OzAsia Festival

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BOOK AT 131 246 ozasiafestival.com.au

Transcript of OzAsia Festival

Page 1: OzAsia Festival

BOOK AT 131 246ozasiafestival.com.au

Page 2: OzAsia Festival

to OzAsia Festival 2011welcome

Adelaide Festival Centre has a strong tradition as a cultural leader and our OzAsia Festival continues the tradition as the pre-eminent event of its kind in the region. Now in its fi fth year, the Festival has been embraced by local audiences and communities and has garnered signifi cant attention nationally and overseas.

The Festival continues to shape the Asia-Australia cultural agenda by fostering collaborations between Australian and Asian artists and encouraging cross cultural dialogue and ideas.

This year we focus on Japan which gives us an opportunity to honour this great people and their culture in a period of refl ection and rebuilding.

Please join us for this annual celebration of our diverse multicultural society and the cultures of our region.

MIKE RANN

DOUGLAS GAUTIER

JACINTA THOMPSON

HIEU VAN LE AO

Premier of South Australia, Minister for the Arts

CEO & Artistic Director,Adelaide Festival Centre

Festival Director, OzAsia Festival

Patron, OzAsia Festival; Lieutenant Governor, South Australia; Chairman, South Australian Multicultural and Ethnic Aff airs Commission

Asia’s importance to, and infl uence on, South Australia continues to increase.

Our nation’s top four export markets are now China, Japan, Korea, and India, and our commercial, cultural and creative ties grow stronger with each passing year.

As we enter the second decade of the "Asian century", we again look forward to our exemplary Festival that offers invaluable insights and even greater understanding of the extraordinary diversity and dynamism that characterises contemporary Asia.

Having won admiration and recognition nationally and overseas, the Adelaide Festival Centre’s fi fth OzAsia Festival once more promises to entertain, challenge and invite valuable cross-cultural dialogue.

OzAsia Festival has grown to become a not-to-be-missed event on our Festival calendar, and I look forward to seeing you there.

Five years ago, when the idea of an Asian-Australian arts festival was born, we set down a few key objectives.

Our aims were to attract the best artists, to make Adelaide Festival Centre the performance hub, to create a true community-based event, and to present the cultures of our neighbouring countries through the arts.

In 2011, I’m delighted that the enormous potential of OzAsia Festival has been realised and that the Festival is developing a global reputation for excellence.

I’m especially pleased that the culturally diverse communities of South Australia – and the people of this State generally – have embraced OzAsia Festival and made it their own.

Some of the overseas students that study in Adelaide have also taken part in the Festival, which is a terrifi c way of getting them involved in the life of our city.

I commend this year’s program to one and all.

The 2011 OzAsia Festival program highlights Japan with the presentation of Continent, Shugo Tokumaru and Cool Wise Man and Australian-Japanese artistic collaborations: Dreamscape, Four Winds and KOAN. We have the Japanese Film Festival for the fi rst time in Adelaide and OzAsia On Screen returns at Mercury Cinema. From China the stunning production of Rhinoceros in Love presented in partnership with Brisbane and Melbourne Festivals; and Shaolin Warriors.

Music lovers will enjoy: Raga Shambhala, and Shaun Tan’s The Arrival. On the food front, we have a delectable evening with FEAST by design and of course, our annual, much-loved Moon Lantern Festival. And Jason Yat Sen Li’s keynote address with the Hawke Centre on Australian Fusion: imagining our Eurasian Future is sure to spark robust dialogue. I’m thrilled about our new partnerships with the Samstag Museum, Art Gallery of SA and CACSA and the new work by local artists In Lieu.

I welcome all the artists, sponsors and audiences to share in this year’s OzAsia Festival and invite you all to enjoy its cultural offerings.

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4 Dreamscape5 Four Winds6 FEAST by design7 Rāga Shambhala8 In Lieu9 Keynote Lecture10 Shaolin Warriors11 Th e Arrival12 Shugo Tokumaru13 Cool Wise Man14 KOAN15 Continent16 Rhinoceros in Love18 Moon Lantern Festival19 Calendar20 OzAsia on Screen

contents

25 NUIDO World

29 In Conversation With

30 Places to Meet & Eat

29 AVCon @ OzAsia28 GreenRoom28 Wasabi Short Films

27 Post Logical Form26 White RabbitEmbroidery Exhibition

24 Krishna and visionsof Sri Nathji

24 Expressions in Clay

22 Japanese Film Festival

• Return fl ights for two to Sydney• 2 nights accommodation • Opening night tickets to Sydney’s 2011 Japanese Film Festival• Degustation dinner for two at Luke Nguyen's Red Lantern restaurant, Surry Hills.

For full terms and conditions please go to ozasiafestival.com.au

BUY A FESTIVAL SUBSCRIPTION (four or more shows) to SAVE & WIN...

TOTAL PRIZE VALUE $1500

An extended OzAsia experience

Buy a Festival Subscription of four or more diff erent shows in one transaction to be eligible. Please note, you can include FEAST by design and fi lms in your Festival Subscription even though no discount applies.

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Purchase your Festival Subscription from by phone, in person or online.Th e same number of tickets must be purchased for each show to qualify.

Page 4: OzAsia Festival

2 – 4SEPTEMBER

DUNSTANPLAYHOUSE

Friday & Saturday7.30pm;Sunday 4pm

a double billdreamscape

Presented by Adelaide Festival Centre and Leigh Warren and Dancers

Jirí Kylián’s Dreamtime is an exquisitely crafted chamber work for fi ve dancers from one of the world’s most revered contemporary choreographers. Paired with Leigh Warren’s Escape, which contrasts action-packed movement with intense stillness and featuring the mesmerising Japanese contemporary dancer Kaiji Moriyama and outstanding young pianist Simon Tedeschi.

Escape was inspired by the choreographers’ visit to Akiyoshido, the largest cave in Japan and a masterpiece of natural art.

Music for both works by legendary composer Toru Takemitsu.

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dreamtimedreamtimechoreographerJirí Kylián

escapeescapechoreographerLeigh Warrenin association withKaiji Moriyamafeaturing pianistSimon Tedeschi

Escape in the dreamy moment

Adult $49Conc $39Student $20Groups (8 or more) $42GreenRoom $19.95STix (see page 34) $10

Adult $44Conc $34

Duration: 1 hr 15 mins[includes interval]Suitable: 12+ years

Image Sadato Ishizuka

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2 – 3SEPTEMBER

SPACETHEATRE

Friday & Saturday8pm

Duration: 1 hr 30 minsSuitable: 10+ years

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Evocative and enthralling: a unique Australian-Asian musical fusion that promises to inspire

Talented Japan-based Australian musicians Andy Bevan and Steve Falk, who blend the raw earthy sounds of marimba and didgeridoo and the lyrical tone of fl ute and soprano saxophone, lead this special evening of rhythm, wind and strings.

Joining them are master drummer Shonosuke Okura, one of Japan’s Intangible Cultural Treasures, and Adelaide International Guitar Festival Artistic Director and world renowned classical guitarist Slava Grigoryan.

winds

SHONOSUKE OKURAMaster Otsuzumi performer (Noh Theatre)

SLAVA GRIGORYANguitar

ANDY BEVANsaxophone, flutes, didjeridoo, percussion

STEVE FALKmarimba, percussion

An extraordinary union of three virtuosic Australian musicians and a Master Otsuzumi (Japanese drum) performer.

