PianoSeries Sampler

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SAMPLER Celebration Series Perspectives ® “ The revised edition of the Celebration Series ® has been selected with great care, and comprises the most comprehensive graded series of basic piano repertoire available.” Marvin Blickenstaff, Board President Frances Clark Center for Keyboard Pedagogy Inspire the desire to aspire.

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    Celebration Series Perspectives

    The revised edition of the Celebration Series has been selected with great care, and comprises the most comprehensive graded series of basic piano repertoire available.Marvin Blickenstaff, Board President Frances Clark Center for Keyboard Pedagogy

    Inspire the desire to aspire.

  • Compact DiscsPreparatory to Level 10

    Reliable and representa-tive interpretations of every selection in the Piano Repertoire and Piano Etudes books.

    An invaluable resource for style-appropriate performance practice

    Answer Book for Student Workbooks An indispensable companion to the Student Workbooks (Preparatory to 8)

    A useful, conven-ient, and time saving resource for teachers and parents

    EtudesLevel 1 to 10

    In traditional and contemporary styles. Companion books to the Piano Repertoire books

    In addition to technique building, the Etudes pieces can be used for recitals, competitions, or for enjoyment

    Student WorkbooksPreparatory to Level 8

    Companion books to the Piano Repertoire books Discovery learning through a variety of activities

    Hands-on writing and creative exercises to encourage musical appreciation

    Celebration Series Perspectives

    Handbook for Teachers Written by three of North Americas

    leading piano pedagogues Cathy Albergo, Reid Alexander, and Marvin Blickenstaff

    Provides a detailed discussion of all of the pieces in the Piano Repertoire and Piano Etudes books

  • ContentsCelebration Series Perspectives

    1

    Introduction to Celebration Series Perspectives 3Handbook for Teachers 5

    Preparatory Level

    Piano Repertoire Minuetto, op. 37, lesson 2 Hook, J. 6

    Jumping Jacks Markow, A. 6

    Polka, op. 39, no. 2 Kabalevsky, D. 6

    The Tired Turtle Express Donkin, C. 6

    Sparklers Niamath, L. 7

    Olie the Goalie Chatman, S. 7

    Student Workbook The Tired Turtle Express Donkin, C. 6

    Sparklers Niamath, L. 7

    Handbook for Teachers Sparklers Niamath, L. 7

    Level 1 Piano Repertoire Arioso in F Major Trk, D.G. 8

    Mist Poole, C. 8

    Gremlins Paterson, L. 9

    Where Did the Sun Go? Markow, A. 9

    Sur le pont dAvignon arr. P. Gallant 9

    Piano Etudes Study in C Major, op. 17, no. 6 Le Couppey, F. 9

    Celebration Crosby, A. 9

    Student Workbook Mist Poole, C. 8

    Level 2 Piano Repertoire Entre in A Minor Anon. 10

    Madrigal Bonis, M. 10

    Penguins Niamath, L. 11

    Jazz Invention No. 1 Gallant, P. 11

    Jazz Invention No. 2 Gallant, P. 11

    Piano Etudes Scherzo, op. 39, no. 12 Kabalevsky, D. 11

    Study in A Minor Kadosa, P. 11

    Student Workbook Entre in A Minor Anon. 10

    Madrigal Bonis, M. 10

    Level 3 Piano Repertoire Harlequinade Krebs, J.L. 12

    Sonatina in G Major (First Movement) attr. L. van Beethoven 12

    Echoes of November Chatman, S. 12

    Play Bartk, B. 13

    Piano Etudes Witches and Wizards Donkin, C. 13

    The Village Band Carroll, W. 13

    Student Workbook Sonatina in G Major: First Movement attr. L. van Beethoven 12

    Handbook for Teachers Witches and Wizards Donkin, C. 13

    Level 4 Piano Repertoire March in D Major, BWV Anh. 122 Bach, C.P.E. 14

    Sonata in F Major, Hob. XVI:9 (Third Movement: Scherzo) Haydn, F.J. 14

    Dreamcatcher Crosby, A. 15

    The Wild Horseman, op. 68, no. 8 Schumann, R. 15

    Nocturne Sheftel, P. 15

    Piano Etudes The Wagtail, op. 100, no. 11 Burgmller, J.F. 14

    Bike Ride Reubart, D. 14

    Student Workbook Dreamcatcher Crosby, A. 15

    Level 5 Piano Repertoire Gigue in D Major Kirnberger, J.P. 16

    Sonatina in A Minor, op. 214, no. 4 Gurlitt, C. 16

    Scamp Norton, C. 17

    The Lake, op. 42, no. 9 Rowley, A. 17

    Piano Etudes Skipping Rope Gnesina, Y.F. 17

    Supernova Telfer, N. 17

    Student Workbook Sonatina in A Minor, op. 214, no. 4 Gurlitt, C. 16

    Contents

  • Celebration Series Perspectives

    2 Contents

    Level 6 Piano Repertoire Little Prelude in E Minor BWV 941 Bach, J.S. 18

    Sonata in A Minor Cimarosa, D. 18

    Winter Scene Gillock, W.L. 18

    Valse miniature op. 10, no. 10 Rebikov, V.I. 19

    Piano Etudes Dance Shostakovich, D. 19

    The Gear Wheels of a Watch Nakada, Y. 19

    Student Workbook Valse miniature op. 10, no. 10 Rebikov, V.I. 19

    Handbook for Teachers Little Prelude in E Minor BWV 941 Bach, J.S. 18

    Level 7 Piano Repertoire Suite No. 8 in G Major, HWV 441(Fourth Movement: Aria) Handel, G.F. 20

    Sonatina in C Major, op. 36, no. 3 (First Movement) Clementi, M. 20

    Katherine Chatman, S. 21

    Srnade sur leau Ibert, J. 21

    Feelin Good Bonsor, B. 21

    Piano Etudes Mechanical Toy Previn, A. 20

    Elegie, op. 77, no. 2 Hofmann, H. 20

    Student Workbook Katherine Chatman, S. 21

    Level 8 Piano Repertoire Invention No. 13 in A Minor, BWV 784 Bach, J.S. 22

    Sonatina in A Major, op. 59, no. 1 (Second Movement) Kuhlau, F. 22

    Prelude, op. 43, no. 1 Glire, R. 22

    Petite litanies de Jsus / Little Litanies of Jesus Grovlez, G. 23

    Jazz Exercise No. 2 Peterson, O. 23

    Piano Etudes Janes Song Norton, C. 23

    Toccatina, op. 95, no. 12 Takcs, J. 23

    Student Workbook Prelude, op. 43, no. 1 Glire, R. 22

    Level 9 Piano Repertoire Sonata in F Minor, L 187 / K 481 Scarlatti, D. 24

    Fantasia in D Minor, K 397 (385g) Mozart, W.A. 24

    Decadent Sentimental Song Manzano, M. 25

    Impromptu, op. 142, no. 2 Schubert, F. 25

    Ocean Vista Henderson, R.W. 25

    Romance sans paroles, op. 17, no. 3 Faur, G. 25

    Piano Etudes Scherzo, op. 19, no. 2 Gade, N. 24

    Study in E Minor, book 1, no. 2 Cramer, J.B. 24

    Level 10 Piano Repertoire Prelude and Fugue in E Flat Major, BWV 876 Bach, J.S. 26

