Portfolio 2012
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ARCHITEC DESIGN PHOTOGR Benjamin Maru Greenberg COLLECTION OF WORKS ARCHITECTURE DESIGN PHOTOGRAPHY
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Transcript of Portfolio 2012
ARCHITECTUREDESIGN
PHOTOGRAPHY
Benjamin Maru Greenberg
COLLECTION OF WORKS
ARCHITECTURE
DESIGN
PHOTOGRAPHY
DESIGN
PHOTOGRAPHY
ARCHITECTURE
CO
NTE
NTS
CO
NTE
NTS
RÉSUMÉ ARCHITECTURE DIGITAL DESIGN &DIGITAL FABRICATION
PROFESSIONALEXPERIENCE
PHOTOGRAPHY
01 02 03 04 05
SKILL SET
Proficient
ACADEMICS
College of Architecture and Planning, Ball State University, Muncie, IN
Master of ArchitectureExpected May 2012
B.A. in Architecture - Cum LaudeMinor in Spanish
EMPLOYMENT
College of Architecture and Planning, Ball State University, Muncie, IN
Graduate Assistant2011 - Present
Kishimoto Gordon Dalaya PC1300 Wilson Blvd. Rosslyn, VA
Artur Jasiński I Wspólnicy Biuro ArchitektoniczneKrakow, Poland
IDF (Institute for Digital Fabrication)College of Architecture and Planning,
Ball State University, Muncie, IN
glue: Student PublicationCollege of Architecture and Planning,
Ball State University, Muncie, IN
Chuck Vernon Construction CompanyFalls Church, VA
Architectural Intern: Fall 2010, Summer 2008, Summer 2007, Summer 2006
Architectural InternSummer 2010
Digital Design InternSummer 2009, Academic Year 2009-2010
Writer and Graphic Editor Spring 2010
Construction Assistant to Residential Contractor Chuck VernonSummer 2005
ACCOMPLISHMENTS
Collegiate B.A. in Architecture - Cum laude
Finalist: Cripe/Kawneer Design Competition2009
Finalist: Gresham-Smith Design Competition2009
Ball State University Dean’s List 2006-2010
College of Architecture and Planning Dean’s List2006-2010
International Baccalaureates’ DegreeGeorge Mason High School2006
Experiences in ArchitectureCatholic University of America2004
High School
01 0101
RÉS
UM
ÉSKILL SET
Proficient Adobe Illustrator Vector Based Graphic Design 2D Graphic Element Design
Adobe InDesign Digital Publication Layout Print Publication Layout Layout Prototyping
Adobe Photoshop Digital Image Processing Digital Image Alteration
Autodesk AutoCAD 2003-2011 Drafting Layout Drawing Set Organization
Autodesk Revit Architecture 2010-2011 Modelling Model Organization/Coordination Custom Family Modelling
Microsoft Office Products General Productivity
Rhinoceros 3D 4.0 + 5.0 Modelling 2D Graphic Element Design 3D Graphic Element Design
Grasshopper for Rhinoceros 3D 4.0 + 5.0 Parametric Modelling
Vray for Rhinoceros 3D 4.0 Digital Rendering
Google Sketchup 7-8 3D Modelling Environment-Building Analysis Digital Rendering
Adobe Dreamweaver Basic Web Design Site Publication
Adobe Fireworks Basic HTML Animation
Adobe Muse Basic Web Design Site Publication
Hand Drawing/Rendering
Photography Architectural Natural Macro
Intermediate
Hobbyist
RÉS
UM
É
01
0203
AR
CH
ITEC
TUR
EA
RC
HIT
ECTU
RECOMPOSI-HAUS
05 FUNCIE FARM STAND07
CENTER FOR REGENERATIVE STUDIES09
MIAMI MUNICIPAL COURTHOUSE11
BALL STATE UNIVERSITY MULTICULTURAL CENTER13
COMPOSI-HAUS Location > Florence, OR
05
This single family residence contained standard service elements (kitchen, bathroom and mechanical equipment) as well as a bedroom and living room. The form had been molded and massaged through iterations following the principle of a more standardized rectangular section flowing into an organic form expressing the gradient of architectural expression that composite materials can accommodate. The rectangular section holding service elements that require standardized wall sections and the organic section containing bedroom or living room. The final form was driven by the evolution of the rectangular to organic section as well as an expression of the impressive structural qualities of composite materials allowing for long spans with thin structural depth inspiring a long and linear form, and finally utilizing the apertures woven into the architecture of the residence to bring asymmetry to an entirely symmetrical form and utilizing the asymmetry to focus the views from within the residence towards the pacific coast.