Adult $40Conc $35Student/Child $20Groups (6 or more) $35GreenRoom $19.95STix (see page 34) $10

Adult $35Conc $30

EAp

four

Post-show Q & A follows Saturday 3 September performance

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3SEPTEMBER

BANQUET ROOM

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For the fi rst time, OzAsia Festival brings together top designers in food, furniture and fashion for a chic banquet with style.

FEASTby

ADAM LIAWSIMON BRYANT KHAI LIEW ALISTAIR TRUNG

3 BANQUET

Acclaimed chef, Simon Bryant, known from years at Adelaide Hilton and ABC TV’s Cook and the Chef, together with 2010 MasterChef winner Adam Liaw are designing a sublime seasonal OzAsia inspired three course feast with O’Leary Walker wines.

Your guide through this unique feast will be the charming food writer and broadcaster, Annette Shun Wah.

You will feast surrounded by an installation of contemporary furniture and fashion. The beautiful furniture pieces by Adelaide-based designer and artist Khai Liew will be complemented by the stunning creations of Alistair Trung, a Sydney-based fashion designer in his fi rst showing in Adelaide and the talk of this year’s Australian Fashion Week.

ALISTAIR TRUN

includes set menu & wine

Saturday 7pmSuitable: 18+ yearsBanquet style seating

Can be included in your Festival Subscription

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4SEPTEMBER

SPACE THEATRE

Sunday 4.30pm Duration: 1 hr 30 minsSuitable: 6+ years

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rāgashambhala

Classical and Folk Music of India and Tibet

Adult $30Conc $25Student/Child $15Family (2 + 2) $80Groups (6 or more) $25GreenRoom $19.95

Adult $25Conc $20

Take a journey from Tibet to India with artistic traditions from both sides of the Himalayas.

TENZIN CHOEGYALTENZIN CHOEGYAL and Indian sitar maestro MANJU MEHTAMANJU MEHTA draw from ancient musical traditions and lineage to present music with intensity, depth and beauty.

MANJU MEHTAIndian sitar

TENZIN CHOEGYALvocals, dranyen (stringed instrument)

JAY DABGARtabla

JOSH BENNETTsitar, guitar and dilruba (bowed sitar)

An extraordinary musical journey

As part of her fi rst Australian tour, Manju Mehta, described as the First Lady of Sitar, will be performing Indian Classical music in the style made famous by her guru, Pandit Ravi Shankar. Her knowledge of ‘raga’ and her ability to breathe life and creativity into her music whilst staying true to her lineage has earned her enormous praise and respect.

Following his sell-out appearance at the 2010 OzAsia Festival and recent appearance at the Tibet House 21st Annual Benefi t Concert at Carnegie Hall (New York) alongside Philip Glass and Angelique Kidjo, Tenzin Choegyal will again enthral with his other-worldly sounding voice.

Joining these two masters are the prodigious talents of Adelaide’s own Jay Dabgar on tabla, and Manju’s disciple Josh Bennett on sitar, guitar and dilruba (bowed sitar).

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6 – 7SEPTEMBER

SPACETHEATRE

Tuesday &Wednesday 7.30pm

Duration: 1 hr 10 minsSuitable: all ages

inlieu8

‘[Ade is] an exceptionally graceful mover, with arms that fl ow like ribbons in her Indonesian references and strike out boldly for her Australian contemporary dance content’ Th e Sydney Morning Herald

Adult $25Conc $20Student/Child $15Family (2 + 2) $70Groups (6 or more) $20GreenRoom $19.95STix (see page 34) $7.50

Adult $20Conc $15

ADE SUHARTODirector, Choreographer and Performer

DAVID KOTLOWYMusical Director, Composer and Performer

EMILY RUSTANTOGUY TUNSTILLMARGRET EUSOPEHANNAH TUNSTILLJULIAN TUNSTILLGamelan Musicians

Ade and David are South Australian artists whose individual practices are a conversation between Asian and Western, traditional and contemporary, ancestral and individual. They come together to present a visually rich performance based on the themes of cultural displacement and authenticity.

Australian/Indonesian dancer Ade Suharto collaborates with composer David Kotlowy to present an evening of dance and contemporary gamelan music.

MAWARINIVisual Artist

Photo Amanda PhillipsImage Mawarini

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8SEPTEMBER

HER MAJESTY’S THEATRE

Th ursday, 5.45pm for 6pm start

Register on-line:hawkecentre.unisa.edu.au or RSVP ph 08 8302 0215

Jason Li represents the new breed of global business and interculturally savvy young Australian leaders who see the potential in open minds and open doors. Fluent in fi ve languages, he has lived a life that fuses Australian and Asian experiences and which stretches from the philanthropic, to the legal, to the entrepreneurial.

After working for the United Nations International Criminal

Tribunal, he returned to Australia to campaign against racist politics and was a leader of the 1999 Australian Republican Movement. His awards include Australia’s Hauser Global Fellow for 2000 (New York University Law School), 2002 Eisenhower Fellowship, and 2009 Davos World Economic Forum Young Global Leader.

Formerly IAG’s Head of China Strategy (Insurance Group Australia), Jason is now CEO of

Yatsen Associates, a fi rm he founded in 2005, Vice-Chair of the Australia-China Chamber of Commerce in Beijing, a Director of the George Institute for Global Health, and a Governing Member of the esteemed charitable organisation, The Smith Family.

He has also been a Director of the National Centre for Volunteering.

KEYNOTE LECTUREaustralian

imagining our eurasian futurefusion:

Adelaide Festival Centre and Th e Bob Hawke Prime Ministerial Centre at UniSA present

Registration essential

Many describe the 21st century as the Asian Century.

China is already Australia’s largest export market and our economic prosperity is also inextricably tied to the dynamic Asian economies of India, Korea, Indonesia, Malaysia, Vietnam, and Thailand. Indeed, Australia hardly faltered during the GFC, buoyed by the voracious Chinese demand for minerals and energy.

But strategically and socio–politically, how comfortable is Australia today within Asia?

Do we align ourselves too closely to the United States and Western Europe whose markets, culture and institutions dominate our headlines and our consciousness? How serious are we about including more of our own diverse Asian population in our parliaments, our boardrooms, our judiciary, our media and our sporting teams?

What might be Australia’s place in Asia as the region surges in economic, strategic and cultural power?

And what might be Asia’s place in Australia, such that we may enjoy continuing prosperity, peace, optimism and a sense of belonging?

This address will probe the potential of a Eurasian-minded future for Australia – a confi dent, expansive and inclusive future for all – if we are prepared to embrace it.

Jason Yat Sen Li

Page 10: OzAsia Festival

9 – 10SEPTEMBER

FESTIVALTHEATRE

Friday & Saturday7.30pm

Duration: 2 hrs 5 mins(including interval)Suitable: all ages

In a brilliant new production featuring rarely seen Buddhist meditation alongside deadly martial-arts prowess, this breathtaking extravaganza starring 22 Kung Fu Masters follows the journey from a young child’s initiation into the monastery, to achieving fully fl edged warrior status through diligent training and study. In addition to the incredible Kung Fu feats, the show also refl ects the profoundness of Chinese Buddhism, the “Unity of Zen and Martial Arts”.

warriorsshaolinAndrew Kay and Associates and Michael Coppel in association with Adelaide Festival Centre present

‘Agility, grace and showmanship.’Th e Washington PostDirect from China, the Shaolin Warriors

return to Australia, showcasing the remarkable skill, stunning movement, and spectacular imagery of kung-fu to stages throughout Australia from September 2011.

