Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural...

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Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors
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Page 1: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Peoples and Cultures of Europe

Europe as an ethnographic "culture area"

units of analysis / cultural metaphors

Page 2: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Anthropological

Conceptions of

’Europe’”Parman pp. 9-11

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http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#title

Parman, Susan.Europe in the Anthropological Imagination.Upper Saddle River, NJ: Prentice Hall, 1998.(ISBN: 0133374602)

Parman, pp. 9-11

Page 4: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Europe

as a

“Culture Area”

Page 5: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region – a culture

•“Irish”•“Chinese”•“Mexicans”•“Bedouins”

EuropeMesoamericaThe Northwest Coast (of North America)The Upper MidwestThe Mideast“Sub-Saharan Africa”Aran Islands

Page 6: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region – a “culture area”

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“Culture Area”

as a

Unit of Analysis

Page 8: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

some areas are “officially”

anthropological

“cultural areas” . . .

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http://eclectic.ss.uci.edu/~drwhite/worldcul/atlas.htm

Page 10: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#title

Parman, Susan.Europe in the Anthropological Imagination.Upper Saddle River, NJ: Prentice Hall, 1998.(ISBN: 0133374602)

You will read more about this in Ch. 12 “The Place of Europe in George P.

Murdock's Anthropological Theory,”

Mark T. Shutes, pp. 157-168

Which is on the reading schedule for

Wednesday, 25 July 2007

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• we sometimes include Europe in anthropology as a “Culture Area” specifically because we want to test the universality of anthropological models

• Hoffman

• Shutes

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 12: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• we sometimes include Europe in anthropology specifically because we want to test the universality of anthropological models

• Hoffman

• Shutes

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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• the chapters in Parman suggest that there has been a

tendency in the history of the anthropology of Europe

to . . .

– exoticize the familiar

– create syndromes of difference

• such as “honor and shame”

– and to stress the study of the rural, the semiliterate folk, the

small scale, preferably on islands

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 14: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://lucy.ukc.ac.uk/cgi-bin/uncgi/Ethnoatlas/atlas.vopts

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http://lucy.ukc.ac.uk/cgi-bin/uncgi/Ethnoatlas/atlas.vopts

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http://lucy.ukc.ac.uk/cgi-bin/uncgi/Ethnoatlas/atlas.vopts

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http://www.perpetualvisions.com/nativeamericans/short-talk/overview-of-talk.html

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http://lucy.ukc.ac.uk/cgi-bin/uncgi/Ethnoatlas/atlas.vopts

Mesoamerica

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some culture areas were very carefully and precisely

defined, such as “Mesoamerica” as defined in

1952 by Paul Kirchoff . . .

Kirchhoff, Paul. "Meso-America," in Heritage of Conquest, Sol Tax, ed., pp. 17-30. Glencoe, Illinois, 1952.

Page 23: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

some culture areas were very carefully and precisely

defined, such as “Mesoamerica” as defined in

1952 by Paul Kirchoff . . .

Kirchhoff, Paul. "Meso-America," in Heritage of Conquest, Sol Tax, ed., pp. 17-30. Glencoe, Illinois, 1952.

Page 24: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth3618/maKirchhof_handout.html#title

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“Mesoamerica”(cultural)

“Middle America”(geological)

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some areas that have been defined (by others) around cultural things are not the

same as the anthropologists’

“cultural areas” . . .

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http://www.worldbook.com/features/explorers/assets/LR004185_subI.gif

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http://www.roconsulboston.com/Pages/InfoPages/Pers/GhinCioban.html

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http://www.rmib-geoscience.nl/links/Ethnographic.ecp

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http://www.antiqueprints.com/images/af1/f1533.jpg

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other

Units of Analysis

Page 34: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

the individual

as a

Unit of Analysis

Page 35: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (“culture area”)– a culture

•“Irish”•“Chinese”•“Mexicans”•“Bedouins”

Page 36: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#title

Parman, Susan.Europe in the Anthropological Imagination.Upper Saddle River, NJ: Prentice Hall, 1998.(ISBN: 0133374602)

Ch. 12 “The Place of Europe in George P. Murdock's Anthropological Theory,”

Mark T. Shutes:

“The new locus of study for Murdock was . . . the individual, rather than some

methodological notion of group. . . .” (p. 166)

Page 37: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Ch. 12 “The Place of Europe in George P. Murdock's Anthropological Theory,”

Mark T. Shutes:

“The new locus of study for Murdock was . . . the individual, rather than some

methodological notion of group. . . .” (p. 166)

This was also earlier advocated by:

Bronislow Malinowski

Edward Sapir(“Sapir-Whorf” hypothesis)

Margaret Mead

Page 38: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)– the community– a region (“culture area”)– a culture

•“Irish”•“Chinese”•“Mexicans”•“Bedouins”

–“life histories”

Page 39: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/Buffalo/Intro-Temp2.html

Paul BuffaloMeditatingMedicine

Page 40: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#Nan

Sharon GmelchNan: The Life of an Irish Traveling Woman, Revised Edition.

