Picture Chord Encyclopedia

INTRODUCTIONThe Picture Chord Encyclopedia is designed to serve two purposes: first, it's a reference guide to chords; second, it's a coliectioii of

popular guitar sounds.

Use it when you're learning a new song and you come across a chord that's unfamiliar to you. Use it when you're composing your own

tQUslc and looking for "just the right chord." Use it to explore the guitar fretboard, to improve your chord playing, to increase your under-

standing of chord theory, or jus! to discover new and unusual sounds. The applications are almost limitless.

The Picture Chord Encyclopedia is a comprehensive source for chords, for all playing styles and levels. One word of warning, though; it

does noi contain every guitar chord in existence; no book could. It does contain five easy-to-play voicings of 44 chord quahties for each of

the twelve musical keys. All totaled, (hat's 2,640 chords at your fingertips! These chords and their fingerings have been chosen for their

playabiUty and their praclicahty, ensuring a wealth of usable fingerings for any musical situation. So, whether you're a beginner looking for

your first C major chord, or a budding jazz guitarist searching for a new voicing for C7t5(|9)i you'll find what you're looking for here.

Enjoy!

CONTENTS

How to Use This Book ii The Chords

C 1

Choosing the Best Voicing .

.

' iii

Chord Construction iv

What's a Chord? iv

How Does a Chord Get Its Name? iv

How Do 1 Build a Chord? v

- What About Other Keys? v

D!. 23

D 45

Et 67

E 89

F Ill

Ft 133

G -....ISS

Triads vii ^t ".''All

Sevenths vii a 199

Extended Chords vii Bt 221

Inversions & Voicings viii B 243

ISBN [l-TiaS-flHTl-H

Hal-Leonard®CORRORATION7777 W. SLUEMDUND RD. P.O.BOX l^srs MILWAUKEE, Wl 53213

Copyright © 2000 by HAL LEONARD CORPORATIONInternational Copyright Secured All Rights Reserved

For all wort<B contained herein:

Unauthorized copying, anwiging, adapting, recording or public performance is an intrlngBmenl ol copyright.

Infringers are liable under the laiv.

Visit Hal Leonard Online at

www.halleonant.com

I• -.'(

HOW TO USE THIS BOOKThe Picture Chord Encyclopedia contains 2640 chord vokings and over 500 unique chord types. To help you find your way to the

chord you need, all the chords are organized first by root (C, Cj, D, Et, E, etc.) and then by quality or type (major, minor, sevendi, etc.)

Each chord is identified by its symbol: Csus4

By its full name: C suspendeil iDUrth

And by its spelling: JEC F

root 4tli

-o-

G5th

Then, you are given a choice of five voicings, which are presented in chord frames and photos. In a chord frame, the six vertical lines

represent die six strings, on the ^tar, from low E to hi^ E, moving left to right. The horizontal lines represent the frets;

Ts tell you a string should not be played or should be muted.

O's indicate an open string.

A dark, thick line represents the nut on die guitar.

Black dots indicate the notes to be played, as well

as their location on the fretboard. Numbers tell

you what fingers to use to fret the strings. Think

of your left-hand fingers as being numbered

1 dirough 4:

2nd1st _ 3rd

r\

00

A barre (pronounced like "bar") is shown

when a finger holds down two or more

strings at the same time.

C F G C F

Note names appear below each string

to help you understand the voicing.

u -

•i

Chords above the fifth fret use a fret number (e.g., "5 fr") to the right of the chord frame. This tells you to move

your band up to that fret to position your fingers.

H»

BCHOOSING THE BEST VOICING

Any chord can have a number of different voicings. A voicing refers to how the notes of the chord are arranged—which corresponds to

where the chord is played on die guitar, and how it's fingered. Each chord quality in this book is presented with^t^ different voicings.

Typically, the first chord voicing presented is in the lowest position on the fretboard. The rest of the voicings gradually move up the neck.

Within these sets of voicings, you will encounter open chords, barre chords, broken-set chords, and adjacent-set chords:

' Open Chords

Open chords occur withm the first five frets of the guitar and contain at least one open

string. These chords are often the most appropriate choice for strumming purposes. They're

also typically die easiest voicings to learn when you're a beginner.

Barre Chords

Barre chords can occur anywtiere on the neck and serve as a type of "all-purpose"

chord voicing; that is, they can be strummed, plucked, or played fingerstvle, and can be

used in ahnost any musical setting.

Barre chords require you to lay a finger flat across a fret and press down all the

indicated strings sunultaneously. This can he challenging for a beginning guitarist. If

you find diese chords to be especially difficult at first, don't give up. Just keep practicii^,

and be patient

Broken-Set Chords

Broken-set chords also provide good, multipurpose chord voicings. These chords

contain a bass note on the fifth or sixth string and two or three notes on the hi^er strings,

with at least one interior string muted, or not played, These often work best in a jazz or

blues setting, especially when playing solo.

X

open strings

eCHORD CONSTRUCTION

WHAT'S A CHORD?

In order to effectively choose and utilize the chords in this book, it is important to have a basic understanding of how chords are

constructed. So, what is a chord.' A chord is simply defined as three or more notes played at die same time, l^pically, its fimction is to

provide the harmony that supports the melody of a song.

HOW DOES A CHORD GET ITS NAME?

A chord gets its name from its root note. For example, the root of a G major chord is G. The remaining notes In die chord determine its;

quality, or type. This is indicated by the chord suffix. So, in a Bm7l.5 chord, B i.s the root, and m7t5 Is the sufBx that indicates die quali^ of

the chord.

root

^B(@|)quality or type

This book contains 44 chord types. Here is a summary table to help you keep track of the suffix for each chord type:

siimx

HHOW DO I BUILO A CHORD? ',r *: K-V'! I'llnT- Itllt

All chords are constructed using intervals. An intend is the distance between any two notes. Though there are many types of intervals,

there are only five categories: major, minor, perfect, augmented, and diminished. Interestingly the major scale contains only major and

perfect intervals:

,- 'V

1

Scale degree: 12 3 4 5 6 7

Interval: Rcx>t M2 M3

3z:

P4 P5

3E

M6

-^

M7

^•-t

The major scale also happens to be a great starting point from which to construct

chords. For example, if we start at the root (C) and add the interval of a major third (E)

and aperfect fifth (G), we have constructed a C major chord.

C major

^mP5

In order to conslmct a chord other dian a major chord, at least one of the major

or perfect mtervals needs to be altered. For example, take the C ms^or chord you just

constructed, and lower the third degree (E) one half step. We now have a C muior

chord: C-Et-G. By lowering the major third by one half step, we create a new mierval

caUed a minor third.

We can further alter die chord by flatting the perfect fifth (G) . The chord is now a C°:

C-E|.-G!>. The Gt> represents a (//m/nisAei/ fifth mterval. v <

Tiiis leads us to a basic rule of thumb to help remember uiterval alterations:

C minor^

na3

m3 P5

C diminished

^^*f3fdiinS

A major interval lowered one half step is a minor uiterval. IM3 m3

A perfect interval lowered one half step is a duninished interval

A perfect interval raised one half step is an augmented interval.

I -o--o-

P5

I -»-^E5

«-

dim5

^«-

aug5

Half Steps and whole steps are the building blocks of intervals; they determine an interval's quahty—major, minor, etc. On the

guitar, a halfstep is just the distance from one fret to the next. A whole step is equal to two half steps, or two frets.