A must see for family audiences and martial arts fans!10

Adult A Res $85Adult B Res $75Adult C Res $65Conc A Res $75Conc B Res $65Conc C Res $60Child (under 16) $47Groups (6 or more) $75Family (2 + 2) A Res $195Family (2 + 2) B Res $170GreenRoom $19.95

Adult A Res $75Adult B Res $65Conc A Res $70Conc B Res $60

The original Kung Fu spectacular, SHAOLIN WARRIORS has had audiences around the world gasping in disbelief at the awe inspiring demonstrations of hypnotic and death-defying feats. From the unmatched ensemble synchronization to the profi ciency in the disciplined use of 18 traditional weapons, audiences will be amazed beyond the boundaries of their own belief.

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The Arrival is a hopeful tale of a refugee’s adventure into a foreign, new world and the challenges he faces. Shaun Tan weaves pure images and beautiful illustrations into a story without using one single written word. This masterpiece of visual storytelling has inspired superlative reviews and awards from across the globe.

11SEPTEMBER

HER MAJESTY’STHEATRE

Sunday 6pm Duration: 1 hr 15minsSuitable: 8+ years

Music and story telling collide

Adult $35Conc $30Student/Child $20Family (2 + 2) $100GreenRoom $19.95STix (see page 34) $10

Adult $30Conc $25

BEN WALSH’s

by academy award winning writer and illustrator

SHAUN TAN

AN AMAZING LIVE“SONIC-SCAPE”

Shaun Tan’s graphic novel The Arrival will be brought to life on the big screen accompanied by Ben Walsh’s

incredible 10 piece Orkestra of the Underground.

World respected percussionist Ben Walsh randomly discovered The Arrival in a bookshop. He fell in love with the exquisite illustrations and immediately imagined the whole story brought to life in sound. Premiering

at the Sydney Opera House’s Graphic Festival in 2010, this is a remarkable collaboration of accomplished Australian artists including Bobby Singh.

Ben Walsh is a musical chameleon straddling genres, styles and performance mediums effortlessly. Known in Adelaide for his work on the sell-out 2011 Adelaide Fringe show Tom Tom Crew, Ben Walsh has an innate talent for bringing talented individuals together around musical projects.

Illu

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Tan

Orkestra of the Underground perform

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Page 12: OzAsia Festival

9 – 10SEPTEMBER

SPACE THEATRE Friday & Saturday8pm

Duration: 1 hr 15 minsSuitable: 10+ years

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Shugo Tokumaru has wowed critics and fans the world over with a sound that draws as much from classic Beatles-esque melodies as his own unique spin on Japanese pop.

A gifted songwriter and multi-instrumentalist, with fi fty different instruments at his disposal, Tokumaru is responsible for producing every sound heard on his records.

Though the vocals are sung solely in his native Japanese, his universal melodies transcend language to uplift everyone’s spirits.

Experience Shugo’s eccentrically ornate songs with a dreamlike twist in his Australian debut.

Th e musical equivalent of snowfl akes, never to occur twice in natureshugo

tokumaru

‘It’s a self-contained pop universe with lots of tiny parts in happy motion.’

Th e New York Times

Adult $35Conc $30Student/Child $20Groups (6 or more) $30GreenRoom $19.95

Adult $30Conc $25

Cabaret-style seating. Bar open in venue.

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Page 13: OzAsia Festival

9 – 10SEPTEMBER

SPACE THEATRE Friday & Saturday10pm

Duration: 1 hr 15 minsSuitable: 16+ years

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Formed in 1993, Cool Wise Man’s ska style takes you back to the 60s, reminiscent of the old Jamaica sound.

They have performed at festivals in and outside of Japan such as Fuji Rock Festival, Asagiri Jam, Sunset Live and Big Day Out Australia in 2008.

A night of up-tempo music that will get you swinging!with likkle mai

Likkle Mai is a Japanese singer, songwriter, producer, DJ and radio personality who also runs her own independent music label.

This ultra cool band from Tokyo team with guest vocalist Likkle Mai to present a night of

ska, calypso, rock steady, dub, roots reggae with a Japanese edge!

Cabaret-style seating. Bar open in venue.

Adult $35Conc $30Student $20Groups (6 or more) $30GreenRoom $19.95

Adult $30Conc $25

$6060 $5050

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Page 14: OzAsia Festival

13SEPTEMBER

SPACE THEATRE

Tuesday 7pm Duration: 1 hr 30 minsSuitable: 10+ years

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KOAN

Contemporary Japanese chamber music

In this world premiere and exclusive program curated by Natsuko Yoshimoto, concertmaster of the Adelaide Symphony Orchestra, you will experience a musical meditation through the rich and varied sounds of contemporary Japanese chamber music.

A magnifi cent marriage of traditional Japanese and Western classical instruments

Adult $35Conc $30Student/Child $20Groups (6 or more) $30GreenRoom $19.95STix (see page 34) $10

Adult $30Conc $25

Violinist Natsuko Yoshimoto teams with the virtuoso Shakuhachi Master Akikazu Nakamura from Japan and from Australia, Claire Edwardes on percussion and Bernadette Harvey on piano.

KOAN is a rare opportunity to be introduced to unique and revered contemporary Japanese composers, including a newly commissioned work by Australian composer James Cuddeford.

In Zen Buddhism a koan is a problem or riddle that admits no logical solution and assists the practitioner in achieving focus.

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VVtSNaEB

KtaaJiicAJ

NATSUKO YOSHIMOTOviolin

AKIKAZU NAKAMURAshakuhachi

CLAIRE EDWARDESpercussion

BERNADETTE HARVEYpiano

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15 – 17SEPTEMBER

SPACETHEATRE

Th ursday 11am,Friday & Saturday7.30pm

Duration: 1 hrSuitable: 6+ years

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A treat for lovers of cartoon physicality, slapstick and a Japanese sense of fun

ozasiafestival.com.au

Adult $30Conc $25Student/Child $15Family (2 + 2) $80Groups (6 or more) $25GreenRoom $19.95STix (see page 34) $7.50

Adult $25Conc $22

A frenetic fusion of contemporary dance, cinema, cartoon, and comedy fi lled with witty, speedy and wonderful movements.

Japanese mime company CAVA present a mime-based fast-moving physical theatre experience, inspired by the Coen Brothers’ fi lm Barton Fink.

As a novelist’s deadline approaches, a cast of funny characters come out of his manuscript and draw him back into his pages of fi ction. Drifting and hovering between reality and absurdity, he fi nds himself in a fantastical wonderland fi lled with strange happenings.

A smash hit at Edinburgh Festival in 2010, this will be CAVA’s Australian premiere.

Th e Scotsman

continent by CAVAKAZUAKI MARUYAMAwriter director

MICHIKO AOKIproducer

YUKIKO TANAKAKAZUAKI MARUYAMATAKAAKI KURODAHIROYUKI FUJISHIROTHIN HOSOMIperformers

Page 16: OzAsia Festival

15 – 17SEPTEMBER

HER MAJESTY’S THEATRE

Th ursday 11am, Friday & Saturday 7.30pm

Post-show Q & A follows Friday 16 September performance

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rhinocerosin love

Adelaide Festival Centre’s OzAsia Festival,Brisbane Festival 2011 and Melbourne Festival present

MENG JINGHUI Director

LIAO YIMEI Playwright

Adult $45Conc $40Student $25Groups (6 or more) $40GreenRoom $19.95STix (see page 34) $12.50

Adult $40Conc $35

‘Loving her is the best thing I’ve ever done in my life’

Rhinoceros in Love

Duration: 1 hr 45 minsSuitable: 12+ years

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Love as blind as a rhinoceros.This contemporary, energetic and popular production dusted with dark romance unveils the extremes people go to for love.