Long Grove: IL: Waveland Press, 1991.(ISBN: 0881336025)

Page 41: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

the family

as a

Unit of Analysis

Page 42: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:– one person (e.g., Paul Buffalo)

– the family• e.g., Strodtbeck-Florence Kluckhohn, see later

– the community

– a region (“culture area”)

– a culture

• “Irish”

• “Chinese”

• “Mexicans”

• “Bedouins”

Page 43: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth1604/video/Life_Chances.html#title

we saw this video onThursday 05 July 2007

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“Classics" in the Anthropology of Europe

Oscar Lewis

Page 45: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

the community

as a

Unit of Analysis

Page 46: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community

– a region (“culture area”)

– a culture

• “Irish”

• “Chinese”

• “Mexicans”

• “Bedouins”

Page 47: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• as we have seen, for many years the island model

of peasant / community studies dominated

Europeanist anthropology, and to some extent

continues to do so

– whether or not the peasant community was on an island, the community itself was treated as a

self-contained unit

– see Kertzer’s discussion of the anthropological yearning for “the simplicity of a manageable field

setting . . . Where . . . The scale is human, and the cow dung wafts through the air”

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 48: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• as we have seen, for many years the island model

of peasant / community studies dominated

Europeanist anthropology, and to some extent

continues to do so

– whether or not the peasant community was on an island, the community itself was treated as a

self-contained unit

– see Kertzer’s discussion of the anthropological yearning for “the simplicity of a manageable field

setting . . . Where . . . The scale is human, and the cow dung wafts through the air”

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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• and as we have also seen, the

preference for peasant communities

is due in part to the influence of

Radcliffe-Brown and Robert Redfield

at the University of Chicago

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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1952 Structure and Function in Primitive SocietyGlencoe, IL.: The Free Press

1964 Andaman IslandersGlencoe, IL.: The Free Press

Alfred Reginald Radcliffe-Brown

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“Classics" in the Anthropology of Europe

1930 Tepoztlan, a Mexican Village: A

Study of Folk LifeChicago: University of Chicago Press

1941 Folk Culture of YucatanChicago: University of Chicago Press

Robert Redfield

Page 52: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• the research that came out of this

school of thought emphasized

• self-sufficiency

• and isolation

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 53: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• rather than • regional / national linkages

• migration

• tourism

• urbanization

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 54: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• peasant studies and community

studies by and large perpetuated

the island model of anthropological

units of study with its concomitant

notions of . . .

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 55: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• peasant studies and community

studies by and large perpetuated

the island model of anthropological

units of study with its concomitant

notions of . . .

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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– tradition

– conservatism

– homogeneity • in ideology if not in fact, as Brettell points out in Parman

– egalitarianism

– mechanical solidarity

– cultural essences

as opposed to . . . the notion of culture as . . .

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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as opposed to . . . the alternative notion of culture as

– contested

– negotiated

– invented

– and relational

in a society characterized by

– gesellschaft

– stratification

– class differences

– and organic solidarity

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 58: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• Douglass argues that small communities are an

important part of the European experience and

should not be dismissed as an intellectual

interlude in theoretical trends within American

anthropology

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 59: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• Others authors have justified the use of small

communities in a variety of ways:

– they are condensed, manageable samples of a larger whole (Hoffman)

– they are primordial (Dubisch referring to Campbell)

– they are dynamic arenas within which national self-images are formed

(Dubisch referring to Herzfeld)

– they provide the holistic and ethnographic vehicle for integrating micro

and macro levels of analysis (Bennett; Wilson)

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 60: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• researchers began to look more closely at the

romantic myth of egalitarian communities, and

to describe stratification systems

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 61: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• researchers began to look more closely at the

romantic myth of egalitarian communities, and

to describe stratification systems

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 62: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• the island model of gemeinschaft /

peasant community

– allowed for some role differentiation• primarily based on gender and kinship

– but not the extreme differentiation that

comes under the heading of stratification

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 63: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

• stratification is a symptom of large

complex societies• not the gemeinschaft of small-scale

societies

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

Page 64: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (“culture area”)– a culture

•“Irish”•“Chinese”•“Mexicans”•“Bedouins”

back to

Page 65: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.
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Ernestine Friedl

1962 Vasilika: A Village in Modern

Greece.

