Platinum Unison Packs - ww1.prweb.com€¦ · Platinum Unison Packs PlayTheGroove’s “Platinum...

Platinum Unison Packs

PlayTheGroove’s “Platinum Unison Pack” offers a new series of charts and teaching methods for any instrumentation from 3 to 15 or more players (rhythm-section based music).

These packs are perfect for those who want to offer their students a unified learning experience based on relevant and accessible music. They’re a great choice for situations from focused rhythm section sessions, to mastering the song’s style, or as motivation to help your group play better together.

You can use these packs for:

• Daily Rehearsals and Warm-ups

• School Events

• Concerts/Shows/Jam Sessions

• Music Competitions & Festivals

• Private Lessons

• Play-along Home Practice

• Home Schooling

• Auditions

The benefits of Platinum Unison Packs include:

• Flexible & Malleable

• Customizable for 3 to 15+ players

• Stronger Emphasis on Rhythm Section

• Creative Arrangement Options

• Varied Part Difficulty for mixed skill levels

• Educational Strategies to increase musician capability

• Original CD MP3 with count-off

• Melody Line for all instruments w/ chords above all measures

• Parts crafted to emphasize Melody, Harmony and Rhythm

• 3-tier ‘1-5 Degree of Challenge’ in regards to Melody, Harmony and Rhythm

• Closely follow the CD tracks with definitive starts and endings.

Platinum Unison Chart Packs include:

Teacher Reference Elements & Guidelines:

• Abridged C-Score, formatted to 8 ½ X 11 landscape

• Full-Score with all parts including transposed unison line

• Suggested Variations to performing tune

• Methods of Introducing Songs to Class

• Site License for One School - (posting encouraged, but not school-sharing of files)

• Original CD-MP3 with count off

Musical Parts:

Horns/Woodwinds/Strings (Melody & Chords):

• C Treble Clef

• C Bass Clef

• Bb Instruments

• Eb Instruments

• F Instruments

Piano/Keyboards (all w/ Chords):

• Master Rhythm Part – Melody, Bass (Utilitarian C part, alt teacher score)

• Piano 1 - Emphasis on Melody

• Piano 2 - Emphasis on Chordal/Comping

• Keys - Auxiliary Parts for Strings, Organ or efx (not on all scores)

Vibes (all w/ Chords):

• Vibes 1 - Emphasis on Melody

• Vibes 2 - Emphasis on Chordal/Comping

Guitar (all w/ Chords and TAB):

• Guitar 1 - Emphasis on Melody

• Guitar 2 - Emphasis on Chordal/Comping

• Guitar 3 - Emphasis on Rhythmic Comping

Bass (all w/ Chords):

• Bass Clef Full Part

• Bass Clef Partial/Sketch (more challenging)

Drums/Percussion:

• Full Drum Part

• A Three-Part Percussion Part for all songs

We are in beta mode!

We welcome your comments and suggestions at: [email protected].

Questions:Richard Frank, [email protected]

mailto:[email protected]




Platinum Unison Pack

FULL SCORE

C ........................................

B♭ .....................................

E♭ .......................................

F .........................................

𝄢 .......................................

Master Rhythm .........

Piano v1 ........................

Piano v2 ........................

Keys .................................Guitar v1 .......................

Guitar v2 .......................

Guitar v3 .......................

Vibes v1 ........................

Vibes v2 ........................

Bass v1 .........................

Bass v2 ..........................

Drums ............................

Perc 1 ..........................

Perc 2 .........................

Perc 3 ...........................

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C Part

Bb part

Eb part

F part

C Bs Clef Part

Keys (Strings)

Gtr. • V1

Gtr. • V2

Gtr. • V3

Vib. • V1

Vib. • V2

Bass V1

Bass • V2

D. S.

Trgl.