There have been over 800 performances of the show and four versions. The fourth version by the best contemporary theatre in China has been performed in 25 cities since 2009 and makes its Australian debut at OzAsia Festival before heading to the Brisbane Festival and Melbourne Festival. 17

Recognised as a masterpiece of experimental theatre Rhinoceros in Love, directed by Meng Jinghui and fi rst performed in 1999 has reinvented modern Chinese theatre.

Rhinoceros keeper Ma Lu falls in love with his neighbour Ming Ming and does everything to win her heart. However, Ming loves another man who does not care about her. On a rainy night Ma becomes so desperate he kidnaps Ming in the name of love.

Performed in Mandarin with English surtitles

Contains some coarse language

Page 18: OzAsia Festival

12 SEPTEMBER ELDER PARK Monday3.30pm – 8.30pm

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Suitable: all ages

Featuring

moonlantern

festival

Come with your family and friends to the annual Moon Lantern Festival – an occasion to admire the beauty of the full moon on the 15th day of the eighth lunar month.

Traditionally known as the mid-autumn festival, this local event is a popular celebration of abundance and togetherness, with communities and schools involved prior by preparing their lanterns and performances.

Enjoy performances, food and market stalls, cooking and martial arts demonstrations, workshops and the stunning lantern parade at dusk followed by fi reworks.

, pstunning lantern parade at dusk followed by fi reworks.

PARTICIPATING COMMUNITY GROUPSPARTICIPATING COMMUNITY GROUPS

Adelaide Chinese Dance Academy, Adelaide Indian Cultural Society, Asian Women's Consultative Committee, Australia Japan Association of SA, Australian SE Asian Women’s Association, Bangladesh Australia Society of SA Inc, Chinese Association of SA Inc, Chinese Welfare Services of SA Inc, Chinese Arts School of SA, Club India International, East Timorese Community Organisation, Filipino Settlement Coordinating Council of SA, Fusion Beats Bollywood, Indian Australian Association of SA, Japan Aust Friendship Association, Kairali Family Association, Korea Australia

Para Vista PrimarySt Aloysius CollegeTanunda PrimaryThe Hills MontessoriTrinity Gardens Primary Williamstown Primary

PARTICIPATING SCHOOLSPARTICIPATING SCHOOLSGlen Osmond PrimaryHighbury PrimaryHighgate R–7Largs Bay SchoolsMagill PrimaryPara Hills West Primary

Hosted by Annette Shun Wah [writer, performer and broadcaster]

Friendship Association, Korean School, Lac-Viet Scout Group, Lam Son Martial Arts Academy, Lee’s Taekwondo Academy, Matsuri Taiko, Northern Indian & Sargam Indian Musical Association Inc, Overseas Chinese Association of SA Inc, Radio Indonesia, Rindang, Sampaguita Dance Group Inc, SA Zhu-Lin Buddhist Association, Tai-Chi Association of Australia, Vietnamese Literature and Arts Association of SA.

Proudly supported by centrED DECS Teaching & LearningProudly supported by centrED DECS Teaching & Learning

Sponsored by People’s Government of Shandong ProvinceSHANDONG ART TROUPE*

* Thanks to Mr Xu Chenghui, Chairman of the Tangcheng Group

Page 19: OzAsia Festival

EVENT P PAGENUMBER

FILM P PAGENUMBER

EXHIBITION P PAGENUMBER

SATURDAY 3TUESDAY 30 WEDNESDAY 31

TUESDAY 6

TUESDAY 13MONDAY 12

THURSDAY 1

THURSDAY 8

THURSDAY 15

FRIDAY 2

FRIDAY 9

FRIDAY 16

WEDNESDAY 7

WEDNESDAY 14

SUNDAY 4

SATURDAY 10 SUNDAY 11

SATURDAY 17

3pmWhite Rabbit Exhibition Guided Tour

5.30pmWhiteRabbit Exhibition Opening

5.30pmWasabiShort FilmScreeningand Judging

3.30pm – 8.30pmMoon Lantern Festival

6pmNuido Exhibition Opening

6pmKeynote Lecture

6.30pmDon’t GoBreakingMy Heart

10pmCool Wise Man

7pmMan From Hong Kong

7pmConfessions

9pmMadame X

7pmAkunin(Villain)

9pmMachete Maidens Unleashed!

7.30pmDragon Pearl

OzAsia On Screen Opening Night fi lm

7.30pmDreamscape

8pmFour Winds

5.30pmPost Logical Form Artist Talk

6pmPost Logical Form Opening

7.30pmIn Lieu

11amContinent

11amRhinocerosin Love

7.30pmContinent

7.30pmRhinocerosin Love

3pmWhite Rabbit Exhibition Guided Tour

3pmWhite Rabbit Exhibition Guided Tour

2pm – 5pmWhite Rabbit Exhibition Chinese Cultural Event

11am – 4pmArt Gallery of SA Public Programs

3pmWhite Rabbit Exhibition Guided Tour

10am – 9pmAVCON @ OzAsia

4.30pmOzAsian fi lm-making then & now seminar

7pmHi-So

3.45pmDon’t goBreaking My Heart

4pmYamakoshi: The Recovery of a Tiny Japanese Village

6.30pmThe Unjust

4pmA Lone Scalpel

7pmThe Last Ronin

3pmDragon Pearl

5pmGantz 1

9pmBedevilled

7.30pmGantz 2:The Perfect Answer

10pmCool Wise Man

9pmThe Unjust

9pmAbacus & Sword

7pmFEAST by design

7.30pmDreamscape

8pmFour Winds

7.30pmContinent

7.30pmRhinocerosin Love

7.30pmShaolin Warriors

8pmShugo Tokumaru

7.30pmShaolin Warriors

8pmShugo Tokumaru

5.30pmInConversationWith

6pmThe Arrival

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12.30pmArt Gallery of SA Floor Talk

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6.30pmHanamizuki(FloweringDogwood)

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9pmHi-So

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4pmDreamscape

4.30pmRaga Shambhala

12.30pmArt Gallery of SA Floor Talk

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6.30pmHandsome SuitJapaneseFilm Festival Opening Night fi lm

7.30pmIn Lieu

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6pmMadame X

8pmBedevilled 21

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SEE PAGE 3for full details on how to win

an OzAsian experience for two in

Sydney when purchasing

a Festival Subscription!

Page 20: OzAsia Festival

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3 – 17SEPTEMBER

MERCURY CINEMA

Lion Arts Centre,13 Morphett Street

Adult $15Concession $12

131 246

Machete Maidens Unleashed!Karate-kickin’ midgets! Busty babes with blades! Filipino genre fi lms of the 70s and 80s had it all. Boasting cheap labour, exotic scenery and non-existent safety regulations, the Philippines was a dreamland for exploitation fi lm-makers! At last, the all-too-often overlooked world of drive-in fi ller from Manila gets the Mark Hartley (Not Quite Hollywood) treatment in the ultimate insiders’ account of a faraway backlot where stunt men came cheap, plot was obsolete and the make-up guy was packin’ heat!

THURSDAY 1 SEPTEMBER • 7.30pm + SUNDAY 11 SEPTEMBER • 3pm

FRIDAY 2 SEPTEMBER • 9pm

93 mins • ACTION / FAMILY

85 mins • DOCUMENTARY

Man From Hong KongFang (Jimmy Wang Yu) is an undercover detective from Hong Kong sent to Australia to crack open the operation of a Sydney mob boss named Wilton (George Lazenby).

