T h e M i r r o r l e s s P e d i g r e e

Specifi cations

Lens Specifi cationsLUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S. (H-PS14042) LUMIX G VARIO 14-42mm / F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS014042) LUMIX G VARIO 45-150mm / F4.0-5.6 ASPH. / MEGA O.I.S. (H-FS45150)

Lens Construction 9 elements in 8 groups (4 Aspherical lenses, 2 ED lenses) 12 elements in 9 groups (1 Aspherical lens) 12 elements in 9 groups (2 aspherical lenses , 1 UHR lens)

Nano Surface Coating Yes - -

Mount Micro Four Thirds mount Micro Four Thirds mount Micro Four Thirds mount

Optical Image Stabilizer Yes (POWER O.I.S.) Yes (MEGA O.I.S.) Yes (MEGA O.I.S.)

Focal Length f = 14mm to 42mm (35mm camera equivalent 28mm to 84mm) f = 14mm to 42mm (35mm camera equivalent 28mm to 84mm) f=45-150mm (35mm camera equivalent 90-300mm)

Aperture Type 7 diaphragm blades / Circular aperture diaphragm 7 diaphragm blades / Circular aperture diaphragm 7 diaphragm blades / Circular aperture diaphragm

Aperture Range F3.5 (Wide) - F5.6 (Tele) F3.5 (Wide) - F5.6 (Tele) F4.0 (Wide) - F5.6 (Tele)

Minimum Aperture F22 F22 F22

Closest Focusing Distance 0.2 m / 0.66 feet (14-20mm), 0.3 m / 0.98 feet (21-42mm) 0.3 m / 1 feet 0.9 m / 3.0 feet

Maximum Magnifi cation Approx. 0.17x / 0.34x (35mm camera equivalent) Approx. 0.16x / 0.32x (35mm camera equivalent) Approx. 0.17x / 0.35x (35mm camera equivalent)

Diagonal Angle of View 75° (W) - 29° (T) 75° (W) - 29° (T) 27° (W) - 8.2° (T)

Filter Size ø 37 mm / 1.5 inch ø 52 mm / 2.05 inch ø 52mm / 2.05 inch

Maximum Diameter ø 61 mm / 2.4 inch ø 60.6 mm / 2.39 inch ø 62 mm / 2.44 inch

Overall Length Approx. 26.8 mm / 1.1 inch* Approx. 63.6 mm / 2.50 inch (from the tip of the lens to the base side of the lens mount) Approx. 73mm / 2.9inch (from the tip of the lens to the base side of the lens mount)

Weight Approx. 95 g / 3.4 oz (excluding lens cap and lens rear cap) Approx. 165 g / 5.82 oz (excluding lens cap and lens rear cap) Approx. 200g / 7.1oz (excluding lens cap and lens rear cap)

Others Electric zoom lever, Manual focus lever - -

* When the lens is retracted.

• AVCHD and AVCHD logos are trademarks of Panasonic Corporation and Sony Corporation. AVCHD is a high-defi nition (HD) digital video recording / playback format jointly established by Panasonic Corporation and Sony Corporation. For more details, please refer to the “AVCHD Information Website”. http://www.avchd-info.org/ • The release date may differ depending on the country. Check the website of the Panasonic sales company in your country or region for details on the optional accessories that are available in your market. • The DMW-BLC12 comes with a function to check whether the battery and unit can be safely used together. • Batteries made by other companies which have been certifi ed by Panasonic may be used with these units, but we offer no guarantee as to the quality, performance or safety of such batteries. • Exercise care when purchasing batteries. Many fake or imitation batteries have been found among those sold at unusually low prices and those which customers cannot check for themselves before purchasing. • Please confi rm the latest information about batteries on the following website. http://panasonic.jp/support/global/cs/info/battery.html (English) • When a lens that does not support the contrast AF function is mounted, operation will automatically switch to manual focus. Confi rm the operation information of compatible lenses at Customer support. http://panasonic.jp/support/global/cs/dsc (English) • Dolby and the double-D symbol are trademarks of Dolby Laboratories. • HDMI, the HDMI logo and High-Defi nition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. • Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Apple® and Mac OS® are either registered trademarks or trademarks of Apple Inc. in the United States and/or other countries. • Four Thirds™ and Micro Four Thirds™, and Four Thirds and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. • Other names of systems and products mentioned in this brochure are generally the registered trademarks or trademarks of the manufacturers who developed the system or product concerned. • Some accessories are not available in some countries. • Weight and dimensions shown are approximate. • Design, functions, and specifi cations are subject to change without notice. • Overall length of lens is from the tip of the lens to the base side of the lens mount. • Some functions may not work when lenses other than the included lens are used. Please refer to Panasonic's website, etc., for the latest information. • Availability of colors and OSD languages may vary depending on the sales area. • Some sample images are simulated. • The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder. • Dolby and the double-D symbol are trademarks of Dolby Laboratories.

