system 3/sea garden


The design for the Pavilion of the poets is developed as a spatial interpretation of the poetry. The source of inspiration is the visual poetry, in which feelings and events are transmitted through specific graphic interpretation of the literature. The main tool used is the visual analogy, which gives graphic and precise representation of abstract ideas, developed in the

poetry. The project is a conceptual investigation on he same topic: how the architecture and its constitutive elements can recreate and play specific poetic scenario. The project is developed in the end part of the plot keeping most of the existing garden. For simplifying and defining the various functions in the space are used dots. The communicational

program between the elements is following the Delaunay triangulation. Around this network is used a Voronoi diagram, which optimizes the spaces. For each space is chosen a picture, responding to the relating literature. This colage is used as a matrix for generating the material, spatial and decorative components of the building.

[ project 4 I architectural design I architectural competition I year 2011 ]

Pavilion of the poets next to the Russian Church

functional program connections spaces functional diagram

entrance|foyercaf

memorial roomdebates room

room for meetings 1room for meetings 2room for meetings 3

bibliotheca

legend

page 21

pavilion of the poets next to the Russian church project 4


bibliotheca

entrance

caf

memorial room

debatesroom

rooms for meetings

That never set a squadron in the field,Nor the division of a battle knows

, , ,

1

2

3


, , ,

1

2

3


, , ,

1

2

3


, , ,

1

2

3

legend

poetic interpretation visual interpretation sircle packing ceiling surface

Homers IliadesA. Pushkin, Eugene OneginWilliam Shakespeare, Othello Geo Milev, SeptemvriHr. Smirnenski, Zimni vecheriG. Carducci, San MartinoD. Debelianov, Pomnish li, pomnish li...A. Dalchev, Knigite


, , ,

1

2

3


, , ,

1

2

3

That never set a squadron in the field,

Nor the division of a battle knows

, , ,

1

2

3


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1

2

3

page 22

pavilion of the poets next to the Russian church project 4


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Enter RODERIGO and IAGORODERIGO

Tush! never tell me; I take it much unkindlyThat thou, Iago, who hast had my purse

As if the strings were thine, shouldst know of this.IAGO

'Sblood, but you will not hear me:If ever I did dream of such a matter, Abhor me.

RODERIGOThou told'st me thou didst hold him in thy hate.

IAGODespise me, if I do not. Three great ones of the city,

In personal suit to make me his lieutenant,Off-capp'd to him: and, by the faith of man,

I know my price, I am worth no worse a place:But he; as loving his own pride and purposes,Evades them, with a bombast circumstance

Horribly stuff'd with epithets of war;And, in conclusion,

Nonsuits my mediators; for, 'Certes,' says he,'I have already chose my officer.'

And what was he?Forsooth, a great arithmetician,

One Michael Cassio, a Florentine,A fellow almost damn'd in a fair wife;That never set a squadron in the field,


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piovigginando sale,e sotto il maestrale

urla e biancheggia il mar;Ma per le vie del borgo

dal ribollir de tiniva laspro odor de i vini

lanime a rallegrar.Gira su ceppi accesi

lo spiedo scoppiettando:sta il cacciator fischiando

su luscio a rimirar

tra le rossastre nubistormi duccelli neri,comesuli pensieri,

:

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San Martino , ...

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Enter RODERIGO and IAGORODERIGO

Tush! never tell me; I take it much unkindlyThat thou, Iago, who hast had my purse

As if the strings were thine, shouldst know of this.IAGO

'Sblood, but you will not hear me:If ever I did dream of such a matter, Abhor me.

RODERIGOThou told'st me thou didst hold him in thy hate.

IAGODespise me, if I do not. Three great ones of the city,

In personal suit to make me his lieutenant,Off-capp'd to him: and, by the faith of man,

I know my price, I am worth no worse a place:But he; as loving his own pride and purposes,Evades them, with a bombast circumstance

Horribly stuff'd with epithets of war;And, in conclusion,

Nonsuits my mediators; for, 'Certes,' says he,'I have already chose my officer.'

And what was he?Forsooth, a great arithmetician,

One Michael Cassio, a Florentine,A fellow almost damn'd in a fair wife;That never set a squadron in the field,


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.

8

.

