Portfolio 2014 SELECTION

Mariedl KleemannPORTFOLIO

BArch MArch Mariedl Kleemann

4

PLAYGROUND 15thVIENNA: slow capital

studio project // w 2009-10 // academy of fine arts Vienna

Group work with Jasmin Leonard and Wesley Hoplatform: History Theory Criticismadvisor: Stefan Gruber, Lisa Schmidt-Colinetproject location: south part of 15th district of Vienna

Herklotzgasse 23 (Mariedl)Arnsteingasse 10 (Wesley)Arnsteingasse 27 (Jasmin)

program of play street

play street connecting empty shops and plots

zz

z

diagram ramp program

5

A ramp is garage, is a swimming pool, is a beach, is a student room, creates views and gets more and more private.

unfolded section

6

PROTECTING BABYLON


platform: Construction Material Technologyadvisor: Michelle Howard, Werner Skvaraproject location: Babylon, Al Hillah, Irak

100 20 30 40 50m

8

a

a´

section a_a´

9

0 1 2 3 4 5m 10m

0 1 2 3 4 5m 10m

10

MORE THAN HOUSING

studio project // s 2009 // academy of fine arts Vienna

group work with Christiane Hütterplatform: Ecology Sustainability Conservationadvisor: Hiromi Hosoya, Gabu Heindlproject location: Zurich

CIRCULATION, LAUNDRY, CAFÉ

SHOP, QUARTERSTORE

RESTAURANT

ATELIERS

6 ROOMS APARTMENT

12 ROOMS APARTMENT

SATELITE TYP

5 ROOMS APARTMENT

C O L O U R C O D E

137.9 m2

m2 TOTAL

304.7 m2

315.1 m2

163.5 m2

108.6 m2

295.5 m2

103.5 m2

76.6 m2 93.0 m2

total living space 4039.2 m2total program 677.2 m2total people 148 pax

inhabitants/user

CIRCULATION, LAUNDRY, CAFÉ

SHOP, QUARTERSTORE

RESTAURANT

ATELIERS

6 ROOMS APARTMENT

12 ROOMS APARTMENT

SATELITE TYP

5 ROOMS APARTMENT

C O L O U R C O D E

137.9 m2

m2 TOTAL

304.7 m2

315.1 m2

163.5 m2

108.6 m2

295.5 m2

103.5 m2

76.6 m2 93.0 m2

total living space 4039.2 m2total program 677.2 m2total people 148 pax

inhabitants/user

11

SECTION Q M 1 : 200

cross section M: 1:200

126-person-flat and satelite type (half)

13

exterior wall

0.6cm exterior plaster , reinforced6cm fibreboard panels24cm insulation(cellulose)1.8cm OSB panel8cm insulation (cellulose)2.5cm clay board

The main construction of the build-ing should be in wood (solid wood for ceilings and framework for the walls). only the circulation and the installation wells should be out of concrete. In the inside the surface should be made of prefabricated clay-boards to achieve a good room climate and high living comfort.

details M: 1:10

ceiling

5cm cement screed - PE foil3cm insulation (cellulose)5cm heavy crushed rock filler - trickling board ceiling1cm air gap4cm insulation (cellulose)2.5cm clay board

14

solar heat collector

photo voltaic panels

supply air

supply air after heat exchanger

discharges air after heat exchanger

discharged air

district heat

cold fresh water

hot fresh water

sewage treatment

primary treatment

grey water

rain water

ENERGY CONCEPT:At the left axonometric section you see the ventilation system: fresh air from the green space is directed under the earth to the block. The discharged air is warming up by the supply air through a heat exchanger. Extra heat comes from solar heat col-lector on the roof or the district heat.

In the reight axonometric sec-tion two water systems, a fresh water system and a grey water system are shown.The solar heat collector heats the incoming fresh water and the rainwater used for the washing machines. For back up there is the district heat.The grey water from the wash-ing machines is used for toilette flushing in the upper floors. In the other floors the grey wa-ter from the bathrooms and the rainwater is used for toilet flushing. All sewage water is treated in a biological sewage treatment to be reused for toilet flushing and watering plants.