Belmont, CA: Thompson Wadsworth, 2002.

(ISBN: 0030115450)

Parman's classic picks -- Tony Galt

“Classics" in the Anthropology of Europe

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http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#InisBeag

John C. MessengerInis Beag: Isle of Ireland.

Long Grove: IL: Waveland Press, 1983.(ISBN: 0881330515)

Inis Beag

Gaelic: "Little Island"

Page 69: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

INIS Beag Revisited:The Anthropologist as Observant Participator

1983 Salem, WI: Sheffield. (Reprint edition August 1989).

The 1983 version was entitled An Anthropologist At Play:Ballald-mongering in Ireland and its Consequences for Research

Page 70: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

. . . backed up in image by

the film

Man of Aran

(77 min, 1934, B&W)

– Robert J. Flaherty,– Colman “Tiger” King,– Maggie Dirrane, and – Michael Dirranewe will see this “classic” film on

Tuesday, 17 July 2007

Page 71: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

John C. Messenger ? 1971 Sex and Repression in an Irish Folk Community. In Human Sexual Behavior: Variations in the Ethnographic Spectrum, by Donald S. Marshall and Robert C. Suggs. Englewood Cliffs, New Jersey: Prentice- Hall.

1978 The Golden Chain: A Study of the Structure, Function, and Patterning of Comparatico in a South Italian

village. American Ethnologist 5:116-136.

Parman's classic picks -- Tony Galt

“Classics" in the Anthropology of Europe

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Milocca: A

Sicilian Village

Charlotte Gower Chapman

Page 75: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

John K. Campbell

Honour, Family, and Patronage: A Study of Institutions and Moral Values in a Greek Mountain Community

(1964)

Page 76: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Classics" in the Anthropology of Europe

Ronald Frankenberg

1957 Village on the Border: A

Social Study of

Religion, Politics, and Football

in a North Wales

Community

Cohen and West

Page 77: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Classics" in the Anthropology of Europe

Ronald Frankenberg

1957 Village on the Border: A

Social Study of

Religion, Politics, and Football

in a North Wales

Community

Cohen and West

Page 78: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Classics" in the Anthropology of Europe

Lewis - Refield debate

• Robert Redfield– Tepoztlan, a Mexican Village: A Study of Folk Life

• Oscar Lewis

– Life in a Mexican Village: Tepoztlan Restudied

Page 79: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

the region

as a

Unit of Analysis

Page 80: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (not as a “culture area”)– a culture

•“Irish”•“Chinese”•“Mexicans”•“Bedouins”

Page 81: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Conrad Arensberg1937 The Irish Countryman.

New York: Macmillan.

”the earliest example of anglophone Europeanist anthropology”

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a culture

as a

Unit of Analysis

Page 84: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (“culture area”)– a culture

• “Irish”• “Irish Travellers” (“Gypsies”)• “Rom” (“Gypsies”)• “Basques”• Catalans

Page 85: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (“culture area”)– a culture

• “Irish”• “Irish Travellers” (“Gypsies”)• “Rom” (“Gypsies”)• “Basques”• Catalans

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Page 87: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region (“culture area”)– a culture

• “Irish”• “Irish Travellers” (“Gypsies”)• “Rom” (“Gypsies”)• “Basques”• Catalans

Page 88: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Sharon B. Gmelch

1986 Groups that Don't Want in: Gypsies

and other Artisan, Trader, and

Entertainer Minorities. Annual Review of

Anthropology 15:307-330.

Parman's classic picks -- Tony Galt

“Classics" in the Anthropology of Europe

Page 89: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.
Page 90: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

The Irish Tinkers: The Urbanization of an Itinerant People

by George Gmelch

1985

Page 91: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region– “culture area”– a culture

• “Irish”• “Irish Travellers” (“Gypsies”)• “Rom” (“Gypsies”)• “Basques”• Catalans

in summary(so far)

Page 92: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may include:

– one person (e.g., Paul Buffalo)

– the family (e.g., Strodtbeck, see later)

– the community– a region– “culture area”– a culture

• “Irish”• “Irish Travellers” (“Gypsies”)• “Rom” (“Gypsies”)• “Basques”• Catalans