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piovigginando sale,e sotto il maestrale

urla e biancheggia il mar;Ma per le vie del borgo

dal ribollir de tiniva laspro odor de i vini

lanime a rallegrar.Gira su ceppi accesi

lo spiedo scoppiettando:sta il cacciator fischiando

su luscio a rimirar

tra le rossastre nubistormi duccelli neri,comesuli pensieri,

:

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-

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San Martino , ...

diagram

The assignement for the Rehabilitation centre project has been given in the fourth year of my master programme, in Public buildings classes. The site is very important and hectic cross point in Sofia. The district is represented with the typical architecture of the socialism - very high and massive residential buildings.

The environmental factor and the bond with the surrounding urbanised area are the main considerations taken in this project. The reason is that the site is on the entrance of a city park which makes the importance of the building really high. My idea is to organize the human flows so that they be redirectioned from the

main street to the park. In this case the rehabilitation centre is designed as a barrier. The building is with minimal width between the axes of 7m. Most of the main rehabilitation functions are located on the underground level. Every room under the ground receives difuse light from above which creates intimacy and coziness for the visitors.

[ project 5 I architectural design I academic project I year 2010 ]

Rehabilitation centre in the downtown of Sofia

page 23portfolio of maia zheliazkova 2013


the different colors represent the temperature of the water in every room. The flow of the patients is organized according to this scheme which is the most appropriate for therapy procedures

it illustrates the communicational system on the underground level and the links between the spaces. The different functions are connected with the common spaces (dark green)

the main therapies like massages, bath procedures and the solariums are situated on the ground level. The swimming pool, the small pools and the gym are connected with a garden and take the most distant part

scheme 2

scheme 1

plan -5,00 m

scheme 1 scheme 2

rehabilitation centre in the downtown of Sofia

page 24

project 5


N0

12

510

20m

main building with public functions and the

light openings. Some of them with green

roofs. The garden on the roof of the swimming

pool protects from overheating

location of the building at the entrance of a

city park. Main human flows from north and

south being redirected towards the park

site plan

aerial view

plan +4,00 m

plan +8,00 m

plan -/+ 0,00 m

page 25

rehabilitation centre in the downtown of Sofia project 5


N

0 1 2 5 10 20 m

0m

1020

5010

0N

The study area is a redevelopment of a former industrial area in the outskirt of Cremona, a historical city situated along the Po river, less than one hour by train from Milan. This area offers some problems: proximity with a highway and an existing factory, mild isolation from the city centre and the nearby housing block; and several opportunities: presence of water and green and the relation with an

important school complex.We analyse the area with the support of different methodologies: multi-scale analysis, swot and pest analysis; and the analysis of urban datas and map: mobility system, building typology, green system, land use, limits and connections. We also analyse the links with the surroundings, the natural and urban environment.

[ project 6 I architectural |urban design I academic project I year 2011 ]

Redevelopment of the areaEx-Armaguerra,Cremona


This analysis aims to give overview about the development of the city and its structure. As typical town of this kind we see the highest population density in the centre. At the same time, the map shows the growth of the city and its specics. The marked zone, which is our project area shows us the urban void in the zone and strenghtens the need of an important function there.

centre

urban sprawlindustrial zone

1

1

1

5

2

3

3

4

4

5

5

6

7

7

8

8

9

910

11

12

12

Dwelling unit: the unit is one among many sits by itself on the ground.Single-family houses 3 types : detached houses, semi-deta-ched houses and row houses. The domain of the house encompasses the street

1

A lowrise developmentSingl-family houses and families shared a common entry

2

Walkup building 13 stories in height. Six families share a common entry. Two Families per oor. The street is within the sphere of inuence of the dwellings

3

Walkup building 24

A four-city-block highrise development. Each building entry serves 50 families by a means of an interior circula-tion system. All the streets and ground are public

7

High school8

Commercial dwelling9Industrial dwellings

A highrise and a walkup built at the same density 2

6


5

N 0 5 10 25 50 100 m

N 0 5 10 25 50 100 m

streetstate streettangenzialehighwayrailwayriver

neigbourhood streetsstate street Istate street IItangenzialebicycle pathsbus linepedestrians ownew street ( PGT )bicycle paths ( PGT )bus stopunderpassage

milano

to highway

to cremona centre

brescia brescia

piacenza

SP 87

castelvetro

piadena

codogno

verolanuova

castelleone

milano

cremona port

mantova

milano bergamo

brescia

verolanuova

bergamobergamo brescia verona

modenaparmapiacenzapavia

padova venezia

riminibologna

milano

cremona

This analysis aims to give overview about the development of the city and its structure. As typical town of this kind we see the highest population density in the centre. At the same time, the map shows the growth of the city and its specics. The marked zone, which is our project area shows us the urban void in the zone and strenghtens the need of an important function there.