Fang puts his skills as a hang-glider pilot and martial arts master to work as he sets up Wilton for a literally explosive fi nale. Sammo Hung (AKA Kim Po Hung), later to become a major martial arts star in his own right, appears in a supporting role and has an impressive battle with an Australian policeman.

FRIDAY 2 SEPTEMBER • 7pm 111 mins • ACTION

SCREENOzAsiaON

Director: Mario Andreacchio (Australia, 2011)

Director: Mark Hartley (Australia, 2010)

Director: Brian Trenchard-Smith (Australia, 1975)

SATURDAY 3 SEPTEMBER • 7pm + FRIDAY 16 SEPTEMBER • 9pm 102 mins • DRAMA

Director: Aditya Assarat (Thailand, 2010)

Hi-SoHi-So follows Ananda (Ananda Everingham), a young man who returns home to Thailand from America to work as an actor. The story contrasts his relationships with two women: Zoe (Cerise Leang), his American girlfriend who comes to visit, and May (Sajee Apiwong), a Thai girl he meets after his relationship with Zoe falls apart. As the character is part of a segment of ‘high society’ in Thailand – bilingual travellers who have spent half their lives in both the East and West – Ananda fi nds there are challenges in sharing his cross-cultural lifestyle.

Dragon PearlWhen teenagers Josh (Louis Corbett) and Ling (Li Lin Jin) join their respective parents, Chris (Sam Neill) and Dr Li (Wang Ji) on an archaeological dig in China they encounter something trapped beneath a temple beyond their wildest imagination.

The fi lm stars Sam Neill and a cast of China’s most popular actors. All post production was done in Adelaide – including amazing visual effects created by two Adelaide companies, Rising Sun Pictures and Convergen.

OPENINGNIGHT FILM

Suitable for children exemptionClassifi cation pending

Adelaide Festival Centre and Media Resource Centre present

Can be included in your Festival Subscription

Page 21: OzAsia Festival

21

Th ese fi lms are unclassifi ed. Ratings advice w

ill be available closer to the scheduled screening date for unclassifi ed fi lm

s. All foreign language fi lms have subtitles.

All foreign language fi lms have subtitles.

BedevilledAn excruciatingly suspenseful fi lm leading to a gore-laden climax. Hae-won (Ji Sung-won) decides to take a break from her increasing work and home pressures, and returns to the remote island where she spent happy summers with her grandparents. She meets childhood friend Bok-nam (Seo Young-hee) who, tormented daily, begs her for help to escape the island. Each woman is stretched to their limits and it is only a matter of time before one fi nally, and gruesomely, snaps.

SUNDAY 4 SEPTEMBER • 8pm + SATURDAY 10 SEPTEMBER • 9pm 115 mins • HORROR

Director: Jang Cheol-Su (South Korea, 2010)

Madame XWhen Capital City is threatened by a hostile take over by Mr. Storm, his three wives and a political party of tyrannical homophobes, it is up to Adam, a cross-dressing hairstylist to save the world. With the power that lies in his make-up bag and styling kit, plus a fabulous combination of martial arts and dance, Adam must bring down Mr. Storm in style before he wins the election. Will stilettos turn into loafers, glitter turn into dust, patent leather turn into cotton? Adam must fulfi ll his destiny to become Madame X. It will be a hell of a ride!

SUNDAY 4 SEPTEMBER • 6pm + FRIDAY 9 SEPTEMBER • 9pm 100 mins • COMEDY

Director: Lucky Kuswandi (Indonesia, 2010)

SATURDAY 3 SEPTEMBER • 9pm + SATURDAY 17 SEPTEMBER • 6.30pm 119 mins • CRIME / THRILLER

Director: Seung-wan Ryoo (South Korea, 2010)

Th e UnjustA serial killer targeting elementary school students is on the loose. When the most probable suspect dies in custody and the case is at a dead end, high ranking police brass decide to create a killer. Detective Choi Cheol-gi decides that this is his last chance at professional redemption.

He makes a deal with mob boss Jang Seok-gu and together they decide to set up one of the existing suspects as the serial killer. The only hurdle in their plan is public prosecutor Ju Yang.

Don’t Go Breaking My HeartIn Don’t Go Breaking My Heart Louis Koo plays a high-fl ying playboy who has set his sights on a beautiful executive, Gao Yuanyuan. But Gao is looking for a husband and meets Daniel Wu, a talented yet depressed architect. With a pretty cast and clever twists, this romantic comedy reveals the complicated yet passionate relationships of present day urbanites.

Don’t Go Breaking My Heart opened the 35th Hong Kong International Film Festival in 2011.

SUNDAY 4 SEPTEMBER • 3.45pm + WEDNESDAY 14 SEPTEMBER • 6.30pm 117 mins • ROMANTIC COMEDY

Directors: Johnnie To and Wai Ka-Fai (Hong Kong, 2011)

Tickets can also be purchased at Mercury Cinema box offi ce one hour prior to each screening, subject to availability – phone 8410 1934

SATURDAY 3 SEPT4.30pmMercury Cinema

Film co-production within our region has a rich history and co-production between Australia and countries such as Hong Kong and China are no exception.

OzAsian fi lm-makingTHEN & NOWTHEN & NOW

Join Mario Andreacchio (Dragon Pearl), Brian Trenchard-Smith (Man from Hong Kong), and Eddie White (Sweet and Sour, OzAsia On Screen 2010) as they discuss the challenges and opportunities enjoyed from their experiences of making fi lms in Asia.

A chance to ask these fi lm-makers fi rst hand about their fi lms and the journeys their fi lms and lives have taken! Quentin Turnour from the National Film & Sound Archive will host the discussion.SEMINARSEMINAR

Page 22: OzAsia Festival

3 – 17SEPTEMBER

MERCURY CINEMA

Lion Arts Centre,13 Morphett Street

22

FILMjapanese

festival

A Lone ScalpelAbandoning a promising career with the medical elite, Dr Touma opts to station himself in a small city hospital. Mayor Okawa is admitted with cirrhosis of the liver requiring a crucial transplant.

At about the same time, a brain-dead patient is also admitted who happens to be an exact match. In a contentious yet compelling drama, Touma must decide his next course of action, fast. This touching fi lm depicts not only the medical issues facing rural Japan, but choices on human life and dignity relevant to all.

Director: Izuru Narushima (Japan, 2010)

Handsome SuitIf all you had to do to become really handsome was put on a special suit, would you do it?Takuro (Muga Tsukaji), our ugly main character with a heart of gold and humour, works as a chef in his mother’s diner and falls in love with beautiful part-time worker, Hiroko (Keiko Kitagawa). Not surprisingly, he’s rejected when he confesses his love. Takuro fi rmly believes the reason for his rejection is his looks. Before even considering plastic surgery, he meets a salesman fl ogging the ‘Handsome Suit’. Thus begins his double life as the gorgeous model, Annin Hikariyama and the unappealing chef, Takuro.

TUESDAY 6 SEPTEMBER 6.30pm 115 mins • COMEDY

FRIDAY 9 SEPTEMBER 7pm 105 mins • THRILLER MYSTERY

SATURDAY 10 SEPTEMBER 4pm 126 mins • DRAMA

SATURDAY 10 SEPTEMBER 7pm 133 mins • SAMURAI DRAMA

Director: Tsutomu Hanabusa (Japan, 2008)

ConfessionsIt begins in the classroom. A devastated mother and ice-cold teacher, Moriguchi sensei is looking for the murderer of her four year old daughter, a student from her own class. In a series of cruel acts, Confessions is a disturbing fi lm that plunges into a world of obsession, retribution and vengeance.