06
01 > A symmetrical form inspired by the process of CNC fiber placement. 02 > Division of program based on architectural needs.03 > Spanning options for overall form.04 > Taping variations along a fiber placed form.05 > Formal variation along a linear axis.06 > Form evolution with two pinches of different scales to celebrate programmatic differences through the progression of space.07 > Finite Element Analysis indicating where fibers section must be thickened on form.08 > Taping development from a symmetrically ordered patterning to a view enforcing, programmatically varying pattern.
01 02 03 04
05 06 07 08
FUNCIE FARM STAND Location > Muncie, INTeam > Kelly Goffiney | Benjamin Greenberg | Jonathan Kirby | Paul Reynolds | Brian Watson
07 01 02
The Funcie Farm Stand and the adjacent Garden Grove was a design/build project for the Tot Spot within the Muncie Children’s Museum under the guidance of Pam Harwood. The Funcie Farm Stand and Garden Grove were designed to engage infants to toddlers, ranging from several months old to 2 years old. Through rigorous research on interactive learning for children of this age we found that our design had to facilitate the development of fine motor skills, routine activities, playing alongside other children (not necessarily interacting with other children), matching activities, allowing exploration of objects through oral interaction and simple picture recognition. With this research supporting our design we created the Funcie Farm Stand with interactive sliding doors, a tool matching and storage activity space, fruit and vegetable sorting area and a small construction play space. The Garden Grove was designed to compliment the activities of the farm stand by providing a safe and area where color and shape matching through vegetable picking activities could be done.
08
01 > Left Elevation02 > Right Elevation03 > Rear Elevation04 > Front Elevation
03 04
CENTER FOR REGENERATIVE STUDIES Location > Albany, CA
09
01
02 03
The College of the Seven Spheres Center for Regenerative studies was a comprehensive studio project. As a studio we were tasked to individually find a site for a regenerative college campus. The campus not only had to be net-zero so that it could be grid-free, but it also had to produce excess energy that could be returned to the grid. My project was sited on a brown field (former construction debris landfill) in Albany, California along the east side of the San Francisco Bay. The project was driven by the goal of ensuring a regenerative campus. Vast amounts of photovoltaic “trees” were placed along paths on the site to produce the energy required to sustain the site and feed energy to the grid. As summers in California consistently have droughts a passive sea water desalination system was designed for this campus to provide all the fresh water needed for sustaining the green houses as well as the students and faculty. The final design was a dormitory building, an academics building and an adjoining water desalination and waste treatment facility. There were also several green houses and other desalination facilities placed on the site following the aesthetic precedent set by my design.
10
01 > Section of a typical residential unit displaying isolated gain space and sea water chilled air conditioning system.02 > Section of two story greenhouse with various vegetable and fruit growth areas, a photovoltaic array and food storage.03 > Section of passive sea water desalination station with adjacent biological waste managing living machine. Desalination station includes sea water pump room, salinated water holding tank, salinated water evaporation chamber and catchment tray and desalinated water tank. Biological waste managing living machine includes hydroponic tanks, greenhouse, constructed wetlands and reclaimed water holding tank.
MIAMI MUNICIPAL COURTHOUSECripe/AIAS Kawneer Design Competition Finalist
Location > Miami, FLTeam > Benjamin Greenberg | Paul Lindsay
11
01
02 03 04
The Miami Municipal Courthouse was designed as a competition with minimal security requirements and an interest in providing social public space. The fluid site planning and resulting building form evolved from an intent to connect the adjacent modes of public transit through public plaza space that could gracefully cradle the courthouse as well as to act as an aesthetically appropriate terminus for a significant pedestrian corridor from the bay to the site. The design then progressed utilizing the drivers of guided circulation and sustainable systems integration. The final design contains extensive daylighting strategies as well as water retention and control elements. This site design ties together a station for the Metromover, a bus station and a regional train station.
12
01 > Section perspective of the courthouse displaying offices, a courtroom and a private and public corridor.02 > Rendered site plan.03 > Sustainable systems diagram displaying trellised green wall and light diffuser and the water retention ponds.04 > Wall section perspective illustrating custom angled curtain wall and shading system inspired by Kawneer products.05 > Miami Municipal Courthouse plan.06 > Competition boards.