centre

urban sprawlindustrial zone

1

1

1

5

2

3

3

4

4

5

5

6

7

7

8

8

9

910

11

12

12

Dwelling unit: the unit is one among many sits by itself on the ground.Single-family houses 3 types : detached houses, semi-deta-ched houses and row houses. The domain of the house encompasses the street

1

A lowrise developmentSingl-family houses and families shared a common entry

2

Walkup building 13 stories in height. Six families share a common entry. Two Families per oor. The street is within the sphere of inuence of the dwellings

3

Walkup building 24

A four-city-block highrise development. Each building entry serves 50 families by a means of an interior circula-tion system. All the streets and ground are public

7

High school8

Commercial dwelling9Industrial dwellings


6


5

N 0 5 10 25 50 100 m

N 0 5 10 25 50 100 m

streetstate streettangenzialehighwayrailwayriver

neigbourhood streetsstate street Istate street IItangenzialebicycle pathsbus linepedestrians ownew street ( PGT )bicycle paths ( PGT )bus stopunderpassage

milano

to highway

to cremona centre

brescia brescia

piacenza

SP 87

castelvetro

piadena

codogno

verolanuova

castelleone

milano

cremona port

mantova

milano bergamo

brescia

verolanuova

bergamo

spaces

density/city scale

mobility/city scale

mobility/regional

mobility/project area

typology page 27

redevelopment of the area Ex-Armaguerra, Cremona project 6


N012

5

first aid

doctor

doctor

doctor

doctorstaff

office

director

caf

entrance/hall

bookstore

caf

shopshop

shop

shop

shop

shop

shop

library

pharmacy

kitchen

restaurant

bar

entrance/reception hall

waiting room/reception

staff

storage

storage

manipulation room laboratory

1

1bis

2

4 5

8

8

8

11

9

12

13

13

6

16

10

trials

plan ground floor

the voronoi diagram is a special kind of

decomposition of metric space determined by

distances to a specific discrete set of objects in

the space, e.g. by discreet set of points. The dots are

called Sites. The Voronoi regions are simply areas

around a site but enclosed by the lines around them. The network of lines is the

Voronoi skeleton.Programmatic mapping of existing surroundings

conduct as a source of exploration in the

observation of possible Voronoi patterns.

voronoi

masterplanpage 28



centralized network decentralized network distributed network

A B

D E

C


A B

D E

C


A B

D E

C

Voronoi diagram

on the first residential floor the communication is solved with two staircases. Each of which serves for four apartments. The two side ones of each half of the building are duplex apartments with their own inner staircase. The orientation of these apartments is double, while the smaller ones have southern exposition

on the second residential floor the staircases are serving two apartments each. This solution is minimizing the area for communications but at the same time providing comfortable reaching for each dwelling unit. All the apartments have double exposition

plan +3,20

plan +6,40

page 29



A1 A1

A2 A2A3 A3

A1

A2 A2A4 A4 A2 A2A4 A4

A1

A2 A2A3 A3

A1 A1

A2 A2A3 A3

A1

A2 A2A4 A4 A2 A2A4 A4

A1

A2 A2A3 A3

+ 3.50

+ 3.50

+ 6.70

+ 10.00

+ 11.00

+ 6.70

+ 10.00

+ 11.00

+ 3.50

+ 0.00

+ 0.00

+ 0.00

+ 6.70

+ 10.00

+ 11.00

+ 3.50

+ 3.50

+ 6.70

+ 10.00

+ 11.00

+ 6.70

+ 10.00

+ 11.00

+ 3.50

+ 0.00

+ 0.00

+ 0.00

+ 6.70

+ 10.00

+ 11.00

north elevation

south elevation

historical development

Castello di Brivio on the river Adda, Italy

Bergamo

Paderno dAdda

Trezzo sullAdda

Brivio

Vaprio dAdda Canonica dAdda

Fera Gera dAdda

Cassano dAdda

Milano

Lecco


Cinstruction of the Castle of Brivio

X c. Early Christian times

XV . XVIII c. XVIII c. Austrian Empire XIX c.

