Patterns for Embroidery

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    Patterns for EmbroideryBy Ellen Anne Eddy

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    2013 Patterns for Embroidery

    by Ellen Anne Eddy

    Thread Magic Studio Press125 Franklin Street, Porter, IN 46304

    219-921-0885

    www.ellenanneeddy.com

    As always, following the kiss principle: Keep it simple, sweetie.

    For Mary, with love.

    Permissions: These patterns are offered for your non-commercial useage. You may

    use them in class, for your personal work or for any charity you would like. Please

    dont use them for sale or contest.

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    Confessions of a hard, hard teacher.

    I used to make my students draw. Having said that, I dont have three heads, really! Or keep

    small children chained under the stairs. I know drawing is hard. But it's worthy.

    Theres a magical thing that happens when people draw. Mostly, they learn that they can. We

    live with instant expectations and hard requirements for ourselves. Everything is worth doing

    badly. Drawing is no exception. If you want to do it well, you need to gently sit down to a space

    in time where youre going to fardle around doing it not so well. If you can give yourself that

    time, you can do it. Someday, as you are drawing something you think is pretty bad, youll find

    its actually quite good. Please give yourself that present of time, courtesy and space, some day.But today may not be that day. Classroom with all its excitement and angst tends not to be that

    day. I started bringing in a few patterns for students to jump start them. Id show them how to

    draw, but the patterns were there. It wasnt long before I realized that they werent there in a

    one day class to learn to draw. They wanted to jump straight in to their embroidery. And who

    wouldnt? They grabbed those patterns!

    With that in mind, Ive dropped the drawing tutorial from everything but my most advanced

    classes. And I offer patterns to students so that they can get on with the magic of stitching.

    How can you use these patterns? Trace or print them onto the stabilizer of your choice. They

    work as well for bobbin work as for full thread painting and fully shaded thread sketching. They

    can be reversed, sized, or distorted. You can even add dragonfly and butterfly wings. Since they

    are taken from quilts of mine, I ask you not to use them commerically. You are completely wel-

    come to use them for your home, for classroom, for your personal work. Please dont use them

    on a piece you intend to sell or put into a moneyed contest.

    The Pattern Principle

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    Frogs

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    Dragonflies

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    Moon Moth

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    Ladybugs

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    Beetles

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    Butterflies

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    Owl

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    Wings

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    Leaves and Flowers

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    Moons

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    Clouds and Water

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    Just by way of definition, a stabilizer holds the fabric in place whilewere stitching and then is removed. This is different from an inter-

    facing which stays in for the life of the piece. A stabilizer has two func-

    tions. One is to help hold the fabric stable while youre stitching the

    other is to be a surface for the pattern. The other is to give you a sur-

    face for your transfer or pattern. Most stabilizers can accomplish

    both tasks. Different choices will give you different results. But this

    chart will give you a way to figure out what you need from a stabilizer.

    These are some of the questions you need to ask:

    How much stabilization do I need?

    How much is my fabric going to pucker?

    How stable is my fabric already?

    How much stitching do I intend to do?

    Do I need surface I can draw or transfer a pattern on to?

    Do I care if my work is stiff when Im done?

    Is it ok to wet my work when its done?

    Is it ok to iron my work with a hot iron?

    Here is a chart that will give you some information about what different

    stabilizers can do for you. These are the stabilizers I tend to use most

    often. Talk to your sewing machine experts. Ask them what they like andwhy. Then figure out what stabilizer comes closest to giving you all you

    need Almost all non-fusible stabilizers except the corn starch films can be

    fused using the glue sprays. I prefer 505 Adhesive Spray.

    Stabilizing Factors

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    Fusible Type Removal method stability Art abilities Finished Feel

    Fuse a Shade Yes Non-woven

    polyester

    Stays in forever Good stabilization

    Needs hoop for

    heavy zig-zag

    Traceable

    Drawable

    Very Stiff

    Totally stable Yes Non-woven

    polyester

    Tears away

    cleanly

    Needs a hoop Mild

    stabilizerTraceable

    Drawable

    Somewhat

    stiff

    Freezer

    paper

    Yes Coated Tears away

    somewhat

    May be used with

    or without hoop

    Strong stabilizer

    Drawable

    Traceable

    Very stiff

    Tear easy No Non-

    woven

    polyester

    Tears away

    cleanly

    Falls apart in

    process

    May be used with

    or without hoop

    Moderate stabilizer

    Drawable

    Traceable

    Stiff

    Clear corn

    starch

    stabilizers

    No Corn

    starch film

    Must be soaked

    in water

    Needs a hoop

    not enough

    stabilization

    Drawable

    Traceable

    soft

    Wash awayApplique

    Sheets

    yes Non-woven

    polyester

    DissolvesPartially

    Can be used withand without a hoop

    Stiff stabilizer

    DrawableTraceable

    Printable

    Stiffer

    Dissolve No Non-

    woven

    polyester

    Dissolves

    PartiallyTears away

    cleanly

    Can be used with

    and without a hoop

    Stiff stabilizer

    Drawable

    Traceable

    Stiffer

    Ive rated these stabilizers according to my own experiences with them.

    This works easily and wellThis works but has its limitsThis has serious limits/problems

    Stabizer Chart

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    Patterns for EmbroideryBy Ellen Anne Eddy

    A Collection of Patterns

    for Classroom and Student Work

    Frogs, Butterflies, Bugs, Leaves and Moons