TYPE

Type Digital Single Lens Mirrorless camera

Recording MediaSD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard

SDHC / SDXC Memory Cards)

Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio)

Lens Mount Micro Four Thirds mount

IMAGE

SENSOR

Type Live MOS Sensor

Total Pixels 18.31 Megapixels

Camera Effective Pixels 16.05 Megapixels

Color Filter Primary color fi lter

Dust Reduction System Supersonic wave fi lter

RECORDING

SYSTEM

Recording File Format

Still Image: JPEG (DCF, Exif 2.3), RAW

MPO (When attaching 3D lens in Micro Four Thirds System standard)

Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 (Audio format AAC 2ch)

Aspect Ratio 4:3, 3:2, 16:9, 1:1

Image QualityRAW, RAW+Fine, RAW+Standard, Fine, Standard

MPO+Fine, MPO+Standard (with 3D lens in Micro Four Thirds System standard)

Color Space sRGB, Adobe RGB

File

Size

(Pixels)

Still Image

[4:3] 4,608 x 3,456 (L), 3,264 x 2,448 (M), 2,336 x 1,752 (S),

1,824 x 1,368 (When attaching 3D lens in Micro Four Thirds System standard)

[3:2] 4,608 x 3,072 (L), 3,264 x 2,176 (M), 2,336 x 1,560 (S),

1,824 x 1,216 (When attaching 3D lens in Micro Four Thirds System standard)

[16:9] 4,608 x 2,592 (L), 3,264 x 1,840 (M), 1,920 x 1,080 (S),

1,824 x 1,024 (When attaching 3D lens in Micro Four Thirds System standard)

[1:1] 3,456 x 3,456 (L), 2,448 x 2,448 (M), 1,744 x 1,744 (S),

1,712 x 1,712 (When attaching 3D lens in Micro Four Thirds System standard)

Motion

Image

MP4*1

NTSC

[Full HD] 1,920 × 1,080, 30fps (sensor output is 30p)

[HD] 1,280 x 720, 30fps (sensor output is 30p)

[VGA] 640 x 480, 30fps (sensor output is 30p)

PAL

[Full HD] 1,920 × 1,080, 25fps (sensor output is 25p)

[HD] 1,280 x 720, 25fps (sensor output is 25p)

[VGA] 640 x 480, 25fps (sensor output is 25p)

AVCHDProgressive*2

NTSC [Full HD] 1,920 x 1,080, 60p (sensor output is 60p) (PSH: 28 Mbps)

PAL [Full HD] 1,920 x 1,080, 50p (sensor output is 50p) (PSH: 28 Mbps)

AVCHD*1

NTSC

[Full HD] 1,920 x 1,080, 60i (sensor output is 60p) (FSH: 17 Mbps)

[Full HD] 1,920 x 1,080, 30p (sensor output is 60p) (FPH: 17 Mbps)

[HD] 1,280 x 720, 60p (sensor output is 60p) (SH: 17 Mbps)

PAL

[Full HD] 1,920 x 1,080, 50i (sensor output is 50p) (FSH: 17 Mbps)

[Full HD] 1,920 x 1,080, 25p (sensor output is 50p) (FPH: 17 Mbps)

[HD] 1,280 x 720, 50p (sensor output is 25p) (SH: 17 Mbps)

Continuous recordable time

(Motion images)*3AVCHD with picture quality set to [FSH]: Approx. 140 min with H-FS014042 /

Approx. 150 min with H-PS14042 or H-FS45150

Actual recordable time

(Motion images)

AVCHD with picture quality set to [FSH]: Approx. 70 min with H-FS014042 /

Approx. 75 min with H-PS14042 or H-FS45150

Flicker reduction [1/50] / [1/60] / [1/100] / [1/120] / OFF

VIEWFINDER

Type Live View Finder (1,440,000 dots equivalent)

Field of View Approx. 100%

Magnifi cation Approx. 1.4x / 0.7x (35mm camera equivalent) with 50mm lens at infi nity; -1.0 m -1

Eye Point Approx.17.5mm from eyepiece lens

Diopter Adjustment -4.0 ~ +4.0 (dpt)

Eye Sensor Yes

Eye Sensor Adjustment High / Low

FOCUS

Type Contrast AF system

Focus Mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF

AF Mode Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint

AF Detective Range EV 0 - 18 (ISO100 equivalent)

AF Assist Lamp Yes

AF Lock Set the Fn button in custom menu to AF lock

OthersQuick AF, Continuous AF (during motion image recording), AF+MF, Eye Sensor AF,

Touch AF, Touch Pad AF, Touch shutter, Touch MF Assist

EXPOSURE

CONTROL

Light Metering System 144-zone multi-pattern sensing system

Light Metering Mode Intelligent Multiple / Center Weighted / Spot

Metering Range EV 0 - 18 (F2.0 lens, ISO100 equivalent)

Exposure Mode Program AE / Aperture Priority AE / Shutter Priority AE / Manual

ISO Sensitivity

(Standard Output Sensitivity)

Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800

(Changeable to 1/3 EV step)

Exposure Compensation 1/3 EV Step, ±5 EV

AE Lock Set the Fn button in custom menu to AE lock

AE Bracket 3, 5, 7 frame, in 1/3 or 2/3 or 1 EV Step, ±3 EV

WHITE

BALANCE

White Balance Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2 / Color temperature setting

White Balance Adjustment Blue/amber bias, Magenta/green bias

Color Temperature Setting 2500 - 10000K in 100K

White Balance Bracket 3 exposures in blue/amber axis or in magenta/green axiss

SHUTTER

Type Focal-plane shutter

Shutter SpeedStill Images: Bulb (Max. 120 seconds), 1/4,000 - 60

Motion Images: 1/16,000 - 1/30 (NTSC), 1/16,000 - 1/25 (PAL)

Self Timer 10 sec, 3 images / 2 sec / 10 sec

SCENE GUIDE

Still Image

Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet

Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow

/ Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic

Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower / Appetizing

Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome

Motion Image

Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face

/ Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Clear Nightscape

/ Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing

Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome

BURST

SHOOTING

Burst SpeedSH: 20.0 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View),

L: 2.0 frames/sec (with Live View)

Number of Recordable Images

9 images (when there are RAW fi les with the particular speed)

Unlimited consecutive shooting (when there are no RAW fi les)

(depending on memory card size, battery power, picture size, and compression)

BUILT-IN-

FLASH

Type TTL Built-in-Flash, GN10.5 equivalent (ISO 160 · m), Built-in Pop-up

Flash ModeAuto, Auto / Red-eye Reduction, Forced On, Forced On / Red-eye Reduction,

Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off

Synchronization Speed Less than 1/160 second

Flash Synchronization 1st. Curtain Sync, 2nd Curtain Sync.

