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PARCC Literary Analysis Task Grade 8 Writing · PDF fileHow many students included textual...
Transcript of PARCC Literary Analysis Task Grade 8 Writing · PDF fileHow many students included textual...
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LAT Writing Lesson 1: Introducing the Literary Analysis Task Page 1 © 2015 Standards Solution Holding, LLC. All Rights Reserved.
Rationale This lesson serves as an overview of the prose constructed response (PCR) of the PARCC
Literary Analysis Task (LAT), which is the essay writing portion of the exam. The LAT is a significant change from what students have encountered on past standardized tests like the NJASK.
Goal To understand the requirements of the PARCC Literary Analysis Task prose constructed response To assess student aptitude for literary analysis with a practice LAT PCR.
Task Foci
CCSS W.8.1: Write arguments to support claims with clear reasons and relevant evidence CCSS RL.8.1: Cite the textual evidence that most strongly supports an analysis of what the text
says explicitly as well as inferences drawn from the text. CCSS RL.8.2: Determine a theme or central idea of a text and analyze its development over the
course of the text, including its relationship to the characters, setting, and plot; provide an objective summary of the text.
CCSS RL.8.3: Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveal aspects of a character, or provoke a decision.
Objectives Students will be able to identify the type of writing that they will be asked to produce on the
PARCC Literary Analysis Task. Students will practice literary analysis skills by completing a sample prose constructed response.
Materials
Sample literary analysis task prompt Literary anchor text and student writing space
Procedures
Tell students that today they will examine the prose constructed response of PARCC’s Literary Analysis Task and then practice with an ungraded writing activity.
As a primer, make sure students are clear on the difference between literature and informational text, as distinguished by the CCSS.
Next, explain “literary analysis” for them, so that they are clear that it is different from a summary. “When we write a summary, we select the most important details of a story and write them in our own words to tell our reader what happens in the story. In a literary analysis, we look very closely at those important details and write about how and why they happen and what their significance is.”
PARCC Literary Analysis Task
Grade 8 Writing Lesson 1: Introduction to the Prose Constructed Response
on the Literary Analysis Task
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LAT Writing Lesson 1: Introducing the Literary Analysis Task Page 2 © 2015 Standards Solution Holding, LLC. All Rights Reserved.
“So, how do we do this?” Explain that over the next few lessons, you will teach students the skills they need to successfully answer the prompts.
Explain the structure of the Literary Analysis Task to students: “In this section of the exam, you will be asked to read two literary texts (stories, poems, or plays), answer a few questions about what you read, and then write an essay in response to a prompt about the reading.” For the prose constructed response, students are prompted to write about an element of literature (e.g. How does the author develop the theme of…?) or a combination of elements (e.g. How do character’s words and actions support a theme? or How does the setting affect the mood of the story?).
Display the sample prompt and discuss. “What is the prompt asking us to do?” Distribute the texts and prompt. Have students read the texts independently. Explain that now students will write a practice prose constructed response. Their essays
won’t be graded; this is just to see where they are in terms of writing a literary analysis. Distribute lined paper, two sheets for the essay and one for scrap. Tell the students, “You have 50 minutes to complete this writing sample. Ready?
Begin.” Remind the class when five minutes remain. When time ends, say, “Stop! Pencils down!” Collect papers. Have students discuss the experience. Note what they express having trouble with.
Teacher Observations During/After the Task Which students carefully followed the directions in the prompt? Which students seemed to struggle with developing an argument? How many students included textual evidence to support their reasons? How many students included an introduction and conclusion? How many students used the standard paragraph structure? Did anyone write the response as one long paragraph? Which students finished before the time limit? Which students revised/edited their responses after they had completed their initial
response?
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from Main Street
Sinclair Lewis
Vida Sherwin came in after school, with Miss Ethel Villets, the town librarian. Miss Sherwin's
optimistic presence gave Carol more confidence. She talked. She informed the circle "I drove almost down to Wahkeenyan with Will, a few days ago. Isn't the country lovely! And I do admire the Scandinavian farmers down there so: their big red barns and silos and milking–machines and everything. Do you all know that lonely Lutheran church, with the tin–covered spire, that stands out alone on a hill? It's so bleak; somehow it seems so brave. I do think the Scandinavians are the hardiest and best people"
"Oh, do you THINK so?" protested Mrs. Jackson Elder. "My husband says the Svenskas that work in the planing–mill are perfectly terrible—so silent and cranky, and so selfish, the way they keep demanding raises. If they had their way they'd simply ruin the business."
"Yes, and they're simply GHASTLY maids!" wailed Mrs. Dave Dyer. "I swear, I work myself to skin and bone trying to please my maids—when I can get them! I do everything in the world for them. They can have their gentleman friends call on them in the kitchen any time, and they get just the same to eat as we do, if there's, any left over, and I practically never jump on them."
Juanita Haydock rattled, "They're ungrateful, all that class of people. I do think the domestic problem is simply becoming awful. I don't know what the country's coming to, with these Scandahoofian clodhoppers demanding every cent you can save, and so ignorant and impertinent, and on my word, demanding bathtubs and everything—as if they weren't mighty good and lucky at home if they got a bath in the wash–tub."
They were off, riding hard. Carol thought of Bea and waylaid them: "But isn't it possibly the fault of the mistresses if the maids are ungrateful? For generations
we've given them the leavings of food, and holes to live in. I don't want to boast, but I must say I don't have much trouble with Bea. She's so friendly. The Scandinavians are sturdy and honest—"
Mrs. Dave Dyer snapped, "Honest? Do you call it honest to hold us up for every cent of pay they can get? I can't say that I've had any of them steal anything (though you might call it stealing to eat so much that a roast of beef hardly lasts three days), but just the same I don't intend to let them think they can put anything over on ME! I always make them pack and unpack their trunks down–stairs, right under my eyes, and then I know they aren't being tempted to dishonesty by any slackness on MY part!"