05
06
BALL STATE UNIVERSITY MULTICULTURAL CENTERGresham Smith Design Competition Finalist
Location > Muncie, INTeam > Benjamin Greenberg | Paul Lindsay
13
01
The design proposal for the Ball State University Multicultural Center was driven by the focus on the presentation theater. As it was central to the mission of the Multicultural Center, we made it central to the structure with all program wrapping the edges of the theater. The theater was raised one level above ground to accommodate a small cafe/cafeteria at the ground level. A small library with offices and a computer lab lie at the north of the building with meeting rooms elevated above the rest of the center at the east. Although the aesthetic of the building does not match that of the majority of the masonry clad campus, the modular aluminum cladding system used for this project celebrated the idea behind a modular masonry aesthetic.
14
01 > Section of a typical residential unit displaying isolated02 > Competition board
02
0315
DIG
ITA
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IGIT
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IGN
&D
IGIT
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FAB
RIC
ATI
ONCOMPLECT-ion
17HOLOCENIC CANOPY19
COMPLECT-ion Location > Muncie, INTeam > Benjamin Greenberg | Jonathan Kirby | Paul Reynolds | Brian Watson
17
Beginning with the term “fabric” our design team was tasked with defining the term and designing and prototyping an installation whether at full scale, or smaller based on the proposed design. While defining fabric, our design team found synonyms such as network, grid, interconnected nodes, infrastructure and conglomerate which were catalysts to the development of a design. The form of a 4 pointed star was adopted as a module for the project which was then proposed at various scales, but the prototype which was constructed was approximately 8 X 8 inches. The proposed installation was sited for a faculty lounge in the Architecture Department in the College of Architecture and Planning at Ball State University. The installation was to hang in the faculty lounge as a canopy fitting within the existing waffle slab grid. The canopy comprised of over 140 modules of the 4 pointed star which
was cast out of FlexFoam-iT, a flexible expanding urethane foam product. The flexible nature of the modules allowed for a spine to be run through each module and being able to reform the canopy as we saw fit on site. The flexibility also allowed for a weaving of perpendicular strands of the modules achieving the “fabric” that our project utilized as a springboard. Finally, along the spine wires were fed to connect an LED, a solar cell, an infrared sensor and a battery to allow for this stationary canopy to have a alternating identity. During the day the electronics serve to retain energy from the sun and store it in the batteries, and the canopy acts as a minimal shading device. Once night falls, the infrared sensor is triggered allowing the LEDs to utilized the collected energy in the batteries to light the canopy and alter the quality of both the installation and the space.
18
HOLOCENIC CANOPY Location > Muncie, INTeam > Benjamin Greenberg | Curt Schriner
19
Holocenic Canopy began with a material study of the properties of plastic grocery bags. It quickly became apparent that the sounds of rustling bags was a trait that would drive the design of the final installation. After several design iterations the acrylic based, rubber band sprung design was decided upon. Originally the intent was for this installation to be interactive and rustle, but unfortunately due to the prototyping process and the timeline of this project a static version was created to emulate the various positions possible if this design were to be pursued for further iterations.
20
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EXP
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EKISHIMOTO GORDON DALAYA PC23
ARTUR JASIŃSKI I WSPÓLNICY BIURO ARCHITEKTONICZNE25
INSTITUTE FOR DIGITAL FABRICATION27
04
KISHIMOTO GORDON DALAYA PC Location > Rosslyn, VATerm > Fall 2010, Summer 2008, Summer 2007, Summer 2006
23
I have worked for Kishimoto Gordon Dalaya PC for three summers and a fall, totalling in one year’s worth of work experience. I began by building models for them out of high school which then changed to models and CAD drafting. Soon I was no longer building models, but instead completely migrated over to CAD drafting. The majority of my time at KGD was spent working on federal government contracted
projects, therefore my collection of works from their office is sparse due to issues of classified material. During my longest working experience at KGD I was modelling and drafting in Revit 2010. After some time in Revit I became the office specialist for custom families and custom modeled components. Since then I maintain my proficiency with Revit and modeling custom components.
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3G.1
3H.83J
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FITNESS CENTERL0024
STAIR JL0001
ELEC. CLOSETL0008
COMM. ROOM - SPL4L0009
MECH. ROOML0010
ELEC. CLOSETL0011
STAIR FL0002
CORRIDORL0025
SHAFTH158
ELEV. SHAFTH009
ELEV. SHAFTH009A
WOMENS LOCKERL0023C
GREASE INT.L0023D
STAIR FL0003
ELEVATOR LOBBYL0012MECH.
