Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last...

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CE 503 – Photogrammetry I Perspective Geometry •Parallel lines (in object space) converge to a vanishing point in the perspective image •The vanishing points for all horizontal lines are on the horizon •There is a common vanishing point for all vertical lines •If the image plane is parallel to any set of parallel lines, then they will appear parallel in the perspective image (i.e. the vanishing point is at infinity)

Transcript of Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last...

Page 1: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Perspective Geometry

•Parallel lines (in object space) converge to a vanishing point in the perspective image

•The vanishing points for all horizontal lines are on the horizon

•There is a common vanishing point for all vertical lines

•If the image plane is parallel to any set of parallel lines, then they will appear parallel in the perspective image (i.e. the vanishing point is at infinity)

Page 2: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Parallel Object Lines Converge to Vanishing Point in the image

Page 3: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

3 Sets of Parallel Lines

Page 4: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

It remains true for all sets of parallel lines in the scene – if they are parallel in object space, then (unless parallel with image plane) they will meet at a vanishing point in the perspective image

Page 5: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Page 6: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Page 7: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Medieval Artists Had Poor Understanding of Perspective Geometry

Page 8: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Brunelleschi (1415) engineer and architect made sketch at left, compare with photograph

of today

Page 9: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Leonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498

Page 10: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Albrecht Durer, St. Jerome in his study, 1514

Page 11: Perspective Geometrybethel/intro3.pdfLeonardo da Vinci, Adoration of the Magi, 1481, and the Last Supper, 1498. CE 503 – Photogrammetry I Albrecht Durer, St. Jerome in his study,

CE 503 – Photogrammetry I

Vermeer, The Music Lesson, 1662, Perspective is so accurate, some believe he used camera obscura