    Sonata in D Major, Hob. XVI:33 Haydn, F.J. 26

    Nocturne in F sharp Major, op. 15, no. 2 Chopin, F. 26

    Arabesque No. 1 Debussy, C. 27

    Rond sobre temas infantiles argentinos / Rondo on Argentine Childrens Folk Tunes

    Ginastera, A. 27

    Piano Etudes Bagatelle, op. 6, no. 5 Bartk, B. 27

    By the Mountain Torrent, op. 37, no. 2 Hofmann, H. 27

    Student Workbooks 28

    Repertoire List 29

  • Celebration Series Perspectives

    3

    Level List A List B List C List D List E

    Levels 12

    Baroque and Classical Repertoire

    20th- and 21st- century Repertoire

    Inventions

    Levels 35

    Baroque Repertoire Classical and Classical-style Repertoire

    Romantic, 20th-, and 21st-century Repertoire

    Level 6 Baroque Repertoire Classical and Classical-style Repertoire

    Romantic and 20th-cen-tury Repertoire

    Level 7 Baroque Repertoire Classical Repertoire Romantic and 20th-cen-tury Repertoire

    Level 8 Baroque Repertoire Classical Repertoire Romantic Repertoire Post-Romantic and 20th-century Repertoire

    Level 9 Baroque Repertoire Classical Repertoire Romantic Repertoire Post-Romantic, 20th-, and 21st-century Repertoire

    Level 10 Works of J.S. Bach Classical Sonatas Romantic Repertoire Post-Romantic and Early 20th Century Repertoire

    20th-century Repertoire

    Level Piano Repertoire

    Piano Etudes

    Student Workbooks

    Compact Discs Teacher Resources

    Preparatory Handbook for Teachers

    Answer Book for Student Workbooks

    1 2 3 4 5 6 7 8 9

    10

    Piano RepertoireThe pieces in each Piano Repertoire book (except Preparatory) are divided into several lists, according to stylistic period.

    There are eleven levels in Celebration Series Perspectives Preparatory Level: appropriate for students who have completed one to two years of study Levels 1, 2, and 3: late elementary through early intermediate Levels 4, 5, and 6: intermediate through late intermediate Levels 7 and 8: late intermediate to early advanced Levels 9 and 10: advanced recital repertoire

    Introduction to Celebration Series Perspectives

    Celebration Series Perspectives

    Celebration Series Perspectives is breathtaking in its

    scope, presenting a kaleidoscopic overview of keyboard

    music from the last four centuries. The graded Piano

    Repertoire books encompass early elementary to

    advanced levels. The repertoire comprises a carefully

    selected grouping of pieces from the Baroque, Classical,

    Romantic, 20th-, and 21st-century style periods. Piano

    Etudes books present compositions especially suited

    for building the technique and musicality relevant

    to the repertoire of each level. Student Workbooks and

    the corresponding Answer Book (Preparatory to 8), as

    well as the outstanding recordings of the entire series,

    are available to assist in the study and enjoyment of

    the music. In addition, this comprehensive Handbook

    for Teachers is an invaluable pedagogical resource.

    An excerpt from the Handbook for Teachers by Cathy Albergo, Reid Alexander, a

    nd Marvin Blickenstaff

  • 4 Introduction to Celebration Series Perspectives

    Piano Etudes The ten Piano Etudes books contain numerous etude-like selections and some character pieces that address specific technical challenges.

    Each piece has a technical focus that is described in the table of contents, and can be used as preparation for similar compositions in the Repertoire books. Each level includes works that can be used effectively as technique builders, recital or competition pieces, and for enjoyment.

    Student WorkbooksThe nine Student Workbooks in Celebration Series Perspectives are companion volumes to the Piano Repertoire books for the Preparatory Level through Level 8. They are written for the student, using language and music terminology appropriate for students at each level.

    For each piece, the students interest and intellect are engaged through an approach of discovery learning: relevant historical and theoretical discussion and hands-on writing and creative activities lead the student to an understanding of the essence of the music.

    The discussions cover a wide range of topics, including: biography and style form and analysis harmony and texture rhythmic preparation dynamics and articulation ornamentation

    The Student Workbooks may be incorporated into the lesson or used for at-home enrichment study. Recognizing different learning styles, the authors have included a variety of activitiesaural, visual, and kinesthetic.

    Answer Book for Student Workbooks The Answer Book for Student Workbooks is an indispensable companion to the Student Workbooks. Teachers and parents will find the Answer Book to be a useful, convenient, and time-saving resource.

    Compact DiscsThe recordings offer representative interpretations of the complete works from the Piano Repertoire (Preparatory Level through Level 10) and Piano Etudes (Levels 1 through 10) of Celebration Series Perspectives. The recordings may be used by students as a reliable reference and inspiration for a polished performance. Teachers will find these professional recordings an invaluable resource for style-period performance practice.

    Handbook for TeachersThe Handbook for Teachers is a comprehensive teaching aid that draws together the Piano Repertoire and Piano Etudes books, the Student Workbooks, and the recordings, and organizes the material for optimum use in the teaching studio. In addition to a detailed discussion of each composition in the Piano Repertoire and Piano Etudes books, the Handbook for Teachers also includes suggestions for presenting and teaching Celebration Series Perspectives from start to finish.

    Celebration Series Perspectives offers a thoughtfully chosen, attractive grouping of piano works for students of all types. The accompanying Handbook for Teachers and

    Student Workbooks are creative and informative, providing insights and approaches that

    will help deepen a students understanding about music and about practicing. Celebration

    Series Perspectives is a resource that no piano teacher should be without!Dr. David Sharpe

    Senior Adjudicator, College of Adjudicators

  • 5Written by three of North Americas leading piano pedagoguesCathy Albergo, Reid Alexander, and Marvin Blickenstaffthe Handbook for Teachers is a comprehensive teaching resource that provides a detailed discussion of all of the pieces in the Piano Repertoire and Piano Etudes books.

    Teachers will also appreciate: sequencing by difficulty of pieces in each level useful and insightful practice suggestions thorough score exploration for each piece creative activities for students

    Handbook for Teachers

  • Celebration Series Perspectives

    6 Preparatory Level

  • Celebration Series Perspectives

    7Preparatory Level

    SparklersLinda Niamath

    Key: C sharp major Meter: 68 Form: binary

    Imagine Canada Day, the Fourth of July, or any festive holiday celebration where children and adults enjoy sparklers. These fireworks are bright and flashy and they burn quickly. The sound goal of this piece is a legato but steady RH melody over a crisp and clear staccato LH ostinato pattern with vibrant dynamic contrasts. Ask your student to keep the tempo steady from start to finish.

    Presentation

    Label the key and form. Ask your student to play the LH in m. 1. What is the LH chord? [C sharp major] Which notes of the C sharp five-finger pattern are played in the cluster? [all but E sharp]

    Explore the RH melody. Does it stay within the C sharp major five-finger pattern? [yes]

    Shadow-play HS on the closed keyboard cover, focusing on fingering and touch (legato vs. staccato)

    Practice Assignment

    Encourage your student to warm up with the C sharp major five-finger pattern.