Shaker

C. Dr.

M/R

Pno. • V2

Pno. • V1

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Cmi7

Gmi7

Fmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

Bbmi7

A

cue

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

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6

1 1 œ> 1 1 1 œ> œ> 1 1 œ> 1 1 1 œ> œ>

Ema7/F#

F#ma7/G#

C#ma7/D#

Bma7/C#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

Ema7/F#

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≈ .Jœ Œ ‰ Jœ Œ

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«2

7

«2

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C#mi7/B

G#mi7/F#

F#mi7/E

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

Bmi7/A

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8

C#mi7/B

D#mi7/C#

A#mi7/G#

G#mi7/F#

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

Playing The Groove • "Escaping Gravity"• Master Score • pg. 2 of 12

PlayTheGroove puts a tremendous

amount of detail to each and every

part. While provided as a pdf, the full

11 X 17 master score is best viewed on

screen, not printed.

The Abridged Unison Score (next page)

is what you print for rehearsing a

group. It’s 8 measures wide, 8.5 x 11,

landscape, represents the full master

score, and is fewer pages.

This is a score example for Escaping

Gravity, by Rodney Lee, and represents

all of our scores and part breakout.

Song-specific teacher guidelines and

“teach to” tips are included with a full

download of the Platinum Unison Pack.

Questions:Richard Frank, 818.514.4784

[email protected]



Escaping Gravity composed by: Rodney LeeAbridged C Score

2/7

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C Part

Keys (Strings)

Gtr. • V2

Gtr. • V3

Vib. • V2

Bass V1

D. S.

C. Dr.

M/R

Pno. • V2




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Bbmi7

Bbmi7

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Bbmi7

Bbmi7

Bbmi7

A

cue

F

F

F

F

F

F

F

F

F



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12

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

C#mi7/B

to Coda

Playing The Groove • "Escaping Gravity"• Master Score • pg. 2 of 7

C Melody

Master Rhythm

Piano v2

Keys(strings)

Guitar v2

Guitar v3

Vibes V2

Bass v1

Drums

Conga

Abridged C-ScoreEmphasizing Key, Melody, Harmony & Rhythm

The printable abridged score portrays the big picture.

Note: Piano, Guitar & Vibes 1 emphasize melody

and are represented by the Master Rhythm part.

C transposed parts in Bb, Eb, F, & 𝄢

Master Rhythm Utilitarian Reference,

Alt Leader Score, reps Piano /Guitar/Vibes v1

Piano v2 Chordal Comping

Keys Ancillary Keyboard parts

Guitar v2 Chordal Comping

Guitar v3 Rhythmic Comping

Vibes v2 Chordal Comping

Bass v1 the whole bass line, Bass v2 is sketch and chords (more challenging)

Drums full drum part

Conga 1 of 3 percussion parts

Clear page numbers

Unison Horns - Any InstrumentC, Bb, Eb, F, 𝄢 - Lead Charts

C Flute, Oboe, Violin, Piano, Guitar ...................

B♭ Trumpet, Clarinet, Tenor & Soprano ........

E♭ Alto & Bari Sax, Eb Horn .....................................

F Horn ........................................................................................

𝄢 Trombone, Cello, Bass, Tuba ................

All parts have chord symbols

(BIG Letters and Signs)

some tunes have chordal parts

Master Rhythm, Piano 1, 2 & Keys

Master C Rhythm - Utilitarian:

Teacher Reference - Master Lead Chart

Piano 1 - Emphasizes Melody, rhythm,

chords (and sometimes) bass (most challenging)

Piano 2 - Emphasizes Comping with

sample voicings (less challenging)

Keys - Ancillary Effects (on some charts)

Balance YOUR Sound - add or

subtract 1, 2, & 3 part options

as needed.

Guitar, Vibes & Bass

Guitar 1 - Melody w/ chords

Guitar 2 - Chordal Accompaniment

Guitar 3 - Rhythmic Accompaniment

Vibes 1 - Melody w/ chords

Vibes 2 - Chordal Accompaniment

Bass 1 - Full Bass Line

Bass 2 - Sketch and Chords

PS: Yes, we know vibes belongs in the percussion family - just better here with harmony and melody options.

