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selected works 2012-2014ArcHItectUrAl desIGN PortFolIo

d I A N M A s H I tA e d d Y s U rY o N o

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academic2012-2014 Bachelor of environments, major in architecture University of Melbourne, Australia

scholarships & award2010 overseas Undergraduate studies scholarship Public Service Department (PSD) of Malaysia

2012 dean’s honour award for Bachelor of environments First academic Year 2012 University of Melbourne, Australia

DIAN MASHITA BINTI EDDY SURYONOdianmashita@outlook.com / +601121325300 129, JALAN USJ 3/2, 46700, SUBANG JAYA, SELANGOR, MALAYSIA

profile

As a fresh-graduate of The University of Melbourne, I seek for an opportunity as a junior architect/assistant architect in the industry as a mean to expand my architectural and especially construction knowl-edge outside of the academia realm.

I am a quick learner, an attentive listener, and a very self-resourceful person. I am not afraid to ask questions in order to get things done in the right way. I am also eager to learn more.

As a budding designer, I believe that the skills I acquired so far would be an asset to any firm, and also the future of our nation.

career oBjective

curriculum vitae

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acknowldegements2012 work selected and published digitally for subject virtual environments http://issuu.com/annie_walsh/docs/m1_ideation_s2_2012/2

2013 dean’s honour award for Bachelor of environments First academic Year 2012 University of Melbourne, Australia

2013 architecture design studio: water Finalstudioworkexhibitedatthe UniversityofMelbourne,ArchitectureBuilding

reFereeescott woodsStudio Leader. Melbourne School of Design, Faculty of Architecture, Building and PlanningRm 506, Level 5, Faculty of Architecture, Building and Planning, 757 Swanton st, Parkville, VIC.woods.scott@unimelb.edu.au

skill sets

2009 high school editorial Board head oF graphics segment Initiated the first fully student-designed annual magazine for school2013 malaYsian stUdent coUncil oF aUstralia (masca) national level marketing & commUnication team committee Designed 4 components’ logos of the inaugural 1st MALAYSIAN-AUSTRALIA SUMMIT (MASA) 20132014 UniversitY oF melBoUrne stUdent Union Farrago magaZine illUstrator team Responsible in creating illustrations for selected articles in the magazine on monthly basis

other creative works

microsoFt WORD POWERPOINTadoBe PHOTOSHOP INDESIGN ILLUSTRATORaUtodesk REVIT AUTOCADrhino 5 (v-raY)GRASSHOPPERsketchUplUmion

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letter oF recoMMeNdAtIoN

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coNteNts

Unearthing gallerY 6-9

stUdleY park Boathaas 10-13

reFshaleon art installation + power generator 14-17

UniversitY oF melBoUrne archive 18-21

oUtre gallerY/showcase BUilding 22-5

other works 26

6ArcHItectUre desIGN stUdIo wAter seM 1, 2013 UNeArtHING GAllerYHerrING IslANd, richmond, Victoria, Australia

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concept

LINEARITY OF HISTORY/TIME(INDIGENOUS PEOPLE)

DISRUPTION OF INTRUDER(COLONIAL ERA)

ADDITION OF THEATREOVERLOOKING THE RIVER

RECONCILIATION GARDEN

Earth was a design studio which revolved around the design of a cultural/discovery centre for Herring Island situated along the Yarra. The design response consists of a network of three programs in a narrative sequence. The architecture and its programs collectively comment on Australia’s national history, focusing specifically on the path of reconciliation between the indigenous people and white European settlers from the 18th Century

BrieF scUlptUre designThis was part of the form-making exercise to convey ‘PROSPECT-REFUGE’ theme that holds the contrasting stories of the indigenous and the colonial people.

YARRA RIVE

R

Building siting

Existing point of interest

Road

Landing

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1 RECONCILIATION GARDEN2 RECEPTION 3 INDIGENOUS GALLERY4 COLONIAL GALLERY5 THEATRE6 OFFICE

0 5 10 150 5 10 15

1

2

3

4

5

6

2 34

<

<

A

A

<

<

B

B

section a-a

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RECONCILIATION GARDEN

PRE-COLONIAL GALLERY

INDIGENOUS GALLERY

1

5

section B-B

materialitY

CORTEN WEATHERING STEELIts rough appearance is used to house the pre-colonial gallery as a symbolic gesture to embody the chaos of that period

Zinc metal siding panelThe black colour signifies a distinct entrance into the building

cedar Batten screenThe locally-sourced timber screen is spaced to imitate the spacings of trees as well as to allow natural lighting into gallery space

10 ArcHItectUre desIGN stUdIo wAter seM 2, 2013 Boathouse Master Architect rem koolhaasstudley Park, kew, Victoria, Australia

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12ArcHItectUre desIGN stUdIo wAter seM 2, 2013 Boathouse Master Architect rem koolhaasstudley Park, kew, Victoria, Australia

The brief was to design a refurbishment of an existing boathouse in Studley Park, Kew, Victoria in the manner of a master architect. My studio was as-signed the master architect of Rem Koolhaas.

