Overview

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Presentation for Trinity Cristo Rey Lutheran Church, Santa Ana, CA by Christopher Martin Digital Organs, Downey, CA

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Presentation for Trinity Cristo Rey Lutheran Church, Santa Ana, CA by Christopher Martin Digital Organs, Downey, CA. Overview. - PowerPoint PPT Presentation

Transcript of Overview

Page 1: Overview

Presentationfor Trinity Cristo Rey Lutheran

Church, Santa Ana, CA

by

Christopher Martin Digital Organs, Downey, CA

Page 2: Overview

Overview Most digital organ companies use a few samples for each rank of pipes, bent to different pitches

throughout the rank. The samples are very short, and often the beginning and the release are truncated. This was useful years ago for conserving memory and processing power, but with the technology currently available, it is outdated.

Our organs use samples for each and every note in a rank. Our samples are very long—usually between 5 and 13 seconds. We use entire sampled organs so that the different voices blend together in the way a master pipe organ builder voiced them over many hundreds of hours.

The difference in realism is astonishing and readily apparent even to untrained ears.

All of our organs use the same software platform, so they share a lot of advanced features in common:

Built in audio and MIDI recording (the organ can play itself with the press of a button).

Randomization modeling for tuning and tremulants (to better imitate the sound of a pipe organ).

Swell shoes apply filters to each and every pipe separately in real time.

Touchsreen menu interfaces built into a drawer in the console.

Easy access to transposition, temperaments, pitch adjustment, volume adjustment, and a host of other menu functions.

Multichannel audio routing: different divisions of the organ are routed to different groups of speakers. Within those groups, each speaker carries its own pipe-load so that no one organ pipe sounds from more than one speaker. This fools the ear much better into believing it is hearing thousands of pipes than any possible stereo mix.

Page 3: Overview

Organ Models Available

Studio 2 Studio 3 Studio 3X T3 T4 S3 S4

Page 4: Overview

Studio 2

Page 5: Overview

Studio 2 Features 2 high quality tracker touch keyboards, available in heavy (150g), medium

(125g) or light (100g) playing weights.

1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

A 44 stop disposition, 3 couplers, and a Swell tremulant controlled with center sprung, lighted rocker tabs.

One swell shoe.

A pedal lamp.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Page 6: Overview

Studio 2 Options

Studio 2 Basic: $24,695

Add a crescendo shoe: $450

Add a second row of engraved pistons: $850

Add 4 LCD screens for displaying relevant information in real time: $1100

Add wood-core, wood-covered keyboards (standard or reverse colors): $3800

Add French Romantic (Cavaillé-Coll) and German Baroque (Silbermann) sample sets (including engraved label plates): $1400

Studio 2 with full options: $32,295

Page 7: Overview

Studio 2 StoplistPedal16' Principalbass16' Contrabass16' Soubasse8' Octavbass8' Gedackt4' OctaveMixtur IV16' Basson16' Bombarde8' TrompeteGt. to Ped.Sw. to Ped

Great16' Montre8' Principal' Flûte Harmonique8' Gamba8' Bourdon4' Praestant4' Rohrflöte2 2/3' Quinte82' SuperoctaveCornet II-VMixtur V-VIICimbel IV-V8' Trompete4' TrompeteSw. to Gt.

Swell (expr.)16' Gedeckt8' Principal8' Geigenprincipal8' Cor de nuit8' Flûte Traversiere8' Bourdon a cheminée8' Gamba8' Voix céleste8' Salicional4' Praestant4' Flûte conique2 2/3' Quinte2' Doublette

Swell (cont'd)2' Octavin1 3/5' Terz1 1/3' LarigotMixtur IV-VI8' Trompette8' Cromorne8' Basson-hautboisTremulant

Page 8: Overview

Studio 3

Page 9: Overview

Studio 3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium

(125g) or light (100g) playing weights.

1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

A 45 stop disposition, 9 couplers, and Swell and Positiv tremulants, controlled with center sprung, lighted rocker tabs.

Dual expression shoes.