    Practice HT in four-measure units, first slowly and then gradually faster as you become more secure.

    Find the four-measure question (mm. 14) and the answer (mm. 58).

    From the Handbook for Teachers

  • Celebration Series Perspectives

    8 Level 1

  • Celebration Series Perspectives

    9Level 1

  • Celebration Series Perspectives

    10 Level 2

  • Celebration Series Perspectives

    11Level 2

  • Celebration Series Perspectives

    12 Level 3

  • Celebration Series Perspectives

    13Level 3

    Witches and WizardsChristine Donkin

    Picture a dark and stormy night with winds swirling as witches and wizards glide through the air. This piece can be quickly learned and memorized (almost magically!) if practiced in sections. Have your student block and discover the patterns of each section. Encourage memorization of the sections as they are practiced.

    Witch no. 1 appears in mm. 14: Block the LH D minor chords and RH 3rds in mm. 12. Discover the RH switch in m. 3 to notes previously played by the LH. Identify the five-finger pattern formed by the LH descending notes in mm. 35.

    [G minor]

    Witch no. 2 appears in mm. 58: Name the key of this section. [G minor] Measures 56 are a transposition of

    mm. 12. Describe what happens in mm. 78. [ascending broken chords]

    Wizard no. 1 arrives in mm. 914: Find the crossed-hand patterns. The RH plays a repeated G minor fragment for five measures followed by a

    descending scale pattern. What function does the descending scale pattern serve? [it facilitates the return to D minor]

    Notice that both LH voices use the notes C sharp, D, and E, but in reverse order! [the lower notes ascend; the upper notes descend]

    Witch no. 1 returns in mm. 1518: Is this appearance the same as mm. 14? [yes]

    Wizard no. 2 arrives in mm. 1921 to conclude the piece: Why is this section a wizard and not a witch? [it is a variant of the crossed-hand

    pattern presented by Wizard no. 1] A descending scale passage effectively ends the piece in D minor.

    Emphasize the 68 time signature by feeling two beats per measure using the accents

    and crossed-hand notes to mark the beats. Your student will need to listen for steady, even eighth notes as you gradually increase the tempo to reflect the spirit of this piece. Follow the mf and p dynamics, the accents, and the poco rit. along with the pedal to help the audience hear the contrasts of these witches and wizards!

    From the Handbook for Teachers

  • Celebration Series Perspectives

    14 Level 4

  • Celebration Series Perspectives

    15Level 4

  • Celebration Series Perspectives

    16 Level 5

  • Celebration Series Perspectives

    17Level 5

  • Celebration Series Perspectives

    18 Level 6

    Little Prelude in E Minor, BWV 941Johann Sebastian Bach

    This Little Prelude was originally from a manuscript collection of six preludes assembled by the German organist Johann Peter Kellner (17051772). The BWV numbers are 939943 and 999. The latter, 999, was a prelude originally composed for lute and transcribed for keyboard.

    This composition has two main points for discussion with your student:

    the opening arpeggiated figure which occurs throughout the continual suspensions and resolutions present in the upper soprano and alto voices

    Suspensions are extremely expressive moments and it may help to imagine singers or instruments holding the sound. Help your student locate the suspensions [mm. 34, 45, 56, 67, and 78] including the double suspension in mm. 56. [alto and soprano moving together!]

    Find each occurrence of the RH broken arpeggio figure from m. 1 including inversions and transpositions. [LH m. 3, LH m. 5 (inverted), LH m. 7 (transposed to G major)] As the initial presentation of this figure in m. 1 begins with a rest, remember in subsequent presentations to separate the arpeggio figure from preceding downbeat eighth notes.

    The mid-point of this prelude cadences in the relative key of G major. [m. 11] How did Bach reach G major? The F natural in m. 7 begins the process by setting up the dominant 7th [G7] of C. [C major is IV in G], which begins the traditional cadence of IVV7I in G at mm. 1011.

    Explore how the musical material in the second half of the prelude. [mm. 1122] relates to m. 1:

    Melodic fragments are often preceded by a rest. Arpeggio fragments or related zigzag shapes are still used. The opening RH melody appears in the bass [m. 20] to end the piece.

    Note Bachs use of the Picardy 3rd (G sharp) in the final measure.

    The following practice steps will be helpful: As two- or three-voice counterpoint is used

    throughout, it will help to play individual voices and then pairs of voices, perhaps in the form of a student-teacher duet.

    Block harmonies when possible, noting the harmonic movement. In most measures there is only one chord.

    To practice the demanding rhythm of m. 21, tap a duple vs. triple rhythm HT. Next, divide the upper two voices between the hands.

    Practice Tips

    From the Handbook for Teachers

  • Celebration Series Perspectives

    19Level 6

  • Celebration Series Perspectives

    20 Level 7

  • Celebration Series Perspectives

    21Level 7

  • Celebration Series Perspectives

    22 Level 8

  • Celebration Series Perspectives

    23Level 8

  • Celebration Series Perspectives

    24 Level 9

  • Celebration Series Perspectives

    25Level 9

  • Celebration Series Perspectives

    Level 1026

  • Celebration Series Perspectives

    Level 10 27

  • 28 Student Workbooks

    Built on the principles of discovery learning, the Student Workbooks accompany the Piano Repertoire books and offer students an engaging and thorough learning experience. Activities include hands-on writing and creative exercises, historical and theoretical discussions, and opportunities to reinforce music terminology.

    The Student Workbooks address a wide range of topics including: biography and style form and analysis harmony and texture rhythmic preparation dynamics and articulation ornamentation

    Benefits for the Student and TeacherFor the Student Interest and intellect are engaged through a discovery

    learning approach. Relevant historical and theoretical discussions use language

    and music terminology appropriate for each level. Hands-on writing and creative experiences deepen the

    students understanding of music.

    For the Teacher Exercises may be incorporated into the lesson or used for

    at-home enrichment study. Practice tips will motivate students. The Workbooks act as a teaching aid by highlighting potential

    problem areas in each piece and offering innovative solutions.

    FormCreative Exercise

    AnalysisBiography

  • 29Repertoire List

    Piano Repertoire

    Preparatory Piano RepertoireThe Tired Turtle Express ......................... Donkin, C.

    Halloween Pranks ...................................... Berlin, B.

    Youthful Happiness ...................................Trk, D.G.

    A 16th-Century March ..........Palmer, W./Lethco, A.

    An Argument ..................................................Last, J.

    Singin the Blues .........................................Pearce, E.

    Jumping Jacks ..........................................Markow, A.

    Polka, op. 39, no. 2 ........................... Kabalevsky, D.

    Aeolian Lullaby .........................................Hansen, J.

    Birthday Morning ................................. Coulthard, J.

    Bouncing on My Bed ..................................Crosby, A.

    Minuetto, op. 37, lesson 2 ............................ Hook, J.

    Broken Music Box ................................. Chatman, S.

    Lady Moon ..................................Freeman Olson, L.

    The Path of the Ping-Pong Ball ................ Donkin, C.

    Arietta in C Major, op. 42, no. 5 ..........Clementi, M.

    Birding................................................... Chatman, S.

    Struttin ....................................................Norton, C.