LCD MONITOR

Type TFT LCD with Touch panel

Monitor Size Free-angle 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing angle

Pixels 920K dots

Field of View Approx. 100%

Monitor Adjustment Brightness (7 levels), Contrast and Saturation (7 levels), Red tint (7 levels), Blue tint (7 levels)

LIVE VIEW

Digital Zoom 2x, 4x

Extra Tele Conversion

Still Image: Max. 2x (Aspect ratio sets at 4:3. Not effective with L size recording. Magnifi cation

ratio depends on the recording pixels and aspect ratio.)

Motion Image: 2.4x (PSH, FSH in AVCHD and FHD in MP4), 3.6x (SH in AVCHD and HD in MP4),

4.8x (VGA in MP4)

Other FunctionsGuide Lines (3 patterns)

Real-time Histogram

LEVEL GAUGE Yes (Built-in 3 shaft accelerometer sensor)

DIRECTION DETECTION FUNCTION Yes

FUNCTION

BUTTONFn1, Fn2, Fn3, Fn4, Fn5

One Push AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size / Quality

/ Focus Mode / Metering Mode / HDR / Flash / Flash Adjust. / I. Resolution / I. Dynamic / EX. Tele Conv. /

Digital Zoom / Electronic Shutter / Stabilizer / Motion Pic. Set / Picture Mode / Histogram / Guide Line /

Step Zoom / Zoom Speed / Rec Area / Sensitivity / White Balance / AF Mode / Drive Mode / Playback

FUNCTION LEVER Yes (AUTO/Zoom/EXP.)

CREATIVE

CONTROL

Still ImageExpressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High

Dynamic / Cross Process / Toy Effect / Miniature Effect / Soft Focus / Star Filter / One Point Color

Motion ImageExpressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High

Dynamic / Cross Process / Toy Effect / Miniature Effect / One Point Color

PHOTO STYLE Still image and Video Standard / Vivid / Natural / Monochrome / Scenery / Portrait / Custom

PLAYBACK Playback Mode

Normal playback, 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed

playback (Max. 16x), Slideshow (duration & effect is selectable), Playback Mode (Normal /

Picture / Video / 3D Play / Category / Favorite), Title Edit, Text Stamp, Video Divide, Resize,

Cropping, Rotate, Favorite, DPOF Print Set, Protect, Face Recognition Edit

IMAGE

PROTECTION /

ERASE

Protection Single / Multi, Cancel

Erase Single / Multi / All / Except Favorite

PRINT Direct Print PictBridge compatible (Print size, Layout, Date setting are selectable)

INTERFACE

USB USB 2.0 High Speed

HDMI

miniHDMI TypeC

Video: Auto / 1080p / 1080i / 480p

Audio: Stereo

Audio Video OutputMonaural Type, NTSC/PAL, NTSC only for North America *Check the website of the Panasonic sales

company in your country or region for details on the products that are available in your market.

MicrophoneStereo, Wind-cut: Off / Auto

Microphone level adjustable: Lv1 / Lv2 / Lv3 / Lv4

Speaker Monaural

LANGUAGE OSD Language

English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Russian, Chinese (Traditional), Chinese

(Simplifi ed), Dutch, Thai, Korean, Turkish, Portuguese, Arabic, Persian, Japanese, Swedish, Danish, Finnish,

Greek, Vietnamese * Check the website of Panasonic sales company in your country / region or ask

customer support for details of the OSD language available on the products sold in your country / region.

POWER

Battery Li-ion Battery Pack (7.2V, 1200mAh) (Included) Battery Charger

Battery life (CIPA standard)Approx. 310 images with H-FS014042

Approx. 320 images with H-PS14042 or H-FS45150

DIMENSIONS /

WEIGHT

Dimensions (W x H x D) 119.9 x 83.2 x 70.8 mm / 4.72 x 3.28 x 2.79 inch (excluding protrusions)

Weight

Approx. 396g / 0.87 lb (SD card, Battery, Body)

Approx. 346g / 0.76 lb (Body only)

Approx. 491g / 1.08 lb (SD card, Battery, H-PS14042 lens included

Approx. 561g / 1.24 lb (SD card, Battery, H-FS014042 lens included)

Approx. 596g / 1.31 lb (SD card, Battery, H-FS45150 lenses included)

OPERATING

ENVIRONMENT

Operating Temperature 0°C to 40°C (32°F to 104°F)

Operating Humidity 10%RH to 80%RH

STANDARD

ACCESSORIES

Software PHOTOfunSTUDIO 8.2 PE, SILKYPIX® Developer Studio 3.1SE, LoiLoScope (trial version), USB Driver

Standard AccessoriesBattery pack, Battery Charger, Body Cap, USB Connection Cable, Shoulder Strap, CD-ROM

* Lens hood of H-PS14042 lens is not included for DMC-G5X kit

About the performance of Face Recognition function Recognition performance varies greatly depending on shooting conditions, i.e., according to factors such as angles, facial expression and lighting, so operation under all conditions cannot be guaranteed. Because the camera searches for faces that are similar to registered faces, there are cases where the faces are not correctly recognized when the registered image and the shooting image varies much. When facial characteristics are similar, particularly between parents and their children or brothers and sisters, the camera may not distinguish the faces.

