Pablo Picasso

Tête de femme, 1905Bloch 2; Geiser/Bloch 3Etching, signed in pencil, a very fineproof before steel facing (Geiser a./c

Tête de femme, de profil 1905Bloch 6; Geiser/Bloch 7Drypoint, from the edition of 250

Les saltimbanques, 1905Bloch 7; Geiser/Bloch 9Drypoint, a very fine proof before steel facing (Geiser II a./c)

L’abreuvoir, 1905Bloch 8; Geiser/Bloch 10Drypoint, from the edition of 250

b 6

b 2

b 7

Au cirque, 1905Bloch 9; Geiser/Bloch 11Drypoint, signed in pencil, proof before steel facing (Geiser a./c)

Le saltimbanque au repos, 1905Bloch 10; Geiser/Baer 12Drypoint, signed in pencil, a superbproof before steel facing (Geiser a./c.)

Le saltimbanque au repos, 1905Bloch 10; Geiser/Baer 12Drypoint, from the edition of 250

b 9 b 10

b 11 b 12

La famille de saltimbanques aumacaque, 1905Bloch 11; Geiser/Baer 13Drypoint, signed in pencil, a fine proofbefore steel facing (Geiser a./c.)

La famille de saltimbanques aumacaque, 1905Bloch 11; Geiser/Baer 13Drypoint, from the edition of 250

Le bain, 1905Bloch 12; Geiser./Baer 14 a./c.Drypoint, a fine proof before steel facingHouston

Le bain, 1905Bloch 12; Geiser./Baer 14 a./c.Drypoint, from the edition of 250Houston

La danse, 1905Bloch 15; Geiser/Baer 18Drypoint, signed in pencil, a fine proofbefore steel facing (Geiser a./c.)

La danse, 1905Bloch 15; Geiser/Baer 18Drypoint, from the edition of 250

L’étreinte, 1905Geiser/Baer 16Etching, signed in pencil, from the cancelled plate

Nature morte, bouteille, 1911Bloch 24; Geiser/Baer 33Drypoint, signed in pencil and numbered from the edition of 100

L’italiènne, 1919Bloch 34; Geiser/Baer 56; Cramer 8Etching, signed in pencil and numbered 49/50Houston

Groupe de trois femmes, 1923Bloch 57; Geiser/Baer 102Drypoint and etching, signed in penciland inscribed épreuve d’artiste

b 15

b 24

b 34

b 57

Les trois graces, II, 1923Bloch 59; Geiser/Baer 105Etching, signed in pencil and inscribed,épreuve d’artisteHouston

b 59 b 76

b 77 b 88

Les trois amies, ca. 1923Bloch 76; Geiser/Baer 117Etching, signed in pencil, first state of two

Homme et femme, 1927Bloch 77; Geiser/Baer 118Etching, stamp-signed in grey ink andnumbered 145/250

Peintre ramassant son pinceau,1927–1928Bloch 88; Geiser/Baer 129Etching, signed in pencil, a fine impression of the first state of two

Deux nus assis, 1930Bloch 133; Geiser/Baer 200 II/IIIEtching, second state of three, signed inpencil and numbered 6/10

Deux nus assis, 1930Bloch 133; Geiser/Baer 200Etching, signed in pencil and numbered 89/100Houston

Femme nue couronnée de fleurs, 1930Bloch 134; Geiser/Baer 192; S.V. 1Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme nue se couronnant de fleurs, 1930Bloch 135; Geiser/Baer 195; S.V. 2Etching, signed in pencil, one of thedeluxe edition of 50 on large format

Au bain, 1930Bloch 136; Geiser/Baer 201; S.V. 3Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

b 133 b 143

Femme nue assise devant un rideau, 1931Bloch 137; Geiser/Bloch 202; S.V. 4Etching, one of the deluxe edition of 50 on large format paper

