Pharrell v. Gaye - Blurred Lines - Gaye Joint Trial Brief - Finell Declaration

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Transcript of Pharrell v. Gaye - Blurred Lines - Gaye Joint Trial Brief - Finell Declaration

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    UNITED STATES DISTRICT COURT

    CENTRAL DISTRICT OF CALIFORNIA, WESTERN DIVISION

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    Defendants.

    1 Paul H. Duvall (SBN 73699)

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    E-Mail: [email protected]

    KING   BALLCJW

    3 6540 Lu k Bl vd., Suite 250

    San

    DieKo, CA 9

    (858) 597-6000

    4 Fax: (858) 597-6008

    5 Attorney for Defendants and Counter-

    Claimant Frankie Chri tian

    Gaye

    and

    6 Nona Marvisa Gaye

    7 Mark L. Block (SBN 115457)

    E-Mail: [email protected]

    8 WARGO FRENCKLLP

    1888 Century Park East;. Suite l520

    9 Lo. Angeles, CA 9006  

    (310) 853-6355 Fax: (31b) 853-633-3

    10 Atto'rney- for Defendants and Counter-

    Claimant Frankie Chri tian Gaye and

    11 Nona Marvi a Gaye

    12

    13

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    15 PHARRELL WILLIAMS an

    individual; ROBIN THICKE an

    16 individl;laI

     

    and CLIFFORD FIARRIS,

    JR., an individual,

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    Plaintiffs,

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    BRIDG PORT MUSIC INC.,

    a

    20 Michigan co -poratioo; FRANKlE

    CHRISTIAN GA

    YE,

    .an individual;

    21 MARVIN GAYE.IIlAall individual;

    NONA MARVISA \.lAVE, an

    22 individual; and DOES 1 through 10,

    inclu ive,

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    vs.

    AND RELATED COUNTERCLAIMS

    Richard S. Busch (TN BPR 014594)

     oro hac vice

    E-Mail: rbusch(a2kingballow.com

    KING BALL1)W

    315 Union Street, Suite 1100

    Nashville TN

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    (615) 259-3456 Fax: (615) 726-5417

    Attorneys for Defendants and Counter-

    Claimant Frankie Christian Gaye and Nona

    Marvisa Gaye

    Paul   Phil (SBN 18792)

    E-Mail: pI).pnple.al.com

    The Law

      I f

    ces of aul N. Philips

    9255 West Sunset Boulevard

    West Holl ood CA 90069

    (323 813-1126 pax: (323) 854-6902 .

    Attorney for Defendant and Counter-Claimant

    Marvin Gaye III

    Case No. CVI3-06004-JAK (AGRx)

    Hon. John A. Kronstadt

    DECLARATION OF JUDITH FINELL

    IN SUPPORT OF COUNTER-

    CLAIMANTS' TRIAL BRIEF

    Date: February 3,2015

    TIme: 3:00 p.m.

    Ctrm: 750

    Action Commenced: August 15,2013

    Trial Date: February 10,2015

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    Case 2:13-cv-06004-JAK-AGR Document 246-2 Filed 02/04/15 Page 1 of 4 Page ID #:7453

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    1 DECLARATION OF JUDITH FINELL

    2 I, Judith Finell, declare and state:

    3 1. I am a musicologist and have been retained by the Gayes to compar

    4 the similarities and differences between the songs Blurred Lines and Got to Give

    5 Up and the similarities and differences between the songs Love after War and Afte

    6 the Dance.

    7 2. The information contained in this Declaration is based upon m

    8 personal knowledge. If I am called as a witness, I am competent to testify to all matter

    9 set forth in this Declaration.

    10 3. In my October 31 report, and in the demonstrative exhibits submitte

    11 for use at trial, I created a slide which refers to Theme X. I have reviewed the portio

    12 of the lead sheet included on page 18 of the Court s Summary Judgment Order. Th

    13 Theme X defined by the Court is wholly different from the Theme X referenced in m

    14 October 31 expert report that was submitted following the Court s ruling, and in th

    15 demonstratives I prepared for trial.

    16 4. The Court in its Summary Judgment Order stated that what it wa

    17 referring to as Theme X begins after the lyrics Think I m Gonna Let You Do It. A

    18 shown on the deposit copy lead sheet, the lyrics that the Court cites are followed by th

    19 song s hook Keep on Dancin. There is no Theme X after the lyrics the Court cited

    20 and my October 31 report, issued following the Court s ruling, and testimony, does no

    21 claim that it is. The Theme X in my October 31 report is a four note vocal melod

    22 referred to at paragraphs 22-24. It is the four note vocal melody sung with the lyric

    23 Dancin Lady which was mistranscribed in the lead sheet as Fancy Lady an

    24 repeated 14 times in 14 bars in the lead sheet. This vocal melody appears on page 2

    25 Part 2 of the deposit copy immediately after the words I ve Got To Give It Up.

    26 occupies nearly all of staves 2 and 3 on page 2 of the deposit copy.

    27 5. The Court ruled that the 4 note vocal melody was allowable at trial

    28 its summary judgment ruling. We believe this to be the same 4 note vocal melody I a

     

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    - 3 -

    1 referring to as Theme X, but because of the name I gave it in my October 31 report, an

    2 demonstratives, we wanted to clarify that "my" Theme X, the four note vocal melod

    3 represented in the deposit copy lead sheets, is not the same as the Theme X the Cou

    4 said was not in the lead sheet.

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    6 6. Attached hereto as

     xhi it

    A is a true and correct copy of the portion o

    7 the lead sheet for "Got to Give it Up" which contains the four-note vocal melody referred t

    8 as "Theme X."

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    10 Pursuant to 28 U.S.C. §1746, I declare under penalty of perjury that the foregoing is tru

      and correct. Executed this 3rt day of February 2015.

      ;I:U

     

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    f1 }

    14 JUDITH FINELL

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    Case 2:13-cv-06004-JAK-AGR Document 246-2 Filed 02/04/15 Page 4 of 4 Page ID #:7456