Page 93: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may also include:

– a nation (“national character studies”)

– the item or action itself (including “processes”)

– a “cultural metaphor”

Page 94: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may also include:

– a nation (“national character studies”)

– the item or action itself (including “processes”)

– a “cultural metaphor”

Page 95: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

a nation (Nation-State)

as a

Unit of Analysis

Page 96: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Cultural Metaphors

• unit of analysis= the nation or national culture

– “national character studies”

» The Chrysanthemum and the Sword – Ruth Benedict

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the item or action itself

as a

Unit of Analysis

Page 98: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“units of analysis” may also include:

– a nation (“national character studies”)

– the item or action itself (including “processes”)

– a “cultural metaphor”

Page 99: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#CrisisofBirths

Elizabeth L. Krause

A Crisis of Births: Population Politics and Family-Making in Italy

Belmont, CA: Thompson Wadsworth, 2005.

Page 100: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

•demography / population

•gender

•ethnicity

•nationalism

•globalization

•“development”

•social / cultural change

•decision-making

•peasants

•urbanism / urbanization

Parman's classic picks -- Tony Galt

•stratification

•internal and transnational

migration

•“transnationalism”

•networks

•honor / shame values

•patron-client relationships

•literacy

•“we” vs. “other”

•rural / urban continuum

Page 101: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

•demography / population

•gender

•ethnicity

•nationalism

•globalization

•“development”

•social / cultural change

•decision-making

•peasants

•urbanism / urbanization

Parman's classic picks -- Tony Galt

•stratification

•internal and transnational

migration

•“transnationalism”

•networks

•honor / shame values

•patron-client relationships

•literacy

•“we” vs. “other”

•rural / urban continuum

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• in the 1970s anthropologists became

caught up in a surge of interest in world

systems, processes that could be

described independent of particular

“culture areas”

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• in the 1970s anthropologists became

caught up in a surge of interest in world

systems, processes that could be

described independent of particular

“culture areas”

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• in the 1970s anthropologists became

caught up in a surge of interest in world

systems, processes that could be

described independent of particular

“culture areas”

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• these were universal processes, and anthropology was conceived of as a universal science of humankind– not just of the exotic, non-Western,

savage Other

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• these were universal processes, and anthropology was conceived of as a universal science of humankind– not just of the exotic, non-Western,

savage Other

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• thus from one point of view, one could

argue that during the 1970s the

anthropological study of Europe (or any

culture area, for that matter) was

irrelevant in the anthropological

imagination

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• thus from one point of view, one could

argue that during the 1970s the

anthropological study of Europe (or any

culture area, for that matter) was

irrelevant in the anthropological

imagination

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

. . . but not in recent times

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• processes were universal

• where they took place was of interest only in providing additional evidence about the nature of the processes themselves

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• processes were universal

• where they took place was of interest only in providing additional evidence about the nature of the processes themselves

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• on the other hand, going to Europe was essential in the anthropological imagination because it validated the universality of anthropological models– thus separating it from its image as a discipline

relevant only to the study of the exotic, the “primitive,” and the non-West

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• on the other hand, going to Europe was essential in the anthropological imagination because it validated the universality of anthropological models– thus separating it from its image as a discipline

relevant only to the study of the exotic, the “primitive,” and the non-West

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• according to Mark T. Shutes, this same

motivation lay behind George Peter

Murdock attempting to add more

European material to the Human

Relations Area Files, so as to expand the

scope of ethnographic examples

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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• according to Mark T. Shutes, this same

motivation lay behind George Peter

Murdock attempting to add more

European material to the Human

Relations Area Files, so as to expand the

scope of ethnographic examples

Susan Parman, Europe in the Anthropological Imagination, pp. 14 - 16

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a cultural metaphor(analogy, by means of cultural metaphors)

as a

Unit of Analysis

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“units of analysis” may also include:

– a nation (“national character studies”)

– the item or action itself (including “processes”)

– a “cultural metaphor”

(analogy, by means of cultural metaphors)

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• an important influence on American

interest in European Spanish

studies was an attempt to trace

Latin American influences back to

Spain

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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• an important influence on American

interest in European Spanish

studies was an attempt to trace

Latin American influences back to

Spain

Susan Parman, Europe in the Anthropological Imagination, pp. 11 - 14

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we saw this video on Tuesday, 10 July 2007

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“units of analysis” may also include:

– a nation (“national character studies”)

– the item or action itself (including “processes”)

– a “cultural metaphor”