15

OPEN SPACE CONCEPT:We use the green space to gain maximum of solar energy for the whole building complex. For that we took the standard size of a photovoltaic panel (1,60 x 0,80m) and put it together so we got four different types in height. As positioning angle we took 45° and the distances between the different panels is calcu-lated with the shade a spring or fall sun makes. With this panels we create a huge field which is accessible only by a few paths. Following the path one is sometimes bigger than the panels and has an overview and sometimes goes in between them like in a forest. In the middle of the field is a place where people from all blocks can meet. The construction of the panels al-lows to add seating furniture.

16

HOUSE SCHMINKE from Hans SCHAROUN

analytical work and models // w 2007-08 // academy of fine arts Vienna

platform: Analogue Digital Production advisor: Wolfgang Tschapeller, Lisa Schmidt- Colinetproject location: Löbau, Germany

17

A PIECE OF ST. STEPHANS CATHEDRAL

analytical work and models // s 2008 // academy of fine arts Vienna

platform: Analogue Digital Production advisor: Wolfgang Tschapeller, Titusz Tarnaiproject location: Vienna

The task was to analyse and document a piece of Vienna´s St. Stephens Cathedral: to find ways of measurement, to describe the piece in drawings and to build analog and digital models.

18

height vertigo

acrophobia

sensation seeker

THE SENSATION OF HEIGHT


platform: Geography Landscapes Cities advisor: Peter Trummer, Daniela Heroldproject location: Vienna