Partial restrictions on using Panasonic digital video cameras to play AVCHD motion images recorded with the DMC-G5.• AVCHD motion images recorded onto an SD Memory Card or a DVD disc cannot be played on a device that does not support the AVCHD standard. • AVCHD motion images recorded with the image quality set to SH mode (1,280 × 720) cannot be played on AVCHD-compatible digital video cameras. • AVCHD motion images recorded with AVCHD-compatible digital video cameras cannot be played on the DMC-G5. • More detailed information is available on our support site: http://panasonic.jp/support/global/cs/dsc/

*1 Use a card with SD Speed Class with "Class4" or higher.*2 Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording AVCHD in PSH.*3 Videos can be recorded continuously for up to 29 min 59 sec in European PAL areas. Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording MP4. For Full HD in MP4, the recordable time will drop below 29 min 59 sec.

02 03

LUMIX revolutionized the SLR camera in 2008 by eliminating the mirror —

marking the world's fi rst Digital Single Lens Mirrorless (DSLM) camera.

In addition to making the body and lens smaller and lighter,

the new camera achieved better handling

and higher-quality images and performance.

In 2012, the DMC-G5 took the next major step.

Inheriting all previous innovations,

it added new image rendering capabilities and nimble mobility,

while also optimizing video performance.

Once again, mirrorless technology is driving system camera evolution.

LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S., 13 sec, F6.3, ISO 160

E n d l e s s E v o l u t i o n

Flow of the Dust Reduction System

04 05

The Venus Engine applies advanced signal

processing to both photos and video, and attains

exceptional noise-reduction performance with the

combination of 3D Noise Reduction (3DNR) and

Multi-process Noise Reduction (MNR) systems. A total of four

CPUs work in tandem to quickly process the digital signals for

these advanced noise reduction systems, and the signals for

1,920 x 1,080 Full-HD progressive video recording and high-

speed burst shooting.

Panasonic has added its original pixel mix technology and the

inherent high speed of the CMOS sensor to the 16.05-megapixel

Digital Live MOS Sensor. Processing is further designed to minimize

noise generation in the new sensor. Finer wiring around the

photodiode achieves a higher aperture ratio, which results in higher

resolution and an excellent S/N ratio while a new high-performance

transistor speeds up signal processing. Taking full advantage of the

Digital Live MOS Sensor and Venus Engine, images can be shot in

low lighting at the high ISO sensitivity setting of 12800.

The HDR function overlays several still images that are

consecutively shot at different exposure levels to produce

a single composite image without blown highlights (over-

exposure) or blocked shadows (under-exposure).

The DMC-G5 features two types of noise reduction: Multi-

process Noise Reduction, which optimizes the noise reduction in

the bright parts of the image for both single* and burst shooting,

and 3D Noise Reduction, which applies optimal noise reduction

by differentiating the edges and the smooth parts of the image

in single shots. This system effectively suppresses the kind of

noise that is typically found in high-sensitivity image recording.*

* Not applicable to video recording.

If dust or other foreign matter were to enter the camera while

changing lenses, it could cling to the image sensor and show

up as a spot in your photos. The Dust Reduction System in the

DMC-G5 helps eliminate this possibility by placing a Supersonic-

Wave Filter in front of the Digital Live MOS Sensor, between

the low-pass fi lter and the shutter. Vibrating vertically around

80,000 times per

second, the fi lter

effectively repels

dust and other

particles.

High-Speed, High-Performance Venus Engine

16.05-megapixel Digital Live MOS Sensor

Rich Gradation and a Wide Contrast Range HDR (High Dynamic Range)

Noise Reduction System

Dust Reduction System

Over-exposure Under-exposure

Advanced Technology

Lets You Harness Your Own Creativity.

LEICA DG SUMMILUX 25mm / F1.4 ASPH., 0.8 sec, F1.6, ISO 160

Lumix G lenses are all developed in-house. Their quality is

inspected by the UA3P Ultra-High Accuracy 3D Profi lometer, an

instrument that was originally developed by Panasonic and is

now used by optical manufacturers

all over the world. Panasonic’s

collaboration with Leica Camera AG

also resulted in stringent quality

standards for these advanced lenses

and a system in which each and every

lens is inspected.

Top-Class Aspherical Lens Production

06 07

The DMC-G5 can fi re off up to

about 6 frames per second in full

16.05-megapixel resolution with its

mechanical shutter. Even higher-speed

burst shooting is possible when the

electronic shutter is used, like 20 fps for

capturing race cars and other subjects

that are even diffi cult to see with the

naked eye.

Burst shooting with AF tracking

automatically maintains the focus while

tracking moving subjects. This lets

you capture high-quality images in full

16.05-megapixel resolution at 3.7 fps.

The incredible speed of the

DMC-G5 precisely captures

moving subjects. It features

the world’s fastest level of auto

focusing, called Light Speed AF, which

is achieved by reducing the detection

time for focusing by doubling the

drive speed from 60 to 120 frames

per second.* The DMC-G5’s advanced

Contrast AF system makes sure you

always get the shot you want.

* When using the H-PS14042 lens.

High-Resolution 6-fps Burst Shooting

Burst Shooting with AF Tracking

Light Speed AF — The World’s Fastest

Phase Difference AF100% fi eld of view / Limited AF area

DMC-G5100% fi eld of view / Full AF area

Normal view

Touch the point for auto focus.

Enlarged view

Enlarge the image to fi nely adjust the focus point. Focus and shoot with the touch shutter.

Contrast AF* gives the DMC-G5 a variety of AF modes. There’s one that’s just right for

any shooting situation. Choose the mode you want with the AF mode button.

* Lenses that are not compatible with the Contrast AF function can be manually focused.

Pinpoint AF and a Variety of AF Modes

Pinpoint AF Allows more precise focus setting by further enlarging the focusing area.

1-area AF Lets you freely set the AF area and the size of the focusing frame.

Multi-area AF The camera automatically selects the area from among a maximum of 23 focus points.

AF Tracking Automatically maintains the focus and exposure of a moving subject.