L0014GUARD BREAK ROOML0015
SERVERL0019
FACILITIES SHOPL0023
RESTROOML0023A
FACILITIES/ENGINEERING
L0021
110 OFFICEL0021B
110 OFFICEL0021A CORRIDOR
L0013B
COMM. ROOM - SPL4L0049
CORRIDORL0062
CORRIDORL0070A
ELEVATOR LOBBYL0034
STAIR LL0007
ELEC. CLOSETL0048
C.E.R. - SPL4L0060
MAIN ELEC. ROOML0064
MAIN TELE. ROOML0065
CENTRAL PLANTL0063
STAIR EL0004
UNCLASSIFIEDSTORAGEL0069
STAIR BL0006
MECH. ROOML0072
CORRIDORL0061
CORRIDORL0066
FUTURE CONFERENCEAREA - SPL4
L0043
CL.L0015A
CONF./ INSTRUCTIONL0020
S.C.C.L0018
E.O.C.L0016
VESTIBULEL0016A
CATERING PANTRYL0017
CLOSETL0020A
CORRIDORL0013A
CORRIDORL0022
MENS LOCKERL0023B
FUTURE RESTOOMSL0031
MOTHER'S ROOML0030B
VESTIBULEL0030
BUSINESSCIRCULATION
L0029
FUTURE AUDITORIUM -SPL3L0037
STAIR AL0005
EXT. SHAFTL0063A
ELEC. CLOSETL0067
PUMP ROOML0028
TELE. ROOML0027
DATA CENTER ELEC. -SPL4L0026
CONFERENCEBREAKOUT
L0033
OFFICEL0018A
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DEVELOPEROWNERCONSULTANT SEAL & SIGNATURE REVISIONS ISSUE KEY PLAN SCALE
PROJECT NUMBER
DRAWING TITLE
DRAWING NUMBER
AEROSPACE PROJECT ID: FWO 84051
© 1995-2011 KISHIMOTO.GORDON.DALAYA PC expressly reserves its common law copyright and other property rights within these plans. These plans arenot be reproduced, changed, or copied in whole or in part, in any form or manner whatsoever. Nor are they to be assigned to any third party, without firstobtaining the express written permission and consent of KISHIMITO.GORDON.DALAYA PC.
1300 Wilson Boulevard, Suite 250, Rossyln, Virginia 22209202.338.3800 | www.kgdarchitecture.com
DATE DESCRIPTION
10.03.08 SCHEMATIC DESIGN ISSUE05.22.09 30% DESIGN DEVELOPMENT ISSUE
06.07.10 SCHEMATIC DESIGN ISSUE06.04.09 BID ISSUE PROGRESS
01.19.11 PERMIT / BID ISSUE
CONCOURSE BUILDING
08.12.10 DESIGN DEVELOPMENT ISSUE12.01.10 75% CONSTRUCTION DOCUMENTS
OWNER'S REP.
WARNING: This document is property of The AerospaceCorporation. Unauthorized use, dissemination, distribution,or reproduction is prohibited without prior approval of an
authorized Aerospace Corporation official.
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WESTFIELDS PARCEL 35, CHANTILLY, VIRGINIA
07063.00
JANUARY 19, 2011
LOWER LEVEL RCP
A1241
THE AEROSPACE CORPORATIONCHANTILLY CAMPUS
PERMIT / BID ISSUE
SCALE: 1/16" = 1'-0"A1241
1 REFLECTED CEILING PLAN
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RM1
RM1 RM1
SHAFTH155
SERVERYU0016
KITCHENU0014
DINING AREAU0015B
SHAFTH154
DOCK OFFICEU0041A
RECEIVING / STORAGEU0040
ELEC. CLOSETU0042
STAIR LU0007
EGRESSU0043
FUTURE RESTROOMSU0044
ELEVATOR LOBBYU0030
CORRIDORU0038
CORRIDORU0034
CENTRAL PLANTMEZZANINE
U0039
ELEC. CLOSETU0033
COMM. RM. - SPL4U0032
CLEANERSU0031
DOCK OFFICEU0037C
SHIPPING / RECEIVING/ STORAGE / BOND
ROOMU0035
MAIL ROOMU0035A
DATA STORAGE - SPL4U0035B
REST ROOMU0037B
DATA STORAGEU0037A
DOCUMENTDESTRUCTION - SPL4
U0036
VEST.U0036A
STAIR AU0005
STAIR EU0004
STAIR CU0006
FUTURE AUDITORIUM -SPL4L0076
FUTURE CLASSIFIEDCONFERENCE CENTER
U0025
VENDINGU0022A
CAFE - KITCHENU0022B
CAFEU0022C
CORRIDORU0023
ELEC. CLOSETU0012
STAIR CU0002
ELEC. CLOSETU0008
COMM. ROOM - SPL 4U0009
STAIR DU0001
WOMENSU0011
MENSU0010
VESTIBULEU0010A
VESTIBULEU0011A
SECURITY STATIONU0017B ATM
U0017A
CORRIDORT0001D
CORRIDORU0017
JAN.U0010B
ELEVATOR LOBBYU0013
STAIR EU0003
BREAKOUTU0022
LOBBYU0019
CL.U0019B
ENTRY LOBBYU0019A
MANTRAPU0018A
CORRIDORU0020
1B LOADING /STAGINGU0041
1A LOADING /STAGINGU0037
BREAKOUTU0027
PUMP ROOML0028
TELE. ROOML0027
DATA CENTER ELEC. -SPL4L0026
CENTRAL PLANTU0064
LIBRARYU0065
FUTURE AUDITORUM -SPL3U0066
CORRIDORU0023A
