COVER

PAVEL SAVINE . architecture and urban design portfolio

CHESS COACH2005 - 2010, -Tucson, AZ, USA

Private lessons and group sessionsself employed

& Arizona Chess for Schools LLC

Date/location:Responsibility:Employer:

DUFFIELD YOUNG ADAMSON, Attorneys at Law2006 - 2009, Tucson, AZ, USA

-Clerical dutiesDate/location:Responsibility:

9.2010 - 7.2011, Rotterdam, Netherlands-sustainability research, architectural

design, urban design, visualizationsgraphic design, concept development

-concept phase and concept developmentphase design and presentation

Date/location:Responsibility:

Products:

STUDIO MARCO VERMEULEN architecture, landscape, urbanism, research

TEACHING ASSISTANT- LAR533 Urban Design Studio1.2012 - 5.2012 , Tucson AZ

Desk crits, photoshop tutorialsDate/location:Responsibility:

TOCCI BUILDING COMPANYDate/location: Responsibility:

5.2012 - 8.2012 , Boston, MAVDC intern, Developed Revit plugin for checking BIM data

CAPLA MATERIALS LABDate/location: Responsibility

10.2012 - 6.2013 , Tucson, AZGrasshopper scripts for concrete printer

DIAGRAMMATIC LLC Date/location: Responsibilty:

8.2011 - present, Tucson AZ self-started visualization service

TEACHING EXPERIENCE

PROFESSIONAL EXPERIENCE

ADJUNCT FACULTY- Hong Kong Urban Design Studio6.2013 - present , Hong Kong

Desk crits, photoshop tutorials, discussionsDate/location:Responsibility:

ACCLIMATED [ 2 - 4 WEEKS ]Berlin, GermanyMuscat, OmanAntwerp, BelgiumLondon, UKRammallah, Palestine

VISITEDDubai, UAERome, ItalyCanterbury, UKDublin, IrelandBrussels, BelgiumBruge, Belgium

Jeruselam, IsraelTel Aviv, Israel

Orlando, FloridaLA, California

Kansas City, MissouriMilwaukee, Wisconsin

Remote Work

Student Work

LIVED [ > 3 MONTHS ]

Professional Work

Travel

Boston, MassachusetsRotterdam, NetherlandsTucson, ArizonaMoscow, Russia

LEGEND

-

CONTACT psavine@email.arizona.edu

Pavel Savine520 248 4195

INTERESTS

7 National team titles, Numerous Titles.

Chess: Boxing:Learning:

CATALINA FOOTHILLS HIGH SCHOOL Tucson AZ, class of 2007-Chess team 2004 - 2007

-Wrestling team 2004 - 2006-GPA 3.7Director Tejido Group

mpf@u.arizona.edu 520 621 3948

UofA Architecture: Assistant Professor

Dr. Mark Fredrickson

Chris Trumble

REFERENCES

SOFTWAREPhotoshop, Rhino, Grasshopper,

Illustrator, Sketchup

Revit, Revit API (in c#)indesign, excel

autocad, dreamweaver

EDUCATION

UNIVERSITY OF ARIZONA

WON Lyceum Competition 2010ABA Portfolio Award

AIAS Design AwardKirby Lockard Award

Wildcat Excellence AwardGPA 3.5

Pederson AwardABA Portfolio Award

Year off for Lyceum Fellowship

graduation date: May 20135 years boxing and mma. Philosophy, Politics, World Affairs,

Mathematics, Natural Sciences, Programming, Cultural Criticism.

Achievements:

2010:

2009:2008:2007:

2012:

2011:

skype: phone:

Date/location:Other interests:

Email:

Marco Vermeulen Principal of SMVstudio@marcovermeulen.nl

31(0)10 225 0030

520 621 6741

Languages: Fluent in: English and Russian.Getting by: Dutch, French.

ctrumble@email.arizona.edu

TABLE OF CONTENTS

VIII CAPSTONE (in progress):ARCHITECTURE AND FREEDOM

PAGE 50

II 3D PRINTING WITH CONCRETE

PAGE 10

V ULI/HINES 2013 URBAN DESIGN COMPETITION

PAGE 24

III DESERT DWEILLING

PAGE 18

VII PROFESSIONAL WORKSTUDIO MARCO VERMEULENOcean World VlissingenWerklandscaap EkkersrijtAFC Niew PrinselandDeltascenario RijnmondWaterpoort Metabolism

Freelance Design

Page 40

IV AL-HAMRIYAHSUSTAINABLE URBAN LIVING PROTOTYPE

Page 22

I LYCEUM COMPETITION (1st Place)

Page 6

VI BIRZEIT, PALESTINESMALL TOWN REVITALIZATION

Page 36

LYCEUM COMPETITION1st PlaceA Community Center in ABUJA, NIGERIA, a masterplanned city with the extremes of, rich and poor, corruption and tradition.