WHAT ABOOT OTHER KEYS?

Notice that we assigned a numerical value to each note in the major scale, as well as labeUng the intervals. These numerical values,

termed scale degrees, allow us lo "generically" construct chords, regardless of key. For example, a major chord consists of the root (1),

major third (3), and perfect fifth (5). Substitute any major scale for the Cmi^or scale above, select scale degrees 1, 3, and 5, and you will

have a major chord for die scale you selected.

Scale degree: i

I

D major scale

3 4

D major chord

o—Interval: Rooi

-o- ^ -o- ^r. ^ « m^M2 M3 P4 P5 M6 M7 M3 P5

eThe chart below is a construction summary of the chord types in this book (based on the key of C only) using the scale degree method:

CHORD TYPE

^sm^^twr-'i-^-Mi-^i^ -'

'W

^Q

TRIADS

The mosl basic chords in this book are called triads. A triad is a chord that is made up of only three notes. For example, a simple G

major chord is a triad consisting of the notes G, B, and D. There are several types of triads, including major, minor, diminished, augmented,

and suspended. Ail of these chords are constructed by simply altering the relationships between the root note and the intervals.

G major G minor G diminishedm G augmented

MM3 P5 m3 P5 m3 dim5 M3 augS

SEVBUTHS

To create more interesting harmony, we can take the fomiliar triad and add another mterval: the seventh. Seventh chords are comprised

of four notes: the three notes of the triad plus a ni^or or minor seventh mterval. For example, if we use the G major triad (G-B-D) and add a

major seventh interval (F|),theGmai7 chord is formed. Likewise, if we substitute the minor seventh interval (F) for the F|, we have a new

seventh chord, the G7. This is also known as a dominant seventh chord, popularly used in blues and jazz music. As with the triads, seventh

chords come in many tjpes, including mj^or, minor, diminished, augmented, suspended, and others.

IG major triad Gmaj7 07^ a ^M3 P5 M7 m7

StTBWED CHORDS

Extended chords are those that include notes beyond the seventh scale degree. These chords have a rich, complex harmony that is very

common in jazz music. These include ninths, elevenths, and thirteenth chords. For example, if we lake a Gmaj7 chord and add a major ninth

interval (A), we get a Gmaj9 chord (G-B-D-Fll-A). We can then add an additional interval, a major thirteenth (E), to form a Gmajl.^ chord

(G-B-D-Ftt-A-E). Note that the interval of a major eleventh fc omitted. This is because the major eleventh sooically conflicts with the major

third mterval, creating a dissonance.

Ginaj9 Gmaji3

M9 M13

By the way, you may have noticed that these last two chords, Gia^9 and Gmajl.l, contain five and six notes, respectively; however, we

only have four fingers in the left hand! Since the use of a barre chord or open-string chord is not always possible, we often need to choose

the four notes of the chord that are most important to play. The harmonic theory that underlies these choices is beyond the scope of this

book, but not to worry—it has already been done lor you wiiere necessary. Below are two examples to demonstrate these chord "trimmings."

Gmaj9 Gniaj9 (four notes) Gmajl3 Gmaj 1 3 (four notes)

M t«-

S: ^

Generally speaking, die root, third, and seventh are the most crucial notes to include in an extended chord, along with the uppermost

extensipii (nindi, diirteenth, etc.).

^or^

iniVBISIQNS & VOICiniGS

This brings us to our lasl topic. Though a typical chord might consist of only three or four notes—a C triad, for example, consists of just

a root, third, and fifth; a G7 chord consists of a root, third, fifth, and seventh—these notes do not necessarily have to appear in that same

order, from bottom to top, in the actual chords you play. Inversions are produced when you rearrange the notes of a chord:

mV " '

b (Cmaj)

C major

croot

-&-

E3rd

-O-

G5th

X

1

ICsiis4 (csus)

C suspended lourth

croot

O

F4th

-&-

G5tti

X

eCaddSC added ninth

-^-o-

croot

-O-

E3rd

G5th

D9th

1

IC6/9 (CGaddS)

C sixth, added ninth

-o-

-o- o

croot

-^

E3rd

G5th

A6th

Dgth

V

CmajSC major ninth

(CMS)

-o--o--^

croot

-«-

E3rd

G5th

B7th

D9th

eCmajIS {CM13)

C major itiirteentli

-o-

-&-~&-

-o-

croot

-&-

E3rd

G5th

B7th

D9th

A13th

O

HCm(add9)C minor, added ninth

-o-

»o--^

Cm6C minor sixth

(CminG, C-6)

C El. G Droot l^rd 5Ui 9th

o~ O

C El. G Aroot 'Jrd 5th 6th

X

e

C minor, llat sixth

lO--o- 'O

C El.

root ;>3rd

GSth

Ai.

beth

Cni7 (Cmjn7, C 7)

C minor seventh

>^t--o-

'^^c &

root i3rd

G B,5th 1.7th

DCm(maj7) m^))C minor, major seventh

~&--&-

^&--o-

C El-

root E^rdG5th

B7th

O

DCmSpU (Cm9-5, CmiRai>5)

C minor ninth, flat flttti

-o-<-^

^«-\h&

c B a Btroot B3rd t>5th oTth

O9th

iCinll (C-11,Cmin11)

C minor eleventh

-&-

-+0--o-

-o-^^

c

iC7 {Cdom7)

C dominant seventh

~&-*^

croot

-o~

E3rd

G A5th 1,7th

^

X

BC7p5 (C7-5, Cdom7.5]

C dominant seventh, Hat tflth

croot

-&-

E3rd

'O--»o-

Gl> a.

bSth t7th

Gk E Bt C

: 3C G. Bl. E

Q

IC9SUS4 (cam)

C ninth, suspended loiirtti

'O--o-

o -^

croot

F4th

G Bl5th i.7th gth

i

C7I79 (C7-9, Cdoni7.9)

C dominant seventh, fiat ninth

*^-9^

-^-o-

croot

E3rd

G Bl> 01.

5th b7th l.9tli

0^

c E Bf a.

X X

i

eC7|75(|f9} (C7-5(-i-9), Cdom7^5(if9))

C dominant seventh, fiat fifth, shai*p ninth

I»«-

"^ ^

croot

-O-

E3rd !^5th I.7th Hgth

eC7||11 (C7+ll,Cdoin7i11)

C dominant seventh, sharp Mventh

t&^

*&--»-

croot

-»-

E3rd

G5th

Bi Ftt7Ih filth

6

eC13SUS4 (cissus)

C Oiirteenth, suspended lourtti

^

o -o-*«-

-e-

croot

F4th

GSth

a,i-Tth

D9th

A13th

ElBt F A C

QC+7 (G7lt5)

C dominant seventh, sharp fifth

-t'o-

-o-rti-

croot

E Gt Bt3rd JtSth i.7th

i ^ X X

1oT

C+71>9 (C7+5{.9))

C dominant seventh, sharp h'fth, flat ninth

-©- -i^»«-

*o-

C E G| 81. Dtroot 3rd isth 1.7th 1.9th

c° (C dim)

C diminished

•^•^

c Ei> aroot t3rd IStti

X X

QCjt (Cmaj)

C-stiarp m^or

^ r^t-4^

a Et Giroot 3rd 5th

^nS

X

iC#sus4 (C#sus)