"How much do the maids get here?" Carol ventured. Mrs. B. J. Gougerling, wife of the banker, stated in a shocked manner, "Any place from three–
fifty to five–fifty a week! I know positively that Mrs. Clark, after swearing that she wouldn't weaken and encourage them in their outrageous demands, went and paid five–fifty—think of it! practically a dollar a day for unskilled work and, of course, her food and room and a chance to do her own washing right in with the rest of the wash. HOW MUCH DO YOU PAY, Mrs. KENNICOTT?"
"Yes! How much do you pay?" insisted half a dozen. "W–why, I pay six a week," she feebly confessed. They gasped. Juanita protested, "Don't you think it's hard on the rest of us when you pay so
much?" Juanita's demand was reinforced by the universal glower. Carol was angry. "I don't care! A maid has one of the hardest jobs on earth. She works from
ten to eighteen hours a day. She has to wash slimy dishes and dirty clothes. She tends the children and runs to the door with wet chapped hands and—"
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Mrs. Dave Dyer broke into Carol's peroration with a furious, "That's all very well, but believe
me, I do those things myself when I'm without a maid—and that's a good share of the time for a person that isn't willing to yield and pay exorbitant wages!"
Carol was retorting, "But a maid does it for strangers, and all she gets out of it is the pay—" Their eyes were hostile. Four of them were talking at once. Vida Sherwin's dictatorial voice
cut through, took control of the revolution: "Tut, tut, tut, tut! What angry passions—and what an idiotic discussion! All of you getting too
serious. Stop it! Carol Kennicott, you're probably right, but you're too much ahead of the times. Juanita, quit looking so belligerent. What is this, a card party or a hen fight? Carol, you stop admiring yourself as the Joan of Arc of the maids, or I'll spank you. You come over here and talk libraries with Ethel Villets. Boooooo! If there's any more pecking, I'll take charge of the hen roost myself!" They all laughed artificially, and Carol obediently "talked libraries."
from Around the World in 80 days Jules Verne
It would be rash to predict how Passepartout's lively nature would agree with Mr. Fogg. It was impossible to tell whether the new servant would turn out as absolutely methodical as his master required; experience alone could solve the question. Passepartout had been a sort of vagrant in his early years, and now yearned for repose; but so far he had failed to find it, though he had already served in ten English houses. But he could not take root in any of these; with chagrin, he found his masters invariably whimsical and irregular, constantly running about the country, or on the look-out for adventure. His last master, young Lord Longferry, Member of Parliament, after passing his nights in the Haymarket taverns, was too often brought home in the morning on policemen's shoulders. Passepartout, desirous of respecting the gentleman whom he served, ventured a mild remonstrance on such conduct; which, being ill-received, he took his leave. Hearing that Mr. Phileas Fogg was looking for a servant, and that his life was one of unbroken regularity, that he neither travelled nor stayed from home overnight, he felt sure that this would be the place he was after. He presented himself, and was accepted, as has been seen. At half-past eleven, then, Passepartout found himself alone in the house in Saville Row. He began its inspection without delay, scouring it from cellar to garret. So clean, well-arranged, solemn a mansion pleased him; it seemed to him like a snail's shell, lighted and warmed by gas, which sufficed for both these purposes. When Passepartout reached the second story he recognized at once the room which he was to inhabit, and he was well satisfied with it. Electric bells and speaking-tubes afforded communication with the lower stories; while on the mantel stood an electric clock, precisely like that in Mr. Fogg's bedchamber, both beating the same second at the same instant. "That's good, that'll do," said Passepartout to himself.
He suddenly observed, hung over the clock, a card which, upon inspection, proved to be a program of the daily routine of the house. It comprised all that was required of the servant, from eight in the morning, exactly at which hour Phileas Fogg rose, till half-past eleven, when he left the house for the Reform Club—all the details of service, the tea and toast at twenty-three minutes past eight, the shaving-water at thirty-seven minutes past nine, and the toilet at twenty minutes before ten. Everything was regulated and foreseen that was to be done from half-past eleven a.m. till midnight, the hour at which the methodical gentleman retired.
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Mr. Fogg's wardrobe was amply supplied and in the best taste. Each pair of trousers, coat, and vest bore a number, indicating the time of year and season at which they were in turn to be laid out for wearing; and the same system was applied to the master's shoes. In short, the house in Saville Row, which must have been a very temple of disorder and unrest under the illustrious but dissipated Sheridan, was cosiness, comfort, and method idealized. There was no study, nor were there books, which would have been quite useless to Mr. Fogg; for at the Reform two libraries, one of general literature and the other of law and politics, were at his service. A moderate-sized safe stood in his bedroom, constructed so as to defy fire as well as burglars; but Passepartout found neither arms nor hunting weapons anywhere; everything betrayed the most tranquil and peaceable habits.
Having scrutinized the house from top to bottom, he rubbed his hands, a broad smile overspread his features, and he said joyfully, "This is just what I wanted! Ah, we shall get on together, Mr. Fogg and I! What a domestic and regular gentleman! A real machine; well, I don't mind serving a machine."
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Literary Analysis Task Prose Constructed Response
In both of the passages we come across servants, Passepartout and Bea, along with other no name maids mentioned. Although we do not meet Bea directly we hear about her through the thoughts of her mistress Carol Kennicott. Compare and contrast the life of the servant seen in both of these passages. How would their days be similar? How would their living conditions be similar? Does one appear to be a better situation than the other? Why? Use proof from each text to support your answers.
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