Photographing The Invisible

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Photographing The Invisible Using Invisible Light

description

Photographing The Invisible. Using Invisible Light. Keene State College. Rich Blatchly. Digital Sensors. Sensors are opaque, and are designed to detect only one color. Sensors are grouped (blue, red, and 2 greens). Each pixel yields a full spectrum, but two colors are interpolated. - PowerPoint PPT Presentation

Transcript of Photographing The Invisible

Page 1: Photographing The Invisible

PhotographingThe

Invisible

PhotographingThe

InvisibleUsing Invisible LightUsing Invisible Light

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Keene State

College

• Rich Blatchly

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Digital Sensors• Sensors are

opaque, and are designed to detect only one color.

• Sensors are grouped (blue, red, and 2 greens).

• Each pixel yields a full spectrum, but two colors are interpolated.

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Visible Light

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Digital Infrared Photography

• Note that silicon (basis for photosensors) is sensitive to IR.

http://www.luminous-landscape.com/reviews/cameras/infrared%20dslr.shtml

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What's different about IR

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More IR Differences

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Diagram of Apparatus

• IR requires a source (sun?), a filter and an IR sensitive camera

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• Testing your camera

Camera equipment

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Filter Responses

• The common Wratten 89B is also called Hoya R72

http://wrotniak.net/photo/infrared/index.html#FILTER

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Aren’t Filters Expensive?

• Find a bottle cap that fits over your P&S camera lens

• A piece of unexposed, processed slide film can be a filter.

http://www.instructables.com/id/EMW6NFO0FPEQHO9ZGG/

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• Exposure

• In many cases, built in is OK

• Try underexposing the photo to avoid red channel overload.

• With 0.1% of light, exposure changes by 10 “stops”. (Each stop is x2 in exposure; 210 = 1024).

• Focus

Taking the picture

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Processing

http://wrotniak.net/photo/infrared/c5060.html

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Mixed with Visible

http://www.rbfotografia.com.br/Bruna/natureza/content/B6_large.html

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http://farm1.static.flickr.com/61/154130385_c0694b74f6_b.jpg

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How do leaves reflect IR?

http://pirlwww.lpl.arizona.edu/research/biosphere/Lesson/

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Young and Mature Leaves

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Reflection depends on Health of Leaf

• Chlorophyll absorbs red and blue light and reflects green light.

• Near-infrared light is reflected by the spongy cell structure inside of leaves.

• Chlorotic (yellow) leaves have lower levels of chlorophyll

• Necrotic leaves do not have pigments or the spongy cell structure of living leaves.

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Other structural color

• Leaves may appear lighter (gray, silver, white, blue, copper, or gold, due primarily to structures formed on the leaf surface that increase reflectance

Turtleback, Psathyrotes ramosissima (Family Asteraceae),

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Desert Brittlebush

• These leaves reflect about 60% of solar radiation, thus reducing leaf heating and stress.

Encelia farinosa (Family Asteraceae)

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Forensic Uses of IR

• Differences in ink can be detected in altered checks

http://www.neiai.org/index.php?option=com_docman&task=doc_download&gid=28&Itemid=54

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Absorption Spectra of Inks

http://www.fbi.gov/hq/lab/fsc/backissu/oct1999/mokrzyck.htm

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Forensic Uses of IR

• Writing on charred paper can be imaged

http://www.neiai.org/index.php?option=com_docman&task=doc_download&gid=28&Itemid=54

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Bloodstains• Just as inks can be transparent in IR,

fabric dyes can reflect, revealing blood patterns.

http://www.neiai.org/index.php?option=com_docman&task=doc_download&gid=28&Itemid=54

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More Bloodstains

• Where is the real crime?

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Infrared Fluorescence

• Infrared Fluorescence is similar to UV/Vis fluorescence, but shifted in frequency/wavelength.

http://people.rit.edu/andpph/text-infrared-luminescence.html

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The Photophysics

http://www.beyondvisible.com/BV0-Barebasics.html

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What does IR Luminescence Show?

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Wood in IR Fluorescence

• Wood is typically dark in IR, but pigments can absorb visible light and emit in the IR.

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Camera Obscura

http://en.wikipedia.org/wiki/Camera_obscura

• First reported in the 11th century by Al-Hazen of Egypt.

• Arabic “quamera” or dark,gives us camera.

• Used by artists and scientists

• Some examples still survive (this is in San Francisco).

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Lenses

• Simple lenses have problems

• Long working distances

• Color errors

• Weight

• Reflections (internal and external)

• Complex lenses with coatings usedhttp://micro.magnet.fsu.edu/primer/java/lenses/simplethinlens/index.html

http://micro.magnet.fsu.edu/primer/java/lenses/magnify/index.html

http://micro.magnet.fsu.edu/primer/java/microscopy/variablelens/index.html

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Complex lenses

• Modern lenses use multiple elements with coating, different refractive indices and the ability to move as groups or alone while focussing and zooming.

• Phew!

http://www.opticalres.com/kidoptx.html#Lenses

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Aperture and Shutter

• These control exposure

• Wider aperture increases light, decreases depth-of-field.

• Slower shutter increases light, increases potential blur.

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Understanding f-stops

• Longer focal-length lenses (telephoto) collect less light than shorter lenses (wide-angle). f-stops help us correct for this.

• The aperture size is divided into the focal length to give the f-number

• For a 50 mm lens, a 25 mm aperture is half the focal length, therefore f/2.

• Apertures are arranged in factors of the square root of 2 (1.4, 2, 2.8, 4, 5.6, 8, etc.), yielding 1/2 the light for each stop.