Homme dévoilant une femme, 1931Bloch 138; Geiser/Bloch 203; S.V. 5Drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme nue devant une statue, 1931Bloch 139; Geiser/Baer 205; S.V. 6Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Deux sculpteurs devant une statue, 1931Bloch 140; Geiser/Baer 207; S.V. 7Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme nue à la jambe pliée, 1931Bloch 141; Geiser/Baer 208; S.V. 8Etching, one of the deluxe edition of 50 on large format paper

Le viol, 1931Bloch 142; Geiser/Baer 209; S.V. 9Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femmes se reposant, 1931Bloch 143; Geiser/Baer 210; S.V. 10Drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Flûtiste et trois femmes nues, 1932Bloch 144; Geiser/Baer 258; S.V. 11Drypoint and scraper, one of the deluxeedition of 50 on large format paper

Trois acteurs, 1933Bloch 145; Geiser/Baer 296; S.V. 77Drypoint, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Sculpteur, modèle et sculptureassise, 1933Bloch 146; Geiser/Baer 297; S.V. 40Drypoint and scraper, one of the deluxeedition of 50 on large format paper

Sculpteur, modèle couché et sculpture, 1933Bloch 147; Geiser/Baer 298; S.V. 37Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur, modèle couché et sculpture, 1933Bloch 147; Geiser/Baer 298; S.V. 37Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Sculpteur, modèle et buste sculpté, 1933Bloch 148; Geiser/Baer 300; S.V. 38Etching, one of the deluxe edition of 50 on large format paper

Sculpteurs, modèles et sculpture, 1933Bloch 149; Geiser/Baer 301; S.V. 41Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Deux modèles vêtus, 1933Bloch 150; Geiser/Baer 302; S.V. 42Etching, one of the deluxe edition of 50on large format paper

Modèle accoudé sur un tableau, 1933Bloch 151; Geiser/Baer 303; S.V. 43Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur avec coupe et modèleaccroupi, 1933Bloch 152; Geiser/Baer 304; S.V. 44Etching, one of the deluxe edition of 50 on large format paper

b 150

b 152

Vieux sculpteur au travail, 1933Bloch. 153; Geiser/Baer 305; S.V. 47Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et modèle admirant une tête sculptée, 1933Bloch 154; Geiser/Baer 307; S.V. 45Etching, one of the deluxe edition of 50 on large format paper

Sculpteur, modèle accroupi et têtesculptée, 1933Bloch 155; Geiser/Baer 308; S.V. 39Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Jeune sculpteur au travail, 1933Bloch 156; Geiser/Baer 309; S.V. 46Etching, one of the deluxe edition of 50 on large format paper

Sculpteur et deux têtes sculptées, 1933Bloch 157; Geiser/Baer 310; S.V. 48Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur à mi-corps au travail, 1933Bloch 158; Geiser/Baer 311; S.V. 49Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur et le modèleau masque, 1933Bloch 159; Geiser/Baer 312; S.V. 50Etching, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur devant un nu à la draperie, 1933Bloch 160; Geiser/Baer 313; S.V. 51Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Deux hommes sculptés, 1933Bloch. 161; Geiser/Baer 314; S.V. 52Etching, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur devant le petit torse, 1933Bloch 162; Geiser/Baer 315; S.V. 53Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Famille de saltimbanques, 1933Bloch 163; Geiser/Baer 316; S.V. 54Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Famille de saltimbanques, 1933Bloch 163; Geiser/Baer 316; S.V. 54Etching, signed in pencil, one of the deluxe edition of 50 on large format Houston

Le repos du sculpteur devant le jeune cavalier, 1933Bloch 164; Geiser/Baer 317; S.V. 55Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur devant une bacchanale au taureau, 1933Bloch 165; Geiser/Baer 318; S.V. 56Etching, signed and numbered in red brushpoint 2/15, from the deluxeedition of 50 on large format paper

Le repos du sculpteur devant une bacchanale au taureau, 1933Bloch 165; Geiser/Baer 318; S.V. 56Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Le repos du sculpteur devant des chevaux et un taureau, 1933Bloch 166; Geiser/Baer 319; S.V. 57Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur devant un centaure et une femme, 1933Bloch 167; Geiser/Baer 320; S.V. 58Etching, one of the deluxe edition of 50 on large format paper