C-sharp suspended fourth

1^a^ -»-

Ctt Fl Gtt

root 4th 5lh

XXX

U

G« C# F|

09

CfadilSC-shapp added ninth

^^

S^^^ ho-

Ct Etroot 3rd

Gt Dt5tti 9th

i

yT

IC|6/9 (C468dd9)

C-stiarp sixth, added ninth

r&-

^- [O^

root

^-

Et3rd

Gt5th

AS6th

W9th

000

iC||niaj9 (c#ivi9)

C-stiarp major ninth

^^+o-

^- 4^ lo-

ot Eiroot 3rd

Gt Bt5th 7th

m9th

tttt

IC||maj13 (ctiMis)

C-sharp major thirteenth

^o^

r&-

^-^-

^-

t&cf

Ctm(add9)C-sharii minor, added ninth

4^

Cfroot

-O-fe-

E G: M!>3rd 5th gth

X X o

QC|fni|76 (Cit-l^B), Ciminpei

C-sharp ntinor, llat sixth

It^-o-

^^ o

C|t E G|t

root I3rd 5thA

l«th

Ct E A Ctt Gf

fW Sfr

A Gtt Ctt E

X X

6 GO"

7fr

C! A E Gt

A

C||ni7 mmmj.zmC-sharp minor seventti

-o-^-

-^

1^

root l^rd 5thB

t7th

Ca E G|! B E

xxj

R

C|ni(iitaj7) (c#m(+7))

C-sltarp minor, m^or seventti

r&--i^

t-e^

-o-

CS Eroot 10rd Sth 7th

^^ X

M

CjfmSI'S (Ctma-g, ClminS^S)

C-8harp minor ninth, tiat fiftli

-o--o-

-^ -i^

CI Eroot l>3rd

G16th

B Dtl

1.7th 9th

XXs

Dj G B E

T

iC|ni11 (CH1,C#min11)

C-sbarp minor eleventh

-o--!*>-

-&- -i^^^

dec*root j3rd 5lh

B Dt FtiJttt 9th 11th

Ct E B K FH

C||7 (Csdom?)

C-sharp dominant seventh

^- lo~-^

cit

rootEt3rd

Gt5th

Bi.7th

o

« E» B qt

X X

o_

ft?B B C! Gt

^1^3

M

C||71>5 {C]t7-5, Cl:iloni7^5)

C-sharp dominant seventh, flat tilth

-o-

^- -o-

CS Etroot 3rd

G Bt7th

^ ^

o

C||9sus4 (CtSsus)

C-sharp ninth, suspended lourUi

^-

!o^ i&^-o-

1^CI

rootFt4th

Qt5th

B-.7th gth

X X

T

ICjt7[>9 (C|t7-9, C#dom7.a)

C-sharp dominant seventh, flat nintti

^--»-

-o-

i^)-©-

« Ett

root 3rd 5th

8b7th

D[>gth

5-0mCS E| B D

X X

X

C|71>5(|f9) (c;7-5(+9), mm7\.s{m)C-sbarp dominant seventh, flat firtft, sharp ninth

^o^-^ -o-

-M^

1^C| Eil G B DK

root 3rd ,5tb i.7tti lOfh

iC|7|11 (C|7+ll,CSdDm7#11)

C-sham dominant seventh, sharp eteventh

nO

4^ i^-^

root 3rd 5th 1.7th tiim

o

o

T

C#13sus4 (C:13sus)

C-shapp thipteentli, suspended lourth

^«

t^^-H^-o-

^o-

i^a

BCt+7 (Cft7tt5)

C-sharp dominant seventti, sharp liTth

-o-^Ct Etroot 3rd

-sfO-

tSlh

BtTth

X

1

BCff+7lj9 (Cfl7+5(|.S))

C'Sharp dominant seventh, sharp litth, fist nintti

-o--&-

*^

1^ct

root

r&-

3rd tSth

Bl7th ii9th

ct e B D G::

X X

T

i

C-stiapp diminished

-o--o-

Ct Eroot D3rct

Gp5th

X

Q

T

D (Dmaj)

Dm^or

30o

oD Ftt

root 3rdA5th

X X

iDSIIS4 (Dsus)

D suspended lourUi

oD

root

-O-

G4th

O

A5th

X X O

DDaddSD added ninth

oo

JO

D Ft

root SrdA5th

E9th

X X

o-Is

FS A D E

T

iD6/9 (DGaddS)

D sixth, added ninth

oo -&-

iooD Ft

root 3rdA5th

B6th

E9th

O

D Fit A B E

.^- --^

DmajSD major ninth

(DIVI8)

IQ_

Jo -Si.

oD Fit

root SrdA5th

C!t

7thE9th

X O

5i

A FS A Ctt E

i

T

QDmajIS (DM13)

D m^or Uiirteenth

otn:o

JOoD

Dm(add9)minor, added ninth

o

o ooD F

root (.3rd

A E91h

XX o

IDnipG (D-(^6), Dmtn^B)

D mmop, flat sixth

o *^oo

D Froot l'3rd

A 81.

Sth teth

X X

QDm/ (D-7, Drain?)

D minor seventh

o o o

o

DmybS (D-71.5, Dmin7-5)

D minor seventti, liat mth

F A Croot t3rd 5th 1,7th

X

iDm(inaj7) m*nD minor, major seventh

s«^oooD F A en

root S^rd 5th 7fh

X X

ooT

Din9 (D-S, DmhiS)

D minor ninth

oo

ooD F

root j3rd

A5th

Ci.7th

E9tn

D A C!t F

5fr

D A Ct F A

X X

H 6fr

?A D F Ctt

X X

Din91>5 (Dm9-5, DminSbS)

D minor ninth, flat fifth

o fcoo o

oD F

root l^rtJ

At!.5th

Ct7th

E9th

X O o

f

IDitlll (D-11,Dmln11)

minDP elevenUi

oo"O"

o

D Froot l3rd

A5th

Ct7th

E9th

G11th

X X o o^

D G C F

D7 (Ddom7)

D duninant saventti

o30

ooD F?

root 3rdA

Stti

C!.7th

X X o

©To

D A C Ft

X X

iU7\}U (07-5, Ddom7b5)

D dominant seventh, tint tilth

o>o

[o^oD Fit

root 3rdA!. C

i.7th

X )

D9SUS4 (Dssao)

D ninth, suspended lourtti

o-o- o

oD

rootG4th

A5th

C E9th

X O O

A D G C E

eD7p9 (D7-9, Ddom7^8)

D dominant seventh, Hat mnth

50^oolo^oR

root 3rdA5th

Ct7th

B[gth

o o

D Ri C Et

^

D7pu(ff9) (D7-5(+8), Dltom7[>5(!t9))

D dominant seventh, Hat rittli, sharp ninth

30

Vcrto

oD

rootFt3rd

At

>5th

C1.7th

Elrath

X X

tot

iD7|f11 (D7-i-11,Ddom71i11)

D dominanl seventh, sharp eleventh

80

o30

^y

oD f;

root 3rdA5th

C Gd1.7th tilth

X )

D13SUS4 (D13SUS)

D tlw'teenth, suspended fourth

oo

-&- ooD

iD+7 (D7#5)

D dominant seventh, sharp titth

[o^ISo

D Ftroot 3rd

Ci.7th

X X O—

X

D+7|?9 (D7+5li>9))

D doffllnant seventh, sharp litth, flat ninth

30 I0:o >o_

oD Fi At!

root 3rd iSth

C1.7th t9th

X X /

6

iD° (Di8m)

diminished

o ^4S_

OD F

root l^rd

At

:.5th

X X o

Ep (Etmaj)

E-llat miHop

*^

Ed

root

-^

G3rd

»^

5lh

X X

-y

iEbSllS4 (Bsus)

E-riat suspended fourth

>o Io-t-^

El. At.

root 4thBl.