    Old MacDonald Had a Farm ................arr. B. Berlin

    Sakura.................................................arr. P. Gallant

    Chimes .......................................................Sheftel, P.

    Playful Puppy.........................................Niamath, L.

    To Fly Like an Eagle ..................................Crosby, A.

    First Waltz, op. 89, no. 5 .................. Kabalevsky, D.

    Sad Feelings..............................................Trk, D.G.

    A Carefree Fellow .....................................Trk, D.G.

    Starfish at Night ........................................Crosby, A.

    On a Greek Island .............................. Mrozinski, M.

    By the Mill Pond ..............................................Last, J.

    Sparklers ................................................Niamath, L.

    Olie the Goalie ...................................... Chatman, S.

    Piano Repertoire 1Minuet in G Major ............................attr. F.J. Haydn

    Andante in G Minor ..........................Telemann, G.P.

    Arioso in F Major .....................................Trk, D.G.

    Minuet in D Major, T460 ........................... Clarke, J.

    Minuet in C Major, op. 38, no. 4 ...........Hssler, J.W.

    Bourre in D Minor .............................. Graupner, C.

    Minuet in A Minor..................................... Krieger, J.

    Aria in F Major, BWV Anh. 131 ................Bach, J.C.

    Burlesque in G Major .......................................Anon.

    Minuet in F Major, K 2 ........................ Mozart, W.A.

    Gremlins ................................................ Paterson, L.

    The Bronze Bear ...........................................Adair, Y.

    Dream Journey........................................ Donkin, C.

    Folk Song ............................................. Schnittke, A.

    Spooks .........................................................Poole, C.

    Silly Argument ...................................... Chatman, S.

    Robots .......................................................Crosby, A.

    A Starry Night...........................................Taranta, I.

    Hide and Seek ........................................Niamath, L.

    The Flea .....................................................Bonis, M.

    Crafty Card Tricks .................................. Donkin, C.

    Duet for One ............................................Norton, C.

    The Jolly Fiddler, op. 41, no. 5 ......................Frid, G.

    Square Dance ..........................................Reubart, D.

    The Alligator ........................................... Krausas, V.

    Croc the Curmudgeon .............................Gallant, P.

    Mist .............................................................Poole, C.

    On the Right Lines ....................................Norton, C.

    March, op. 39, no. 10 ........................ Kabalevsky, D.

    The Snake ........................................ Christopher, R.

    Carol in Canon .........................................Norton, C.

    A Ball ................................................... Garztecka, I.

    Where Did the Sun Go? ...........................Markow, A.

    Sur le pont dAvignon / On the Bridge at Avignon ...............arr. P. Gallant

    Shes Like the Swallow ........................... arr. D. Duke

    Teapot Invention ......................................Markow, A.

    Piano Repertoire 2Entre in A Minor.............................................Anon.

    cossaise in G Major, WoO 23 .....Beethoven, L. van

    Menuetto I in C Major ......................... Mozart, W.A.

    Impertinence, HWV 494 ......................Handel, G.F.

    Allegretto in C Major ...............................Neefe, C.G.

    Minuet in B Minor .....................................Krebs, J.L.

    Menuet en rondeau ............................... Rameau, J.P.

    Gavotte in C Major, op. 12, no. 2 ..............Arnold, S.

    Minuetto II in F Minor, H 196/2 .............Bach, C.P.E.

    A Cheerful Spirit ......................................Trk, D.G.

    The Banshees Ball .....................................Crosby, A.

    March of the Goblins .................................. Berlin, B.

    Skeleton Dance ............................................Telfer, N.

    Autumn Leaves.......................................Niamath, L.

    The Clock ..................................................Garscia, J.

    Sailing by Moonlight ........................................Last, J.

    A Little Song, op. 27, no. 2 ................ Kabalevsky, D.

    Rag Time ..................................................Norton, C.

    The Mouse in the Coal Bin ..........................Poole, C.

    Madrigal ....................................................Bonis, M.

    Penguins .................................................Niamath, L.

    Faraway Regions ......................................Szelnyi, I.

    The Silent Moon ..........................................Telfer, N.

    Mazurka ...............................................Berkovich, I.

    So Long, See You Tomorrow .....................Nakada, Y.

    Turkish Bazaar ................................... Mrozinski, M.

    The Argument ................................ McKinnon, G.A.

    Invention in A Minor ...............................Silvester, F.

    Invention in C Major ........................ Christopher, R.

    Moderato in C Major, op. 38, no. 5 .......Hssler, J.W.

    Petit canon No. 2 ..............................Champagne, C.

    Canon .......................................................Gurlitt, C.

    Jazz Invention No. 1 ..................................Gallant, P.

    Jazz Invention No. 2 ..................................Gallant, P.

    Piano Repertoire 3Bourre in D Major ...........................Kirnberger, J.P.

    Gavotte in G Major, HWV 491 .............Handel, G.F.

    Harlequinade ............................................Krebs, J.L.

    Musette in D Major, BWV Anh. 126 ....attr. J.S. Bach

    Minuet in G Major, BWV Anh. 114 .........Petzold, C.

    Hornpipe in B flat Major, Z T683 .............Purcell, H.

    Andantino in A Major, op. 38, no. 31 ...Hssler, J.W.

    Sonatina in G Major First Movement Second Movement ........... attr. L. van Beethoven

    Menuetto in F Major ........................... Mozart, W.A.

    Sonatina in C Major, op. 36, no. 1 First Movement Second Movement Third Movement ............................Clementi, M.

    Sonatina in C Major, op. 36, no. 20 ......... Gedike, A.

    Coconut Rag .............................................Norton, C.

    After the Ball, op. 98, no. 13 .......Grechaninov, A.T.

    The Song of Twilight .................................Nakada, Y.

    The Elegant Toreador ............................Bernstein, S.

    Douce amie/Sweet Friend ...........................Bonis, M.

    Play ........................................................... Bartk, B.

    The Sleeping Dragon ...................................Telfer, N.

    Clowns, op. 39, no. 20 ...................... Kabalevsky, D.

    Echoes of November .............................. Chatman, S.

    White Sand ..............................................Norton, C.

    The Haunted Castle .................................... Berlin, B.

    Morning Prayer, op. 39, no. 1 ........Tchaikovsky, P.I.

    Funny Puppy .............................................Crosby, A.

    Yes Sir! ....................................................Crawley, C.

    Piano Repertoire 4Air in D Minor, HWV 461 ....................Handel, G.F.

    Fantasia in E Minor, TWV 33:21, 3rd section ..................................Telemann, G.P.

    March in D Major, BWV Anh. 122 ........Bach, C.P.E.

    Minuet in D Minor, BWV Anh. 132 .....attr. J.S. Bach

    Rigadoon in A Minor .................................Babell, W.

    Allegretto in E Minor, op. 38, no. 24 .....Hssler, J.W.

    Sonatina in B flat Major, op. 4, no. 8 ........ Wesley, S.

    Sonata in F Major, Hob. XVI:9 Third Movement: Scherzo ................ Haydn, F.J.

    Sonatina in G Major, op. 36, no. 2 Third Movement ............................Clementi, M.

    German Song ...........................................Trk, D.G.