Sculpteur et son modèle devant unefenêtre, 1933Bloch 168; Geiser/Baer 321; S.V. 59Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et son modèle devant une fenêtre, 1933Bloch 168; Geiser/Baer 321; S.V. 59Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Le repos du sculpteur et la sculpture surréaliste, 1933Bloch 169; Geiser/Baer 322; S.V. 60Etching, one of the deluxe edition of 50 on large format paper

Modèle et grande tête sculptée, 1933Bloch 170; Geiser/Baer 323; S.V. 61Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur, I, 1933Bloch 171; Geiser/Baer 324; S.V. 62Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur, II, 1933Bloch 172; Geiser/Baer 325; S.V. 63Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur, III, 1933Bloch 173; Geiser/Baer 326; S.V. 64Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le repos du sculpteur, IV, 1933Bloch 174; Geiser/Baer 327; S.V. 65Etching, signed and numbered in red brushpoint 13/15, from the deluxeedition of 50 on large format paper

Modèle contemplant un groupesculpté, 1933Bloch 175; Geiser/Baer 328; S.V. 66Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Modèle contemplant un groupe sculpté, 1933Bloch 175; Geiser/Baer 328; S.V. 66Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

b 172

b 174

Trois femmes nues près d’unefenêtre, 1933Bloch 176; Geiser/Baer 329; S.V. 67Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et modèle debout, 1933Bloch 177; Geiser/Baer 330; S.V. 68Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et modèle agenouillé, 1933Bloch 178; Geiser/Baer 331; S.V. 69Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et modèle agenouillé, 1933Bloch 178; Geiser/Baer 331; S.V. 69Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

b 176 b 177

b 178

Sculpture d’un jeune homme à la coupe, 1933Bloch 179; Geiser/Baer 332; S.V. 70Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Le viol, II, 1933Bloch 180; Geiser/Baer 338; S.V. 30Drypoint, one of the deluxe edition of 50 on large format paper

Le viol, IV, 1933Bloch 181; Geiser/Baer 340; S.V. 29Etching and drypoint, one of the deluxeedition of 50 on large format paper

Le viol,V, 1933Bloch 182; Geiser/Baer 341; S.V. 31Drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Le viol sous la fenêtre, 1933Bloch 183; Geiser/Baer 342; S.V. 28Etching and drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme accoudée, sculpture de dos et tête barbue, 1933Bloch 184; Geiser/Baer 343; S.V. 71Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme accoudée, sculpture de dos et tête barbue, 1933Bloch 184; Geiser/Baer 343; S.V. 71Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Modèle nu et scuptures, 1933Bloch 185; Geiser/Baer 344; S.V. 72Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Modèle et grande scupture de dos, 1933Bloch 186; Geiser/Baer 345; S.V. 73Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

b 184

Modèle et grande scupture de dos, 1933Bloch 186; Geiser/Baer 345; S.V. 73Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Modèle et sculpture surréaliste, 1933Bloch 187; Geiser/Baer 346; S.V. 74Etching, one of the deluxe edition of 50 on large format paper

Modèle accroupi, sculpture de doset tête barbue, 1933Bloch 188; Geiser/Baer 347; S.V. 75Etching, one of the deluxe edition of 50 on large format paper

Sculptures et vase de fleurs, 1933Bloch 189; Geiser/Baer 348; S.V. 76Etching, one of the deluxe edition of 50 on large format paper

Minotaure, une coupe à la main,et jeune femme, 1933Bloch 190; Geiser/Baer 349; S.V. 83Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure, une coupe à la main,et jeune femme, 1933Bloch 190; Geiser/Baer 349; S.V. 83Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Minotaure caressant une femme, 1933Bloch 191; Geiser/Baer 350; S.V. 84Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure caressant une femme, 1933Bloch 191; Geiser/Baer 350; S.V. 84Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Scène bacchique au minotaure, 1933Bloch 192; Geiser/Baer 351; S.V. 85Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure endormi contemplé par une femme, 1933Bloch 193; Geiser/Baer 352; S.V. 86Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