5th

X

T

E^addSE-ftat added ninth

-o-

»o--&-^

B> Groot 3rc>

Bl-

5th

F9th

S^ ^flj

X X

DEbG/S (EIGaddd)

E-flat sixth, added nintti

-^

-o-»^ T5^

rootG

3rd 5thC6th

F9th

X

El?maj9 (e.m9)

E-tlat major naoii

-o-

5o--o-

-o-t^o

Et Groot 3rd 5th

D7th

F9th

XX

o

S G D F

i

E-tlat major thirteenth

-&--o-

-&-*o-

*^

& Groot 3rd 5th

D7th

F91h

C13th

O X"

E^m(add9)E-flat minor, adiled ninth

-^

»^ \^»o-

Ei> Q> B\.

root ard 5thF

9th

X X

Gl> & E» F

X X

BEpinbG (EI>-([.6), EMnkG)

E-flat minor, flat sixth

->o- 'O

4*0-»o-

Eb a Bi>

root l^rd 5thCtbeth

XX o

9---IQ

& &> C= G>

Ei^m? (B.niin7, E1.-7)

E-flat minor seventh

«- ^o-

^^'^

El> G> Bt O.root k3rd 5th tTth

X X

f~~QOO

B Bb a a

3:IE

© o o

4fr

B & Of & Bt

Sixli

o

l6fr

El. Bl> [% G> Bt

t

iEl^mdnaj?) {b-{*7))

E-tlal ffliniH', mfuop seventh

-o-^^*^

*^

Eb Gl> Bl>

root l^rd 5th

D7th

X X""

EpmSpS (Ekm9-5, Bmlna^S)

E-flat minor ninth, fiat mth

-&-

^o-»^

W*0->^t~

rool 'i3rd i.5th WthF

9th

T

BEpmll (EHI.Bmlnll)

E-llat mBiop eleventh

J-o-

*^«-

»^^^

El.

€?7 {Bdom7)

E-tlat dominiHit seventh

>^

*^-&-

*^

Et Groot 3rcl

Bt Dt5th 1.7th

X X

E, ti, a G

X X

o 3

iEp/pU (Et7-5, El.dom71.5)

E-tlat dominant seventh, llat fifth

gbo*^

*o--o-

El. G Bl>l>

root 3rd nSth

Db

l.7lh

X X

Top

El- Btl. Dt G

X X

15:

E19SUS4 (Easus)

E'llat ninth, suspended fourth

TO^ 5^ -O-

^1^

El> Mroot 4th

Bi. a,5th i.7th

F9th

000 1

<

1EpTl^O (B7-9, Bllom7.a)

E-flat dominant seventh, flat ninth

-o-*^

»^'^

^o

El. Groot 3rd

Bi.

5th

01.

1.7th l.gth

XX oUEi. G Dt B

X X^

Ei^yl^SC^S) (B7-5(+9), E.I)om7.5(#8))

E-nat dominant seventh, flat fittfi, sliarp nintfi

-o-^o-

o-4«-

*^

El, Groot 3rd

BU. Dt Ft1.5th I7th it9Th

X O

fiJ

e^ B, Q a- Ft

iEp 7||1 1 {E^7+1 1 , &dom73l 1

)

E-flat dominant seventh, slHrp eleventh

^»*»-

-^o-

-o-'O-

Et Groot 3rd 5th t7th tilth

X O

o

A El Bt Dt G

X X

^

E-flat thirteenth, suspended fourth

Jj^r

^«-«-

-o-

vg-

B.

iEb+7 (Et7«5)

E-nat dominant seventh, sharp fifth

-o-5^

-o-f^

El' Groot 3rd

B Ob

tISth .7th

T

Ep +7I?9 (E7+5(t9))

E-flat dominant sevraith, sharp fltth, flat nhiHi

^o--»-

-©-"^ ^o-

B Groot 3rd

BitSth 1.7th

Ft

^9th

X

Q

B Ei G Dt Fb

X X

-—

^

iE? ° (Bdim)

E-llat diminished

»o-

^^*^

El. Gl.

root l>3rd

Bli>

tsth

X X

a Bill' El Gt

X X

E (Emai)

E major

-o-

Eroot

ho-

6S3rd

-O-

B5th

O O O

©oT

E 8 E G|t B E

X X

T>

ffl

ESUS4 (Esus)

E suspended fourth

-o-

Eroot

o

A41h

-O-

B5th

EaddS£ added ninth

-o--i^

B Gil

root 3rd

-O-

B5th

to-

Fit

gth

TT

1

E6/9 (EBaddS)

E sixth, added ninth

^--o-

-&-^-

E Gtroot 3rd

B5th 6th 9th

X X

Emaj9 itm)

E major ninth

^-^-

-o-^-

-&-

E Gtroot 3rd

B5th

Dt7th gth

66

iEmajIS {EM13)

E mojop thlpteenth

fo-

-^ ho--G-

4^ ^-

E

Em(add9)E minor, added ninth

i&^

-o-

-o--o-

E Groot l>3rd

B5th

Fi

9th

c

1Em^6 (E-(.8), Emin.6)

E minop. Hat sixth

-o-

-€*--^

E Groot p3rd

B5th

Cl>6th

«^ U O

i

E B E G C E

yf'

Em/ (Emln7, E-7)

E minor seventh

-o-

-o--o-

-^

E Groot t^rd

B5th

Di.7lh

O

5E B E G D E

X X"

BEm(maj7) (nmE minop, m^or seventh

-&- 4^-o--^

E Groot »3rd

B D45th 7th

O O O

~'f

Eni9[>5 (Em9-5, EnimSl>5)

E minop ninth, flat fifth

-o-^-

-©--o-

*^

E Groot t3rtJ

Bl.

[6th

Dl7th

Ft9th

O O O

T"

ffl

Emil {E-11,Eniin11)

E minop eleventh

tG--^-O-

-o--o-

E Groot |t3rcl

B5lh

Dt7th

Ft

9th

A11th

o o o o o

o

E A D G B F!

E7 (Edom7)

E dominant seventh

-^

-&-^-

-&-

E G:root 3rd

B5th

D1.7th

o omE B D Gjl B E

X X

o

E B D Gt

Y^^

^E7I75 (E7-5, EdomT.S)

E dominant seventh, flat litth

-o- i^

E G!root 3rd

-^^

Bl.