(analogy, by means of cultural metaphors)

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Gannon’sEuropean Cultural Metaphors

include

Ch. 17. The Traditional British

House

Ch. 21. The Italian Opera

Ch. 22.  Belgian Lace

Ch. 24. The Russian Ballet

Ch. 25. The Spanish Bullfight

Ch. 26. The Portuguese Bullfight

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http://www.d.umn.edu/cla/faculty/troufs/anth1095/index.html#text

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Gannon’s

European Cultural Metaphorsinclude

Ch. 6. The Turkish Coffehouse

Ch. 8. The Polish Village Church

Ch. 10. The German Symphony

Ch. 11. The Swedish Stuga

Ch. 12. Irish Conversations

Ch. 14. The Danish Christmas Luncheon

Ch. 15. French Wine . . .

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www.d.umn.edu/cla/faculty/troufs/anth1095/Ireland.html#title

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http://www.carn.com/IrishTales.htm

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Cultural Metaphors

• cultural metaphors can be derived for ethnic groups within and across nations

– e.g., Anishinabe (Chippewa; Ojibwa)– e.g., Rom (Gypsies)– e.g., Irish “Travellers”

• sometimes incorrectly called “Gypsies”

– e.g., Kurds (in Turkey)– e.g., Basques

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Cultural Metaphors

• cultural metaphors can be derived for ethnic groups within and across nations

– e.g., Anishinabe (Chippewa; Ojibwa)– e.g., Rom (Gypsies)– e.g., Irish “Travellers”

• sometimes incorrectly called “Gypsies”

– e.g., Kurds (in Turkey)– e.g., Basques

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http://www.d.umn.edu/cla/faculty/troufs/anth3635/cetexts.html#BasqueHistory

Mark KurlanskyThe Basque History of the World.

NY: Penguin Books, 1999.(ISBN: 0140298517)

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Cultural Metaphors

• unit of analysis is usually the nation

or national culture

• applies to a group, but not to every

individual within it

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Cultural Metaphors

• unit of analysis is usually the nation

or national culture

– because a good amount of evidence

suggests that there are commonalities

across regional, racial, and ethnic groups

within each of them that can be captured

effectively by cultural metaphors

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Cultural Metaphors

• unit of analysis is usually the nation

or national culture

– Understanding Global Cultures contains

28 metaphors

(13 of the 28 are from Europe)

– there are approximately 200 nations in the world • 193 according to The Times World Atlas

(2004)

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Cultural Metaphors

• unit of analysis is usually the nation

or national culture

– Understanding Global Cultures contains

28 metaphors

(13 of the 28 are from Europe)

– REM: there are approximately 200 nations in the world • 193 according to The Times World Atlas

(2004)

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Ken Livingston, mayor of London England,

indicated that there were over 300languages spoken in London.

(Following the terrorist attack of July 2005)

Communication

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How many languages

are spoken in

St. Paul Minnesota ?

Communication

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Culture Counts

and it counts quit a bit

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

• Cultural Metaphors include, in addition, the items on p. 11 of Gannon’s book . . .

Page 139: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

• Cultural Metaphors include, in addition, the items on p. 11 of Gannon’s book . . .

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Cultural Metaphors include . . .

• religion

• early socialization and family structure

• small group behavior

• public behavior

• leisure pursuits and interests

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Cultural Metaphors include . . .

• total Lifestyle

– work / leisure / home and time allocations to each of them

• aural space

– the degree to which members of a society react negatively to high noise levels

• roles and status of different members of a society

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Cultural Metaphors include . . .

• holidays and ceremonies

• greeting behavior

• humor

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Cultural Metaphors include . . .

• language

– oral and written communication

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Cultural Metaphors include . . .

• non-oral communication

– body language

• kinesics (motion)

• proxemics (space)

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Cultural Metaphors include . . .

• sports

– as a reflection of cultural values

• political structure of a society

• the educational system of a society

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Cultural Metaphors include . . .

• traditions and the degree to which the established order is emphasized

• history of a society

– but only as it reflects cultural mind-sets, or the

manner in which its members think, feel, and act

– not a detailed history

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Cultural Metaphors include . . .

• food and eating behavior

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Cultural Metaphors include . . .