3.43

7.10°

0.30°

0.18

0.80°

17.80°

0.55

0.48

2.61

15.60°

6.00°

3.38

0.60°

0.50°

2.33

8.20°

0.30

2.79

9.30°

1.00°

28°

2.65

0.42

0.90°

0.70°

0.40°

5.80°

0.36

0.61

0.24

4.20°

3.81

1.91

2.59

2.69

0.76

0.84

24.00°

3.30°

0.06

3.71

0.20°

26.00°

3.31

1.20°

0.10°

0.98

1.10°

3.74

3.00

3.39

0.19

1.25

13.40°

3.34

0.06

16.40°

10.40°

6.90°

1.05

1.00°

3.40°

14.50°

0.09

0.61

1.50°

19.00°

18.00°

1.39

0.94

2.50°

0.96

1.11

0.98

0.63

8.00°

0.10°

18.00°

2.46

0.67

1.72

0.03

0.56

3.38

17.00°

0.66

0.30°

0.60°

0.17

3.60°

4.70°

12.30°

16.00°

0.74

1.02

4.40

4.39

2.112.33

6.00°

5.10°

8.00°

2.86

0.30°

22.00°

2.59

11.20°

1.88

20°

0.11

2.56

4.50

18.00°

10.10°

3.43

7.10°

0.30°

0.18

0.80°

17.80°

0.55

0.48

2.61

15.60°

6.00°

3.38

0.60°

0.50°

2.33

8.20°

0.30

2.79

9.30°

1.00°

28°

2.65

0.42

0.90°

0.70°

0.40°

5.80°

0.36

0.61

0.24

4.20°

3.81

1.91

2.59

2.69

0.76

0.84

24.00°

3.30°

0.06

3.71

0.20°

26.00°

3.31

1.20°

0.10°

0.98

1.10°

3.74

3.00

3.39

0.19

1.25

13.40°

3.34

0.06

16.40°

10.40°

6.90°

1.05

1.00°

3.40°

14.50°

0.09

0.61

1.50°

19.00°

18.00°

1.39

0.94

2.50°

0.96

1.11

0.98

0.63

8.00°

0.10°

18.00°

2.46

0.67

1.72

0.03

0.56

3.38

17.00°

0.66

0.30°

0.60°

0.17

3.60°

4.70°

12.30°

16.00°

0.74

1.02

4.40

4.39

2.112.33

6.00°

5.10°

8.00°

2.86

0.30°

22.00°

2.59

11.20°

1.88

20°

0.11

2.56

4.50

18.00°

10.10°

changing of the view

19

3.43

7.10°

0.30°

0.18

0.80°

17.80°

0.55

0.48

2.61

15.60°

6.00°

3.38

0.60°

0.50°

2.33

8.20°

0.30

2.79

9.30°

1.00°

28°

2.65

0.42

0.90°

0.70°

0.40°

5.80°

0.36

0.61

0.24

4.20°

3.81

1.91

2.59

2.69

0.76

0.84

24.00°

3.30°

0.06

3.71

0.20°

26.00°

3.31

1.20°

0.10°

0.98

1.10°

3.74

3.00

3.39

0.19

1.25

13.40°

3.34

0.06

16.40°

10.40°

6.90°

1.05

1.00°

3.40°

14.50°

0.09

0.61

1.50°

19.00°

18.00°

1.39

0.94

2.50°

0.96

1.11

0.98

0.63

8.00°

0.10°

18.00°

2.46

0.67

1.72

0.03

0.56

3.38

17.00°

0.66

0.30°

0.60°

0.17

3.60°

4.70°

12.30°

16.00°

0.74

1.02

4.40

4.39

2.112.33

6.00°

5.10°

8.00°

2.86

0.30°

22.00°

2.59

11.20°

1.88

20°

0.11

2.56

4.50

18.00°

10.10°

20S_S´ 0 5m 10m 20m 30m 40m

S_S´

56th floor

ENVIRONMENT OF HEIGHTMy project deals with the increasing of the height sensation to an extreme. On one hand I developed different types of living-units, all 50 sqm big, beginning with a simple box, which is open to one side (room high window). The variation of the window size influences the experience of height. The “safest” unit has a window of 4.5m width so the unit is very long. The users can choose how much they want to expose themselves to the depth, they have four visual reference surfaces (walls, floor and ceiling) to stabilize. The window of the most “dangerous” unit has a length of 13.0m. The whole living is orientated along the window, so that the user is constantly confronted with the sensation of height. He has only one visual reference surface which is the floor.On the other hand I tried to minimize the visual reference surfaces when putting the units together to a whole. This I achieved by slightly increasing shifting or/and twisting the units to each other. First only all units from one level, then each single unit relating to the unit below. The more the tower grows the bigger is the shifting and twisting, until single towers develop and the feeling of instability increases because of a lack of solid visual reference surfaces. Because of the torsion of the towers and because of static reasons the towers meet and connect to each other in some points in different heights. Then new reference surfaces are created and the continuously increase of the height experience blurs.