A pedal lamp.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Page 10: Overview

Studio 3 Options

Studio 3 Basic: $28,595

Add a crescendo shoe: $450

Add a second row of engraved pistons: $850

Add a third row of engraved pistons $850

Add 4 LCD screens for displaying relevant information in real time: $1100

Add wood-core, wood-covered keyboards (standard or reverse colors): $5700

Studio 3 with full options: $37,545

Additional sample sets available upon request

Page 11: Overview

Studio 3 StoplistPedal16' Principalbass16' Contrabass16' Soubasse8' Octavbass8' Gedackt4' OctaveMixtur IV16' Basson16' Bombarde8' TrompeteGt. to Ped.Pos. to PedSw. to PedSw. to Ped. 4'

Great16' Montre8' Principal8' Flûte Harmonique8' Gamba8' Bourdon4' Praestant4' Rohrflöte2 2/3' Quinte2' SuperoctaveCornet II-VMixtur V-VIICimbel IV-V8' Trompete4' TrompetePos. to Gt.Sw. to Gt.Sw. to Gt. 4'

Positiv8' Principal8' Cor de nuit8' Salicional8' Flûte Traversiere4' Praestant4' Flûte conique2 2/3' Quinte2' Doublette1 3/5' Terz1 1/3' LarigotMixtur IV-VI8' Trompette8' CromorneTremulantSw. to Pos.Sw. to Pos. 4'

Swell16' Gedeckt8' Geigenprincipal8' Bourdon a cheminée8' Gamba8' Voix céleste4' Flûte octaviante2' Octavin8' Basson-hautboisTremulantSw. to Sw. 4'

Page 12: Overview

Studio 2 vs. Studio 3

Similar features, similar options, similar stoplists.

The Studio 3 spreads the stops of the Studio 2 onto 3 manuals to better facilitate the playing needs of liturgical worship and much of the organ repertoire.

The Studio 3 has two enclosed expressive divisions compared to one enclosed expressive division on the Studio 2.

Page 13: Overview

Studio 3X

Page 14: Overview

Studio 3X Features 3 high quality tracker touch keyboards, available in heavy (150g), medium

(125g) or light (100g) playing weights.

1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, and 5 banks of combination memory, and 3 coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs.

Dual expression shoes.

A pedal lamp.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Page 15: Overview

Studio 3X Options

Studio 3X Basic: $34,095

Add a crescendo shoe: $450

Add a second row of engraved pistons: $850

Add a third row of engraved pistons $850

Add 4 LCD screens for displaying relevant information in real time: $1100

Add wood-core, wood-covered keyboards (standard or reverse colors): $5700

Add a second sample set (plus engraved plates) $1600

Add a third sample set $1000

Add a fourth sample set $1000

Studio 3X with full options: $46,645

Page 16: Overview

Studio 3X StoplistPedal32' Soubasse16' Principalbass16' Soubasse16' Contrebasse8' Octavbass8' Gedäckt8' Cello4' Octave4' TibiaZinck IIIMixtur IV32' Bombarde16' Bombarde16' Basson (Pos.)8' Trompete4' Clairon

Solo (floating; expressive)16' Rohrbourdon8' Principale8' Voce humana8' Konzertflöte5 1/3' Nazard4' Octave3 1/5' Tierce2 2/7' Septième

Great16' Montre8' Principal8' Flûte harmonique8' Bourdon8' Gamba4' Praestant4' Rohrflöte2 2/3' Quinte2' SuperoctaveCornet II-VIIMixtur V-VIICimbel IV-V16' Trompete8' Trompete4' Trompete Crescendo On

Solo (cont'd)2' FlûteSesquialtera IIPlein jeu III-V8' Cor anglais8' Tuba mirabilis

Chamade (floating)16' Chamade8' Chamade4' Chamade

Positiv (expressive)8' Principal8' Cor de nuit8' Salicional8' Unda maris4' Praestant4' Flûte conique2 2/3' Quinte2' Doublette1 3/5' Terz1 1/3' Larigot1' PiccoloMixtur IV-VI16' Dulzian8' Trompette8' Cromorne8' Clarinette

CouplersGt. to PedPos. to PedSw. to PedSolo to PedChamade to PedPos. to Gt.Sw. to Gt.Solo to Gt.

Swell (expressive)16' Violon8' Geigen Principal8' Bourdon a cheminée8' Gamba8' Voix Céleste4' Violine4' Flûte octaviante2 2/3' Nasard2' Octavin1 3/5' TierceProgressio II-IV16' Bombarde8' Trompette harmonique8' Basson-Hautbois8' Voix humaine4' Clairon harmonique

Couplers (cont'd)Chamade to Gt.Sw. to Pos.Solo to Pos.Chamade to Pos.Solo to Sw.Chamade to Sw.Pos/Solo. TremSw. Trem

Page 17: Overview

Studio 3 vs. Studio 3X

Similar features and options Much larger stoplist and alternate stoplists More powerful computer system (to process

the larger stoplist)

Page 18: Overview

T3

Page 19: Overview

T3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing

weights.