3D PRINTING WITH CONCRETE

The concrete printing project was an independent studio which I initiated. The manager of the materials lab at the college of architecture had designed and constructed two maker-bot style machines (below) and a delivery system with which are capable of ‘printing’ with a custom cementitious concrete formula.

My goal was to develop the system and potential of these machines. The investigation aimed to establish and test performative criteria for the concrete. My private aim was to make something which could be understood as ‘beautiful’ from a new material.

‘gigantor’ max 80cmx50cmx50cm

‘replicator’ max 15cmx15cmx15cm

Early prototypes

DESIGN TESTING RE - DESIGN

thermal performance formula developmentshading/model accuracy testing

AESTHETIC PROTOTYPING JOINDERY/OBJECT PROTOTYPING PATTERN BLOCK PROTOTYPING

A fi nal part of the investigation was visualizing some possibilites with the technology as it stands (left).

LESSONS : This was my fi rst independant material investigation. I learned this was not my area of talent.

The studio was a look into the resources one person could bring into an invention. During reviews, my project was compared against similar and more advanced efforts (including groups with millions in funding and multi-disciplinary teams).

This comparison put material investigation into a perspective for me. While a small group of designers can ‘invent’ a building with the right backing, a larger effort (group and money) is needed to make a signifi cant material breakthrough.

DESERT DWELLING

SiteTrail

ROAD

A brief project to design a dwelling in the Sonoran Desert. My approach was to attempt to create a self sus-taining dwelling, including food, water, waste treatment, and thermal comfort in the harsh desert climate.

Site

Located on Wash.

The enclosed interior space has operable vents to create various airflows between exterior and the greenhouses, which are used to regulate the tempera-ture. Different strategies are designed for maintaining thermal comfort between seasonal extremes.

Greenhouses closedGreenhouse open

Ground Radiates to int

Hot Air Rises

Airflow throughentire system

Venturi Air Flow in mountains

Greenhouses radiate heat to int.Int. Open to outside

Direct solar Gain

Slab Radiates to Int.

Greenhouses open

Greenhouses closedCool air stored at night

cool air released

summer day 100 F

summer night 70 F

winter day 65 F

winter night 40 F

75 F 75 F

75 F75 F

AL HAMRIYAHSUSTAINABLE URBAN LIVING PROTOTYPE

MUSCAT, OMAN

At night - migrant workers out on the town.

Conditions of some of the residences

I was fortunate to be part of interdisciplinary studio of architects, landscape architects and planners was tasked with a strategy for improving a distressed piece of urban fabric in Muscat, Oman.

Al Hamriya is one of the early developments in the Ruwi district of the city. Surrounded by mountain ranges, the valley shows major concern for past and future issues of fl ood and drainage control. The apparent lack of planning has lead to overpopulation and overdensifi cation, resulting social stratifi cation a major lack of open space. stststststststststttststssstsststststssststststststsssstsssssttttttststtts rarararararararaaaaarrarararaaararrarararaaraaararrarraararararrraarararaaaaararararaaaararaaraararararraaaaaaaaaraaaraaaaaaaaaaaaaaaatititititititttitittitttititititttttititititttitttittititttttttttttttitttttt fififififififififififififififififififi fifififi fififififi fifififififi fi fi fi fi fi fi fifififififi fififificacacacacacacacacacacacacacacacacaacacacaacaaacacacacaaaccaacacaccaccacaacacccacacaatitititititiitittttitttitittttititttttiiitititittt onononononononononoonononononononononoonoonooonoooono aaaaaaaa mmmmmmmmmmmmmmmmmaajajajajajajaaajajajajaajajaja orororoororororroorororrorror llllllllllaacacacacacacacaccacccacackkkkkkkkkkkkkkk ofofofofofofofofofofoofofooo oooooooooooooooooooooopepepepepepepepepepepepeeppepppennnnnnnnnnnnnn spspspspspsssppsppspspspspspsspsssspsss acacacacaccacacacaaccaaacacacce.e.ee.ee

View into the valley of Al-Hamriyah

SCALE

N

250m 500m0mFinal Master Plan

STRATEGIES OVERVIEW

Environmental Strategies:

Xeriscape, streetscape and shading strategies reduce urban heat island effect.