b 191 b 192

b 193

Les baigneuses surprises, 1933Bloch 194; Geiser/Baer 355; S.V. 14Etching and drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure attaquant une amazone, 1933Bloch 195; Geiser/Baer 356; S.V. 87Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure blessé, IV, 1933Bloch 196; Geiser/Baer 363; S.V. 88Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure vaincu, 1933Bloch 197; Geiser/Baer 365; S.V. 89Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure mourant, 1933Bloch 198; Geiser/Baer 366; S.V. 90Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

b 200 b 201

Minotaure et femme derrière un rideau, 1933Bloch 199; Geiser/Baer 367; S.V. 91Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure, buveur et femmes, 1933Bloch 200; Geiser/Baer 368; S.V. 92Drypoint, etching, scraper and burin,signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure, buveur et femmes, 1933Bloch 200; Geiser/Baer 368; S.V. 92Drypoint, etching, scraper and burin,signed in pencil, one of the deluxe edition of 50 on large format paper Houston

Minotaure caressant une dormeuse, 1933Bloch 201; Geiser/Baer 369; S.V. 93Drypoint, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure caressant une dormeuse, 1933Bloch 201; Geiser/Baer 369; S.V. 93Drypoint, signed in pencil, from the regular edition of 260Houston

Le viol,VII, 1933Bloch 202; Geiser/Baer 378; S.V. 32Etching, scraper and drypoint, from the deluxe edition of 50 on large format paper

Taureau et chevaux dans l’aréne, 1933Bloch 203; Geiser/Baer 380; S.V. 15Etching, signed in pencil, from the deluxe edition of 50 on large format paper

Morte au soleil, IV, 1933Bloch 204; Geiser/Baer 384; S.V. 16Drypoint, scraper and etching, signed in pencil, from the deluxe edition of 50 on large format paper

Le cirque, 1933Bloch 205; Geiser/Baer 385; S.V. 17Drypoint and scraper, signed in pencil,from the deluxe edition of 50 on largeformat paper

Femme assise et femme de dos, 1934Bloch 206; Geiser/Baer 404; S.V. 78Etching, signed in pencil, from thedeluxe edition of 50 on large formatpaper

Rembrandt et têtes de femme, 1934Bloch 207; Geiser/Baer 405; S.V. 33Etching, one of the deluxe edition of 50 on large format

Rembrandt à la palette, 1934Bloch 208; Geiser/Baer 406; S.V. 34Etching, one of the deluxe edition of 50 on large format paper

Deux modèles se regardant, 1934Bloch 209; Geiser/Baer 407; S.V. 80Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme assise au chapeau et femmedebout drapée, 1934Bloch 210; Geiser/Baer 408; S.V. 79Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Têtes et figures emmélées, 1934Bloch 211; Geiser/Baer 410; S.V. 18Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Jeune couple accroupi, l’hommeavec un tambourin, 1934Bloch 212; Geiser/Baer 411; S.V. 19Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Flûtiste et jeune fille au tambourin, 1934Bloch 213; Geiser/Baer 412; S.V. 20Etching, signed in red brushpoint and numbered 13/15, from the deluxeedition of 50 on large format paper

Rembrandt et femme au voile, 1934Bloch 214; Geiser/Baer 413; S.V. 36Etching, one of the deluxe edition of 50 on large format paper

Rembrandt et deux femmes, 1934Bloch 215; Geiser/Baer 414; S.V. 35Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Remme nue assise et trois têtesbarbues, 1934Bloch 216; Geiser/Baer 416; S.V. 25Aquatint, scraper, burin and etching,signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et trois danseuses sculptées, 1934Bloch 217; Geiser/Baer 421; S.V. 81Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Sculpteur et trois danseuses sculptées, 1934Bloch 217; Geiser/Baer 421; S.V. 81Etching, signed in pencil, one of the deluxeedition of 50 on large format paper Houston