3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

15 toe pistons (10 generals and 5 pedal divisionals).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs.

Dual expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Page 20: Overview

T3 Options

T3 Basic: $48,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $3100

Add a second sample set (plus engraved plates) $1600

Add a third sample set $1000

Add a fourth sample set $1000

T3 with full options: $55,095

Page 21: Overview

T3 StoplistPedal32' Soubasse16' Principalbass16' Soubasse16' Contrebasse8' Octavbass8' Gedäckt8' Cello4' Octave4' TibiaZinck IIIMixtur IV32' Bombarde16' Bombarde16' Basson (Pos.)8' Trompete4' Clairon

Solo (floating; expressive)16' Rohrbourdon8' Principale8' Voce humana8' Konzertflöte5 1/3' Nazard4' Octave3 1/5' Tierce2 2/7' Septième

Great16' Montre8' Principal8' Flûte harmonique8' Bourdon8' Gamba4' Praestant4' Rohrflöte2 2/3' Quinte2' SuperoctaveCornet II-VIIMixtur V-VIICimbel IV-V16' Trompete8' Trompete4' Trompete Crescendo On

Solo (cont'd)2' FlûteSesquialtera IIPlein jeu III-V8' Cor anglais8' Tuba mirabilis

Chamade (floating)16' Chamade8' Chamade4' Chamade

Positiv (expressive)8' Principal8' Cor de nuit8' Salicional8' Unda maris4' Praestant4' Flûte conique2 2/3' Quinte2' Doublette1 3/5' Terz1 1/3' Larigot1' PiccoloMixtur IV-VI16' Dulzian8' Trompette8' Cromorne8' Clarinette

CouplersGt. to PedPos. to PedSw. to PedSolo to PedChamade to PedPos. to Gt.Sw. to Gt.Solo to Gt.

Swell (expressive)16' Violon8' Geigen Principal8' Bourdon a cheminée8' Gamba8' Voix Céleste4' Violine4' Flûte octaviante2 2/3' Nasard2' Octavin1 3/5' TierceProgressio II-IV16' Bombarde8' Trompette harmonique8' Basson-Hautbois8' Voix humaine4' Clairon harmonique

Couplers (cont'd)Chamade to Gt.Sw. to Pos.Solo to Pos.Chamade to Pos.Solo to Sw.Chamade to Sw.Pos/Solo. TremSw. Trem

Page 22: Overview

Studio 3X vs. T3

Similar stoplists All optional features of Studio Series are

standard in T Series except wood keyboards Lighted magnetic reed pistons in T Series Ergonomic toe piston mounts, angled

stopjambs, and ornamented console

Page 23: Overview

T4

Page 24: Overview

T4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing

weights.

4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 20 generals, 20 divisionals, 15 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

25 toe pistons (15 generals, 5 pedal divisionals, and 5 couplers).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes,. pitch, volume, temperament, transposition, etc.)

A 32 note radiating and concave AGO standard pedalboard.

A 96 stop disposition and 34 couplers and tremulants controlled with center sprung, lighted rocker tabs.

Triple expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Page 25: Overview

T4 Options

T4 Basic: $57,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $4900

Add a second sample set (plus engraved plates) $1600

Add a third sample set $1000

Add a fourth sample set $1000

T4 with full options: $65,895

Page 26: Overview

T4 StoplistPedal32' Majorbass32' Soubasse32' Violon16' Principalbass16' Soubasse16' Contrebasse16' Violon (Sw.)10 2/3' Grossquinte8' Octavbass8' Gedäckt8' Cello4' Octave4' TibiaTercsept IIZinck IIICompensum VIIMixtur IV32' Bombarde16' Bombarde16' Basson (Pos.)8' Trompete4' Clairon

Solo (expressive)16' Rohrbourdon8' Principale8' Voce humana8' Konzertflöte5 1/3' Nazard4' Octave3 1/5' Tierce2 2/7' Septième

Great16' Montre16' Bourdon8' Principal8' Flûte harmonique8' Bourdon8' Gamba4' Praestant4' Rohrflöte2 2/3' Quinte2' SuperoctaveCornet II-VIIMixtur V-VIICimbel IV-V16' Trompete8' Trompete4' Trompete