Capsella di Brivio and The Church of San Giovanni Battista

Brivio as a boundary between the State of Milan and the Republic of Venice

Important changes in the main structure Current stageLast changes

The town of Brivio has formed round its Castle, probably as a front of the bridge over the river Adda. The Castle belongs to the fortification system along the river as a border between the State of Milan and teh Republic of Venice. The Castle of Brivio is in a particular situation - its

original characteristics have been in a way suffocated by the successive modifications of its use. The immediate metamorphoses of the fabric have a great historical value.During this course, the task of investigating the current state and the history of the Castle had been held. Through

numerous observations in-situ, as well as through theoretical knowledge, there had been produced maps of localization, development of the Castle, abacus of the architectonic details and most important precise investigation of the materials and the decays present.

legend decay

used materials

page 31

project 7Castello di Brivio on the river Adda, Italy


DISCOLORATIONLoss if the colour intensity or "brightness" of colourCause:insulation, chemical attack

TRANSFORMATIONThin layer, soft and smooth, adhering to the surface of clear biological nature, varying in colour, mostly green. Cause:Action of autotrophic microorganisms; presence of moisture or water; morphological substrate (roughness, unevenness, falling, etc.)

LOSS OF COHESIONLoss of coherence starting from the surface resulting in separatoion of loosened particles (bricks- powdering) or lack of cohesion due to granular disintegration (mortar- sanding)Causes:Bricks: Inferior firing which leads to hardly any vitrification

LOSS OF COHESIONPoint that degradation occurs through the formation of bling holesand numerous close. The holes tend to have cylindrical shape with a diameter of few millimeters. It affects mainly limestones (marble in particular)

LOSS OF ADHESIONDetachment of coating, glaze, engobe or skin due to a loss of adherence between surface and paint film or plaster finish. Causes:Poor adherence. Frost, cryptoefflorescence, grow of algae between coating and underground, percolating water (rising damp)

Evident absence of material

Replacement of material where necessary. It is vital that the correct style of pointing is used as well as the appropriate material. The use of inappropriate joint finishes and cement mortars can seriously alter the appearance of a historic building, detract from its character and can result in acceler-ated decay over timeCause:When the exhisting pointing has failed and where water penetration is taking place

TRANSFORMATIONDegradation related to the heterogeneity of the composition and structure of the material.

LAYERINGDetachment of one or more layers from a material with an originally homogeneous structureCauses:Frost, salt crystallization in or under surface layer, leaching, zones of weakness and swelling processes, chemical or physical wearing or heat.

LAYERINGDiscontinuity between the surface layers of the material, both among themselves abd with respect to the substrate: usually a prelude to the fall of the layers themselves. The term is used in particular for plaster and mosaics. In the case of natural stone detached parties often take on specific forms depend-ing on the structural and textural characteristics, and prefer items like crust, scaling, exfoliation.

DISCOLORATIONA spot of distinct colourProbable Causes: Iron, vanadium, manganese, phenol razin, bleeding of wood, chemicals released by growing plants, chemical/biological attack due to water And water-borne acids, condensation, pollution. Wrong technology and detailing. Wet spots or zones due to condensation or rising damp

DEPOSITExogenic deposit of paint, ink or similar on building material surface

DEPOSITAn endogenic formation of soluble salts, commonly white, deposited on the surface of building materials by capillary actionCauses:The combined result of drying and capillary action- a salt solution comes to the surface of a porous material due to capillary action.

DEPOSITAccumulation of foreign materials of various kinds, such as dust, soil, guano, etc. It has a variable thickness and ,generally, lack of consistency and adherence to the underly-ing material. Deposits on the surface.Cause:Exposure, roughness and surface deformation, use od paint products, atmospheric pollutants; natural or atmosperic pollutants

The occupation of a material, internally or externally, with organisms and micro-organisms; vegetation may form microbe films and lawns, microbe camps, penetrate into stilts, cracks, crevices and pored, or work its way through the material creating its own new cavities.

Presence of elements and materials with different origin that detract from the historic character of the buildingCause:Current use of the building complex

LOSS OF ADHESIONDetachment (unbonding) of mortar from brick or rendering from masonryCauses:Pointing can be pushed out by an ice lens growing behind or by the swelling of the laying mortar due to frost attack or salt swelling

LOSS OF ADHESIONLifting surface and location of material that takes variable shape and texture (rounded, soft); it occurs at the wet parts, especially at the lower end

S U R F A C E S C H A N G E S ( 7 ) D I S I N T E G R AT I O N O F M AT E R I A L S ( 7 )

O T H E R T Y P O L O G I E S O F D E C A Y ( 4 )