• social class structure

• rate of technological and cultural change

• organization of and perspective on work

– such as a society’s commitment to the work ethic, superior-subordinate relationships, and so on

• any other categories that are appropriate

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A Four-Stage Model of Cross-Cultural Understanding

I. four-cell typology of process / goal orientation

II. more specificity

III. inclusion of other “etic” of culture-general dimensions along which specific cultures have been shown to vary

IV. cultural metaphors are employed for understanding a culture

they build on the “etic” understanding provided by the approaches used in the first three stages

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Fig. 1.1. Process, Goals, and Expression of Emotions (p. 12)

Open Expression of Emotions and Feelings

Degree to which process must be emphasized before goals can be discussed

Lower Higher

Lower

Higher

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A Four-Stage Model of Cross-Cultural Understanding

I. four-cell typology of process / goal orientation

II. more specificity

III. inclusion of other “etic” of culture-general dimensions along which specific cultures have been shown to vary

IV. cultural metaphors are employed for understanding a culture

they build on the “etic” understanding provided by the approaches used in the first three stages

Page 152: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Emics / Etics

emics– from “phonemics”– viewing a culture from the inside

etics– from “phonetics”– viewing a culture from the outside

more on the “emics” and “etics” later

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“Four-Stage Model”

One variable of Gannon’s

“Four-Stage Model”

is the degree to which process such as

effective communication and getting to

know one another in depth should

precede discussion of specific goals

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“Four-Stage Model”

One variable of Gannon’s

“Four-Stage Model”

is the degree to which process such as

effective communication and getting to

know one another in depth should

precede discussion of specific goals

Page 155: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Four-Stage Model”

Another variable of Gannon’s

“Four-Stage Model” is the degree to which a

culture fosters and encourages open

emotional expression

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“Four-Stage Model”

Another variable of Gannon’s

“Four-Stage Model” is the degree to

which a culture fosters and encourages

open emotional expression

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Fig. 1.1. Process, Goals, and Expression of Emotions (p. 12)

Open Expression of Emotions and Feelings

Degree to which process must be emphasized before goals can be discussed

Lower Higher

Lower England, Ireland, and Scotland

United States and Germany

Higher China, Japan, and India

Mexico, Spain, and Italy

More on the “Four-Stage Model” later, time permitting

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Cultural Metaphors

“Metaphors

are not stereotypes” – Martin J. Gannon

Why?

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Geert Hofstede(1991)

• IBM study demonstrated that

national culture explained 50% of

the differences in attitudes in IBM’s

53 countries

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“Given such studies, it seems that

culture influences between 25%

and 50% of our attitudes, whereas

other aspects of workforce

diversity, such as social class,

ethnicity, race, sex, and age,

account for the remainder of these

attitudinal differences.”

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“Given such studies, it seems that

culture influences between 25%

and 50% of our attitudes, whereas

other aspects of workforce

diversity, such as social class,

ethnicity, race, sex, and age,

account for the remainder of these

attitudinal differences.”

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“Frequently, when a foreigner

violates a key cultural value, he or

she is not even aware of the

violation, and no one brings the

matter to his or her attention.”

– once a visitor makes a major mistake it is frequently impossible to rectify it

– and it may well take several months to realize that polite rejections really signify isolation and banishment

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“Frequently, when a foreigner

violates a key cultural value, he or

she is not even aware of the

violation, and no one brings the

matter to his or her attention.”

– once a visitor makes a major mistake it is frequently impossible to rectify it

– and it may well take several months to realize that polite rejections really signify isolation and banishment

includingproxemicskenisics

Page 164: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

“Frequently, when a foreigner

violates a key cultural value, he or

she is not even aware of the

violation, and no one brings the

matter to his or her attention.”

– once a visitor makes a major mistake it is frequently impossible to rectify it

– and it may well take several months to realize that polite rejections really signify isolation and banishment

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“Even genuinely

small cultural mistakes can have

enormous consequences.”

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“. . . knowing a country’s language,

although clearly helpful, is no

guarantee of understanding its

cultural mindset, and some of the

most difficult problems have been

created by individuals who have a

high level of fluency but a low level of

cultural understanding.”

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“. . . knowing a country’s language,

although clearly helpful, is no

guarantee of understanding its

cultural mindset, and some of the

most difficult problems have been

created by individuals who have a

high level of fluency but a low level of

cultural understanding.”

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“Moreover,

members of a culture tend to assume

that highly fluent visitors know the

customs and rules of behavior, and

these visitors are judged severely

when violations occur.”

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Cultural Metaphors

• Understanding Global Cultures

describes a method for understanding

easily and quickly the cultural mind-

set of a nation and comparing it to

other nations . . .