20°

26.00°

24.00°

22.00°

18.00°16.00°

17.00°

19.00°

18.00°

17.80°

16.40°

15.60°14.50°

13.40°12.30°

11.20°10.10°

8.00°

6.90°5.80

°4.7

0°3.60°

2.50°

10.40°

28°

8.20°

7.10°6.00°5.10°

4.20°

3.30°

3.40°

1.50°

0.60°

0.30°

1.20°1.10°1.00°0.90°0.80°0.70°0.60°0.50°0.40°0.30°

0.30°0.20°0.10°

0.09

0.19

0.180.170.11 0.240.06

0.30 0.36 0.420.66

0.48 0.55 0.61

0.03

0.63

0.56

0.76

2.46

0.98 1.11 1.25 1.39 0.96 1.72 1.91 2.112.33

2.612.79

3.00

0.84

0.94

1.02

1.050.98

2.59

4.40

4.39 4.50 3.39

3.43

3.71

3.81

3.74

3.38

3.34

0.67

0.74

1.88

2.56 2.86

3.312.69

9.30°

2.65

21

changing of unitschanges the living

changing of visual ref-erence surface be-cause of diffrent unit shape

EG

5.OG

9.OG

13.OG

18.OG19.OG

24.OG

28.OG

56.OG

51.OG

32.OG

37.OG38.OG

43.OG

47.OG

section S_S´

20°

26.00°

24.00°

22.00°

18.00°16.00°

17.00°

19.00°

18.00°

17.80°

16.40°

15.60°14.50°

13.40°12.30°

11.20°10.10°

8.00°

6.90°5.80

°4.7

0°3.60°

2.50°

10.40°

28°

8.20°

7.10°6.00°5.10°

4.20°

3.30°

3.40°

1.50°

0.60°

0.30°

1.20°1.10°1.00°0.90°0.80°0.70°0.60°0.50°0.40°0.30°

0.30°0.20°0.10°

0.09

0.19

0.180.170.11 0.240.06

0.30 0.36 0.420.66

0.48 0.55 0.61

0.03

0.63

0.56

0.76

2.46

0.98 1.11 1.25 1.39 0.96 1.72 1.91 2.112.33

2.612.79

3.00

0.84

0.94

1.02

1.050.98

2.59

4.40

4.39 4.50 3.39

3.43

3.71

3.81

3.74

3.38

3.34

0.67

0.74

1.88

2.56 2.86

3.312.69

9.30°

2.65

22

SOUND ROOMS


platform: Construction Material Technology advisor: Michelle Howard, Christian Fröhlichproject location: ORF building, Vienna

23ground floor

24

LOGGIA LIVINGlearning from Tokyo


platform: Ecology Sustainability Conservation advisor: Hiromi Hosoyaproject location: Vienna

12

1314

17

1110

9

16

15

87

5

2

GUIDE LINES FROM NERIMA

TRANSLATION TO VIENNA

OFFSET FROM PLOT BOUNDARY

GRID WITHIN IRREGULAR QUADRANGLE

project name: Nerima Apartmentsarchitect : Go Hasegawacompetition: 2010program: condominium housinglocation: Nermia, Tokyosite area: 352,22 m²foot print: 223,58 m²total floor area: 1054,27 m²structure: reinforced concrete7 storeys20 flats size: 25,05 - 49,81m²flat space 80%loggia space 20 %

program: housinglocation: Universumstraße, Viennasite area: 1100 m²foot print: 529,05 m²total gross floor area: 4049,01 m²structure: wood frame construction8 storeys52 flats size: 28,47 - 102,68 m²flat space 80%loggia space 20 %

12

1314

17

1110

9

16

15

87

5

2

OUTDOOR VOLUME INSIDE TOTAL VOLUME

OUTDOOR AND INDOOR VOLUME

SECTION 2_2

25

SECTION 1_1

SECTION 4_4

26

TOP 37

entrance OG52 levels66,99 m² inside32,47 m² loggia99,46 m² total

DK

1, 3, 4, 6, 14, 25, 32, 42, 44, 48, 51

2 5, 12, 7

BRW

DKBR

W

DK BRW

WC

WC

WC

WCT

15, 37, 40

T T

WCDK L

BR W

BR W BR WBR W

T V

V

V

16

WC

DK

T

8

WC

DK

T V

BR W

BR W

18, 28, 30, 52

WC

DK

T

26, 39, 49

WC

DK

T

BR W

21

LDK T

WC

WC

DK

T

22, 31, 43, 45,

BR W

WC

DK

T

10

BR W

WC

DK

DK WBR

T T

47

WCDK W BR

T

41

DK

WC T

34

DK L

WC T

13,

DK L

W

BR BR

W

BR

BR

27

WC W

DK

T

BR

BR

BR

BR

L

T

9, 33

WC W

DK WBR

T

V

38

WC

DK

T T

W

BR

BR

V

50

WC

DK

T T

BR

W

BR

V

29

DK

T W

BR

BR

17, 36

WC

DK

T

V

BR W DK BR

24

T

BR

BR

L

WC

V

V V

35

T

DK BR

23

BR T

BRDK

WC W

46

T BR

BRDK

WC W

V

BR W

V

20

T

V

V

T

DK

T

11, 19,

BR

WT

WT

- entrance - door - window - next floor

DK - kitchen diningBR - bed L - livingW - bathWT - bath + toiletWC - toiletT - loggiaV - void

28

CONTRUCTION AND MATERIALSAll constructions should be build in “passivhaus standard”. The primary construc-tion is out of wood frames. The space between the main beams is insulated if fac-ing outdoor and wooden plates on each side close the panels. Walls and ceilings different in the height of the beams. To the inside there is an instalation layer, so the primary construction is not touched and changes can easaly take place.The outer experience of the building is deter-mind by wooden, rear ventilated laths, fixed in a vertically pattern. the fresh brown colour of the wood may soon turn into a lively silver gray.The inner surfaces of the loggia are all painted white, to refelct the light into the rooms. The openings towards the loggia from the flat are roomhight so the con-nection of outside and inside is intensifyed. The feeling that the outdoor space of the flat is part of the indoor space is also emphasized by the floor which continues in one level.