Face Detection Detects any of up to 15 faces and adjusts the exposure and focus on that face.

DSLR Camera

Main Mirror

Image Sensor

Image Sensor

Sub Mirror

AF Sensor

* Simulated image

LCD

LCD

Live ViewFinder

LUMIX G

High-Precision AF

Makes Sure You'll Always Get Your Shot.

High-Speed Performance

Seizes the Moment.

The DMC-G5 uses the Contrast AF system,

which boasts high accuracy even when

shooting at a small F value. Unlike Phase

Difference AF, which is susceptible to a

mechanical margin of error, focusing in

the DMC-G5’s Contrast AF is controlled

by a system in which the image sensor

doubles as the AF sensor to achieve

precise focusing — and no mechanical

margin of error.

The high-resolution Live View Finder

features the Eye Sensor AF function,

which automatically starts focusing

when you look into the LVF to capture

the spur-of-the-moment. It’s almost

as though the camera understands

your shooting intent and speeds up the

focusing process to help you get the

sharpest, most accurate shot possible.

Full-area focusing in the DMC-G5 lets

you focus on any point in the field of

view. You can freely and intuitively

compose your shots with touch-screen

operation. Full-area Focusing,

a convenience made possible by

Contrast AF.

Contrast AF Accuracy Eye Sensor AF Full-area Focusing

•AFS Fixes the focus while the shutter

button is half-pressed.

•AFF The camera automatically

switches to AFS or AFC in response to

the subject’s movement.

•AFC Constantly maintains the focus

on a moving subject while the shutter

button is half-pressed.

•MF Lets you adjust the focus manually.

Compared with Phase Difference AF, which lets you

focus only on the areas covered by an AF sensor, the

DMC-G5 lets you focus on any point in the frame.

Choosing the Focus Modes Focus Modes

08 09

Interlace Progressive

Choose from two methods for recording spur-of-the-moment scenes —

high-quality photos or videos. Select the one that will save your memories most

beautifully. The DMC-G5 records high-resolution Full-HD 1,920 x 1,080 60p

(NTSC)/50p (PAL) videos with 28 Mbps videos in AVCHD Progressive (MPEG-4/H.264)

format. Upgrading the full-HD recording capability from interlaced to progressive,

subjects with fast motion or fi ne details are reproduced even more clearly.

A stereo zoom

microphone gives

videos the realistic, high-quality stereo

sound of Dolby® Digital Stereo Creator.

• Dolby and the double-D symbol are trademarks of Dolby Laboratories.

Video recording with Touch AF lets you

enjoy professional-like rack focusing.

Simply point at your subject. The focus

automatically shifts to it, making it stand

out to draw the viewer’s attention. The

DMC-G5 opens a whole new dimension

in video shooting without requiring

advanced skills. You can also switch the

subject of the focus by simply touching a

different subject on the screen.

The 3.0-inch, 920K-dot,

high-resolution LCD monitor

makes it easy to operate a

variety of functions, such

as pressing the shutter,

focusing, and displaying

the Scene Guide, by simply

touching the monitor.

A new graphic engine makes the GUI

clearer and easier to see, which also makes

operation simpler and more intuitive.

You can set or change

the focus position by

touching the LCD panel

while watching the

viewfi nder, for highly

intuitive focusing.

Featuring the Eye Sensor. The Live View Finder (LVF), with its

100% coverage, lets you confi rm even the fi nest details with

the high resolution of 1,440K-dots.

The 3.0-inch, 920K-dot touch panel and free-angle LCD

monitor enables shooting from a variety of angles.

The power zoom lens can be operated with the Function lever.

This also stabilizes zooming when shooting videos.

The slip-resistant elastomer grip allows the camera to be

fi rmly held.

The DMC-G5’s high-speed, high-precision

AF functions operate even while shooting

videos. Live View video shooting couldn’t

be much easier.

Half of the image information is recorded

alternately for each fi eld.

Images have higher defi nition because the entire

frame is recorded in 1920 x 1080 resolution.

Just touch the screen, and the DMC-G5

locks on and automatically “tracks” the

subject as it moves, constantly adjusting

the focus for the best results.

Smooth Motion and Outstanding Expression in AVCHD Progressive Format

AF Tracking

The High-Quality Sound of Dolby® Digital Stereo Creator

Easy Video Recording with Full-Time Auto Focus

Video Recording with Touch AF

Touch Screen Operation GUI (Graphical User Interface)

Touch Pad AF

Level Gauge

Electronic Shutter

The Level Gauge uses an internal level and acceleration sensors to

detect the horizontal/vertical

angle of view. Photos shot in

a portrait confi guration are

automatically displayed vertically

regardless of which lens is used.

The Electronic Shutter mode eliminates shutter sound, making it ideal for

shooting in quiet situations such as recitals, school plays or in museums.

1920 x 1080 60p(NTSC) / 50p(PAL).

Exactly the Kind of Full-HD Videos You Want.

Superior Operating Ease Supporting

a New Dimension of Shooting Comfort.

One Point Advice lets you take full advantage of image effects.

One Point Advice

10 11

1. Clear Portrait 6. Sweet Child’s Face

11. Glistening Water* 16. Glittering Illuminations*

21. Freeze Animal Motion

2. Silky Skin 7. Distinct Scenery

12. Clear Nightscape

17. Clear Night Portrait 22. Clear Sports Shot

3. Backlit Softness 8. Bright Blue Sky

13. Cool Night Sky

18. Soft Image of a Flower* 23. Monochrome

4. Clear in Backlight

9. Romantic Sunset Glow

14. Warm Glowing Nightscape

19. Appetizing Food

5. Relaxing Tone

10. Vivid Sunset Glow 15. Artistic Nightscape

20. Cute Dessert10. Toy Effect 11. Miniature Effect**

3. High Key

9. Cross Process

4. Low Key

5. Sepia

8. High Dynamic7. Impressive Art

14. One Point Color

1. Expressive 2. Retro

6. Dynamic Monochrome

12. Soft Focus* 13. Star Filter*

Fourteen fi lters serve to relay your shooting intention and make images even

more impressive. You can also apply the fi lters to video recording.