From Tetsuya Nakashima, director of Kamikaze Girls and Memories of Matsuko, Confessions was a massive box offi ce hit in its native Japan.

Director: Tetsuya Nakashima (Japan, 2010)

This year, after tremendous suffering, Japan is now undergoing a period of restoration. To inspire hope for those who suffered, we will be presenting a charity screening of the documentary Yamakoshi, Recovery of a Tiny Japanese Village.

This Film Festival will provide a great deal of insight to the Japanese spirit, culture, society and history and we hope everyone enjoys it.

Masafumi KonomiJapanese Film Festival Director

Th e Last RoninThe legacy story of 47 ronin (Chushingura) samurai who avenged the death of their lord in a daring raid. Inspired by the true story of 47 ronin who fought to restore honor to their dead master’s name by surrendering their own lives. The Last Ronin depicts the untold heroism of one man charged to live, in order to fulfi ll a secret mission, rather than honorably fi ght and die with his comrades. The star-studded cast includes the internationally acclaimed Koji Yakusho (Memoirs of a Geisha, Babel, The Eel and Shall We Dance?) and Koichi Sato – winner of four Japanese Academy Awards.

Director: Shigemichi Sugita (Japan, 2010)

Adult $15Concession $12

We promise a spectacular Japanese Film program including 10 smash hit titles straight from Japan, six of which will be Australian Premieres.

WELCOME TO THE

131 246

© 2008 The H

andsome Suit Film

Partners©

2010 Toho/H

akuhodo Dy M

edia Partners/

Faith Wonderw

orks/Licri/

Futabasha Publishers/N

ippon Shuppan H

anbai/Yahoo Japan/

Tsutaya Group A

ll Rights Reserved.

© 2010 A

Lone Scalpel Production Com

mittee

© 2010 The Last Ronin Film

Partners

Adelaide Festival Centre, Japan Foundation and Media Resource Centre present

Page 23: OzAsia Festival

23

Hanamizuki(Flowering Dogwood)Based on the lyrics of a love song that moved a nation, Hanamizuki is a romance for the ages. Growing up under the shade of a dogwood tree, Sae is determined to succeed in life. She falls in love with Kohei, a local boy who becomes a fi sherman. Deeply in love, yet physically apart, their long distance relationship is under strain. Meanwhile, Sae encounters Kitami, a senior at her college who shares the same professional dreams.

Director: Nobuhiro Doi (Japan, 2010)

SUNDAY 11 SEPTEMBER 5pm 130 mins • ACTION SCI FI FANTASY

Abacus and SwordBased on a story by Michifumi Isoda, the fi lm is set at a time in Japan’s history when the way of the samurai was on the decline.From the end of the Edo Period to the Meiji Period, Japan faces a period of upheaval. At such time, the Kaga Clan is also immersed in fi nancial crisis so a samurai is assigned to work as an accountant. Out of necessity, he sells all the furniture and household goods to support his family and the Clan. Luckily though, his clever wife supports him and helps him through the diffi cult period.

Director: Yoshimitsu Morita (Japan, 2010)

Akunin (Villain)A beautifully realized and deeply resonant fi lm on the dark side of passion.Akunin is about a murderer and the ordinary young woman who loves him. Shimizu (the “villain”) is a very troubled young man. When Yoshino, the girl he’s in love with, dumps him to go off with the richer and prettier Masuo, he follows them and kills her. As he’s going on with his daily life, trying to avoid suspicion, he receives an e-mail from a desperately lonely woman, Mitsuyo, who found him through a dating site. The two meet and strike up an unhealthy, romantic relationship. And then the police come looking for Shimizu... Eri Fukatsu’s role as Mitsuyo won her the best actress award at the 34th Montreal World Film Festival.

Director: Sang-il Lee (Japan, 2010)

Gantz 1Based on a Japanese manga and anime series, Gantz tells the story of Kei Kurono (Kazunari Ninomiya) and his friend Masaru Kato (Kenichi Matsuyama) who die in a train accident.They become part of a semi-posthumous “game” in which the enigmatic black orb, Gantz, enlists them and several other recently deceased people to hunt down and kill aliens armed with a handful of futuristic items of equipment and weaponry. Is this a world of game or reality?

Director: Shinsuke Sato (Japan, 2011)

Gantz 2:Th e Perfect AnswerKei, the college boy, has become a stern warrior in the service of Gantz, a black sphere that brought him and Masaru inexplicably back to life after a fatal encounter with an oncoming subway train. He and others among the newly dead accumulate points by killing aliens on missions assigned to them by Gantz. With 100 points, they can either escape their limbo and lose all memory of their time there or return another person to life.

Director: Shinsuke Sato (Japan, 2011)

Yamakoshi:Th e Recovery of a Tiny Japanese VillageYamakoshi Village in Niigata Prefecture suffered devastating damage from the Great Chuetsu Earthquake of October 23, 2004. This fi lm focuses on the continued efforts of the residents to restore their village while showing the strength and mateship amongst the villagers. On the 11th of March 2011, Japan suffered yet another earthquake, larger than any other on record in the country. The extent of its devastation is still unfolding each day. In light of the recent disaster, this fi lm also serves to inspire hope for the entire country.

Director: Shinichi Hashimoto (Japan, 2009)

SUNDAY 11 SEPTEMBER 7.30pm 141 mins • ACTION SCI FI FANTASY

TUESDAY 13 SEPTEMBER 6.30pm 120 mins • ROMANCE DRAMA

FRIDAY 16 SEPTEMBER 7pm 140 mins • DRAMA

SATURDAY 17 SEPTEMBER 4pm 120 mins • DOCUMENTARY

SATURDAY 17 SEPTEMBER 9pm 120 mins • SAMURAI DRAMA

SPECIALCHARITYSCREENING

Tickets can also be purchased at Mercury Cinema box offi ce one hour prior to each screening, subject to availability – ph 8410 1934

© 2010 A

bacus And Sw

ord Film Partners

© 2011 G

antz Film Partners

© 2011 G

antz Film Partners

© 2010 H

anamizuki Production Com

mittee

© 2010 Toho Co., Ltd./

Dentsu Inc./

The Asahi

Shimbun Com

pany/Sony M

usic Entertainment

(Japan) Inc./N

ippon Shuppan Hanbai Inc./

Horipro

Inc./A

muse Inc./

Kddi/Yahoo Japan Corporation/

Tsutaya Group/

Asahi Shim

bun Publications Inc. All

Rights Reserved.

© Yam

akoshi: The Village Of Thousand

Years History Film

Partners

Can be included in your Festival Subscription

Page 24: OzAsia Festival

24

krishna andvisions of sri nathji:

expressions in clay:

Indian temple paintings from the collection of Barrie and Judith Heaven

125 years of Japanese ceramics

Adelaide Festival Centre in association with Th e Art Gallery of South Australia present

Featuring works of monumental scale, Krishna and visions of Sri Nathji is a special display of Indian temple paintings (pichwai) borrowed from a major Australian private collection depicting devotional images of Lord Krishna. The fabric hangings adorned temples in Rajasthan and were intended for display during festivals and major occasions.

The exhibition includes rarely exhibited ceramics which highlight the skill and uncanny ability of Japanese artists to create objects which inhabit the realms of utility and beauty simultaneously. From the restrained elegance and rusticity of Vase by Hamada Shoji (1894-1978) inspired by regional designs

and a reaction to mass production, to the exuberant Teapot with lid which depicts fi ve familiar faces in Japanese folklore, Expressions in Clay will display the many faces of Japanese ceramics created during a period of constant economic and social upheaval which inspired ceramic innovation.