    Sonatina in F Major, op. 168, no. 1 First Movement .................................Diabelli, A.

    Sonatina .................................................Melartin, E.

    Dancing on the Green ................................Gurlitt, C.

    Dreamcatcher ...........................................Crosby, A.

    The Wild Horseman, op. 68, no. 8 ..... Schumann, R.

    Nocturne ....................................................Sheftel, P.

    Play It Again ............................................Norton, C.

    A Winter Melody ......................................Nakada, Y.

    Childrens Game ........................................ Bartk, B.

  • 30

    Mlodie .................................................Tansman, A.

    The Rooster Crows ....................................... Papp, L.

    Monkeys in the Tree ................................... Berlin, B.

    Happy Meeting, op. 119, no. 15 ...Grechaninov, A.T.

    Fable, op. 21, no. 3 ............................Muczynski, R.

    Changing Bars ..........................................Szelnyi, I.

    Barcarole .....................................................Duke, D.

    Thinguma Jig ...........................................Reubart, D.

    Chastushka, op. 89, no. 25 ............... Kabalevsky, D.

    Piano Repertoire 5Gigue in D Major ..............................Kirnberger, J.P.

    Allemande in G Minor BWV 836 ............... Bach, J.S.

    Passepied in D Major ............................ Dieupart, C.

    Verso in E Minor ........................................ Zipoli, D.

    Fantasia in C Major TWV 33:14.......Telemann, G.P.

    Bourre in G Minor ...............................Stlzel, G.H.

    Little Prelude in C Major BWV 939 ........... Bach, J.S.

    Allegretto in F Major ...............................Bach, J.C.F.

    Divertimento in G Major Hob. XVI:8 Third Movement Fourth Movement ............................. Haydn, F.J.

    Sonatina in F Major First Movement Second Movement: Rondo attr. L. van Beethoven

    Sonatina in A Minor, op. 214, no. 4 First Movement Second Movement Third Movement .................................Gurlitt, C.

    The Lake, op. 42, no. 9 ............................ Rowley, A.

    Cha-Cha ...................................................Merath, S.

    Grandmothers Song, op. 27, no. 10 ...................................................Volkmann, F.R.

    Waltz, op. 12, no. 2 .................................... Grieg, E.

    Jig .........................................................Archer, V.

    Little March ..............................................Kenins, T.

    Postlude ( la Shostakovich) op. 7, no. 6 ....Fiala, G.

    Star Gazing .......................................... Coulthard, J.

    Sounding the Accordion ..............................Takcs, J.

    When Rivers Flowed on Mars ......................Telfer, N.

    Arabesque, op. 6, no. 2 ........................ Karganov, G.

    A Slow Waltz, op. 39, no. 23 ............ Kabalevsky, D.

    Jest .........................................................Bartk, B.

    Romance ............................................ Kuzmenko, L.

    Melancholy Reflections ....................Schoenmehl, M.

    Scamp ......................................................Norton, C.

    Piano Repertoire 6Les Carillons .....................................Kirnberger, J.P.

    Burlesca in D Major ..................................Krebs, J.L.

    Aria ..................................................Telemann, G.P.

    Minuet in G Minor ................................Stlzel, G.H.

    Scherzo in C Major ..................................Bach, J.C.F.

    Toccata in C Minor......................... de Seixas, J.A.C.

    Little Prelude in E Minor BWV 941 ........... Bach, J.S.

    Sonatina in G Major, op. 214, no. 3 First Movement ...................................Gurlitt, C.

    Sonata in A Minor ................................Cimarosa, D.

    Sonatina in G Major, op. 20, no. 1 First Movement ................................Dussek, J.L.

    Sonatina in E flat Major, op. 4, no. 7 ........ Wesley, S.

    Sonatina in D Major, op. 12, no. 1 First Movement ...................................... Hook, J.

    Sonata in G Major Second Movement: Romance .............Rosetti, A.

    Sonatina in C Major, op. 20, no. 1 First Movement ...................................Kuhlau, F.

    Divertimento in G Major, Hob. XVI:G1 First Movement ................................. Haydn, F.J.

    Winter Scene ........................................Gillock, W.L.

    Bright Orange ..............................................Starer, R.

    A Tale, op. 62, no. 3 ....................... Scharwenka, X.

    Waltz in A Minor, op. 124, no. 4 ........ Schumann, R.

    Song of the Cavalry, op. 27, no. 29 .... Kabalevsky, D.

    For Susanna Kyle ................................. Bernstein, L.

    Arietta, op. 12, no. 1 .................................. Grieg, E.

    Prayer, op. 43, no. 2 .................................. Glire, R.

    Cancan ....................................................... Finch, D.

    Fantasy .......................................................Telfer, N.

    On the Lake, op. 77, no. 12 .................Hofmann, H.

    Valse miniature op. 10, no. 10 ..............Rebikov, V.I.

    ChildhoodSpring ......................................Fibich, Z.

    An Ancient Tale.............................................Filtz, B.

    Hungarian Dance ......................................... Papp, L.

    Roundup ................................................... Previn, A.

    Piano Repertoire 7Sonatina No. 4 in B flat Major

    Third Movement .................................Krebs, J.L.

    Suite No. 8 in G Major, HWV 441 Fourth Movement: Aria ..................Handel, G.F.

    Suite in G Major, op. 1, no. 1 Eleventh Movement ..........................Fiocco, J.H.

    Solo in F Major, TWV 32:4 Second Movement: Bourre .......Telemann, G.P.

    Sonata in E Minor, Wq 62/12, H 66 Third Movement: Sarabande ...........Bach, C.P.E.

    Invention No. 1 in C Major, BWV 772 ....... Bach, J.S.

    Passepied in D Major ........................Kirnberger, J.P.

    Sonatina in C Major, op. 36, no. 3 First Movement ..............................Clementi, M.

    Sonata in D Major, Hob. XVII: D1 Third Movement: Finale ................... Haydn, F.J.

    Fr Elise, WoO 59 .......................Beethoven, L. van

    Sonatina in C Major, op. 55, no. 3 First Movement ...................................Kuhlau, F.

    Sonatina No. 5 in D Major First Movement ...................................Storace, S.

    Bagatelle, op. 119, no. 1 ...............Beethoven, L. van

    Arietta, op. 43, no. 7 .................................. Glire, R.

    Venetian Boat Song, op. 30, no. 6 .. Mendelssohn, F.

    Waltz ....................................................Rebikov, V.I.

    Go to Sleep! op. 77, no. 9 .....................Hofmann, H.

    Waltz ................................................... Kossenko, V.

    First Sorrow, op. 149, no. 6 .....................Godard, B.

    Prelude in E Minor, op. 28, no. 4 ............. Chopin, F.

    A Joke ........................................................Gallant, P.

    Moonlight Mood ...................................Gillock, W.L.

    Our Little Garden .................................... Rybicki, F.

    Pentatonic Tune ......................................... Bartk, B.

    Prayer of the Matador .......................... dello Joio, N.

    Lutin / Goblin ............................................... Jaque, R.

    Song and Dance ........................................... Papp, L.

    Katherine .............................................. Chatman, S.

    Feelin Good ..............................................Bonsor, B.

    Srnade sur leau ......................................... Ibert, J.