Femme nue assise, la tête appuyéesur la main, 1934Bloch 218; Geiser/Baer 423; S.V. 21Etching, one of the deluxe edition of 50 on large format paper

b 205

Quatre femmes nues et tête sculptée, 1934Bloch 219; Geiser/Baer 424; S.V. 82Etching, scraper and burin, signed inpencil, one of the deluxe edition of 50 on large format paper

Femme torero, II, 1934Bloch 220; Geiser/Baer 426; S.V. 22Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Femme torero, III, 1934Bloch 221; Geiser/Baer 427; S.V. 23Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Minotaure aveugle guidé par une filette, I, 1934Bloch 222; Geiser/Baer 434; S.V. 94Drypoint, scraper and burin, signed in pencil, one of the deluxe edition of 50on large format paper

Minotaure aveugle guidé par une filette, II, 1934Bloch 223; Geiser/Baer435; S.V. 96Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

b 219

b 220

b 222

b 223

Minotaure aveugle guidé par une filette, III, 1934Bloch 224; Geiser/Baer 436; S.V. 95Etching, burin and scraper, signed inpencil, one of the deluxe edition of 50 on large format paper

Minotaure aveugle guidé par une filette dans la nuit, 1934Bloch 225 Geiser/Baer 437; S.V. 97Aquatint, scraper, drypoint and burin,signed in pencil, one of the deluxe edition of 50 on large format paper

Garçon et dormeuse à la chandelle, 1934Bloch 226; Geiser/Baer 440; S.V. 26Etching, scraper, burin and aquatint,signed in pencil, one of the deluxe edition of 50 on large format paper

Garçon et dormeuse à la chandelle, 1934Bloch 226; Geiser/Baer 440; S.V. 26Etching, scraper, burin and aquatint,signed in pencil, one of the deluxe edition of 50 on large format paper Houston

Personnages masqués et femmeoiseau, 1934Bloch 227; Geiser/Baer 441; S.V. 24Aquatint and etching, signed in pencil,one of the deluxe edition of 50 on large format paper

Personnages masqués et femme oiseau, 1934Bloch 227; Geiser/Baer 441; S.V. 24Aquatint and etching, signed in pencil,one of the deluxe edition of 50 on large format paperHouston

b 224

b 225

b 226

Deux buveurs catalans, 1934Bloch 228; Geiser/Baer 442; S.V. 12Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Deux buveurs catalans, 1934Bloch 228; Geiser/Baer 442; S.V. 12Etching, signed in pencil, one of the deluxe edition of 50 on large format paper Houston

Taureau ailé contemplé par quatre enfants, 1934Bloch 229; Geiser/Baer 444; S.V. 13Etching, signed in pencil, one of the deluxe edition of 50 on large format paper

Faune dévoilant une femme, 1934Bloch 230; Baer 609; S.V. 27Aquatint, scaper and burin, signed inpencil, one of the deluxe edition of 50 on large format paper

Portrait de Vollard. II, 1937Bloch 231; Baer 618; S.V. 98Aquatint, signed, from the regular edition of 260

Portrait de Vollard. III, 1937Bloch 232; Baer 617; S.V. 99Aquatint, signed,Aquatint, signed,from the regular edition of 260

b 228 b 229

b 230

Portrait de Vollard. IV, 1937Bloch 233; Baer 619; S.V. 100Etching, signed,Aquatint, signed, fromthe regular edition of 260

Femme au fautueil No 3, 1948–49See Mourlot 136; Reusse 418, illus. p. 151Lithograph, signed in pencil, a fineimpression of this unpublished subject,final state (only 2 proofs known of this state; there were 6 proofs each of thefirst and second states)

Jacqueline Lisant, 1958Bloch 852; Mourlot 309Lithograph, signed in pencil and numbered from the edition of 50

Femme couchée et homme à la guitare, 1959Bloch 916; Baer 1234Linoleum cut, printed in brown, beige andblack, signed and numbered 35/50Houston

Bacchanale, 1959Bloch 930; Baer 1259Linoleum cut, printed in colors, threeworking proofs and a signed proof of the finished state, given by Picasso to his printer, Hildego Arnera