Drums & Percussion

fresh music / innovative solutions / teacher-musician friendly

Drums - Full Groove

Perc 1 - Varies

Perc 2 - Varies

Perc 3 - Varies

All percussion on one part - one

player can alternate between parts

Big Measure Numbers!

fresh music / innovative solutions / teacher-musician friendlyfresh music / innovative solutions / teacher-musician friendly

written by: Rodney LeeUNISON LEAD CHART

1/2

Jazz Electronica

♩ = 120

escaping gravityC instruments

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1

% w4x's • twice on D.S.

F 2

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tacet 1st x

3

’ ’ ’ ’4

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Bbmi7A

F 6

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7

’ ’ ’ ’Bmi7/A

8

’ ’ ’ ’C#mi7/B

& bbbbb9


Bbmi7

10


11

’ ’ ’ ’Bmi7/A

12

ı’ ’ ’ œ œ œ.C#mi7/B

to Coda

& bbbbb13

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14

Œ ‰ œ- œ. ‰ jœ. ŒEma7/F#

15

’ ’ ’ ’Bmi7/A

16

Ó Œ œ œ œ.C#mi7/B

& bbbbb ..17

.œ- œ ≈ œ. œ. ÓBbmi7

18

Œ ‰ œ- œ. ‰ jœ. ŒEma7/F#cue

19

1st ending

’ ’ ’ ’Bmi7/A

20

’ ’ ’ ’C#mi7/B

& bbbbb nnnnn#21

2nd ending

’ ’ ’ ’Bmi7/A

22

’ ’ ’ ’C#mi7/B

& #23

’ ’ ’ ’Emi11C

24

’ ’ ’ ’25

’ ’ ’ ’Emi11

26

’ ’ ’ ’

& #27

’ ’ ’ ’Emi11

28

’ ’ ’ ’29

’ ’ ’ ’Emi11

30

’ ’ ’ ’fresh music / innovative solutions / teacher-musician friendly


UNISON LEAD CHART1/2

Jazz Electronica

♩ = 120

escaping gravityB♭ instruments written by: Rodney Lee

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1


F 2

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3

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Bbmi7

A

F 6


7

’ ’ ’ ’Bmi7/A

8

’ ’ ’ ’C#mi7/B

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10


11

’ ’ ’ ’Bmi7/A

12

ı’ ’ ’ œ œ œ.C#mi7/B to Coda

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B

14

Œ ‰ œ- œ. ‰ Jœ. Œ

Ema7/F#cue

15

’ ’ ’ ’Bmi7/A

16


? bbbbb ..17


18

Œ ‰ œ- œ. ‰ Jœ. Œ

Ema7/F#cue

19

1st ending

’ ’ ’ ’Bmi7/A

20

’ ’ ’ ’C#mi7/B

? bbbbb nnnnn#(21-22)

2nd ending

ô2

? #(23-30)

ô8C

Sample 1st pages of charts included

in the Platinum Unison Pack

C Instruments B♭ Instruments



Jazz Electronica

♩ = 120

escaping gravityE♭ instruments written by: Rodney Lee

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1


F 2

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3

’ ’ ’ ’4

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& bb ..5

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F 6

œœœ œœœ### œœœ#‹# ...˙̇̇###C#ma7/D#

7

’ ’ ’ ’G#mi7/F#

8

’ ’ ’ ’A#mi7/G#

& bb9

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10

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11

’ ’ ’ ’G#mi7/F#

12

ı

’ ’ ’ œ œ œ.A#mi7/G#

to Coda

& bb13

.œ- œ ≈ œ. œ. ÓGmi7B

14

Œ ‰ œ- œ.‰ jœ.Œ

C#ma7/D#cue

15

’ ’ ’ ’G#mi7/F#

16

Ó Œ œ œ œ.A#mi7/G#

& bb ..17

.œ- œ ≈ œ. œ. ÓGmi7

18


C#ma7/D#cue

19

1st ending

’ ’ ’ ’G#mi7/F#

20

’ ’ ’ ’A#mi7/G#

& bb nn####(21-22)

2nd ending

ô2

& ####(23-30)

ô8C



1/2

Jazz Electronica

♩ = 120

escaping gravityF instruments

& bbbb 44 .. ..Ó .

