Photography 2

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Photography

description

A general view of photography

Transcript of Photography 2

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Photography

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Photography (derived from the Greek photos- for "light" and -graphos for "drawing") is the art, science, and practice of creating durable images by recording light or other electromagnetic radiation, either chemically by means of a light-sensitive material such as photographic film, or electronically by means of an image sensor.

Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. The result in an electronic image sensor is an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result in a photographic emulsion is an invisible latent image, which is later chemically developed into a visible image, either negative or positive depending on thepurpose of the photographic material and the method of processing.

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A positive is a film or paper record of a scene that represents the color and luminance of objects in that scene with the same colors and luminances (as near as the medium will allow). Color transparencies are an example of positive photography: the range of colors presented in the medium is limited by the tonal range of the original image (dark and light areas correspond).

Positive Photography

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In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because of the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking, which are darkened, rather than bleached, by exposure to light and subsequent photographic processing.

Negative Photography

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Darkroom

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A darkroom is a room that can be made completely dark to allow the processing of light sensitive photographic materials, including photographic film and photographic paper. Darkrooms have been created and used since the inception of photography in the early 19th century. Due to the popularity of color photography and complexity of processing color film (see C-41 process) and printing color photographs and also to the rise, first of Polaroid technology and later digital photography, darkrooms are decreasing in popularity, though are still commonplace on college campuses, schools and in the studios of many professional photographers. Other applications of darkrooms include the use in nondestructive testing, such as magnetic particle inspection.

What is a darkroom?

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In most darkrooms, an enlarger, an optical apparatus similar to a slide projector, that projects the image of a negative onto a base, finely controls the focus, intensity and duration of light, is used for printmaking. A sheet of photographic paper is exposed to the enlarged image from the negative. When making black-and-white prints, a safelight is commonly used to illuminate the work area. Since the majority of black-and-white papers are sensitive to only blue, or to blue and green light, a red- or amber-colored light can be safely used without exposing the paper. Color print paper, being sensitive to all parts of the visible spectrum, must be kept in complete darkness until the prints are properly fixed. Another use for a darkroom is to load film in and out of cameras, development spools, or film holders, which requires complete darkness.

Darkroom equipment

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During exposure, values in the image can be adjusted, most often by "dodging" (reducing the amount of light to a specific area of an image by selectively blocking light to it for part or all of the exposure time) and/or "burning" (giving additional exposure to specific area of an image by exposing only it while blocking light to the rest). Filters, usually thin pieces of colored plastic, can be used to increase or decrease an image's contrast (the difference between dark tones and light tones). After exposure, the photographic printing paper (which still appears blank) is ready to be processed. Photographers generally begin printing a roll of film by making a contact print of their negatives to use as a quick reference to decide which images to enlarge. The paper that has been exposed is processed, first by immersion in a photographic developer, halting development with a stop bath, and fixing in a photographic fixer. The print is then washed to remove the processing chemicals and dried.

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Done by:

Bleona Çoba