S W E L L I N G

L A C K / A B S E N C E

D E T A C H M E N T S T A I N I N G

F A D I N G

G R A F F I T I

E F F L O R E S C E N C E

S U P E R F I C I A L D E P O S I T

D I F F E R E N T I A L D E G R A G A T I O N

E X F O L I A T I O N

P R E S E N C E O F V E G E T A T I O N

V I S U A L D E C A Y

L O S S O F B O N D

P O W D E R I N G

P I T T I N G

P E E L I N G

R E P O I N T I N G

B I O L O G I C A L P A T I N A

PROFESSORSSaisi Antonella Elide Cantini LorenzoD'Uva DomenicoMaeis Rodolfo

GROUP 6Dana Baranes 764743Leonardo Garzon Bello 755145Krasimira Georgieva 768353Zlatina Kalaydzhieva 761997Marina Paulo 767154Maia Zheliazkova 771490

PRESERVATION STUDIO A.A. 2010/2011

CASTELLO DI BRIVIO

POLITECNICO DI MILANO FACOLTA DI ARCHITETTURA

DECAY SURVEY

Front elevation East scale 1:50

D1

N

Section of the basement 5-5

L E G E N D O F M A T E R I A L S

L E G E N D O F M A T E R I A L S

Wood - W

Current use - CU

Stone - S2

Stone - S1

Stone - S3

Stone - S4

Stone - S5

Br ick - B2

Br ick - B3

Br ick - B4

Concrete - C

Glass - GL

Meta l - MT1

Meta l - MT2

Meta l - MT3

Roof t i les - R T

Br ick - B1

Mor tar - MR2

Mor tar - MR1

Decorat ion - D1

Decorat ion - D2

Decorat ion - D3

Decorat ion - D4

Decorat ion - D5

Plaster - P2

Plaster - P1

Plaster - P3

Fading

Presence of vegetat ion

Bi logica l pat ina

Detachment

Powder ing

Pi t t ing

Sta in ing

Super c ia l depos i t

Loss of bond

Repoint ing

Visua l decay

Exfo l iat ion

Eorescence

Lack/Absence

Geometrical survey. For the survey of the ground floor of the castle of Brivio was used the method of the tri-lateration. Fixed points close to the castles facade were used as starting points and reference for the survey

Mapping of the decay.The abacus for the decay on the main facade was made through the previously carried photographic survey and a direct inspection in-situ. The classification of the damage was created considering the origin of the influence and the relationship between the material and the decay

plan ground floor

front facade

Bars and night places are a challenging topic for creating an interior design. Focused only towards the visitors and their personal reflections on the place makes the task complicated as the designer must satisfy multiple needs and desires. From functional point of view such places are often with an easy solution. The objective was to create such space so that every visitor must feel this is his/her

own place for relax and to feel comfortable with it. Usually in piano bars, the focus is on the piano itself. My decision was to make the task more complex and add panoramic views. Combining the sound and the picture brang me to choose separation of the space in three main parts. The ceiling with its complicated surface follows the main plan and corresponds to the needs of the three different types of

sitting. Moreover, the structure and surface itself serve for acoustic purposes, balancing the huge window vitrine. Lighting is hidden in the ceiling above the priv zones and cutting it where needed- in the bar. The furniture is simple and white making the piano bar looks clean and keeping the persons attention on the night view and the beautiful sound of the piano.

the panoramic view of Sofia during the night was the environment

I used to create my project. The space is

organized on the base of the different views which the visitor can

choose to admire

panorama

[ project 9 I interior design I academic project I year 2010 ]



the wall between the middle zone and the

bar is used as a screen. It separates the areas but does not hide the view from the bar. The detail

shows the position of the wooden ribs from

the ceiling and their connection with the

columns and the tables

the piano bar is separated in three

main areas. The lounge zone occupies the

most intimate place, with ambient light

and soft furniture. The middle tables are close

to the piano and well enlighted. In the third

area the client feels like being on a concert

detail

plan

plan detail

interior design for a piano bar in Sofia

page 33

project 8


01

25

10m

0 10 20 50 100cm

N

N

1/ Corian - bar 2/ Almunium - bar stools

base3/ Light wood - ceiling

ribs4/ Dark wood -

pavement

each wooden rib is connected to the ceiling separately. This gives the

whole structure better attitude to deformations.

The bonds are standart, giving tollerance

and extra space for movement of each rib

the ceiling is separated in three main parts.

They all together form a complex surface. The

organization of the ceiling follows that of

the main spaces in the bar. The connections

between the zones mark the change from one

area to another in plan

materials

ceiling details

ceiling

exploded perspective view

detail ceiling 1

detail ceiling 2

page 34

project 8interior design for a piano bar in Sofia


0 10 20 50 100 200cm

010

520

50cm

Portfolio Maia Zheliazkova

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