Terracing along edges mitigates sheet-fl ow and creates places for ur-ban agriculture.

Water retention and storage integrat-ed into Grey water reuse for land-scape. Landscaped Pedestrian connections for comfort and walk-ability.

Infrastructural Strategies:

Parking and Plazas consolidated along main road.

Service streets designated for com-mercial area.

Proposed road along outer edge of Al Hamriya for through traffi c.

Underpasses for safely crossing the street and creating a mountain to mountain connection.

Social Strategies:

Open space and amenities such as schools and football fi elds targeted for young Omanis and families.

Dedicated areas for women and parks for children.

Dedicated areas for expats who live and work on site.

Connections and space for local business startups.

Vocational school for onsite workers.

Underpasses are safe ways to cross the street and refuges from the heat

Streetscape during DAY and NIGHT

STRATEGIES OVERVIEW

Economic Strategies

The plan envisions the Al Hamriya area as a sustainable economic system with several sub-systems working together.

Construction systemUpgrades housing.Training for on-site expats.Skills will be in turn used for the other. on-site construction projects.

Food production system terraces employ expats growing food. This is then sold in local markets.terraces become parks and achors.plant nurseries for cultivation and education.

Visitors System Garages consolidate parking.Underpasses connect both sides of major road.

Opportunity SystemRennovated buildings dedicated to entrepeneurial startups.Local Market provides access.

Public Transportation

The internal route ensures no part of the site is more than a 5 minute walk.

The external route would connect the area to the rest of Muscat.

Planning Considerations

Al Hamriya has exceeded its carrying capacity in terms of density. The northern part of the site is occupied largely by expatriate workers, many of whom live 4 or more people to a room.

A separation will be created between the expatriate workers and Families.

Both user groups will be located around open space.

Population of expatriate workers will be reduced - many will be moved to worker communities which have better living conditions.

TRANSPORTATION PLAZA OVERVIEW

DESIGN AREA : NORTH EDGE

II STREETSCAPE STRATEGY

Unifying the Al Hamriya area and create a distinct urban identity.

Continuously shaded edge with a variety of pocket parks and plazas.

III MAJOR PLAZA AND UNDERPASSES

The plaza creates an identifi able location on the edge of Al Hamriya.

This stimulates economic development and announces the new souk, which will be the main economic driver of the area in later phases.

Two underpasses connect the north to the south edges of the street.

One connects the Souk to the mountain park and garages.

The other one connects to the vocational school and terracing along the mountain.

I PARKING STRATEGY

The parking strategy centralizes and organizes the currently scattered cars.

Car capacity upgraded from 100 to 420.

IV MOUNTAIN PARK

The mountain park will create an attractor for people outside of the area to visit Al Hamriya.

Turns the mountain into a unique and accessible amenity.

MOUNTAIN PARK

PARKING

PLAZA

STREERSCAPE

AREA PLAN

MOUNTAIN PARK OVERVIEW

OVERVIEW

Paths and programs

RICH

POOR

2

3

Market Loop

DESIGN PROBLEM

+ + +

SOCIAL CONCEPT ECONOMIC CONCEPT ENVIRONMENTAL CONCEPT

HOW DO YOU GET G O O D I D E A S ?

RIGHT : A design question was posed and answered by iterations.

WRONGEST. no order, no method, no means to evaluate success.

WRONG. Design question was posed, but iterations were too loose and did not answer question.

Watershed

‘ORDERING SYSTEMS’

My (adopted) criteria for projects: Functional, Economical, Social, and Enviornmental respoonses. This means, I question design decisions based on these criteria, and use them to enrich my response to the design problem. In some cases these ordering systems are added to an initial concept, in other cases I create the concept as a combination of responses to the issues addressed by the ordering systems.

DISCUSSION, ITERATION, EVALUATION

The main method for designing with a team or alone for me revolves around posing clear questions, fi nding a variety of solutions, and deciding on the best one. I learned this during the project to the right, of which each iteration I added to this diagram.The design was an epic disaster, but during this time I learned the difference between clear iteration and evaluation as opposed to ineffi cient exploration.

INSPIRATIONin school, beauty, insight and inspiration are not discussed as valid design driv-ers. As I continued my education, I came to question this, in that many of my favorite places I liked because they were beauti-ful, not because of my intellectual appre-ciation of their concept or history. Sim-ilarly, it was this process of adherance to prevailing social ideas in some sense that drove some disasterous modernist buildings to be what is known to many people as ‘ugly.’