KSth

-©-

D1.7th

X X

Oil

E Bt D Gt

X X

o

5fr

G; D E Bl>

X ^—^ X

9IX-~

~o~

I^

7fr

E Bl> D Gt

X X

E9SUS4 (E98US)

E ninth, suspended fourth

-o- -f^

o -o-

-o-

Eroot

A4lh

B5th

D Fit

:.7th 9th

QE7|'9 (E7-9, Edom7k8)

E domuiant seventh, flat ninth

-o--o-

-o-

^--&-

E Giroot 3rd

B5th

D•.7th3/in >;

F'9th

O O

I St4

E B D G: D F

E/I^Silo) (E7-5(+9), Edom7.5(*9))

E dominant seventh, flat fifth, sharp ninth

-o-E«-^ -&-

-SfO-

root 3rd tsth |.7th !l9th

T"5""

ffl

E7||11 (E7+11,EdOffl7l11)

E dominant seventh, sharp eleventh

-o-^«-

-^ho-

-o-

E

E13SUS4 (Ei3,us)

E thirteenth, suspended fourtli

S^

o -o--o-

!«-

-o-

E A B D Ft! Cttroot 4th 5th 1.7th 9th 13th

O O

o

^E+7 (E7S5)

E seventh, sharp tinh

+e^ 4^ -o-

-«-

E Gf Bfroot 3rd liSth

Dt7th

X X o o

E+7l>9 {E7+5(!.3))

E dominant seventh, sharp litUi, flat nintti

^- -o--o-

-o-h»-

rooi 3rd ItSth

D1.7th

F.9th

O O

tT%

E Bf D Gt D F

X X

o o>

3:_F B: D Git

i

T

QE° (Edim)

E diminishGd

-o--o-

^^

E Groot l>3rd ^5th

X X

O1

E Bt E G

X X X

F (Fmaj)

F major

o

Froot

O

A3rd

O

cSth

<r""5s

QFsus4 (Fsus)

F suspended lourth

-U«- oo

F Bi.

root 4thC5th

6"

FaddSF added ninth

o

o oo

F A C Groot 3rd 5th 9tti

X X—:r

F6/9 (FGaddS)

F Sixth, added ninUi

oo -&-

oo

F A C D Groot 3rd 5th Sth 9th

s-

Fmaj9 (FM9)

F major ninth

oo^ o

F A C E Groot 3rd 5th 7fh 9th

r

QFmajIS (FM13)

F m^op thirteenth

-tt

oooo

F A C E G Droot 3rd 5th 7th 9th 13tli

S——S

F A D G C E

00

F A D E A

X X

<>

FmCadd 9)F minor, added ninth

o-^^ o

o

F At C Groot (.3rd 5th 9th

X X ^o

F At C G

6

F minor. Hat sixth

±n-o •^

o

F Al^

root l^rtJ

C5th

6TT

Fni7 (f-7, Fmin7)

F minor seventh

'Oo'Oo

F Atroot l-Srd

C5th

Et|.7th

f

QFiii(maj7) (Fm{+7))

F minop, major seventh

oo'Oo

F Al.

root 93rd

C5th

E7th

^ ^6

Fni9p5 (FmS-5, Fminai>5)

F minor ninth, flat tittti

^^ ^i ooo

o

F At a Et Groot I.3rd j5th i.7th 9th

X X

^

QFmll (R1,Fmin11)

F minor eleventh

o ta•oo

7

o

F Ab C Et G Bb

root 1.3rd 5th 1.7th 9tti 11ttl

^r^^

f7 (Fdom?)

F dominant seventh

'O

CTo

o

F Aroot 3rd

C5th ^7th

^-^

QF7|?5 (F7-5, Fdom7^5)

F dominant seventh, ftet flfOi

tor>o

o

Froot

O

A3rd

CI. E.

l-5th ].7th

XXi

1

F9sus4 (F9SUS)

F ninth, suspended lourth

l>o Qto-

o

o

F a> C El. Groot 'Mh 5lh 1.7th 9th

F C El. a C G

X X

QF7I>9 (F7-9, Fdom7l>9)

F dominant seventh, flat mntti

)0'O

ooo

FA C El. Gtroot 3rd Sth >.7th t9th

X X mi

F A El. Gt

L 9 1 9c_3:_A Gt C Ei,

TT

r7|70(|t9} (F7-5 (+9), FiJiim7t5(|9}J

F dominant seventh, flat litth, sharp ninth

to-o

o o 'O

F A C!. Ei. GSroot 3rd 1.5th l>7th i!9th

XX O

T

QF7jfll (F7+11,Ftl0in7S11)

F dominant seventh, sharp eleventh

o'Oo

o

FA C Et Broot 3fd 5th i)7th (llth

F B Et A C F

F13SUS4 (F13SUS)

F UurteBnth, suspended toupth

S3L

iC>o

»o- oo

F Bl. C El> G Droot 4th 5th 1.7th 9th 13th

^

ffl

F+7 (F7f5)

F dominant seventh, sharp fifth

"o^o ^o 'O

F Aroot Srd ttsih Wth

X X

QQ

El. A C:| F

X X

X

F+7l?9 (F7+5(b9))

F dominant seventh, sharp ffltti, flat ninth

-t^'O

iooo

F A Ct Ei. Gl.

root . 3rd ISth |.7th 1.9th

X X

QF° (Fdim)

F diminisheil

'O'Oo

F A.root ')3r(J

al«th

XX o

F|f (mmF-sharp majop

fo3to

3S^

Ft Ai

root 3rd 5th

QF||sus4 (F^sus)

F-sharp suspended fourth

-o- 3^30

Fi Broot 4th

Ct5th

iOOP

FJ Clt Ft B Clt Ri

X X

<>

F|adil9F-stiarp added ninth

lo

so3^ 3s:

Ft Ajt Ct Gtroot 3rd 5th 9th

X X

o_

Fit AS Ct! Gtt

X X

Od a

QFi6/9 (H6 add 9)

F-stiarp sixth, added ninth

o

30Kr 50 4^

Ft Atroot 3rd

Ct DfSth 6th

Gt9th

:i666

F|niaj9 ima)

F-stiarp mojor n'mth

olo

fo^

Eo^

f; AP a B Gtroot 3rd 5th 7th 9th

TlC6

1

F||maj13 (f#mi3)

F-shapp major thirteenth

to.

JS^in:

o

30^o

F! ASroot 3rd

Ctt

Sth

Eit

7th 9th 13th

^Wi

Ff Ad Dt Gtl Cf Et

X X

F-sharp minor, added ninth

to

o »:

Ft A CI Gtroot i>3rd Sth 9th

"^

Qr||ni|>6 (F3-(^6), F|tmini>B)

F-sharp minor, flat sixth

o 30 -o-

o

Ft Aroot tSrd 5th

Dteth

piQl

Ft CI F« A D Ft

X X

ti3"6"5fr

o ct f: A

Fjtin? (FS-7, Ftimin?)