PASSIVHAUS STANDARD

30

ALTBAUSANIERUNG1040 Wien

2012-13

32

framing and directing a view:

blocking and extending a view:

glimps of continuing

no edges, continuing path “endles”

fixed borders

STUDENT CENTRE

studio project // s 2012 // faculty of architecture, CEPT University, Ahmedabad, India

advisor: Nitin Raje, Gauri Bharatproject location: Ahmedabad

34

café structure

library sun shades

informal space

35

section d_dsection c_c

section a_a

section b_b

36

FROM AYURVEDA TO ARCHITECTURE

master thesis // s 2013 // academy of fine arts Vienna

advisor: Michelle Howard, Christian Fröhlichproject location: Vienna

ABSTRACTThe intention of my master thesis is to com-bine two interests of mine: Architecture and Ayurveda. My fascination for Ayurveda start-ed with the beginning of my Ayurveda-train-ing six years ago and is growing ever since. This fascination is due to the universal con-cepts of Ayurveda which is based on the five elements: space, air, fire, water and earth.This master thesis project is an Ayurveda Health Care Centre, located in the 15th dis-trict of Vienna. It tries to apply the ayurvedic concept of the three “doshas” into architec-ture. This application takes place by using the qualities and characteristics of each do-sha to create different conditions and experi-ences in space. The three doshas are Vata, Pitta, Kapha and can be described as ener-getic principles. Each is formed by two of five elements. The focus of the project lies on producing di-verse ambiences and different sensory per-ceptions with materials, program and space. By walking on the site one of the most strik-ing experiences was the change of sounds from a busy traffic noise to silence and birds twittering. Inspired by this experience the chosen program is arranged on the site. The building is structured in three parts relating to the three doshas and their qualities to al-low the experience of atmospheric special conditions.

AYURVEDA CONCEPT

5 ELEMENTS:

3 DOSHA / PRINCIPLES

SENSATION:

TASKS:

GUNAS/ CHARACTERISTICS:

TIME:

FUNCTIONS:

EARTHWATERFIREAIRSPACESTABILITYFLOWTRANSFORMATIONMOVEMENTVOID

tone/ sense of hearing / all cavities / delicacy / differentiation / softening / hollow/ relief

touch/ sense of touch / all movements / activities / lightness / roughness/ incentive / drying / decrease / clarification/ relief

figure/ sense of seeing / colouring / heat / gloss / glow / burning / digestion / resentment / intensity/ strength

taste/sense of taste/ all liquids/ heaviness/ coolness/ softness/ litheness/ adherence/ humidity/connection/ melting / slumping / refreshment

smell / sense of smell/ all figures/ heaviness / stability / increase / densification

light/ cold / dry / hard / rough / clean / sutle/ fast / flexible

at the beginning / 7-11 and 19-23 o’clock /childhood - youth / winter - spring / immediately after eating

at the end / 15-19 and 3-7 o'clock / age / autumn - winter / at the end of digestion

in the middle / 11-15 and 23-3 o'clock / middle age / summer / 2-3 h after eating

/ soft/ heavy / oily / slow / stable /smooth / slimy / rough / tieing

flexible / hot/ oily / incisive/ pervasive / liquid/ soft

distributive / all movements / thoughts / ideas / inspiration / speaking / sounds/ tone / irregularity/ Unruhe / nervousness / fear / all cavities / bones / ear / lower abdomen / large intestine / excretion / process / collcting

/ surplus in the body: colour black, dark

processing / heat / giving warmth / body / temperature / emotions / colouring / blood / vitality / middle abdomen / small intestine / liver / spleen/ pancreas / digestion / alle transition processes / intelligence / assertiveness / attention / determination / glow / colour / eyesight / eye / giving gloss

/ surplus in the body: colur red

creative / strength / growth / structure / nutrition / upper abdomen / stomach / slime / solarplexus / intake / love / empathy / solidarity / adhesion / consistency / composition / endurance / persistence / convinience / lubrication / fattiness / oiliness/ fulfillment / memory