Tête de femme [Portrait stylisé deJacqueline], 1962Bloch 1065; Baer 1285Four linoleum cuts printed in colors,progressive printings of the block in thesequence of color states, including a signed proof of the final state Houston

b 852 b 1065

b 1065

Femme au chapeau à fleurs, 1962Bloch 1076; Baer 1304 ILinoleum cut printed in beige and black, signed in pencil and numbered 35/50

b 1076 b 1079

b 1081 b 1082

Femme au cheveux flous, 1962Bloch 1079; Baer 1297 IIILinoleum cut printed in beige and black, signed in pencil and numbered 35/50

Femme au bandeau, 1962Bloch 1081; Baer 1306Linoleum cut printed in beige,brown and black, signed in pencil and numbered 35/50

Petit buste de femme, 1962Bloch 1082; Baer 1300Linoleum cut printed in beige,brown and black, signed in pencil andnumbered 35/50

Nature morte sous la lampe,March 22–May 21, 1962Bloch 1102; Baer 1313Linoleum cut printed in colors, a signedproof of the final state and the master setof 19 state and color proofs

b 1102 (1) b 1102 (3)

b 1102 (5) b 1102 (6)

b 1102 (7) b 1102 (8)

b 1102 (9) b 1102 (10)

b 1102 (11) b 1102 (12)

b 1102 (13) b 1102 (14)

b 1102 (15) b 1102 (16)

b 1102 (17) b 1102 (18)

b 1102 (19) b 1102 (20)

b 1102 (20) b 1102 (21)

b 1102 (22) b 1102 (23)

Tête [Visage], 1963Bloch 1105; Baer 1339Linoleum cut, printed in beige and black, signed in pencil, a proof aside from the numbered edition of 50Houston

L’etreinte [Etreinte. II], 1963Bloch 1111; Baer 1104Etching, with light plate tone, signed andnumbered 35/50Houston

Peintre et modèle, 1964Bloch 1163; Baer 1162Aquatint, signed in pencil and numbered 35/50

Tête [Tête d’homme au maillot rayé], 1964Bloch 1164; Baer 1164Soft-ground printed in colors, à la poupée, signed and numbered 35/50Houston

b 1163 b 1164

Fumeur [Fumeur. II], 1964Bloch 1166; Baer 1166Soft-ground printed in colors, à la poupée,signed and numbered 35/50Houston

Fumeur, 1964Bloch 1168; Baer 1168Soft-ground printed in colors, à lapoupée, signed and numbered 35/50

Fumeur, 1964Bloch 1172; Baer 1172Aquatint printed in colors, à la poupéesigned and numbered 35/50

Fumeur, 1964Bloch 1174; Baer 1174Aquatint and drypoint, signed and numbered 35/50

b 1166 b 1168

b 1172 b 1174

Fumeur, 1964Bloch 1175; Baer 1175Aquatint and etching, signed and numbered 35/50Houston

Fumeur, 1964Bloch 1176; Baer 1176Aquatint and drypoint, signed and numbered 35/50

Vénus foraine, 1966Bloch 1232; Baer 1461Etching, scraper and drypoint, signed andnumbered 35/50, on Rives wove paperHouston

347 Suite: No. 19, 1968Bloch 1499; Bloch 1515Etching, scraper and drypoint, with deli-cate plate tone, signed in pencil andnumbered 35/50 b 1175

b 1176

156 Series:Autoportrait dédoublé,maja au pigeon. . . , 1970Bloch 1860; Baer 1865Etching, scraper and drypoint,stamped-signed and numbered 35/50

156 Series: Cirque. l’ecuyère au raisin, 1970Bloch 1909; Baer 1915Etching, stamp-signed and numbered 35/50

156 Series: Degas aux bottines àélastiques et deux filles. . . , 1971Bloch 1946; Baer 1955Etching, stamp-signed and numbered 35/50

156 Series: La fête de la patronne,avec un petit chien. degas au double regard, 1971Bloch 1971; Baer 1980Etching, stamp-signed and numbered 35/50

b 1860 b 1909

b 1946

b 1971