Fsharp minor seventh

orero

lo^

fH aroot lp3rd

C«Sth

E1.7111

r -

QF|tm(maj7) (F#m(+7))

F-sharp minor, major seventh

iq:lo^o

lo^

Ft Aroot 1.3rd

C*Sth

Et7th

9 000

Ff « Ett A Ct Ft

X X

F||ni9l>5 (Fiim9-5, FttminS^S)

F-sharp minor ninth, tiat litth

loooto^

o

Ft Aroot Ii3rd

CtSth

Eb7th 9th

QFUmll (FMI.f^minll)

Fsharp minor eteventli

o 40o

JO^

!0O

Fit A C* E Gtt Broot t3rd 5th t7th 9th 11th

_^

Ffl7 [fmmF-sharp dominant seventh

i^o

jq:lo^

FS

rootA43rd 5th

E;.7th

X X o

o

Fi Ait CS E

,

IFjf7p5 {Fl!7-5, Fftilom7.5)

F-sharp dominant seventti, Hat fiftti

to 30o o

Ft Atroot 3rd

CkSth

E1.7th

X X

Fi9sus4 (F#98US)

F-shapp ninth, suspended tourth

o 40-&- io_

fo

Ft! B Q E sirODl 4lh Sth 1.7th 9th

ifflFS cii E B ct at

X X

OOPFt! B E Gli

66

M

Fjf7l>9 (Ft!7-9, Fsilom7l.9)

F-sharp dominant sevenUi, flat ntntti

ooJO^

f^iq:

Ftt Alt ctt e Groot 3rd 5th 1.7th 'nWh

Ftf7[75(jt9) (Fit7-5{+9), F»ilom7!.5(l!9))

F-sharp dominant sevontti. Hat nnti, sharp ninth

kOO^>

30r<5^

Fit

root

A*3rd

C^5th tTth Wth

X O o

G>: Ft! At C E

"

QFjt7jt11 (F»7+11,Fttilom7{(11)

F'Sharp dominant seventti, shspp eleventh

oo

SO_JO^

fo:

R At Ctt E Btroot 3rcl 5th |.7th filth

^

Ft13SUS4 (F#13sus)

F-sharp ttiirteenfii, suspended fourth

t^^_

-o- 30o

IQ_

Ftt B C* E Gtt Dtt

root 4th 5th i.7th 9th 13th

o__o o

JLJHLR O! E B Dj Ft

w

QF|+7 (Fit7t5)

F-sharp dominant seventh, sharp fifth

oKO

lo^tQ_

Ft A}root 3rd tSth

Et7th

X X"

Fsharp dominant seventh, sharp filth, Hat ninth

ooiq:

KOO

Fi At CK E Groot 3rcl tSth 1.7th .9tti

X X

QFj(

°(FJdim)

F-stiapp diminished

ooio^

Ff Aroot i>3rd

C1.5th

X XmA C Fi

X X

OTOsfr

A C Fi A

X X

G (Gm^)

Gmoiop

-o--o-

-&-

G Broot 3rd

D5th

"

QGSUS4 (Gsus)

6 suspended lourtti

-»-

Groot

O

cith

-O-

D5th

O O

TT

G C D G C G

pi

Gadd9G added ninth

-&

-o--o-

-o-

G B D Aroot 3rd 5th 9th

o

oO

G A D A B G

X X

o

W-G B D A

W^»

G6/9 (GGaddS)

G stxtti, added nintti

-o- "O"-o-

-o-

G B D E Aroot 3rd 5th 6th 9th

O o

i

Gni3j9 (GM9)

G mqor nintb

^t«-

-&-

-^-«-

G a D F|: Aroot 3rd 5th 7th 9th

Q Q O

G A A B Rl

X X

<

T

^GmajIS {6IV113)

G major thirteenth-»^

-&- 4^^

-o--«-

G B D FS A Eroot 3rd 5th 7th 9th 13th

«i^^'

Gm(add9)G minor, added ninth

oJ-^ ^ -o-

G B':. D Aroot ^3rd 5th 9th

^Gnipb (G-{:>6),GmlnpB)

G minor, flat sixth

v^ -o- >o

-&~

Q Bl' D E>

root |.3rtl 5th t6th

Gl1l7 (G-7, Gmln7)

G minor seventh

-o-

-o-^ -o-

G Bbroot lard

DSth

F1.7th

"

IGmdnaj?) (&n(+7»

Q minor, major seventh

\&^

-&-•-0-

-&-

G Bt. D Ft

root i>3rd 5th 7th

GmSpS (GmS-S, Gmma^S)

G minor ninth, fiat lifUi

IJ

-o-o-

o--^

G Bi> Di> F Aroot 1.3rd tSth [.7th 9{h

y

ffl

Gmll (G-11,Gmiii11}

G minor eleventh

^o--o-

-o-^ -o-

-^

G Bl D F ACroot .3rd 5th tTth 9th 11th

G7 (Gdorn?)

G dominnit seventh

-^-&-

-o--o-

G e O Froot 3rd 5th -7th

^

G/PU (G7-5, GdomM)

G dominant seventh, flat ntOi

-e-'^-o-

-&-

G B Di> Froot 3rd tSth l>7th

O O

Dt F G e F

G9SUS4 (G9SUS)

G ninth, suspended fourth

o -o--o-

-o-

G C D F Aroot 4th 5th l-7th 9th

i

T

QG/I^S (G7-9, Gdoni7^9)

G dominant seventh, flat ninth

-^ >-o-

-©--©-

-o-

G B D F A!.

root 3rd 5th 1.7th 1.9th

o

pJ

G B D

X X

i

T

G

iffT ^

B Ai,

T *

G B

X

K

T T

G/I^DlIf9) (e7-5(+9), Gllom7.5(i(9))

G dominant seventh, tiat tiltti, sharp nintli

-o--&-

'^-^

G B d!. F Atroot 3rd ath l,71h ttSUi

X X

T

QG7|f11 (G7+11,Gltom7411)

G dominant seventh, sharp eleventh

t^-&-

-&-

-o--&-

G B D F C|i

root 3rd 5th b7th (Hth

AiU^

o o

1 11 I

l b9 ~o~

o

G B D G Ct F

s 5fr

o

D G Ctt F B

X X

G13SUS4 (Gism)

G thirteenth, suspended fourth -€

-o-

o -&-

-&-

G C D F A Eroot 4th 5th 1.7th 9th 13th

G+7179 (G7+5(b9H

G dominant seventh, sharp filtti, flat ninth

'^^^ -o-

-o--©-

G e d; F ALroot 3rtl F5th |.7fh rflth

ntffh~o~

Pi

G B Oi fii. Di F

X X

mF B Di Al.

TT

iG° (Gdim)

G diminished

-i"^

-o-'-&-

root b3rd tSth

X X

i

Al^ (Almaj)

A-llat m^or

'Oo'O

A, C El.

rool 3rcl 5th

iA1>SIIS4 (A^sus)

A-tl8t suspended lourth

4k»-!'0

'O

Ai> 01' Broot 4th Sth

X X ^^

IA^addSA-nat added ninth

i-^

'OoI'O

Al> C El. BtroQt 3rd 5th 9th

*T*

lAl. C Et Bi> C

X X

o o

4fr

ft. C Et a

^%

^Apd/S (A^GaddS)

A-llat sixth, added ninth

'O

'O -o-o

>o

Al> C Eb F Bl'

root 3rd 5th Gth 9th

"53"

Al?maj9 (a^ms)

A-nat mqjor ninth

o 'O

'Oo'O

At C Eb G Btroot 3rd 5th 7th 9th

"W

^Al^majIS (AM13)

Atlat mojop thirteenth dSi.

o >o

'Oo

'O

Ai. C & G Bi. Froot 3rd 5th 7th 9th 13lh

Atm(add9)A-flat mlnop, aUded ninth

^.G

'O'O

'O

At Ct E. Bbroot l^rd 5th 9th

i

iAI'lllpD (A;>-(k6),A.inlnbB)

A-riat minor, flat sixth

^to"

'O

Al> C, El Broot >3rd 5th p6th

XXw

Al^m/ (A^-7, A.min7)

Aflat minor seventh

'OPO

'OPQ

Ai. a & &root t3rd 5th :.71h

t00i

Ai Gt a B

i

^Al?m(inaj7) (a^(+71)

A-flat minor, major seventh

o>o

'O'O

At Cb B Groot l>3rd 5th 7th

X X

0€r

o

Et Ai. a G

i

Al^mSpu (Al.m9'5, A^min9l.5)

A-riat minor ninth, flat filth

to--^

\,o 1*0-

o'O

A[. O EW. Gt Btroot :>3rd tSth 1.7th 9th

^

^m

Apinll (Ak11,AkinIn11)

A-flat minor eleventh

I.

to-t

oO'O

Ai. C. Et Gl Bi. Dtroot ;^rd 5th l>7th 9th 11 th

X X

o~

SiAl- Gl> a Di.