2 – 17SEPTEMBER

Open daily 10am – 5pm

Suitable: all ages

ART GALLERY OFSOUTH AUSTRALIANorth Terrace, Adelaide

A diverse range of works from the 20th and early 21st century selected from the Art Gallery of South Australia’s permanent collection.

Two new displays at the Art Gallery of South Australia

Teapot with Lid (above right)

(Kansai Region),early 20th century(Meiji period, 1868-1912)

polychrome and gold enamelwith overglaze on marbled clay body

Gift of Norman MacLucas 2006Art Gallery of South Australia20061c14(a&b)

James Bennett speaks about Tues 6 Sept 12.30pm & Sat 10 Sept 11amKrishna and visions of Sri Nathji Russell Kelty speaks about Expressions in Clay Tues 13 Sept 12.30pm & Sat 10 Sept 1.30pmFree fi lm screening – Water Sat 10 Sept 12 noonFree fi lm screening – The Departure Sat 10 Sept 2pm

PUBLIC PROGRAMS

Page 25: OzAsia Festival

31 AUGUST –16 OCTOBER

ARTSPACE GALLERY & ADELAIDE FESTIVAL CENTRE THEATRE FOYER

Artspace Gallery: Wed, Fri, Sat, Sun 12 – 4pm. Th ur 12 – 8pm.Festival Th eatre foyer: 9am – 6pm (weekdays) plus performance times.

25

Showcasing over 100 magnifi cent works that embody the tradition, skill and discipline of this ancient art, the works in the exhibition have been created by people in 19 countries on fi ve different continents.

exhibition

Adelaide Festival Centre and Japanese Embroidery Center, Atlanta USA and Kurenai-Kai Japan present

worldembroidery

NUIDO2011

This exhibition presents a rare opportunity to experience the 1,600 year tradition, culture and heritage of Japanese embroidery through displays, lectures, classes, demonstrations and an accompanying exhibition catalogue.

Suitable: all ages

FOR EXTENSIVE PUBLIC PROGRAMS

Exhibition Opening • Thursday 1 September, 6pm

RSVP [email protected] or Kristen Taylor 8216 8581

E. Rhodes and Leona Carpenter Foundation, USA

Embroiderers’ Guild of South Australia

Consulate-General of Japan, Melbourne

check out ozasiafestival.com.au

Page 26: OzAsia Festival

15 JULY –30 SEPTEMBER

Opening hours: Tuesday – Friday 11am – 5pm, Saturday & Sunday 2 – 5pm

26

Suitable: all ages

Adelaide Festival Centre and Anne & Gordon Samstag Museum of Art,

University of South Australia present

contemporary chinese art collectionwhite rabbit

‘Made in China with audacity’Th e Sydney Morning Herald

ANNE & GORDON SAMSTAG MUSEUM OF ARTHawke Building, City West Campus55 North Terrace, Adelaide

PUBLIC PROGRAMS Exhibition Opening • Tuesday 30 August, 5.30pm – 7.30pm RSVP essential [email protected]

Guided exhibition tours for schools and community organisations • Phone 8302 0870 to book. Education resource available online unisa.edu.au/samstag

Free Guided Tours • Sat 3, 10, 17 & Sun 4, 11 Sept at 3pm

Special Chinese Cultural Event • Saturday 17 Sept, 2 – 5pm A guided tour in Mandarin by David Zhu, followed by

a Chinese tea ceremony, live music, Mahjong demonstrations and refreshments. Free admission, all welcome. RSVP [email protected]

Chen Zhou & Chen Zhou & Huang KeyiHuang Keyi

China Carnival No. 1: Tiananmendetail, 2007C-print, 120cm x 180cm

Image courtesy White Rabbit Gallery, Sydney

In the Year of the Rabbit, this major exhibition of selected works from Sydney’s amazing White Rabbit Contemporary Chinese Art Collection provides an exciting window into the diversity and power of contemporary art practice in China. The exhibition showcases works across different media – painting, sculpture, animation, new media and installation – by thirteen artists.

Featured works explore China’s rapidly changing society, from Mao’s oppressive Cultural Revolution to the excesses and exuberance of China’s economic boom.

Page 27: OzAsia Festival

7 SEPTEMBER – 14 OCTOBER

CONTEMPORARY ART CENTRE OF SA (CACSA)14 Porter Street, Parkside

Tuesday – Friday 11am – 5pm,Saturday & Sunday 1 – 5pm

27

Suitable: all ages

Koji RyuiKoji RyuiQuantum Entanglementdetail, 2010poly coated wire, garden wire, steel rodDimensions variablePhoto by Ashley Barbar

Photo courtesy the artist and Sarah Cottier Gallery, Sydney

Floortalk & Opening – Wednesday 7 September, CACSA, 5:30pm

Masato Takasaka’s art centres on seizing whatever everyday material and objects are at hand and confi guring something ‘new’, an idea remade. Takasaka has said his artwork is made up from “good ideas going nowhere. Does that make sense?”.

postlogical form

AKIRA AKIRA (Melbourne)

MASATO TAKASAKA (Melbourne)

KOJI RYUI (Sydney)

Adelaide Festival Centre and the Contemporary Art Centre of South Australia (CACSA) present

Akira Akira presents various sculptural forms that incorporate both ‘found’ and constructed elements in their materiality. These sculptural forms primarily emerge from the mixture of specifi c construction processes, particular materials, and found geometries.

Koji Ryui makes ephemeral sculptures from found commonplace materials. Ryui playfully unfolds structural and sculptural possibilities of things that are overlooked in our everyday environment.

Akira, Takasaka and Ryui are three Australian based artists with Japanese heritage.

Independent of their “Japanese-ness”, the works of these artists sit together comfortably, in their exploration of the object’s physical matter.

Page 28: OzAsia Festival

28Wasabi Short Film

SCREENING & JUDGING NIGHT

DREAMSCAPE Masterclass 3 September

INVITATIONS to OzAsia FestivalVIP Parties!

CONTINENT Physical Th eatre Workshop 16 September

JOIN TOACCESS

adelaidefestivalcentre.com.au/greenroom

Wednesday31 AUGUST5.30pm

MERCURY CINEMALion Arts Centre,13 Morphett Street

RSVP essential by 26 August to:adelaidefestivalcentre.com.au/greenroom

Support young, emerging talent and come along for a fun night of screenings from the Wasabi Short Film entries at Mercury Cinema. There will be a panel of judges and you can get involved by casting your ‘People’s Choice’ vote on the night.

Adelaide Festival Centre presents

Get creative and have the chance for your

short fi lm to be screened at this year’s

OzAsia Festival PLUS win $500 cash and

a Media Resource Centre membership.

IT’S EASY! You just need to be aged between 16-30, become a GreenRoom member (if not already one)

CALLING ALL BUDDING YOUNG FILMMAKERS...

Suitable: 16+ years

Page 29: OzAsia Festival

16SEPTEMBER

SPACETHEATRE

Friday 5pm for 5.30pm start

Duration: 1 hrSuitable: 16+ years

conversationin

with

Take part in South Australia’s fi nest all day video game tournaments. If costumes are your addiction, look no further than AVCon’s Cosplay Competition.

Entrants can show off dressed as their favourite characters from the video game and Japanese animation world. With competitors battling to be crowned the winner, it is a visual and cultural feast for all to view!

@ OzAsiaAdelaide Festival Centre and AVCon present

Adelaide’s annual anime and video games convention is making a special one day outing at this year’s OzAsia Festival.