My design was inspired by Rem Koolhaas’ Architectural Association Thesis entitled ‘The Wall’. Several other elements picked up from Koolhaas’ archi-tectural language are the ramp and the banding of volumes.

site plan

the wall as architectUre

perForations ForvisUal connectivitY

program diFFerentiation BY

materialitY

ramp as space connector

concept

BrieF

Box in a box

precedents’ analYsis

Ramps to connect levelsSolid-void relationshipdUtch hoUse

villa dall’ava

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2

3

Zoning strips

Solid-void relationship Curvilinearity/Angularity

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14ArcHItectUre desIGN stUdIo AIr seM 1, 2014

land Art Generator Initiative 2014:dragone with the wind refshaleoen, copenhagen, denmark

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Lynette Wind Turbine FarmWaste Water

Treament Plant

Marina

PaintballArena

CopenhagenSuborbital

SITEThe LittleMermaid

North Wind

South-west Wind

wind pushes turbinewind manipulates fabric movement

1. RECEIVE- SKIN

2. GENERATE-TURBINE

3. INFORM- FLOWY FABRIC

The brief of this studio was taken from the Land Art Generator Ini-tiative (LAGI) 2014, which is to design a public installation for Ref-shaeleon that doubles as a clean alternative energy generator.

The main objective of this studio was to explore advanced architec-tural design using parametric software, Grasshopper and Rhino.

Our proposed installation utilizes the strong wind in Copenhagen as the source for renewable energy resource. The massing resembles an undulating hill-form that brings contrast to the built context of present Refshaeleon.

conceptUal diagram

proposed siting

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Skin Detail

Ribs Detail

Roof Skin Panel

Spider jointing

Glulam Timber

Sheer fabric

Glulam Timber Rib Waffle structureDownward extrusion of the Glass Fiber-reinforced Plastic skinPower Generator which connects to DC to AC inverter connecting to the circuit breaker0.4m diameter Rotor Radial arm to hold the three blades to the rotor

Blade

Primary Rib Structure (continuous)

Secondary Rib Structure (fragmented)

130mmx400mm Glulam

Grade 8.8 bolts on steel shoe Stainless steel welded

Bolts on stainless steel plate to anchor down to foundation

1. Wind is channeledthrough skin panel2. Turbine rotatesgenerating energy3. Fabric inflates

Base Surface Wb Triangular Panels B

Scale by 0.7 Move up based on Normals

Rotate slightly Loft

Base Surface Mesh triangulatedMesh UV:Turn into

Mesh

Base Panel Triangular Panel Ribs

Centre Point

List items: up

List items: down

Move up basedon Normals

Move downon Normals

Extrudeto Point

List Items:Select only 2 sides to create opening

ResultedMesh

KangarooWb: Mesh

Edges

Wb: MeshVertices

Anchor Points:4 corners &

centre

Springs fromLine

Unary Forcez-downward

Rest length:multiply 1.2

parametric script diagram

proposed jointing sYstem proposed strUctUral sYstem

prototYpe eXploded diagram

Resix Jointing system

energY-generator sYstem

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Secondary Rib Structure (fragmented)

18ArcHItectUre desIGN stUdIo FIre, stUdIo A seM 2, 2014

University of Melbourne Archives BuildingBrunswick, Victoria, Australia

The brief of this project is to design a building to store historical documentations and archives of The University of Melbourne. The site was located in the suburb of Brunswick which is renowned for its melting pot of ethnic diversity and cultures.

SITE PLAN

concept Quarry history of Brunswick

BUILDING MASSING COMPARTMENTALIZATION:CRACKING OF ROCKS

PROGRAM INSERTION ROCK-FORMING

BrieF

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20

offIcE

ARchIVAlstoRAgE

loAdIngdock

gAllERY

loBBY

0 5 10 15

AlBERt stREEt

GROUND FLOOR

REAdIngRoom

confEREncERoom

ARchIVAlstoRAgE

clAssRoom

ApARtmEnt

0 5 10 15FIRST FLOOR

EAST ELEVATION NORTH ELEVATION

pUBlIcpRIVAtEARchIVIngsERVIcEs

A A

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confEREncERoom

offIcE

REAdIng Room

ARchIVAlstoRAgE

0 5 10 15SECOND FLOOR 0 5 10 15ROOF AND SITE PLAN

SECTION AA WEST ELEVATION

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BrieF

ArcHItectUre desIGN stUdIo FIre, stUdIo B seM 2, 2014

outre Gallery/HeadquarterBrunswick, Victoria, Australia

Outré Gallery is a kind of gallery that approaches art in a non-typical gallery mood. The overall concept of the design is inspired by the vibe and materiality pallete surrounding Brunswick, an outskirt city that is well-known for its underground and extremities.

Situated at the intersection of the major artery road, Sydney Road and Albert Street, this design is intended to capture the attention of pass-er-bys whilst being immersed and integrated into the existing urban fabric.

First Floor plan

groUnd Floor plan

Palimpsest Graffiti

PEELING-OFF ART PEELING-ON ART

concept

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site plan

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26other creative works

logo design (branding) MAGAZINe Artwork MAlAYsIAN stUdeNt coUNcIl oF AUstrAlIA university of melbourne student union magazine "farrago"

digital publicatioNMAlAYsIAN stUdeNt coUNcIl oF AUstrAlIA

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DIAN MASHITA BINTI EDDY SURYONOdianmashita@outlook.com / +601121325300

129, JALAN USJ 3/2, 46700, SUBANG JAYA, SELANGOR, MALAYSIA

contact

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selected works 2012-2014ArcHItectUrAl desIGN PortFolIo

dIAN MAsHItA eddY sUrYoNo