Paper 4 - Tagore as a dramatist
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Transcript of Paper 4 - Tagore as a dramatist
Hiteshbhai C. Parmar
Roll No. 13 Semester – M.A. Sem. 1
Year 2013 - 14
Topic:- Tagore as a Dramatist
Submitted to: Dr. Dilip Barad
Smt. S.B. Gardi Department of English
M.K.Bhavnagar University, Bhavnagar.
Introduction
Rabindranath Devendranath Tagore- Born : 7th - May - 1861- Calcutta (Bengal)- Noble prize on Literature - Gitanjjali - (1913) - National anthem – ‘Jan Gan Mann’ - Died in 7 – August – 1941
Religious Movement
Creative Revolution
National Movement
Tagore Family
Actively Participated
The Major Drama of Tagore
‘Sanyasi’Protagonist turns into Sanyasi after miseries of life.
‘The king and the Queen’ - Conflict between love and duty.
‘Sacrifice’
- Queen Gunvati- Send flower & animal to KALI- Aparna – beggar girl,- King Govinda restricts.
‘Malini’
- Malini – principal Character- Buddhist view.
‘Natir Puja’
- King and Lord Buddha- Srimati – court dancer.
The Major Drama of Tagore
‘Chandalika’- Prakriti - Protagonist- Love Buddhist bhikshu,- Mother Tried Black magic.
‘The cycle of spring’ - Passing away winter,
- Celebrate Festival of Springs.
‘Mukta Dhara’
- Bibhuti – an engineer- Mukta Dhara - dam
’Chitra’
- Chitra – extra ordinary beauty-Arjuna does not love her
‘Karna and Kunti’
- Relationship- Kunti mother of sorrow
Conclusion- Much of Tagore’s writing is only a kind of
mellifluous musing or is even lost, in the endless mist of vague sweetness.
Rabindranath Tagore
National Movement
Dramatist, Producer, Painter,
Musician,
Educationist,Reformer, Novelist.