A6<»<»6

A I?7 (Aldoni?)

A-ttat dominant seventh

-t'Ooo

>o

An C Et Gl>

root 3rd 5th l>7th

M6

ffl

A-flat dominant sBvefltti, Hat Rftti

-v^ooo

Ai. c E;>i> aroot 3rd tsth 1.7th

X )

Al>9sus4 (A9SUS)

A-Ilat ninth, suspended tourth

>o'O

4.«—^s:

'O

Al- Di. £> a Bbroot 4th 5th 1.7th 9th

"

QAi^/pO (AI7-9, AI>dom7^9)

A-flat dominant seventh, flat nintli

to-too

I'O

At C Et Gb B^t

root 3rd Sth 1.7th |.9th

ftf

A|77|75(^9) (Ai.7-5(+S), A^dom7[.5(S9)l

A-flat dominant sevrath, Hat fifth, sharp ninth

o^ >ooo

'O

root 3rd bSth i7th 9th

X o o

ffl

Al>7||1 1 (A^7+11, Abdom7#11)

A-flat dominant seventh, sharp eleventh

l-o —'Oo

'O

Al> C B Gt Droot 3rd 5lh l>7th tilth

X X O

ft

D Al. C Gi.

X X

T

A^13SUS4 WAZsns)

A-Ilat thirteenth, suspended fourth Xi_

>ob<5.

-O- 'O

'O

At 01. s a K> Froot 4lti 5th aTth 9th 13th

_$^M» J>

QAl?+7 (AJ#5)

A-tlat dominant sevenDi, sharp tmh

'Ooo'O

Ab C E Gtroot 3rcl SSth t7th

O

E C E A^ C Gt

Alj+ytS (A!.7+S(!>9))

Aflat domlnsit seventh, sharp fifth, flat ninth

70oi

oo

At C E a Bl.l>

root 3rd tsth :.7th tsth

o o

;m

E Bl. E Al> C a

^

A-flat diminished

>o

To^'O

At & Dtroot ^rd tSth

X O

^

A (Am3j)

A major

oSQ_O

A Ctt

root 3rdE5th

X

ooo

A E A ctt E

{>

ffl

Asus4 (ASUS)

A suspended fourth

-t»-o

o

A D Eroot 4th 5th

X O

Aadd9A added ninth

_a

o lo:

A d E Broot 3rd 5th 9tn

X O

±A E B Cf E

X X

ffl

A6/9 (ABaddS)

A Sixth, added ninth

l«-

o 1o

A Cf E Ft Broot 3rd 5th 6th 9th

X O

Amaj9 (AM9)

A majop ninth

io_a

JOo

A Ct E Gt: Broot 3rd 5th 7th 9th

X O

±A E B C|i G;t

X X

i

T

ffl

AmajIS (AM13)

A m^ior thirteenth

o £1.

o 30o

A CS E G|t B Ft

root 3rd 5th 7th 9th 13th

X O

-~J

Am(add9)A minop, added ninth

o

oo

A C E Broot t3rd 5th 9th

X O

sA E B C E

f-

BS

Am 1^6 (A-(l>6), Amin^B)

A minor, Hat sixth

o -&-

oo

A C E Froot i.3rd 5th t6th

X

iti

A E A C F

6 i

Am7 (A-7, Arnin?)

A minop seventh

oooo

A c e Groot 'L.3rd 5th i.7th

X o

TT

ffl

Ani(maj7) m*?))

A minor, mHw seventh

ooo

A C E Gji

root >3rd 5th 7th

X O

99

AmSp5 (Am9-5, AminSkS)

A minop ninth, flat fifth

o o^o

o o

A C El. G Brool ..3rd tSth ^7th 9th

X

o

A Et B C G

X X

7TT

^Amll (A-11,Amin11)

A minor eleventh

o o Xt

ooo

AC E G B Droot n3rd 5th i>7th Qth 11th

X O O O

s

A G C E

X X

A7 (Adorn?)

A dominant seventh

oo

|Q_o

A Ct E Groot 3rd 5th |.7th

X

A E A C; G

6

^u

A/PU (A7-5, Adoni7l>5)

A dominant seventh, flat filth

io

o lo^o

A Cl & Groot 3rcl .5th iJth

X OMO

A El. A Ci G

A9sus4 (A9SUS]

A ninth, suspended fourth

o o-&- o

o

A D E G Broot 4th 5th 7th 9th

X

^u

A/PO {A7-9, Adom7^9)

A dominant seventh. Hat ninth

o \>^

o 30o

A di E G Btroot 3rd 5th i>7th i>9th

X^

A7|?5{ff8) (fl7-5(+9), Adoni7^5(lt9))

A dominiuit seventh, flat fifth, sharp ninth

o ;o

o :5o

A C? B G Biroot 3rd tSfh 1.7th Jt9th

X

"T

QA7ifll (A7+11,Adom71i11)

A dominant seventh, sharp eleventh

S-a

o

o loo

A Cf E G Dtt

root 3rd 5th t7th ttHth

X O"

A13SUS4 (A138US)

A thirteenth, suspended loupth

o-o- _o_

o

A D E G B ^root 4th 5th ^71h 9th 13th

X o o

O Qo

A E G D Ft

{>

^A+7 (A7tt5)

A dominant seventh, sharp fifth

io:3e:

o

o

A Ct Ei Groot 3rd Itsth tTWi

X

A+7l?9 (A7+5(l.9))

A dominant seventh, sharp fifth, flat ninth

too

o 30£Q_

A Ct E|t G Bt

root 3rd tSth tTth ^9th

X O

A° (Adirn)

A diminished

'O

^ o

A Croot ?3rd

BL€th

X O

A & A C

X X

P

C B A

Btr

C & A C

X X

ffi

llir

B A C B

XX

DP (B<>mal)

B-tlat major

"O--^•-&-

Bl. Froot 3rcl 5th

X X O"

QBI7SUS4 (Btsus)

B-tlat suspended lourtti

^Q_-©-

•^

B. B Froot 4th 5th

rf^

Btadd9B-llat added lunOi

-o^

-o-

•o--o-

Bi. D F Crool 3rd 5th 9th

\tTT

QBp6/9 {B.GaddS)

B-Ilat sixth, added ninth

-o- o-^

-»-

Bl> D F G Croot 3rd 5th 6lh Sth

X O O

TT

B-flat majop ninth

^-o-

.-O--o-

Bl. D F A Croot 3rd 5th 7th 9th

X o

-S: Th

^

B-flat major thirteenth -iBf-

-o-

y^ -e-

Bb D F A C Groot 3rd 5th 7th 9th 13th

^r

Btm(add9)B-Ilat minop, added nintti

^

51

-o-

^ o-

Bi.DI.FCroot l>3rd 5th 9th

^00

iDt F Bt C F

r

^M

09lwO (Bl-(S.6), B^miii^G)

B-Hat miRor, flat sixth

-o- lo>^"^

root !.3rd 5th :.6th

__.

B^m7 (B^-7, Bi>mln7)

B-llat minop seventh

^-o-

-^^>-&-

Bb Dli F Ahroot 1.3rd 5th l-7th

p^m

^m

Bl>ni(iiiaj7) [bh+d)

B-llat minor, major seventh

-o^-^•^

•^

Bt Dl. F Aroot :.3rd 5th 7th

TT"^

Bl^mSt^S (BlmS-S, B^minSbS)

B-fiat minor ninth, flat mth

x»-'^ ^

ft>-

-3-0~

Bt D> Fi At Croot iJrd bSth l-Tth 9th

<

T

QDpinll (BMi.B^mimi]

B-ftat minor eleventh

4-&-

[^^ >^

<-&-^

root l^rd

F At C El.