* The Star Filter and Soft Focus cannot be used for video recording.

** Sound is not recorded with the Miniature Effect in Creative Control

mode, and approximately 1/10 of the time period is recorded. (If you record

for 10 minutes, the resulting video recording will be approximately 1 minute

in length.)

For people who are new to system cameras, Scene Guide

for the DMC-G5 offers 23 sample pictures shot by

professional photographers. Choose the one that is

closest to your shooting situation and the parameters will

be automatically optimized.

* Video recording cannot be used

in some scenes.

You can manually choose from 6 color types and adjust detailed

image settings to capture images just the way you want them.

Parameters for each mode can be customized in 5 steps and favorite

settings can be stored in memory. In Custom mode,

fi nely customized settings can be stored for easy recall and use.

Let a Diverse Palette of Functions Add Artistic Touches

Creative ControlFor System Camera Novices

Scene Guide

Even Greater Control of Image Settings

Photo Style

The effect parameter makes it easy to adjust settings.

Adjustable settings differ depending on the selected effect. The

refocusing area and exposure composition are also adjustable.

Standard MonochromeVivid PortraitNatural Scenery

iA (Intelligent Auto) PlusWhile even experienced photographers appreciate

iA mode, it is easy enough for beginners to use

comfortably in both photo and video recording.

In iA Plus mode, the defocusing area, exposure and white

balance can be adjusted for

scenes where a slight manual

adjustment may bring a better

result.

Recommended FiltersThe recommended fi lters are suggested depending on the scene

detected by the camera in iA or iA Plus mode.

More GuidanceIn addition to One Point-

Advice, Advanced Advice

and the Recommended

Lens can be shown to

help beginners learn

photography.

Select a fi lter.

Touch the icon.

Artistic Expression

Makes Your Photos More Creative.

7. Impressive Art

Saturation

Effect Parameter

12 13

Great Lenses Make Great Cameras

The Lens for the LUMIX G

The World’s First* Digital Interchangeable Power Zoom Lens with Retractable Optics for Superb Mobility.

*For a digital interchangeable lens as of August 26, 2011.

**For a digital interchangeable lens as of August 26, 2011.

The World’s First** Digital Interchangeable Power Zoom Lens. Unchanged in Length, this Lens Provides Highly Comfortable Zooming.

A Compact, Lightweight Standard Lens with F2.8 Brightness Across the Entire Zoom Range.

A Super-small, Lightweight Ultra Wide-Angle Zoom Lens.

An Easy-to-Use Zoom that Goes All the Way to 400mm.

A Single-Focal-Length Lens for Wide-Angle Shooting.

The World's First**** Interchangeable 3D Lens. Once Again, LUMIX G Dramatically Changes Digital SLR Shooting Styles.

A Versatile, High-Quality Standard Zoom Lensfrom Wide-angle to Medium Telephoto.

A Standard Zoom Lens for Landscapes, Snapshots, Portraits, and More.

An Ultra-Zoom Lens that Fights Hand-Shake.

A Compact Lens with Large f1.7 Aperture — Perfect for Everyday Shooting.

LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. / POWER O.I.S. (H-PS14042)28-84mm (35mm camera equiv.)

LUMIX G X VARIO PZ 45-175mm F4.0-5.6 ASPH. / POWER O.I.S. (H-PS45175)90-350mm (35mm camera equiv.)

LUMIX G X VARIO 12-35mm F2.8 ASPH. / POWER O.I.S. (H-HS12035)24-70mm (35mm camera equiv.)

Wide-Angle Zoom Lens

Telephoto Zoom Lenses

Single Focal Length Lenses

3D Lens

Conversion Lenses

Standard Zoom Lenses Macro Lens

An F1.4, 25mm Single-Focal-Length Lens with Stunning Soft Focus.

Perfect for HD Videos: A 10x Optical Zoom that Takes You from Wide-Angle to Telephoto.

A Fisheye Lens for Unique Images with Deformation Effects.

A Superior Macro Lens that Brings Tiny Worlds into View.An Ultra Compact, Lightweight Zoom Lens with Excellent Mobility.

LUMIX G VARIO 7-14mm F4.0 ASPH. (H-F007014)14-28mm (35mm camera equiv.)

LUMIX G VARIO 14-42mm F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS014042)28-84mm (35mm camera equiv.)

LUMIX G VARIO 14-45mm F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS014045) 28-90mm (35mm camera equiv.)

LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140)28-280mm (35mm camera equiv.)

LUMIX G FISHEYE 8mm F3.5 (H-F008)16mm (35mm camera equiv.)

LUMIX G 14mm F2.5 ASPH. (H-H014)28mm (35mm camera equiv.)

LUMIX G 20mm F1.7 ASPH. (H-H020)40mm (35mm camera equiv.)

LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. / MEGA O.I.S. (H-ES045)90mm (35mm camera equiv.)

LUMIX G 12.5mm F12 (H-FT012)68mm***** (35mm camera equiv.)

LUMIX G VARIO 100-300mm F4.0-5.6 / MEGA O.I.S. (H-FS100300)200-600mm (35mm camera equiv.)

LUMIX G VARIO 45-200mm F4.0-5.6 / MEGA O.I.S. (H-FS045200)90-400mm (35mm camera equiv.)