OFFICEU0035C
8' - 2"
DEVELOPEROWNERCONSULTANT SEAL & SIGNATURE REVISIONS ISSUE KEY PLAN SCALE
PROJECT NUMBER
DRAWING TITLE
DRAWING NUMBER
AEROSPACE PROJECT ID: FWO 84051
© 1995-2011 KISHIMOTO.GORDON.DALAYA PC expressly reserves its common law copyright and other property rights within these plans. These plans arenot be reproduced, changed, or copied in whole or in part, in any form or manner whatsoever. Nor are they to be assigned to any third party, without firstobtaining the express written permission and consent of KISHIMITO.GORDON.DALAYA PC.
1300 Wilson Boulevard, Suite 250, Rossyln, Virginia 22209202.338.3800 | www.kgdarchitecture.com
DATE DESCRIPTION
10.03.08 SCHEMATIC DESIGN ISSUE05.22.09 30% DESIGN DEVELOPMENT ISSUE
06.07.10 SCHEMATIC DESIGN ISSUE06.04.09 BID ISSUE PROGRESS
01.19.11 PERMIT / BID ISSUE
CONCOURSE BUILDING
08.12.10 DESIGN DEVELOPMENT ISSUE12.01.10 75% CONSTRUCTION DOCUMENTS
OWNER'S REP.
WARNING: This document is property of The AerospaceCorporation. Unauthorized use, dissemination, distribution,or reproduction is prohibited without prior approval of an
authorized Aerospace Corporation official.
1/16" = 1'-0"
12/3
0/20
109:
25:0
3A
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C:\
Revi
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ng\ A
ERO
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WESTFIELDS PARCEL 35, CHANTILLY, VIRGINIA
07063.00
JANUARY 19, 2011
UPPER LEVEL RCP
A1242
THE AEROSPACE CORPORATIONCHANTILLY CAMPUS
PERMIT / BID ISSUE
SCALE: 1/16" = 1'-0"A1242
1 REFLECTED CEILING PLAN
NO. DATE DESCRIPTION
24
ARTUR JASIŃSKI I WSPÓLNICY BIURO ARCHITEKTONICZNE Location > Krakow, PolandTerm > Summer 2010
25
During a brief internship with AJ Biuro I worked mostly on the apartment on Krowoderska St. Modelling the design that can be seen in the renderings on this spread. I also did several neighborhood density analyses for the area in order to justify the density of the proposed apartment building as can be seen on the previous page.
26
INSTITUTE FOR DIGITAL FABRICATION Location > Muncie, INTerm > Summer 2009, Academic Year 2009-2010
27
In the summer of 2009 I was a design intern for IDF and during that time I worked on numerous projects in varying phases. The project on which I spent the most time was a project called Smart Scrap with our industry partner ILF (Indiana Limestone Fabricators) cataloging a portion of their limestone scraps three dimensionally. Once catalogued, the scraps were organized and digitally modelled as a facade made entirely of limestone scraps with the character of custom design and fabrication. I also spent time working with Projectione through IDF assisting them with their reBarn project and helping them prepare for their installations at the Spot On Schools Exhibition in Florence, Italy. All of these experiences in the summer supported my interest in digital design and fabrication leading me to courses and personal projects using what I learned at IDF. I also continued to work for the institute during the academic year as the fabrication lab attendant, maintaining laser cutters and their 3D printer. As a result I have substantial knowledge with regards to troubleshooting these machines and using them efficiently.
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CONTACT
Benjamin Maru Greenberg
www.benjaminmaru.com
571.331.0011
1808 North Rosewood Ave.Muncie, IN 47304
Online Portfolio:www.benjaminmaru.com
On Twitter:bmgreenberg88
On Linkedin:Ben Greenberg
On Vimeo:Ben Greenberg
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