/ surplus in the body: colour white

VATA PITTA KAPHAMOVEMENT TRANSFORMATION STABILITY

MOVEMENT TRANSFORMATION STABILITY

PITTA KAPHAVATA

distributing

noise

sound

fluctuationear

bones

large interstine

thoughts

ideas

speaking

collecting

excretory organs

inspiration

quickness

entusiasm

agitation

inconstancy

nervouseness

lower abdominal region

open

irregularity

chaotic

manifold

high

hollow

porose

restlessness

fear

pain

vacuity

agile

light

colddryhard

rough

clean

subtle

fast

winter

cold & dry weather

wind

movementagile summer

warm & sunny after rain

temperaturetarget-orientated

processing

heat

emotions

colourful

vitality

glowing

blood

eyessight

animalism

small interstineliver

spleen

digestion

small interstinepancreas

inteligence

shining

sparkling

overview

attentiveness

direct

assertiveness

controlling

brightness

clarity

pungent

hot

sharp

slightly oilyliquid

agile

transformation

purposefulness

shaped

directing

focused

spring

cool & humid weatherrain

power

growth

developementholds thing together

nourishment

stomach

slime

solarplexus

acceptenace

regular cozy

lovepeace

upper abdomen area

implementation

enclosedempathy

endurence

adherence

solidity

structure

texture

staminia

accomodativeness

cohesion

inclusion

lubrication

greasing

memory

gratification

heavy

stableslow

smooth

slimy

coarse

bonding

soft

oily

stability

constructivedense

compact

solid

closed

boarderd

calm

strong

PROGRAM ACCORDING TO DOSHAS

EXCISTINGS SOUNDS

TRAFFIC

NOISE

BUFFER TREATMENT RELAXINGCAFÉ,

INFO, SHOP

YOGA

PITTA KAPHAVATA

dry/ light / cold / hard / rough / clean/ subtle/ fast / agile

gunas:

sear

chin

g fo

r pos

sibl

e ch

arac

teris

tics

rela

ted

to a

rchi

tect

ure:

doshas:

many

fast

low

luv

bright, natural, artificial

irregular

nervous, open

bright, light

cold

rough, hard, dry

porous

transparent

light

bright

connection to sourrounding

motion

deceleration

wind direction

light

form

spatial impression

colour

surface temperature

surface character

consistency

transparency

weight

tone

precise cutout, directed, immediate

medium, mixed

medium

center

glowing, colourful, focused, bright

regular, fine

transforming, transition

glowing, colourful

warm, hot

soft, smooth

medium

transparent - translucent

medium

coulourful, warm

small

slow, none

high

lee

spot, gentle

regular, robust

qiet, calming

dark, robust

medium

soft, strong, shimmery, smooth

dense

opaque

heavy

dark, dull

stable / soft / oily / slow / heavy /smooth / slimy/ crude / tieing

hot / agile / sharp / pervasive / liquid / oily/ soft

VATA PITTA KAPHA

37

BIRCH GROVE

LINDENTREE

HERBAL GARDEN

WELCOMEGARDEN

CAFÉGARDEN

RELAXGARDEN

VISUAL CONNECTIONS:MATERIALS ACCORDING TO DOSHAS

PROGRAM ACCORDING TO DOSHAS OPEN - CLOSED

GLASS CORTESTEEL

RAMMEDEARTH

GLANCEBACK

PRECISECUTOUT

DIRECTING

GLASS MIRROW

CORTEN STEEL, COPPER LIGHT

RAMMED EARTH

VARIOUSVIEWS

PITTA KAPHAVATA

TRAFFIC

NOISE


INFO, SHOP

YOGA

back walls workshops

program according to doshas

excisting sounds

materials according to doshaskeeping & extending wall

direct view on site

seasonal changes in nature (view Grimmgasse)