11SEPTEMBER

BANQUET ROOM, PIANO BAR, LYRICS

Sunday 10am – 9pmSuitable: all ages

ALL TICKETS10 years and under(accompanied by an adult)

Featuring panelists

CARILLO GANTNER AO Chairman, AsiaLink, and President, Melbourne Festival Board

DOUGLAS GAUTIER CEO and Artistic Director,Adelaide Festival Centre

KATHY KEELE CEO, Australia Council for the Arts

JACQUELINE LO Associate Professor, School of Cultural Inquiry Australian National University

AARON SEETO Director and Curator, Centre for Contemporary Asian Art, Sydney

Registration essential

Register on-line:adelaidefestivalcentre.com.au/inconversationwith

hosted by FENELLA KERNEBONE

Adelaide Festival Centre’s In conversation with series invites you to join in the creative conversation about culture.

Hear panelists discuss: AUSTRALIAN CULTURAL ENGAGEMENT WITH ASIA: WHERE IS IT GOING AND WHAT CAN WE DO?

p

29

Be prepared for a Godzilla sized day of action as you enter a world of ninjas, samurai, superheros and heroines, battle monsters, aliens and more Asian pop culture icons than you can shake a katana at!

e

Page 30: OzAsia Festival

30

places toeatmeet and

LYRICS

Plan a complete night out or catch up with friends for a drink

BISTRO BY THEFOOD BUSINESS

FOYER BARS FOYER CAFÉ ELDER PARK CAFÉ

With its casual dining room and iconic views over Elder Park and the River Torrens, Lyrics features fabulous food and South Australian wines. Open two hours prior to all performances in the Festival Theatre.

Admire the river views while feasting on an Asian inspired menu. Soak up the OzAsia Festival vibe in the cosy cocktail lounge, with DJs from 10pm on Fridays and Saturdays, with delectable Japanese-inspired bar snacks, sake and cocktails served til late.

Open 1 hour 30 minutes prior to each performance and during intervals in the Festival Theatre, Dunstan Playhouse and Her Majesty’s Theatre. Enjoy a glass of O’Leary Walker wine and an Asian-inspired platter.

Delicious casual meals conveniently located at the heart of the Festival. Coffee and light refreshments also available. Open business hours Monday to Friday with daily specials and at Festival Theatre performance times.

Alfresco or indoors, enjoy something from the seasonal menu plus organic, Fair Trade coffee and an eclectic list of local wines and beers.

Book at [email protected] 8216 8744

Page 31: OzAsia Festival

The most vibrant. The most cultured. The most anticipated.The most vibrant. The most cultured. The most anticipated.The Advertiser. Proud sponsor of the OzAsia Festival.The Advertiser. Proud sponsor of the OzAsia Festival.

Page 32: OzAsia Festival

Connecting your world for less· Phone · SMS · Data

Simple & easy to understand 90 day credit expiry Local multilingual customer services

1300 126 122www.lebara.com.auPrepaid SIM

Page 33: OzAsia Festival

Never let emotions influenceyour property investment decisions

In property investment, it pays to let your head rule your heart and to let Ironfish guide you along the way. Join thousands of Australians who are building an income for life thanks to Ironfish’s proven property investment experience and expertise.

www.ironfish.com.au (08) 8110 9888

IRO

059

corporatepackages

entertainingand

Entertain clients and improve staff Asia-literacy.

You choose the show & select from one of the following packages:

• Corporate boxes

• Corporate functions

• Dinner & entertainment

• Cheese & wine packages

Doing business

Packages start from only $98 per guest, including show and hospitality.

in Asia?

For all your entertainment options call Sally on 8216 8965or [email protected]

Page 34: OzAsia Festival

34

PHONE

131 246

All major credit cards acceptedMon to Sat 9am – 6pm [CST]

ONLINE bass.net.au

OVER THE COUNTER BASS Outlets and Festival Theatre.

For info regarding BASS outlets, phone 131 246 or go to page 104 of the White Pages.

MAIL OR FAX Call BASS on 131 246 to receive a booking form.

All Space Theatre performances, AVCon and fi lms screened at Mercury Cinema are General Admission. Tickets purchased in advance to performances in any of these venues cannot be mailed to patrons.Phone, internet or mail bookings can be collected from the nearest BASS outlets or from the venue on the night.Please present the credit card used to make the booking when collecting tickets.

Driving to Adelaide Festival Centre?Relax with premier parking at Adelaide Festival Centre’s undercover car park with regular security patrols.Enter off King William Road for easy access.Pre-book your space through BASS on 131 246. All carpark spaces are accessible via our lift.

Further enquiries on 8216 8724.Opening times: 24 Hours/7 Days a week.

Adelaide Festival Centre is committed to ensuring our programs are accessible and your time with us is as enjoyable as possible.The Centre has a number of access-friendly facilities on site, including;

• wheelchair loan service• assistive hearing system

(Festival Theatre, Dunstan Playhouse and Space Theatres only)

• access toilets• access seat allocations• pre–book access car park-

ing via BASS on 131 246• access friendly drop off/

pick up points• lift access in the car park,

Space Theatre, Dunstan Playhouse and Festival Theatre

• lift access to the Bistro – access from the Play-house Reception desk.

When booking, please inform the BASS operator if you have any specifi c access requirements and they will be pleased to let you know what services might suit you best.

For all other disability access inquiries please contact Patron Services by email:[email protected] or phone (08) 8216 8578.

Car & Driver ServicesSmart Car Australia 1300 130 020Citicar(08) 8440 0777

Taxi CompaniesSuburban131 008Adelaide Independent 132 211Yellow Cabs132 227Access Cabs1300 360 940

Trams/Buses/TrainsAdelaide Festival Centre is located in the heart of Adelaide’s CBD and is adjacent to the Adelaide Railway Station and along the major bus routes.

HOW TO BOOK

PLEASE NOTE

CAR PARK

TRANSPORT ACCESS SERVICES

ONLY available in FITTED WHITE with image on FRONT

Subject to availability at time of ordering

Offi cial OzAsia Festival 2011 merchandise

Contact [email protected] or call 8216 8985

$2525ADULTS/ CHILDRENS The Adelaide Festival

Centre respects your privacy and meets Government policy requirements.

DISCLAIMER: Every effort has been made to ensure that performance dates, times, prices and other information contained herein are correct at time of publication.

STIX BOOKINGSThere are a limited number of discounted tickets for primary and secondary students subsidised by generous donations to Student Tix Fund.

Page 35: OzAsia Festival

OZASIA FESTIVALis proudly produced and presented by

abc.net.au/adelaide

MAJOR FESTIVAL PARTNER

FESTIVAL PARTNER

COMMUNITY PROGRAMS SPONSOR

MOON LANTERN FESTIVAL STAGE SPONSOR

MEDIA PARTNERS

WINE PARTNER

PROMOTIONAL PARTNER

MOON LANTERN FESTIVAL PARTNERS

Page 36: OzAsia Festival

kwp!SAN10217

As an Australian energy company with

a presence in six Asia-Pacifi c countries,

Santos is proud to be the major festival

partner of the OzAsia Festival. This festival

shares the richness and beauty of Asian

cultures with the South Australian

community. Cultures we experience every

day in our working life in Indonesia,

Vietnam, Bangladesh, Papua New Guinea,

India and the Kyrgyz Republic. Santos

makes things happen in the community

because we’re not just an energy company,

we’re a company with energy.

Find out more at santos.com

Our energy lights

lanterns from Elder Park

to Vietnam.