1


F 2


tacet 1st x

3

’ ’ ’ ’4

Ó ˙ ì

& bbbb ..5

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F 6

œœœ œœœ##n œœœ### ...˙̇̇n##Bma7/C#

7

’ ’ ’ ’F#mi7/E

8

’ ’ ’ ’G#mi7/F#

& bbbb9

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10

œœœ œœœ##n œœœ### ...˙̇̇n##Bma7/C#

11

’ ’ ’ ’F#mi7/E

12

ı’ ’ ’ œ œ œ.G#mi7/F# to Coda

& bbbb13

.œ- œ ≈ œ. œ. ÓFmi7B

14


Bma7/C#cue

15

’ ’ ’ ’F#mi7/E

16

Ó Œ œ œ œ.G#mi7/F#

& bbbb ..17

.œ- œ ≈ œ. œ. ÓFmi7

18


Bma7/C#cue

19

1st ending

’ ’ ’ ’F#mi7/E

20

’ ’ ’ ’G#mi7/F#

& bbbb nnnn##(21-22)

2nd ending

ô2

& ##(23-30)

ô8C

E♭ Instruments F Instruments



1/2

Jazz Electronica

♩ = 120

escaping gravityC bass clef instruments

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1


F 2


tacet 1st x

3

’ ’ ’ ’4

Ó ˙ì

? bbbbb ..5

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A

F 6


7

’ ’ ’ ’Bmi7/A

8

’ ’ ’ ’C#mi7/B

? bbbbb9

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10


11

’ ’ ’ ’Bmi7/A

12

ı’ ’ ’ œ œ œ.C#mi7/B to Coda

? bbbbb13


B

14

Œ ‰ œ- œ. ‰ Jœ. Œ

Ema7/F#cue

15

’ ’ ’ ’Bmi7/A

16


? bbbbb ..17


18

Œ ‰ œ- œ. ‰ Jœ. Œ

Ema7/F#cue

19

1st ending

’ ’ ’ ’Bmi7/A

20

’ ’ ’ ’C#mi7/B

? bbbbb nnnnn#(21-22)

2nd ending

ô2

? #(23-30)

ô8C


written by: Rodney Leearr: Raymond Brown


Jazz Electronica

♩ = 120

escaping gravity

&?

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44

44

..

..

..

..

jœ ‰œ œ œ œ œ œ œ

Ó .

Drm p/up %w

1

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4x's • twice on D.S.

tacet 1st & 2nd x's

fŒ ‰ œ- œ

. ‰ jœ. Œw

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tacet 1st x

∑

3

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Ó ˙ ì

4

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&?

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bbbbb

..

..

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5


A

Fœœœ œœœ#nn œœœ### ...˙̇̇n##

6œ# .œ# œ# .œ œœEma7/F#


7

≈ .jœn .œn œn .œ œ .œ œBmi7/AP

.œ Jœ# ˙

8


&?

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bbbbb

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9



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11


Pı.œ Jœ# œ œ œ œ.

12


to Coda

Master Rhythm

C Bass Clef Instruments Master Rhythm



Jazz Electronica

♩ = 120

escaping gravityPiano v1 written by: Rodney Lee

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&

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44

44

..

..

..

..

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%w

1

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fŒ ‰œ- œ. ‰ jœ. Œw

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tacet 1st x

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3

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4

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7

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12

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to Coda fresh music / innovative solutions / teacher-musician friendly


Jazz Electronica

♩ = 120

escaping gravityPiano v2 written by: Rodney Lee

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wwBbmi7


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5

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to Coda



1/2

Jazz Electronica

♩ = 120

escaping gravityKeys

& bbbbb 44 .. ..Ó .