    Rondo-March, op. 60, no. 1 .............. Kabalevsky, D.

    Piano Repertoire 8Invention No. 13 in A Minor, BWV 784 ..... Bach, J.S.

    Suite No. 1 in D Major Eighth Movement: Gigue....................Krebs, J.L.

    Little Prelude in D Major, BWV 925 .......... Bach, J.S.

    Suite No. 7 in G Minor, HWV 432 Fifth Movement: Gigue...................Handel, G.F.

    Fantasia in D Minor, TWV 33:2 .......Telemann, G.P.

    Sonata in D Major, op. 12, no. 3 First Movement ...................................Arnold, S.

    Sonata in G Major, op. 49, no. 2 First Movement ......................Beethoven, L. van

    Sonatina in E flat Major, op. 20 no. 6 First Movement ................................Dussek, J.L.

    Sonatina in A Major, op. 59, no. 1 Second Movement ...............................Kuhlau, F.

    Sonata in G Major, Hob. XVI: 39 First Movement ................................. Haydn, F.J.

    Prelude in B Minor, op. 28, no. 6 ............. Chopin, F.

    Nocturne, op. 88, no. 3 ........................Hofmann, H.

    Andante sostenuto, op. 72, no. 2 .... Mendelssohn, F.

    An Important Event, op. 15, no. 6...... Schumann, R.

    Prelude, op. 43, no. 1 ................................. Glire, R.

    Chanson triste / A Sad Song ............Kalinnikov, V.S.

    Poetic Tone Picture, op. 3, no. 1 .................. Grieg, E.

    Milonga del ngel .................................. Piazzolla, A.

    Pink ............................................................Starer, R.

    Crimson ......................................................Starer, R.

    Early Morning Exercises, op. 3/86, no. 2 ............................. Kabalevsky, D.

    Petite litanies de Jsus /Little Litanies of Jesus ...............................................Grovlez, G.

    Roda-roda! ..................................................Pinto, O.

    O Moon .......................................................Louie, A.

    Sneaky .................................................. Chatman, S.

    Evening at the Village ................................ Bartk, B.

    The Little Shepherd ................................Debussy, C.

    Jazz Exercise No. 2 ................................Peterson, O.

    Jazz Exercise No. 3 ................................Peterson, O.

    Etude Allegro ...........................................Nakada, Y.

    Mysterious Summers Night ................ Kuzmenko, L.

    30 Repertoire List

  • 31

    Piano Repertoire 9Sinfonia No. 7 in E Minor, BWV 793 ......... Bach, J.S.

    Sinfonia No. 6 in E Major, BWV 792 .......... Bach, J.S.

    Prelude and Fugue in C Minor, BWV 847 .............................................. Bach, J.S.

    Le coucou (Rondeau) ............................ Daquin, L.C.

    Suite No. 4 in E Minor, HWV 429 Second Movement: Allemande.......Handel, G.F.

    Suite no. 3 in E flat Major Tenth Movement: Gigue .....................Krebs, J.L.

    Sonata in F Minor, L 187 / K 481 ........... Scarlatti, D.

    Sonata in D Major, L 463 / K 430 .......... Scarlatti, D.

    Sonata in C Minor, Wq 48 / 4, H 27 Third Movement ..............................Bach, C.P.E.

    Sonata in C Major, K 330 (300h) Second Movement ......................... Mozart, W.A.

    Fantasia in D Minor, K 397 (385g) ..... Mozart, W.A.

    Sonata in E Minor, Hob. XVI:34 (complete) ......................................... Haydn, F.J.

    Six Easy Variations on an Original Theme, WoO 77 .......Beethoven, L. van

    Rondo in C Major, op. 51, no. 1 ...Beethoven, L. van

    Impromptu, op. 142, no. 2 .....................Schubert, F.

    Schlummerlied/Slumber Song, op. 124, no. 16 ............................. Schumann, R.

    Nocturne in C sharp Minor, op. posth. /KK IVa 16 ........................ Chopin, F.

    Waltz in G flat Major, op. posth. 70, no. 1, CT 217 ..................................... Chopin, F.

    Notturno, op. 54, no. 4 ............................... Grieg, E.

    Intermezzo, op. 76, no. 7 ..........................Brahms, J.

    Consolation, No. 3 ........................................Liszt, F.

    Song Without Words, op. 30, no. 1 ......................................... Mendelssohn, F.

    Romance sans paroles, op. 17, no. 3 ........... Faur, G.

    Ocean Vista ....................................Henderson, R.W.

    Romance, op. 24, no. 9 ............................ Sibelius, J.

    La fille aux cheveux de lin ......................Debussy, C.

    Over the Rainbow ..........Arlen, H., arr. G. Shearing

    Salta, Salta ..................................................Pinto, O.

    Decadent Sentimental Song ..................Manzano, M.

    Dreams, op. 88, no. 1 ....................... Kabalevsky, D.

    Humoreske ...................................... Shchedrin, R.K.

    Distant Memories .......................................Louie, A.

    Merry Andrew ...........................................Takcs, J.

    Piano Repertoire 10Fantasia in C Minor, BWV 906 .................. Bach, J.S

    French Suite No. 5, BWV 816 First Movement: Allemande Seventh Movement: Gigue ................. Bach, J.S.

    Prelude and Fugue in E flat Major, BWV 876 ............................................... Bach, J.S

    Sonata in D Major, Hob. XVI:33 (complete) ......................................... Haydn, F.J.

    Sonata in E flat Major, K 282 (189g) (complete) ..................................... Mozart, W.A.

    Sonata in E Major, op. 14, no. 1 (complete) ..............................Beethoven, L. van

    Intermezzo in E Minor, op. 119, no.2 ........Brahms, J.

    Polonaise in C sharp Minor, op. 26, no. 1 ........................................................... Chopin, F.

    Nocturne in F sharp Major, op. 15, no. 2 ........................................................... Chopin, F.

    Moment musical, op. 94, no. 2 D 780....Schubert, F.

    Liebestraum No. 3 .........................................Liszt, F.

    Crdoba, op. 232, no.4 ............................ Albniz, I.

    Berceuse, op. 20, no. 5 .......................... Hofmann, J.

    Arabesque No. 1 .....................................Debussy, C.

    lgie, op. 3, no. 1 ........................Rachmaninoff, S.

    Barcarolle No. 4 in A flat Major, op. 44 ..... Faur, G.

    Danse du meunier / The Millers Dance ............................ de Falla, M.

    The Rails, op. 16 .............................. Deshevov, V.M.

    Rondo, op. 84, no. 1 ................................. Bartk, B.

    Six Variations on Land of the Silver Birch .........................................Gallant, P.

    Trois pices pour la lgende dore / Three Pieces for the Golden Legend (complete) .................................Ppin, C.

    Strangeness of Heart .................................Somers, H.

    Rond sobre temas infantiles argentinos / Rondo on Argentine Childrens Folk Tunes ....................................................... Ginastera, A.

    Pas de deux ................................................Barber, S.

    Toccata, op. 54 ..........................................Takcs, J.

    Six Preludes, op. 6 Prelude No. 1 Prelude No. 6 ...............................Muczynski, R.

    Synergy ................................................ Gardiner, M.