BIRCH GROVE

LINDENTREE

HERBAL GARDEN

WELCOMEGARDEN

CAFÉGARDEN

RELAXGARDEN

VISUAL CONNECTIONS:MATERIALS ACCORDING TO DOSHAS

PROGRAM ACCORDING TO DOSHAS OPEN - CLOSED

GLASS CORTESTEEL

RAMMEDEARTH

GLANCEBACK

PRECISECUTOUT

DIRECTING

GLASS MIRROW

CORTEN STEEL, COPPER LIGHT

RAMMED EARTH

VARIOUSVIEWS

PITTA KAPHAVATA

TRAFFIC

NOISE


INFO, SHOP

YOGA

MOVEMENT TRANSFORMATION STABILITY

PITTA KAPHAVATA

distributing

noise

sound

fluctuationear

bones

large interstine

thoughts

ideas

speaking

collecting

excretory organs

inspiration

quickness

entusiasm

agitation

inconstancy

nervouseness

lower abdominal region

open

irregularity

chaotic

manifold

high

hollow

porose

restlessness

fear

pain

vacuity

agile

light

colddryhard

rough

clean

subtle

fast

winter

cold & dry weather

wind

movementagile summer

warm & sunny after rain

temperaturetarget-orientated

processing

heat

emotions

colourful

vitality

glowing

blood

eyessight

animalism

small interstineliver

spleen

digestion

small interstinepancreas

inteligence

shining

sparkling

overview

attentiveness

direct

assertiveness

controlling

brightness

clarity

pungent

hot

sharp

slightly oilyliquid

agile

transformation

purposefulness

shaped

directing

focused

spring

cool & humid weatherrain

power

growth

developementholds thing together

nourishment

stomach

slime

solarplexus

acceptenace

regular cozy

lovepeace

upper abdomen area

implementation

enclosedempathy

endurence

adherence

solidity

structure

texture

staminia

accomodativeness

cohesion

inclusion

lubrication

greasing

memory

gratification

heavy

stableslow

smooth

slimy

coarse

bonding

soft

oily

stability

constructivedense

compact

solid

closed

boarderd

calm

strong

PROGRAM ACCORDING TO DOSHAS

EXCISTINGS SOUNDS

TRAFFIC

NOISE


INFO, SHOP

YOGA

PITTA KAPHAVATA

38

0m 5m 10m

0m 5m 10m

Kelling-gasse

Grim

mga

sse

Sechshauserstr. 74

0 m 105

39

0m 5m 10m

0m 5m 10m

40

0m 5m 10m

41

0m 5m 10m

42

Abhyanga sequence

43

2,00

1,00

2,00

1,00

44

MOVEMENTfast, blurry, unsteady, hectic, chaotic

VIEWdirect, focusing, fram-ing

NARROWNESSenveloping, noise and movement are de-creasing, darkness and peacefulness increase

VATA

PITTA

BIRCH (Betula pen-dula)swinging of branchesrustling leafs, thin, lightmedical effect:diuretic, purifying, antispasmodic

GRITcrunching, cracking sound, loose, hard edged, inconstancy, light, irregular

ZINCirregular pattern of hot-dip galvanisation, light, partly reflecting, cold, brittle

PATTERN (out of sheet zinc)irregular, chaotic, view disturbing

GLASStransparent, hard, breakable

CAFÉbusy, alive, in motion, active, unsteadypeople moving, sitting, eating chatting

white EPOXY RESINhard, reflecting, light, impassible to wetness

VATA

45

LOOKINGeyes are a place of Pitta because they per-ceive colours, light, and shapes

LIGHT/ HEATin the process of burn-ing (fire=Pitta) light and heat are produced

COPPERred, shiny, warm conductive, transforms its colour from red to brown and to green when getting a patina

DARKNESSclam, absorbing, heavy

WATERshiny, sparkling, fresh, shapeless

PITTA

KAPHA

KAPHA RAMMED EARTHsolid, heavy, absorbing, balancing humidity and heat, cold, inert

ROSESmedical effect:the blossoms are sweet, oily, cooling and light

LAVENDERmedical effect:acts calming on central nervous system, nour-ishing, antispasmodic, pain-relieving,

SMELLthe nose is a place of Kapha

GRASSsoft, cool, medical effect:emollient, diuretic, blood purifyingmedical use: roots

Portfolio 2014 SELECTION

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