5th 1.7th 9th 11th

mBb & At Dl. F

X X

Dpi (Bldom?)

B-llat dominant seventh

\^-^-o-^

Bt D F Abroot 3rd 5th [.7th

X

ffl

Bp/pO (B^7-5, B\>tim7\.5)

B-llat dominant seventh, tiat ntth

4!..^

1.^ -&-

Bl> D B Atroot 3rd l>5th ;>7th

X O

o

Bt D Al> D F!>

rfttri

B^9SUS4 (BSm)

B-llat ninth, suspendeil lourth

t-o-^

'O -o-

-!^«-

Bt Et F At Croot 4th 5th l>7tt> 9th

00000

ffl

B1?7I>9 (BI'7-8, B.am7li)

B-llat dominant sevenOi, flat ninth

ko-1.^^

-o-

•-&--»-

Bl. F Ai Q.root 3rd 5th t7th 1.9th

X O O

r-s"b

Bl. D At a F

)

T

Bp/puljlo) {B^7-5(+8), B^dom7l>5{|8))

B-riat dominant seventh, tiat filth, sharp ninth

4«->^

8-«-

To--o-

O' B At CHroot 3rd l>5th !.7th iigth

X

H

Bp/jfll (B^7+ll, B!.dom7t!ll)

B-ttat dominant seventh, sharp eleventh-o-

-o->^

-o-•-&-

Bi. Droot 3rd

F At ESth ffth !t11lh

^sr .^^

tfm^

Bt13sus4 (Bi3m)

S-riat thirteenth, suspended fourth -^

io «-\^ ^

•-&-

B!. B F A!. C Groot 4th 5th t7th 9th 13th

oooo

ffl

Bp+7 (B^71:5)

8-tlat dominant seventh, sharp fittti

^-^ -&-

B^ D FS Atroot 3rd Ssih .7th

X O

3>

Bb At D Fa

X ,^—V X

tft

Bi> Ft At D

m 6tr

B> Al> D F|l

X X

X

Bl?+7l>9 (Bi.7+5(.9»

B-flat dominant seventh, sharp fifth, flat ninth

U*io-

<-&--o-

B. D Ft Ai. aroot 3rcl Wth 1.7th iigth

X O

a. D Ab a F|

i00 I

O-^fr

iBl. D Ft a FS Al.

X X

TT

^B^°B-tlat dinunshed

'-O-

i-O-•^

Bb Db Fl>

root tSrd !j5th

it Is

Bt Ft B^ Db Ft

^1:^

D (Bmqj)

Bmqjor

-o-if^

4«-

B Mroot 3rd 5th

if!B Ft B D[!

4fr

B Dtt Ft B D4

t ^

ffl

Bsiis4 (Bsus)

B siispended fourth

o -i^-o-

B E Ffroot 4th 5th

ffl

Badd9B added ninth

-»- i^to-

B K FJ Croot 3rd 5th 9th

Bni3J9 (BM9)

B mqjor ninth

-o-*«-

|«^1^ 1^

B m H M aroot 3rd 5th 7th 9th

T

H

Bmajl 3 (BM13)

B m^or thirteenth

-G-i^ i^

1^

B D: Fil M a Gtroot 3rd 5th 7th 9th 13th

Bm(add9)B minor, added ninth

-&-!«-

-«-

B D Fa c*root 1.3rd 5th 9th

X

ffl

Bnib6 (B-(l.8), Binin.6)

B minor, flat sixHi

-o--^

^- o

B Droot iiSrd

Fi G5th M\\

X

i I

B D G B F!t

Bm/ (B-7, Bmin?)

B minop sevendi

-o--^

4«-^

B D FH Aroot 1.3rd 5th t7th

X O

^Bm(maj7) (b(^7))

B minor, major seventh

-&--o-

-i^

B D Ft a;

root L^rd 5th 7th

BmSpS (Bm9-5, BminS^S)

B minor ninth, tlat fiftn

-G--O-

-o-^ t^

B D F A aroot b3rd l^th p7th 9th

X

^Bmll (B'll.Bmlnll)

B minor eleventh

1^*o-

-o--&-

B D Fi: A d: Eroot :.3rd 5th 1.7th 9th 11th

X O

o

B7 (Bdom7)

B dominant seventh

-o-i^

^-

B Dt Ft Aroot 3rd 5lh tTth

O

T

B9sus4 (Bsm)

B nintti, suspended fourth

^&

o i^-&-

B Eroot 4th

Fit A Ot5th i.7th 9th

"

M

B7p9 (67-9, Bdoni7'9)

B dominant seventh, flat ninth

-o^-&^

-o-4^ t^

B Di:

root 3rdFf A C5th :.7th 1.9th

imB Di A C Ft

B7|9 (B7+9, Bdom7«9)

B dominant seventh, sharp ninth

x-O--^

^^-&-

i&-

4fr

B A C Dt

f «.

ffl

B7p5(|f9) (B7-5{+9), B6m7lbm)

B dominant seventh, tlat tinh, sharp ninth

-©- 4^ -o-

B Dt F A D^root 3rd 1.5th 1.7th (9th

;STT^

B D!t A C« F

X X

3

ffl

B7i11 (B7+11,Bdoni7#11)

B dominant seventh, sharp eleventhtt^

so^-^ ^

-&-

B DH Ftl A Etroot 3rd 5th iTth (llth

o o

o

B Et! A Dt! R

^ 4lr

Dit Ft) B Et A

X X

I6fr

B A D« Et

^^

B13SUS4 (B138US)

B thirteenth, suspended fourth

4^ ^ It^ —-o-

BE Ft A Cf Gtt

root 4th 5th t7th 9th 13th

^B+7 {B7S5)

B dominant seventh, sharp Ofth

-kO--O^

-o-t^

B Df F' Aroot 3rd (Sth 1.7th

B+9 (B8i:5, B9+5)

B ninth, sharp fifth

T5T

B+7|?9 (B7+5(t9))

B dommant seventh, sharp fitOi, Hat ninth

-o-*o-

-HO-^ -o-

B Di Fx A Crool 3rd tSth ,7th l>9th

mB D5 A C F"

i»5fr

B Dft F" C F'' A

X X

obo7fr

A Dtt F- C

M

B° (Bdim)

B diminished

-^-^

-^

B Froot !>3rd tSth

X O

1