    Snow Games ......................................... Tsitsaros, C.

    Variations in A minor, op. 40, no. 2 .. Kabalevsky, D.

    Piano Etudes

    Piano Etudes 1Etude no. 1: Relay Race ............................George, J.

    Etude no. 2: Two-handed Blues ................Norton, C.

    Etude no. 3: Soaring ............................... Donkin, C.

    Etude no. 4: Study in C Major, op. 125, no. 3 ...................................Diabelli, A.

    Etude no. 5: Time Travel .........................Donkin, C.

    Etude no. 6: Study in C Major, op. 17, no. 6 .................................Le Couppey, F.

    Etude no. 7: Space Fleet ...........................Norton, C.

    Etude no. 8: Paper Tigers ..........................Gallant, P.

    Etude no. 9: Both Ways .........................Tansman, A.

    Etude no. 10: Scaly Things .................... Chatman, S.

    Etude no. 11: Study in G Major .......... Wohlfahrt, F.

    Etude no. 12: Skipping Rope, op. 89, no. 17 ............................. Kabalevsky, D.

    Etude no. 13: Celebration .........................Crosby, A.

    Piano Etudes 2Etude no. 1: Asteroids ..............................Norton, C.

    Etude no. 2: Scherzo, op. 39, no. 12 .............................. Kabalevsky, D.

    Etude no. 3: Etude in D Minor, op. 82, no. 65 ......................................Gurlitt, G.

    Etude no. 4: Baseball Practice ................Niamath, L.

    Etude no. 5: Kangaroos ........................... Krausas, V.

    Etude no. 6: Crocodile Teeth .......................Telfer, N.

    Etude no. 7: Study in F Major, op. 190, no. 27 ............................ Khler, C.L.H.

    Etude no. 8: Little Lopsided Waltz ............Gallant, P.

    Etude no. 9: Crazy Comics ..................... Donkin, C.

    Etude no. 10: Study in C Major, op. 261, no. 3 ..................................... Czerny, C.

    Etude no. 11: Study in A Minor .................Kadosa, P.

    Etude no. 12: The Wind .............................Tan, C.H.

    Etude no. 13: Celebration ......................Niamath, L.

    Piano Etudes 3Etude no. 1: All Aboard! ........................Niamath, L.

    Etude no. 2: Study in E flat Major, op. 139, no. 49 ................................... Czerny, C.

    Etude no. 3: Computer Chatter .............. Donkin, C.

    Etude no. 4: Study in A Minor ..................Gurlitt, C.

    Etude no. 5: Inter-city Stomp ...................Norton, C.

    Etude no. 6: Arabesque, op. 100, no. 2 .............................Burgmller, J.F.

    Etude no. 7: Marionnettes ..........................Bonis, M.

    Etude no. 8: Study in C Major, op. 261, no. 81 ................................... Czerny, C.

    Etude no. 9: Chinese Kites .......................... Fitch, G.

    Etude no. 10: The Village Band ............... Carroll, W.

    Etude no. 11: Witches and Wizards ........ Donkin, C.

    Etude no. 12: Minuet ................................ Bartk, B.

    Etude no. 13: Study in D Minor, op. 261, no. 53 ................................... Czerny, C.

    Etude no. 14: Study in A Minor, op. 108, no. 5 ..................................... Schytte, L.

    Etude no. 15: Rush Hour ....................... Paterson, L.

    Etude no. 16: Bike Ride ..........................Niamath, L.

    Etude no. 17: The Milky Way ......................Telfer, N.

    Piano Etudes 4Etude no. 1: Allegro in G Major,

    op. 38, no. 19 ..................................Hssler, J.W.

    Etude no. 2: Study in B flat Major, op. 599, no. 83 ................................... Czerny, C.

    Etude no. 3: Masquerade .......................Niamath, L.

    Etude no. 4: Study in C Major, op. 176, no. 24 .............................Duvernoy, J.B.

    Etude no. 5: Study in E Minor, op. 65, no. 42 .............................Loeschhorn, A.

    Etude no. 6: The Avalanche, op. 45, no. 2 ..........................................Heller, S.

    31Repertoire List

  • Etude no. 7: Game .....................................Balzs, A.

    Etude no. 8: Study in A Major, op. 176, no. 15 .............................Duvernoy, J.B.

    Etude no. 9: The Wagtail, op. 100, no. 11 ...........................Burgmller, J.F.

    Etude no. 10: Dragon Fly .....................Gillock, W.L.

    Etude no. 11: Blues No. 1 .........................Norton, C.

    Etude no. 12: La toupie / The Top ...............Bonis, M.

    Etude no. 13: Youre Joking! ....................Crawley, C.

    Etude no. 14: Bike Ride ...........................Reubart, D.

    Etude no. 15: Hotshot ........................... Chatman, S.

    Piano Etudes 5Etude no. 1: The Little Trumpeter,

    op. 32, no. 4 ......................................... Fuchs, R.

    Etude no. 2: The Merry Wanderer, op. 210, no. 29 ....................................Gurlitt, C.

    Etude no. 3: Prelude, op. 39, no. 19 .............................. Kabalevsky, D.

    Etude no. 4: In Church, op. 39, no. 24 ...........................Tchaikovsky, P.I.

    Etude no. 5: Dragonfly Scherzo .................Crosby, A.

    Etude no. 6: Dance of the Dragonflies, op. 76, no. 7 .........................................Rohde, E.

    Etude no. 7: The Little Fly ..........................Takcs, J.

    Etude no. 8: Vivo ......................................Kadosa, P.

    Etude no. 9: Supernova ...............................Telfer, N.

    Etude no. 10: Study in G Major, op. 139, no. 38 ................................... Czerny, C.

    Etude no. 11: Study in C Major, op. 32, no. 16 ..................................... Gedike, A.

    Etude no. 12: Sweet Sorrow, op. 100, no. 16 ...........................Burgmller, J.F.

    Etude no. 13: Staccato Prelude, op. 31, no. 6 ....................................Maikapar, S.

    Etude no. 14: Study in G Major, op. 166, no. 7 ...................................Bertini, H.J.

    Etude no. 15: Skipping Rope ................Gnesina, Y.F.

    Etude no. 16: Chicken Talk ............. Schoenmehl, M.

    Piano Etudes 6Etude no. 1: Study in C Major,

    op. 24, no. 10 ...................................Concone, G.

    Etude no. 2: Barcarole, op. 138, no. 5 .........................................Heller, S.

    Etude no. 3: Dance .........................Shostakovich, D.

    Etude no. 4: Good Humored, op. 194, no. 4 ........................................Nlck, A.

    Etude no. 5: Toccatina, op. 27, no. 12 ............................... Kabalevsky, D.

    Etude no. 6: Fluttering Leaves, op. 46, no. 11 .........................................Heller, S.

    Etude no. 7: Game of Patience, op. 25, no. 2 ....................................Karganov, G.

    Etude no. 8: Song of the Brook ..............Gnesina, Y.F.

    Etude no. 9: The Broken Record ...... Schoenmehl, M.

    Etude no. 10: Study in A flat Major, op. 139, no. 51 ....................................Czerny, C.

    Etude no. 11: Study in B flat Major, op. 24, no. 5 .....................................Concone, G.