(1-4)

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& bbbbb ..5

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6

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& bbbbb(9-10)

ô2

wwww#nnBmi7/A ı

wwww#nnC#mi7/B

to Coda

& bbbbb13

wwwwBbmi7B

14

wwww###nEma7/F#

15

wwww#nnBmi7/A

16wwww#nnC#mi7/B

& bbbbb ..17wwwwBbmi7

18wwww###nEma7/F#

19

1st ending

wwww#nnBmi7/A

20

wwww#nn#C#mi7/B

& bbbbb nnnnn#21

2nd ending

wwww#nnBmi7/A

22

wwww#nn#C#mi7/B

& #23

wwww#nnEmi11

PC

24

wwww (25-26)

ô2

& #27

wwwwEmi11

28

wwww(29-30)

ô2

Piano v1

Piano v2

Piano v3



Jazz Electronica

♩ = 120

escaping gravityGuitar v1 written by: Rodney Lee

&TAB

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% ∑w

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f


2

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4

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H P P 8VA |

5


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9 119.

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7


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9


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11


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to Coda



Jazz Electronica

♩ = 120


&TAB

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8 ¿ 10 ¿ 8 ¿ 10 Ó

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11¿ 13 ¿ 11¿ 13 Ó

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3


7 ¿ 9 ¿ 7 ¿ 9 Ó

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4

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9 ¿ 11 ¿ 9 ¿ 11 Ó

C#mi7/B

& bbbbb ....5

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F 6

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Ema7/F#

7


7 ¿ 9 ¿ 7 ¿ 9Ó

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8

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9 ¿ 11 ¿ 9 ¿ 11 Ó

C#mi7/B

& bbbbb9

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10

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11


7 ¿ 9 ¿ 7 ¿ 9Ó

Bmi7/A

12

ıœn ¿ œ# ¿ œ ¿ œ Ó

9 ¿ 11 ¿ 9 ¿ 11 Ó

C#mi7/B to Coda



Jazz Electronica

♩ = 120


&TAB

bbbbb 44 ..

..

..

..

Ó .1

% www666

Bbmi7

f


2

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989

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3

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4

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F 6

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121311

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7

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101112

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8

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121314

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10

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989

Ema7/F#

11

www#nn

777

Bmi7/A

12

ıwww#nn

999

C#mi7/B to Coda

Guitar v1

Guitar v2

Guitar v3




Jazz Electronica

♩ = 120

escaping gravityVibes 1 & 2 written by: Rodney Lee

&

&

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44

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1

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2

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3

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5

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7

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10

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11

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12

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to Coda

Vibes 1 & 2



1/2

Jazz Electronica

♩ = 120

escaping gravityBass v1

? bbbbb 44 .. ..Ó .

1

%œ .œ œ .œ œ .œ œBbmi7

4x's • twice on D.S. tacet 1st & 2nd x's

f 2œ# .œ# œ# .œ œ œEma7/F#

3


4


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7


8


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11


12

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? bbbbb13

œ .œ œ .œ œ .œ œBbmi7B


15


16


? bbbbb ..17



19

1st ending


20


? bbbbb nnnnn#21

2nd ending


22

˙n ˙#

? #23wEmi7

P"light fills & harmonics"C

24w

25

≈ .Jœ- .˙

26

˙ œ> .œ œ> .œ

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28w

29

≈ .Jœ- .˙

30

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1/2

Jazz Electronica

♩ = 120

escaping gravityBass v2

? bbbbb 44 .. ..Ó .