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Cultural Metaphors

• Understanding Global Cultures

describes a method for understanding

easily and quickly the cultural mind-

set of a nation and comparing it to

other nations . . .

metaphorical analysis

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Cultural Metaphors

wherein

the unit of analysis isthe metaphor

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Cultural Metaphors

• In essence the cultural metaphor involves identifying some phenomenon, activity, or institution of a nation’s culture that all or most of its members consider to be very important and with which they identify closely– the characteristics of the metaphor then

become the basis for describing and understanding the essential features of the society

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Cultural Metaphors

• In essence the cultural metaphor involves identifying some phenomenon, activity, or institution of a nation’s culture that all or most of its members consider to be very important and with which they identify closely– the characteristics of the metaphor then

become the basis for describing and understanding the essential features of the society

Page 174: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Cultural Metaphors

• In essence the cultural metaphor involves identifying some phenomenon, activity, or institution of a nation’s culture that all or most of its members consider to be very important and with which they identify closely– the characteristics of the metaphor then

become the basis for describing and understanding the essential features of the society

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Cultural Metaphors

• each metaphor is a guide or map that helps the foreigner understand quickly what members of a society consider very important

– but it is only a starting point against which we can compare our own experiences and through which we can start to understand the seeming contradictions pervasive in most, if not all, societies

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Cultural Metaphors

• each metaphor is a guide or map that helps the foreigner understand quickly what members of a society consider very important

– but it is only a starting point against which we can compare our own experiences and through which we can start to understand the seeming contradictions pervasive in most, if not all, societies

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Cultural Metaphors

• Gannon’s book describes

a dominant,

and perhaps the dominant,

metaphor for each society

– but other metaphors may also be

suitable

Page 178: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Gannon’s

European Cultural Metaphorsinclude

Ch. 6. The Turkish Coffehouse

Ch. 8. The Polish Village Church

Ch. 10. The German Symphony

Ch. 11. The Swedish Stuga

Ch. 12. Irish Conversations

Ch. 14. The Danish Christmas Luncheon

Ch. 15. French Wine . . .

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Gannon’s

European Cultural Metaphorsinclude

Ch. 17. The Traditional British House

Ch. 21. The Italian Opera

Ch. 22.  Belgian Lace

Ch. 24. The Russian Ballet

Ch. 25. The Spanish Bullfight

Ch. 26. The Portuguese Bullfight

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

• Cultural Metaphors include, in addition, the items on p. 11 of Gannon’s book . . .

Page 181: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

• Cultural Metaphors include, in addition, the items on p. 11 of Gannon’s book . . .

Page 182: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

– note that each society has a dominant

cultural orientation that can be

described in terms of six dimensions

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Florence Kluckholn and Fred Strodtbeck

1. “What do members of a society assume about the nature of people, that is, are people good, bad, or a mixture?”

• These kinds of beliefs are sometimes called

“existential postulates”

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Florence Kluckholn and Fred Strodtbeck

1. “What do members of a society assume about the nature of people, that is, are people good, bad, or a mixture?”

• These kinds of beliefs are sometimes called

“existential postulates”

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Florence Kluckholn and Fred Strodtbeck

2. “What do members of a society assume

about the relationship between a person

and nature, that is, should we live in

harmony with it or subjugate it?”

• These kinds of beliefs are sometimes called

“normative postulates”

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Florence Kluckholn and Fred Strodtbeck

2. “What do members of a society assume

about the relationship between a person

and nature, that is, should we live in

harmony with it or subjugate it?”

• These kinds of beliefs are sometimes called

“normative postulates”

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Florence Kluckholn and Fred Strodtbeck

3. “What do members of a society assume

about the relationship between people,

that is, should a person act in an

individual manner or consider the group

before taking action?”

• individualism vs. collectivism (groupism) in

terms of such issues as making decisions,

conformity, and so forth

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Florence Kluckholn and Fred Strodtbeck

3. “What do members of a society assume

about the relationship between people,

that is, should a person act in an

individual manner or consider the group

before taking action?”

• individualism vs. collectivism (groupism) in

terms of such issues as making decisions,

conformity, and so forth

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Florence Kluckholn and Fred Strodtbeck

4. “What is the primary mode of activity in

a given society, that is, being, or

accepting the status quo, enjoying the

current situation, and going with the

flow of things;

or doing, that is, changing things to

make them better, setting specific

goals and accomplishing them within

specific schedules, and so forth?”

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Florence Kluckholn and Fred Strodtbeck

4. “What is the primary mode of activity in

a given society, that is, being, or

accepting the status quo, enjoying the

current situation, and going with the

flow of things;

or doing, that is, changing things to

make them better, setting specific

goals and accomplishing them within

specific schedules, and so forth?”