I was able to test this idea working in the Netherlands, as I attempted to simply make beautiful spaces (as I understood it) and let the social, economic and enviornmental implications be added latter. This seemed to work much better and more effi ciently in that context, so I added it to my ‘repertoire’ of design strategy.

II

III

I

U L I / H I N E S U R B A N D E S I G N COMPETITION

CONDITIONS

-high prices for available land in

area

-low levels of demand

-dicult economic climate for new

development.

STRATEGY

-The ‘Game Changer’ an insertion

into the fabric of downtown signicant

enough to catalyze a shift in market

forces.

- New Velodrome for Olympic bid.

-Other sports and community

oriented amenities forms the crux of

this new development

-centered on healthy, community

oriented lifestyle.

-Integrated into the fabric of the city

through a series of greenways and

parks.

-The historic armory is readapted as

a community farmer’s market.

-Major demographic of young

professionals, but also for a

demographic of families and empty

nesters and college students.

Design Strategies

Health and Wellness - geared to olympics

BIRZEIT,PALESTINE

Main roadOld City SoukUniversity Souk

Commercial Foci Aggricultural Development

Commercial Road Historic CenterConnection and Revitalization

(Nominated for Agha Khan Award).

- Historic Center Revitalization - Urban Connectivity - Old Campus Redesign

I was part of a Tejido Group project which involved a team of University of Arizona students in a three week design charrette to revitalize in Birzeit, Palestine. The goal was to develop a strategy to revitalize a historic city center.

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Green Network Focus areas for revitalization

New Development

Historic CoreEntry Road Green Core University

CampusConnection

NewNew Development

ioricore

Main Strategies

- Connect Historic city center to main artery and activate amenaties in between the two zones.

- Create commercial opportunities through the Historic Center.

- Increase dedicated open and recreational space.

- Defi ne a network of publicly accessible spaces that allow for the infusion of people and activity throughout the city.

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overview of design strategies

STAGE ONE ECONOMIC Planting a ‘green buffer’ creates incentive for local jobs, while construction is low-tech, traditional.FUNCTIONAL The structures contain machinery and farming supplies that support cultivation of the buffer.SOCIAL Continues Old City ethic of high density development

entrance to Historic core from aggricultural development

STAGE TWO SOCIAL Vocational schools and play spaces for children. Adults learn, while children are nearby and occupied.ECONOMIC New knowledge will create more job opportunities rooted in local economy.FUNCTIONAL Courtyards and open range ensure casual observance of buffer zone.

STAGE THREE SOCIAL Additional housing for students and helps create pedestrian traffi c into established network.ECONOMIC Souks, old university and core models will be put into action.

overview of mixed use development

Lessons - many fi rsts:

I. This was my fi rst time out of the country. -I learned when to talk and when to be quiet.

II. This was my fi rst large group project. -I learned to working hard for the overall product can be more important for the individual design. I ended up doing all of the arieals and most of the front-end drawings. This helped the overall project, but did not leave me enought time to develop my own design.

INDIVIDUAL DESIGN AREA : NEW MIXED USE DEVELOPMENT: support for farming, vocational training, and housing.

OCEAN WORLD, VLISSINGENEXCERPTS FROM WORKING FOR STUDIO MARCO VERMEULEN Rotterdam, NetherlandsARCHITECTURAL DESIGN

Concept Design Competition for a water sports park, including and indoor kayak course, diving tanks and restaraunt. Since most of the program was off-the shelf machinery, the roof became the main design concept.

RESPONSIBILITIES:-Concept Development/Design.

-Modeling.-Final Illustrations.

WORK LANDSCAPE EKKERSRIJT RESPONSIBILITIES:-Initial analysis diagrams

-Concept Development/Design-Final Illustrations.

Existing Home shopping area- themed as an ‘automobile playground’

Unused construction area- proposed recycle/adventure park

Car repair and vacant land- multimodal logistics node and support

STUDIO MARCO VERMEULEN

URBAN DESIGNA project to make suggestions for improving a large piece of urban fabric. Each area was given a image according to its existing function. Suggestions to upgrade each area according to the new image.

AFC NIEWPRINSELANDA greenhouse development which incorporates many sustainable features. Heat, water, various waste products, and CO2 are recycled.

Responsibilities: -’Closing Cycles’ Diagram

-Visualizations-Master Plan adjustments

-Landform Design

A development i n c l u d i n g g r e e n h o u s e s , a sugar factory, and business park, generating large amounts of energy, resources, and waste. The scheme called for the re-use of resources in various ‘cycles’ which create an overall effi cient system. This diagram illustrates the fl ows of resources, and became the logo for the development.

