Physics 1230: Light and Color Ivan I. Smalyukh, Instructor

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Physics 1230: Light and Color Ivan I. Smalyukh, Instructor Office: Gamow Tower, F-521 Email: [email protected] Phone: 303-492-7277 Lectures: Tuesdays & Thursdays, 3:30 PM - 4:45 PM Office hours: Mondays & Fridays, 3:30 PM – 4:30 PM TA: Jhih-An Yang [email protected] Class # 14 Chapter #4: Cameras & Photography

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Office: Gamow Tower, F-521 Email: [email protected] Phone: 303-492-7277 Lectures: Tuesdays & Thursdays, 3:30 PM - 4:45 PM Office hours: Mondays & Fridays, 3:30 PM – 4:30 PM TA: Jhih-An Yang [email protected]. - PowerPoint PPT Presentation

Transcript of Physics 1230: Light and Color Ivan I. Smalyukh, Instructor

Page 1: Physics 1230:   Light and Color Ivan I. Smalyukh, Instructor

Physics 1230: Light and ColorIvan I. Smalyukh, Instructor

Office: Gamow Tower, F-521Email:

[email protected]

Phone: 303-492-7277

Lectures: Tuesdays & Thursdays,

3:30 PM - 4:45 PMOffice hours:

Mondays & Fridays, 3:30 PM – 4:30 PM

TA: Jhih-An Yang [email protected] 

Class # 14

Chapter #4: Cameras & Photography

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Equivalent exposure settings (same light)

¼ sec. lets subjects move

Background in focus(good depth of field)

1/250 sec. stops motion

Background out of focus

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Which f-number gives half the light of f-4?

A. f-2B. f-2.8C. f-4D. f-5.6E. f-8

f = F/D, so you need a LARGER f-number for less light. 5.6 is sqrt(2) smaller than 4, so twice the light.

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Which pair gives the same amount of light?

1/30 sec. and f number 4 and

a) 1/120 sec. and f-1b) 1/120 sec. and f-2c) 1/120 sec. and f-4

4x more light for ¼ the time.

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Lec. 9: Ch. 4 –The Camera and Photography\

Camera partsLenses for camerasControlling light

Photography as artPhotography as science

We are

here

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Albert Bierstadt

Looking Down Yosemite ValleyOil painting

1865

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Ansel Adams

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William Henry Jackson. Mountain of the Holy Cross. 1873.

Photography replaced paintingto describe the western US

Albert Bierstadt

Looking Down Yosemite ValleyOil painting

1865

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Wright Bros., 1903

Photography as proof. Jackalope, 2003?

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Alfred Stieglitz1864-1946Photography as art

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Edward Steichen,1879-1973Glamour photography

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Edward Weston

1886-1958

Compare to 15th century painting with folded cloth

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Imogen Cunningham1883-1976

Ansel Adams by Cunningham

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“Fine focus”

Means directional lighting

“Soft focus” (not out of focus)

Means diffuse lighting

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1515Ansel AdamsSnake River 1942

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Lec. 12: Ch. 4 –The Camera and Photography

Camera partsLenses for camerasControlling light

Capturing imagesDigital images

We are

here

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How do we capture and save the image?

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Cameras existed for hundreds of years (pinhole and lens versions)

The revolution (early 19th century) was FILM: The method to store and reproduce the

images.

Nowadays, we rarely use films

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Ansel Adams

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Digital Image Storage: The CCD

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CCD: “Charge Coupled Device”.Electronic device for storing images

Light sensor area

Wires go to computer memory.

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Digital Image Storage: The CCD

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CCD: “Charge Coupled Device”.Electronic device for storing images

Light sensor area

Notice the colors.

RGB colored filters in front of the sensors. The Bayer filter.

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Digital Image Storage: The CCD

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CCD: “Charge Coupled Device”.Electronic device for storing images

Rectangular array of PIXELs

Typical array is several thousand by several thousand.

1000x1000 = 1,000,000Pixels,OR

1 MegaPixel.

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For photography of objects at different distances from us we use

• A. Camera with CCD that has at least 5 megapixels;

• B. Small aperture (large f-number);

• C. Large aperture (small f-number);

• D. Short exposure;• E. A, B, C, & D

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For photography of moving objects we use

• A. Camera with CCD that has at least 5 megapixels;

• B. Small aperture (large f-number);

• C. Large aperture (small f-number);

• D. Short exposure and larger aperture;

• E. A, B, C, & D

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Extra credit questions

• What settings we use for small depth of field?

• What settings we use to make photos late in the evening (not much light)?

• What would you do to make a photo during a very sunny day?

• Explain how the photo on the left was done

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Review:

To help you in your preparation for the exam(since many of you find the problems on lenses and curved mirrors somewhat difficult, we briefly review only this part)

Exam time: Regular class time on Tuesday, Oct 11

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http://micro.magnet.fsu.edu/primer/java/mirrors/convex.html

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Ray Tracing: One method to understand spherical mirrors and lenses.

Example:

(A) Or (B):The image is LEFT or RIGHT of the lens. The image is REAL or VIRTUAL.

This device is the ‘magnifying glass’. The image appears larger than the object.

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Ray Tracing: One method to understand spherical mirrors and lenses.

Example:

What is the magnification?

SO

SI

SI is the image height

SO is the object height

I

O

SM

S Ray tracing plus a ruler to

measure things and you can determine magnification.

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Object distance, image distance, focal length

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XiXo

F

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Magnification formula

S0 = object height

Si = image height

Note the similar triangles.

33Demo: big mama lens and bulb

We do the following: Image on opposite side of lens? XI is positive (otherwise negative)Image on opposite side of axis? SI is negative. (otherwise positive) Object lengths are

ALWAYS POSITIVE.

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The lens equation:The land of “One-Over-Everything!”

FXX IO

111F = focal length

XO = object distance

XI = image distance

Usually, F and XO are given. We want to find XI OI XFX

111

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Distant objects: Let Xo be very large, say 1,000,000 meters. Then 1/Xo = 0.000001, which is very small. You can ignore it. Then

FX I

11 For distant objects,

the image is at the focal point(ask a burnt ant)

Demo: find focal length of lenses

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Exam time: Regular class time on Tuesday, Oct 11

Good luck on the exam!

P.S. At home, go through the Photography guide on the next two slides

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