LUMIX G VARIO 45-150mm F4.0-5.6 ASPH. / MEGA O.I.S. (H-FS45150)90-300mm (35mm camera equiv.)

LEICA DG SUMMILUX 25mm F1.4 ASPH. (H-X025)50mm (35mm camera equiv.)

Wide Conversion LensDMW-GWC1

Macro Conversion LensDMW-GMC1

Tele Conversion LensDMW-GTC1

Fisheye Conversion LensDMW-GFC1

****For a digital interchangeable lens as of September 21, 2011.*****When setting the aspect ratio at 16:9 with the DMC-G5.

• Micro Four Thirds™ and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries.

• LEICA is a registered trademark of Leica Microsystems IR GmbH. SUMMILUX and ELMARIT are registered trademarks of Leica Camera AG. The LEICA DG lens is manufactured using measurement instruments and quality assurance systems that have been certifi ed by Leica Camera

AG based on the company’s quality standards.

Changing the Lens Can Transform the World.

Simply Mount to the Lens for Wide-Angle, Zooming, Macro or Fisheye Shooting.

With Conversion Lens (0.79x)Without Conversion Lens

With Conversion Lens (2.0x)Without Conversion Lens

With Conversion LensWithout Conversion Lens

With Conversion LensWithout Conversion Lens

Conventional Coating Nano Surface CoatingRefl ectedlight

Lens Lens

Refl ectedlight

DSLR Competitor Focus Area Lumix G Focus Area

Full-Area AF system9-Point AF system

14 15

In 2008, a small single lens camera made a huge impact. It was called mirrorless, and the brand was Lumix G.

Along with the mirror, it eliminated many of the previous disadvantages of the DSLR.

The mirrorless structure created an entirely new relationship between photographers and cameras.

Having released the world’s fi rst DSLM model,* Lumix G will continue to use advanced technologies to revolutionize cameras.

*The DMC-G1, the world’s fi rst digital single lens mirrorless camera, was introduced on September 12, 2008.

High Image Quality and Mobility from the Mirrorless Design

Revolutionary Lenses from Industry-Leading Technologies

High-Speed, High-Precision AF Opens a New Domain for the Single Lens Camera

High-Performance Video Made Possible by Panasonic, the Camcorder Developer and Manufacturer

The mirrorless structure of Lumix G made it possible to shorten the fl ange back

distance to about half that of previous models, while also reducing the diameter

of the lens mount. This has downsized both the body and the lens. Using high-

precision lenses that bring the light on a straight path to the image sensor

preserves the high inherent image quality, providing optimal photo

quality with more agile mobility.

An auto focus system with top-level speed has been achieved by increasing both the focusing and

lens drive speed. The Contrast AF system also enables Full Area Touch Focusing, a feature that

wasn't possible with conventional single lens models because of the limited AF points. Lumix G lets

you capture even the most fl eeting images in all their natural

beauty, while also providing free and easy framing with high

precision and virtually unlimited AF points.

The use of a special heat-dissipating design for video recording provides long-time shooting of high-quality

images. By pursuing seamless operation of both still and video recording right from the design stage, engineers

were able to attain Full-HD quality throughout. As a result, the video industry has also given a warm welcome

and high acclaim to Lumix G.

35mm FormatCamera System

LUMIX G

System Chart

*1 The fi rmware update is recommended for more comfortable HD video recording.http://panasonic.jp/support/global/cs/dsc/ (English) *2 The AC Adaptor DMW-AC8 requires the DC coupler DMW-DCC8 / DCC9 / DCC11. The DC coupler DMW-DCC8 / DCC9 / DCC11 require the AC Adaptor DMW-

AC8. * The DMW-ZL1 is compatible with the following Micro Four Thirds lenses (As of April 2012). H-F007014 / H-FS014042 / H-FS014045 / H-VS014140 / H-FS045200 / H-FS100300. • Some functions of the DMC-G5 cannot be used when mounting the Four Thirds lenses with the Mount Adaptor

DMW-MA1, the LEICA M or R lenses with the Mount Adaptor DMW-MA2M or DMW-MA3R. • Leica is a registered trademark of Leica Microsystems IR GmbH. • When a lens that does not support the Contrast AF function is mounted, operation will automatically switch to manual focus. • Confi rm the

operation information of compatible lenses at Customer Support http://panasonic.jp/support/global/cs/dsc (English). • The DMW-BLC12 comes with a function to check whether the battery and unit can be safely used together. • Four Thirds™ and Micro Four Thirds™, and Four Thirds and Micro Four

Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. • The release date may differ depending on the country. Check the website of the Panasonic sales company in your country or region

for details on the optional accessories that are available in your market. • Some accessories are not available in some countries. • Batteries made by other companies which have been certifi ed by Panasonic may be used with these units, but we offer no guarantee as to the quality, performance or

safety of such batteries. • Exercise care when purchasing batteries. Many fake or imitation batteries have been found among those sold at unusually low prices and those which customers cannot check for themselves before purchasing. • Please confi rm the latest information about batteries on the

following website. http://panasonic.jp/support/global/cs/info/battery.html (English) • The SDXC/SDHC Memory Card can be used only if their logos are indicated on the equipment or in the operation manual. It cannot be used with equipment that supports only the SD Memory Card. • For detailed

information about the lenses made by SIGMA, OLYMPUS, LEICA, COSINA and KENKO TOKINA, please see each company's website.