Visualization of landforms from the highway

METABOLISME WATERPOORT STUDIO MARCO VERMEULEN

RESEARCH PROJECTS A research project about the sustainable energy systems in holland. The project was to visualize the possibilities of CO2, waste heat, recycling, aggriculture, electricity and other systems at a regional scale.

Waste Heat Availability

Aggriculture

CO2 Network

Knowledge Centers

RESPONSIBILITIES:-Drawings and presentation

DELTA SCENARIOS RIJNMONDProjections for what Rotterdam will look like in 2100, based on possible economy and climate scenarios.

STEAM-Good Economy

-Heavy Climate Change

WARM-Poor Economy

-Heavy Climate Change

FULL-Good Economy-No Climate Change

REST-Poor Economy-No Climate Change

RESPONSIBILITIES:-Urban Scale representation

-research and discussion

Freelance DesignSANDINOSTRASSE HOSTEL EXPANSIONBerlin, Germany

During my travels I ended up at this hostel (see images to left).

The owner had just started renovating it, and asked for a few ideas...

We talked...we played chess...we boxed...we designed...we discussed alternatives.

Existing conditions

Final Proposal - movie theatre and game room

In exchange for beer and bed, I came up with some alternative program, materials, and themes.

The fi nal design was a movie theatre and game room.

It was the most fun in design I ever had.

Final Proposal - overview

Material Alternatives

Design Alternatives

After returning to the US after my year abroad, I decided to attempt to start a visualization business for the local architects, and DIAGRAMMATIC LLC was born.

This did not go so well...I ran into too many problems (some entirely out of my control). I learned I do no like marketing myself, convincing people they need me to do something for them, it was just not me.

THE SUBURBAN CONDITION

BUY

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EFFICIENCYMONEY

CORPORATISMCAPITALISM

ROUTINEACCESS

TV2.6 hours

computer17 min

thinking/relaxing20min

socializing41 min

reading16min

T I M

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social networking50%

S P

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Texisting ‘worlds’

If it was generally questioned whether to continue within the set of unstated constraints, would they remain valid?

For example, from a study of how people spend their time, it can be seen that certain activities such as watching tv play a dominant role. These activities often run in contradiction to [my] definition of freedom.

One knows how to act when entering a store, a house, street. This is because of the set of customs which are not questioned or stated.

My Definition of freedom is (1) the feeling/expirience (not concept of)

(2) of unconstrained movement of thought (3) through any and/or all realms [of information]which is

(4) not interrupted or imposed upon (5) on conscious or unconscious levels.

A R C H I T E C T U R E A N D F R E E D O MBACHELORS THESIS

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through understanding of the totality of orders any symblic order is negated and one can come to ques-tion ones own freedom.

The architecture of freedom a series of spaces which put forth the ‘missing worlds’ which are negated by the suburban order.

It is not an icon which is incorporated into that order, but exists through a backdoor into the realm of one’s fantasies and explorations which are often forgotten. It is the tools without obligation to undertake what it is that one wants to undertake.

Understanding Freedom

Enjoy.Wander.

The point is not to impose a program, a style, a situation. This is the architecture which negates itself through the multiple expiriences.

Do not see them as a whole.

If there is something to enjoy,

Enjoy it.

DYSTOPIAN FUTURE

IDILLIC PAST BASE UNIT DISSOLUTION

1

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4

5

6

7

8

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ARCHITECTURAL DEFINITION

EARTHSTEEL

MATERIAL BOTTOM

CONCRETEBRUTALITY SOFTNESS

BRUTAL SOFTNEUTRAL

CLASSICAL ARTSCAR/MECHANICALHIGH TECHRANDOM

LEARNING

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The variety created is based on variations in basic architectural notions of space: the recombination of light, material, landscape, and other factors of space.

The non-clarity of the building makes is purposeful in not assigning it a preconcieved iconicity of function.Indeed, its relationship to the suburb is never direct, accessed either through a park, or behind a shop.

It is the everlasting expirience of the new.

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Plan and context. The building is set withing a suburb, entirely dictated by stereotypes. This architecture gives a plain facade, and the expirience of freedom is entirely contained, seperate from the known.

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My defi nition of freedom is (1) the feeling/expirience (not concept of) (2) of unconstrained move-ment of thought (3) through any and/or all realms [of information]which is (4) not interrupted or imposed upon (5) on conscious or unconscious levels.

thank you спасибо dank u wel merci beaucoup - pavel savine