    Etude no. 12: Study in E Minor, op. 29, no. 14 ....................................Bertini, H.J.

    Etude no. 13: Playing Ball...................... Finney, R.L.

    Etude no. 14: Pebbles in the Water ................ Papp, L.

    Etude no. 15: The Gear Wheels of a Watch............................................Nakada, Y.

    Piano Etudes 7Etude no. 1: Wound Up ............................Norton, C.

    Etude no. 2: Study in C Major, op. 24, no. 22 ...................................Concone, G.

    Etude no. 3: Mechanical Toy ......................Previn, A.

    Etude no. 4: Etude, op. 27, no. 3 ....... Kabalevsky, D.

    Etude no. 5: In a Great Hurry, op. 95, no. 3 ..........................................Takcs, J.

    Etude no. 6: Elegie, op. 77, no. 2 ....................................Hofmann, H.

    Etude no. 7: Toccatina, op. 8, no. 1 .......................................Maikapar, S.

    Etude no. 8: Cyclone ....................... Schoenmehl, M.

    Etude no. 9: Etude in C Minor, op. 29, no. 7 ........................................ Bertini, H.

    Etude no. 10: Dance, op. 27, no. 27 ................................ Kabalevsky, D.

    Etude no. 11: Bagatelle, op. 5, no. 9 ...................................Tcherepnin, A.

    Etude no. 12: Study in G Major ........................................................Swinstead, F.

    Etude no. 13: Spinning Top ...................Gnesina, Y.F.

    Piano Etudes 8Etude no. 1: In Perpetual Motion ...............Previn, A.

    Etude no. 2: Etude in F Major, op. 38, no. 2 .................................. Stamaty, C.M.

    Etude no. 3: Etude, op. 27, no. 24 ................................ Kabalevsky, D.

    Etude no. 4: Dance of the Marionettes .. Tarenghi, M.

    Etude no. 5: Lyric Song, op. 88, no. 7 ..Hofmann, H.

    Etude no. 6: The Gypsies, op. 109, no. 4 ..............................Burgmller, J.F.

    Etude no. 7: Etude in D Minor, op. 45, no. 15 .........................................Heller, S.

    Etude no. 8: Song of the Waterfall ................................................Loeschhorn, C.A.

    Etude no. 9: Study in D Major ..............Swinstead, F.

    Etude no. 10: Toccatina, op. 95, no. 12 ......Takcs, J.

    Etude no. 11: Chromatic Etude ..............Chatman, S.

    Etude no. 12: Janes Song ..........................Norton, C.

    Etude no. 13: Lied, op. 42, no. 13 ...................................... Rowley, A.

    Etude no. 14: Classical Pop Tune .... Schoenmehl, M.

    Piano Etudes 9Etude no. 1: Study in A Major,

    op. 68, no. 7 ........................................Schytte, L.

    Etude no. 2: Study in C Major, op. 120, no. 10 ..............................Duvernoy, J.B.

    Etude no. 3: To the Lute, op. 37, book 2, no. 1 .......................Hofmann, H.

    Etude no. 4: Study in C Major, op. 553, no. 1 ......................................Czerny, C.

    Etude no. 5: La promenade en traneau ......... Ibert, J.

    Etude no. 6: Study in E flat Major, op. 91, no. 17............................. Moszkowski, M.

    Etude no. 7: Study in A Minor, op. 61, no. 13 ...................................... Berens, H.

    Etude no. 8: Wholl Win the Argument? op. 88, no. 2 ................................. Kabalevsky, D.

    Etude no. 9: Scherzo, op. 19, no. 2 ..............Gade, N.

    Etude no. 10: Study in E Minor, book 1, no. 2 ......................................Cramer, J.B.

    Etude no. 11: Etude in G Major, op. 47, no. 24 ..........................................Heller, S.

    Etude no. 12: Bagatelle, op. 6, no. 2 ........................................... Bartk, B.

    Etude no. 13: Study in C Major, op. 30, no. 20 ...................................Concone, G.

    Piano Etudes 10Etude no. 1: Zwiegesang,

    op. 52, no. 3 .............................. Moszkowski, M.

    Etude no. 2: Bagatelle, op. 6, no. 5 ........................................... Bartk, B.

    Etude no. 3: Serenade, op. 53, no. 5 ....................................Haberbier, E.

    Etude no. 4: Prelude in C sharp Minor, op. 81, no. 10 .............................Heller, S.

    Etude no. 5: When the Frog Goes Wandering ....................................Takcs, J.

    Etude no. 6: Etude in E minor, op. 67, no. 5 ............................Loeschhorn, C.A.

    Etude no. 7: By the Mountain Torrent, op. 37, no. 2 .....................Hofmann, H.

    Etude no. 8: La voix de linstrument, op. 70, no. 4 .......................................Alkan, C.V.

    Etude no. 9: A Trifle, op. 2, no. 12 .....................................Lyadov, A.K.

    Etude no. 10: tude-Tableau, op. 33, no. 8 .............................Rachmaninoff, S.

    Etude no. 11: Gallop .............................. Tsitsaros, C.

    Etude no. 12: Etude in A Flat Major ........ Chopin, F.

    Etude no. 13: Study in A Minor, op. 740, no. 41 ....................................Czerny, C.

    Etude no. 14: Study in A flat Major, op. 30, no. 19 ..............Concone, G.

    32 Repertoire List

  • The Royal Conservatory Music Development Program provides a recognized national standard of success in music study through an effectively sequenced course from beginner to advanced levels. The program inspires excellence through individual student assessments and allows students to track their progress with others across the country. All students in the United States deserve the opportunity to celebrate their musical achievements nationally. Join the growing community of teachers, students, and families who are discovering the benefits of the Music Development Program as it enriches their lives!

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    The Music Development Program provides comprehensive publications and tools for music and arts educators and their students, including detailed syllabi, repertoire lists, and innovative teaching resources. These resources, published by Frederick Harris Music, support teachers and students in the study of piano, flute, clarinet, saxophone, trumpet, guitar, violin, viola, cello, double bass, and voice, as well as the academic subjects of theory, harmony, analysis, history, and pedagogy. In addition to the core materials listed above, Frederick Harris Music publishes related resources for musicianship including aural skills, sight reading, and technique. With over 100 years of experience, Frederick Harris Music publishes materials that uphold an internationally proven standard of excellence, such as the award-winning Celebration Series.

    Find out more at www.MusicDevelopmentProgram.org.

  • Celebration Series Perspectives

    Celebration Series Perspectives is a an extravagant resource that balances the familiar with an infusion of the new. The scope of composers and musical styles represented reflects a huge diversity of origin, expression, and aesthetic sense. Perspectives sensitive leveling and immense breadth audaciously outshines even the high standards set by previous incarnations of the series.Dr. Andrew HiseyAssociate Professor of Music, St. Olaf College Northfield, Minnesota

    Celebration Series Perspectives serves as the ofcial resource for piano assessments of The Royal Conservatory Music Development Program. Featuring an outstanding selection of piano literature and supporting materials, this series offers a truly enriched learning experience to help ensure student success. For more information about how these publications can support your students in their assessments, visit www.MusicDevelopmentProgram.org.