1

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4x's • twice on D.S. tacet 1st & 2nd x's

f 2œ# .œ# œ# .œ œ œEma7/F#

3


4


? bbbbb ..5

œ .œ œ .œ œ .œ œBbmi7A

F 6œ# .œ# œ# .œ œ œEma7/F#

7


8


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’ ’ ’ ’Bbmi7

simile..... 10

’ ’ ’ ’Ema7/F#

11

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12

ı’ ’ ’ ’C#mi7/B to Coda

? bbbbb13

œ .œ œ .œ œ .œ œBbmi7B


15


16


? bbbbb ..17

’ ’ ’ ’Bbmi7

simile..... 18

’ ’ ’ ’Ema7/F#

19

1st ending

’ ’ ’≈ .jœnBmi7/A

20

’ ’ ’ ’C#mi7/B

? bbbbb nnnnn#21

2nd ending

≈ .jœn .˙Bmi7/A

22

| |

? #23wEmi7

PC

24w

25

≈ .Jœ- .˙

26

˙ œ> .œ œ> .œ

? #27wEmi7

28w

29

≈ .Jœ- .˙

30

.˙ Œ

Bass v1 Bass v2



1/2

Jazz Electronica

♩ = 120

escaping gravityDrums

ã 44 .. ..jœ ‰œ œ œ œ œ œ œ

fDrm p/up

1

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2

x x xœx x x x x x

œx

œ ‰ . Rœ ‰ Jœ ‰ . Rœ 3

x x xœ

xx x xx xœ

x

≈ .Jœ Œ ‰ Jœ Œ 4

x x xœ

x x x x x xœ

xœ ‰ . Rœ‰ Jœ Œ

ã ..5

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ Œ

A

F 6

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ ‰ . Rœ 7

x x xœ

x x x x x xœ

x

≈ .Jœ Œ ‰ Jœ Œ 8

x x xœ

x x x x x xœ


ã9

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ Œ 10

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ ‰ . Rœ11

x x xœ

x x x x x xœ

x

≈ .Jœ Œ ‰ Jœ Œ 12

ıx x x

œx x x x x x

œx

œ ‰ . Rœ ‰ Jœ Œ

to Coda

ã13

x x xœ

x x x x x xœ


B

14

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ ‰ . Rœ15

x x xœ

x x x x x xœ

x

≈ .Jœ Œ ‰ Jœ Œ 16

x x xœ

x x x x x xœ


ã ..17

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ Œ 18

x x xœ

x x x x x xœ

xœ ‰ . Rœ ‰ Jœ ‰ . Rœ19

1st ending

x x xœ

x x x x x xœ

x

≈ .Jœ Œ ‰ Jœ Œ 20

x x xœ

x x x x x xœ


ã21

2nd ending

x x xœ

x x x x x xœ

x

≈ .Jœ Œ ‰ Jœ Œ 22

Ó Œ xæœ Œ Ó

ã23

x x x x xfx x x

fx x

fx xfx x

∑PC

24

x x x x xfx x x

fx x

fx xfx x

œ Œ Œ ‰ Jœ 25

x x x x xfx x x

fx x

fx xfx x

≈ .Jœ Œ Ó26

x x x x xfx x x

fx x

fx xfx x

œ Œ Œ ‰ Jœ

ã27

x x x x xfx x x

fx x

fx xfx x

œ Œ Ó28

x x x x xfx x x

fx x

fx xfx x

œ Œ Œ ‰ Jœ 29

x x x x xfx x x

fx x

fx xfx x

≈ .Jœ Œ Ó30

’ ’x x x x xfx x x

fœ Œ

fill



Jazz Electronica

♩ = 120

escaping gravityPercussion All written by: Rodney Lee

ãã

ã

44

44

44

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2

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3

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4

’ ’11œ>111œ>œ>

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5

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A

F

F

F


6

1 1 œ> 1 1 1 œ> œ> 1 1 œ> 1 1 1 œ> œ>

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7

«2

8

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9

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10

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«2


11

«2

ı

’ ’œ> œ œ œ œ> œ œ œ

12

to Coda

Triangle

Shaker

Conga

Drums Percussion

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