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Florence Kluckholn and Fred Strodtbeck

5. “What is the conception of space in a given society,

that is, is it considered private, in that meetings

are held in private, people do not get too close to

one another physically, and so on;

or public, that is, having everyone participate in

meetings and decision making, allowing

emotions to be expressed publicly, and having

people stand in close proximity to one another?”

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Florence Kluckholn and Fred Strodtbeck

5. “What is the conception of space in a given society,

that is, is it considered private, in that meetings

are held in private, people do not get too close to

one another physically, and so on;

or public, that is, having everyone participate in

meetings and decision making, allowing

emotions to be expressed publicly, and having

people stand in close proximity to one another?”

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Florence Kluckholn and Fred Strodtbeck

6. “What is the society’s dominant

temporal orientation”

past

present

and / or future?

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Florence Kluckholn and Fred Strodtbeck

6. “What is the society’s dominant

temporal orientation”

past

present

and / or future?

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Constructing Cultural Metaphors

• Kluckholn and Strodtbeck note that each society has a dominant cultural orientation that can be described in terms of these six dimensions

• but that other, weaker orientations may also exist simultaneously in its different geographical regions and racial and ethnic groups

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Constructing Cultural Metaphors

• Kluckholn and Strodtbeck note that each society has a dominant cultural orientation that can be described in terms of these six dimensions

• but that other, weaker orientations may also exist simultaneously in its different geographical regions and racial and ethnic groups

Page 197: Peoples and Cultures of Europe Europe as an ethnographic "culture area" units of analysis / cultural metaphors.

Constructing Cultural Metaphors

• Kluckholn and Strodtbeck note that each society has a dominant cultural orientation that can be described in terms of these six dimensions

• but that other, weaker orientations may also exist simultaneously in its different geographical regions and racial and ethnic groups

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede• made many discoveries in how

people learn language

• analyzed the levels of learning

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Edward T. Hall

1. “Context,

or the amount of information that must

be explicitly stated if a message or

communication is to be successful”

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Edward T. Hall

2. “Space,

or the ways of communicating through

specific handling of personal space”

e.g., North Americans tend to keep more

space between them while communicating

than do South Americans

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Edward T. Hall

3. Time, which is either

monochronic

(scheduling and completing one activity at a time)

or polychronic(not distinguishing between activities and completing them simultaneously – “multitasking”)

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Edward T. Hall

3. Time, which is either

monochronic

(scheduling and completing one activity at a time)

or polychronic(not distinguishing between activities and completing them simultaneously – “multitasking”)

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Edward T. Hall

4. “Information flow,

which is the structure and speed of

messages between individuals and / or

organizations”

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

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Geert Hofstede

– prominent organizational psychologist

– research is based on a large questionnaire survey of IBM employees and managers working in 53 different countries

– especially significant because the type of organization is held constant

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Geert Hofstede

1. Power distance

or the degree to which members of a

society automatically accept a

hierarchical or unequal distribution of

power in organizations and the society

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Geert Hofstede

2. Uncertainty avoidance

or the degree to which members of a

given society deal with the uncertainty

and risk of everyday life and prefer to

work with long-term acquaintances and

friends rather than with strangers

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Geert Hofstede

3. Individualism

or the degree to which an individual perceives him- or her-self to be separate from a group and free from group pressure to conform

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Geert Hofstede

4. Masculinity

or the degree to which a society looks

favorably on aggressive and materialistic

behavior

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Geert Hofstede

5. Time horizon(short term to long term)

or the degree to which members of a

culture are willing to defer present

gratification in order to achieve long-

term goals

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Geert Hofstede

5. Time horizon(short term to long term)

or the degree to which members of a

culture are willing to defer present

gratification in order to achieve long-

term goals

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criticisms of the “three-dimensional approaches” developed by

Kluckholn and Strodtbeck, Hall, and Hofstende include

– leave out many features of the cultural mind-sets that are activated in daily cultural activities

– neglect the institutions molding these mind-sets

– are instructive, but are “somewhat lifeless and narrow”

– leave out many facets of behavior

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Constructing Cultural Metaphors

• Florence Kluckholn and Fred Strodtbeck

• Edward T. Hall

• Geert Hofstede

• Cultural Metaphors include, in addition, the items on p. 11 of Gannon’s book . . .

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http://www.d.umn.edu/cla/faculty/troufs/anth1095/index.html#text