LEICA R Mount

Lenses

Panasonic System

ND Filter

DMW-LND37

DMW-LND46

DMW-LND52

DMW-LND58

DMW-LND62

PL Filter

DMW-LPL37

DMW-LPL46

DMW-LPL52

DMW-LPL58

DMW-LPL62

DMW-LPL67

MC Protector

DMW-LMCH37

DMW-LMC46

DMW-LMC52

DMW-LMCH58

DMW-LMCH62

DMW-LMCH67

Shoulder Strap

Remote Shutter

DMW-RSL1

Tripod Adaptor

DMW-TA1

CD-ROM

(PHOTOfunSTUDIO 8.2 PE/SILKYPIX® Developer

Studio 3.1SE/LoiLoScope Trial Version)

For DMC-G5X

LUMIX G X VARIO PZ 14-42mm/

F3.5-5.6 ASPH./ POWER O.I.S.

For DMC-G5K / W

LUMIX G VARIO

14-42mm/F3.5-5.6

ASPH.MEGA O.I.S.

For DMC-G5W

LUMIX G VARIO

45-150mm/F4.0-5.6 ASPH./MEGA O.I.S.

Standard Accessories

Lenses

Personal ComputerSD Memory Card

SDHC Memory Card

SDXC Memory Card

DC Coupler

DMW-DCC8

*2AC Adaptor

DMW-AC8

HDMI mini Cable

RP-CDHM15 / RP-CDHM30

USB Connection

Cable

HDTV

Blu-ray DiscTM PlayerDVD RecorderDigital Photo Frame

MW-20

Battery Charger

AV Cable

Battery Pack

Battery Pack

DMW-BLC12Zoom Lever

DMW-ZL1*

Mount Adaptor

DMW-MA1

M Mount Adaptor

DMW-MA2M

LEICA M Mount

Lenses

R Mount Adaptor

DMW-MA3R

DMW-LFC37

DMW-LFC46

DMW-LFC52

DMW-LFC58

DMW-LFC62

DMW-LFC67

Lens Rear Cap

DMW-LRC1

Body Cap

DMW-BDC1

Soft Bag

DMW-CZ18

Soft Bag

DMW-BAG2

Soft Bag

DMW-BAG1

Leather Bag

DMW-BAL1

Soft Case

DMW-CG1

Soft Case

DMW-CG2

Shoulder Strap

DMW-SSTG1

DMW-SSTG2

DMW-SSTG3

DMW-SSTG5

DMW-SSTG6

Shoulder Strap

DMW-SSTL1

Lens Cap

*1

External Flash

DMW-FL500

External Flash

DMW-FL360

External Flash

DMW-FL220

Optional Accessories

DMW-MA1for the Four Thirds system

DMW-MA2Mfor M mount lens of Leica Camera AG

DMW-MA3Rfor R mount lens of Leica Camera AG

Filter / Protector Zoom LeverExternal FlashDMW-ZL1 DMW-FL220 (GN22) DMW-FL360 (GN36) DMW-FL500 (GN50)

Battery Pack Remote ShutterMount Adaptor HDMI mini Cable

Tripod Adaptor Soft Case

DMW-BLC12 DMW-RSL1 RP-CDHM15 (1.5m)RP-CDHM30 (3.0m)

DMW-TA1 DMW-CG1 DMW-CG2

BagDMW-BAG1 DMW-BAG2-A

DMW-BAG2-CDMW-BAG2-R

DMW-CZ18 DMW-BAL1

Shoulder Strap (Leather) Shoulder Strap (Stylish) Shoulder Strap (Woven) Shoulder Strap (Leather) Shoulder Strap (Long) SD / SDHC / SDXC Memory CardDMW-SSTL1 DMW-SSTG1-K (Black)

DMW-SSTG1-A (Navy Blue)DMW-SSTG1-C (Beige)DMW-SSTG1-R (Red)

DMW-SSTG2-W (White) DMW-SSTG3-T (Brown)DMW-SSTG5-K (Black)DMW-SSTG5-C (Beige)DMW-SSTG5-R (Red)

DMW-SSTG6-K (Black) DMW-SSTG6-W (White)

64GB: RP-SDU64G32GB: RP-SDU32G16GB: RP-SDU16G8GB: RP-SDU08G4GB: RP-SDU04G

MC ProtectorDMW-LMCH37DMW-LMC46DMW-LMC52DMW-LMCH58DMW-LMCH62DMW-LMCH67

PL FilterDMW-LPL37DMW-LPL46DMW-LPL52DMW-LPL58DMW-LPL62DMW-LPL67

ND FilterDMW-LND37DMW-LND46DMW-LND52DMW-LND58DMW-LND62

*1GB = 1 billion bytes.

Usable capacity will be less.

Included Software Makes Your Photos and Videos More Expressive

This software makes it possible to

sort and organize photos and videos

not only of those newly taken but

also of those stored in your computer

with quick start-up and fast read-in

of images. You can upload photos to

Facebook™ and videos to YouTube™

or Facebook™ via this software, too.

The DMC-G5 records original

image data in RAW fi le format.

A number of highly advanced

functions can be applied to

these RAW images by using

this software, with its unique

combination of high resolution

and extraordinary color

separation performance.

You can easily edit, convert and

manage videos that you took in

AVCHD format. And there are many

effects to choose from. This helps

to create the kind of videos you want

and greatly adds to the fun after

shooting.

PHOTOfunSTUDIO 8.2 PE SILKYPIX® Developer Studio 3.1 SE LoiLoScope (Trial Version)

• YouTube is a registered trademark or trademark of Google Inc.• Facebook is a registered trademark or trademark of Facebook, Inc.

High-performance Lumix G lenses are developed and manufactured by applying a variety of industry-leading

technologies, starting with aspherical lenses that prevent spherical aberration and other types of distortion,

and including a Nano Surface Coating that suppresses ghosts and flaring. Stringent quality controls and an

inspection system that carefully inspects every single product were established by collaboration with Leica

Camera AG to create an outstanding

level of image quality that has gained

worldwide recognition.

• Micro Four Thirds™ and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries.