POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style...

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POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craf which has a strong aesthetic language that i typical of Pokhran pottery. -To enhance the products made by the potters with contemporary applications of their craf terms of design & function. -To conduct the design interaction with the potters such that they would be able to con with the development of further variations product types. -To work with the varied skill sets of differe potters in order to have a widespread intera with the many groups and create a variety of product ranges.

Transcript of POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style...

Page 1: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

POKHRAN POTTERY

A Design intervention workshop The objectives :-To maintain the traditional style of the craft, which has a strong aesthetic language that is typical of Pokhran pottery.-To enhance the products made by the potters with contemporary applications of their craft in terms of design & function. -To conduct the design interaction with the potters such that they would be able to continue with the development of further variations of the product types.-To work with the varied skill sets of different potters in order to have a widespread interaction with the many groups and create a variety of product ranges.

Page 2: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Pokhran Pottery techniques

Page 3: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

The main techniques focused on for product development were :

- Throwing- Pinching- Slabbing- Cutwork- Embossing- Scraffito- Appliqué

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Terracotta tables for outdoor furniture

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Bird bath on stand with applied decoration

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Modhas – Outdoor stools

The unusual strength of Pokhran clay makesit an ideal material for durable outdoor/ garden/ terrace furniture which also uses the traditional embossed & scraffito decoration that is a signature of the ‘Pokhran’ style.

Page 7: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Decorated pots cum Modhas

Page 8: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Modhas – Outdoor stools

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Flowerpots & Planters

One of the most commonly made products in Terracotta is the Flowerpot. Here, we developed a range of flowerpots with large rims for stability, ease of handling and as an eye catching decorative border whichkeeps them within an affordable price range.

Page 10: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.
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Bird bath

Page 12: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Planters and flowerpots with decorative edges

Page 13: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Wall hung Planters

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Wall mounted Planters

Wall mounted & hanging planters made using a combination of throwing, slabbing & varied decorative techniques.

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Hanging planters in varied shapes

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Cutwork fruitbowls

Fruit bowls using the cutwork technique which, in this product, serves the function of ventilation,thereby keeping fruits fresh for a longer period of time, as the gases emitted by them during ripening are dissipated through the vents.

Page 17: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Fruit bowls

Page 18: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Fruit bowls

Closed shapes that are cut into halves after the throwing process to get two bowls from one shape. Different surfaces and shapes may be employed to generate a variety of design.

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Cutwork terracotta Lamps combining bases & lampshades

Complete lamps combining the lamp base and shade in one material, thereby facilitating an ease of in house manufacture for the potters. The use of the cutwork method makes terracotta a viable material for the purpose of light dispersion.

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Cutwork terracotta lamp with detachable shade

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Cutwork Garuda Table lamp

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Designed for holding a standard 40 – 60 watt bulb

The ‘Garuda’ is usually made by the Pokhran potters as a decorative figurine or lidded jar. This design retains the form of the Garuda but uses it in an entirely different product application.

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Lampshades designed for holding a standard 40 – 60 watt bulb

Simple hanging lampshades for household bulbs.

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The birds of Pokhran

There is a tremendous variety of bird figurines crafted in Pokhran. So far, they have mainly been made as toys, bels or small hanging planters, which are quite labor intensive to make. The exercise here was to raise the perceived value of these Pokhran clay birds by designing products that make them more unusual as functional objects.

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Wall hung Oil lamp

Page 26: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Oil lamp & Incense stick stand

Page 27: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Oil lamps

Page 28: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Bird votive

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Bird Planters on stands

Page 30: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Bird Planters

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Incense stands etc.

Many of the younger potters make varieties of toy animal figures, oil lamps and other such smaller products.Working with their level of skill, the objective was to come up with a range of small gift items & household objects such as, incense stands, oil lamps, soap dishes, textured body scrubbers and small bowls.

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Soap dishes

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Soap dishes

Page 34: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Diyas & Oil lamps

Page 35: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Wall hung oil lamp tiles

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Decoratively textured body scrubbers

Page 37: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language.

Decoratively textured body scrubbers

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Varied shapes & sizes of pots

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Water pitcher

Creation of alternative forms for the traditional matka , for use in urban homes, while using the same principle of the cooling effect of a terracotta vessel.

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Water bottles

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Large decorative bottles

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Vases

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The Pokhran story continues…