Solo (cont'd)2' FlûteSesquialtera IIPlein jeu III-V8' Cor anglais8' Tuba mirabilis

Chamade (floating)16' Chamade8' Chamade4' Chamade

Positiv (expressive)16' Principal16' Quintatön8' Principal8' Cor de nuit8' Flûte traversière8' Salicional8' Unda maris4' Praestant4' Flûte conique2 2/3' Quinte2' Doublette1 3/5' Terz1 1/3' Larigot1' PiccoloMixtur IV-VISeptnon II16' Basson16' Dulzian8' Trompette8' Cromorne8' ClarinetteTremulant

CouplersGt to PedPos to PedSw to PedSolo to PedChamade to PedPos to GtSw to GtSolo to GtChamade to GtSw to PosSolo to PosChamade to PosSolo to SwChamade to SwChamade to SoloGt to Ped 4'Pos to Ped 4'

Swell (expressive)16' Gedeckt16' Violon8' Geigen Principal8' Flûte harmonique8' Bourdon a cheminée8' Gamba8' Voix Céleste8' Aeoline4' Violine4' Flûte octaviante2 2/3' Nasard2' Octavin1 3/5' TierceProgressio II-IVCymbale IV16' Bombarde8' Trompette harmonique8' Basson-Hautbois8' Voix humaine4' Clairon harmonique4' HautboisTremulant

Couplers (cont'd)Sw to Ped 4'Gt to Gt 16'Gt to Gt 4'Pos to Gt 16'Pos to Gt 4'Sw to Gt 16'Pos to Gt 4'Sw to Gt 16'Sw to Gt 4'Pos to Pos 16'Pos to Pos 4'Pos Unison OffSw to Pos 16'Sw to Pos 4'Sw to Sw 16'Sw to Sw 4'Crescendo On

Page 27: Overview

T3 vs. T4

80 stops on T3; 96 on T4 4 manual dropsill console with extra stop

controls allows for playing larger sample sets such as Marcussen and Willis

Only the Chamade division is floating on T4 since the Solo has its own keyboard

Triple expression shoes on T4 vs. dual on T3

Page 28: Overview

S3

Page 29: Overview

S3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights.

3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

15 toe pistons (10 generals and 5 pedal divisionals).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

A row of 32 couplers programmed standard for all sample sets.

2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console.

Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made.

Dual expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Easily expandable at any time to include additional organ sample sets.

Page 30: Overview

S3 Options

S3 Basic: $48,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $3100

Add a second sample set $1000

Add a third sample set $1000

Add a fourth sample set $1000

S3 with full options: $54,495

Page 31: Overview

T3 vs. S3

Similar design and price The physical stop controls of the T3 are

desirable for those who prefer a more traditional experience at the organ console. The touchscreens of the S3 allow for control of unlimited organs and as many stops as are on the stopjamb graphcis. For example, a theater organ or 256 stops is easily playable on the S3, but only limited stops would be accessible from the T3.

Page 32: Overview

S4

Page 33: Overview

S4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights.

4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

25 toe pistons (15 generals, 5 pedal divisionals and 5 couplers).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

A row of 32 couplers programmed standard for all sample sets.

2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console.

Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made.

Triple expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Easily expandable at any time to include additional organ sample sets.

Page 34: Overview

S4 Options

S4 Basic: $57,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $4900

Add a second sample set $1000

Add a third sample set $1000

Add a fourth sample set $1000

S4 with full options: $65,295

Page 35: Overview

Recommended Audio System 8 channel amplifier: $2000 8 speakers: $3600 2 subwoofers: $4000

Total: $9600

Labor involved in routing cables for the audio system can be contracted by us or performed by qualified church personnel.

Page 36: Overview

Additional Sample Sets French romantic (Cavaillé-Coll, the greatest organ

builder of 19th century Franch) German/Dutch Baroque (Silbermann; Schnitger) Neo-Baroque (Marcussen) English Cathedral (Father Willis) American Late Romantic Symphonic (E.M.

Skinner) Harpsichord Chamber Organ

Page 37: Overview

Harpsichord Stoplist

Manual I16'8'4'2'Koppel

Pedal16'16' Bass (lowest notes only)8'

Manual II16'8'Laute

Page 38: Overview

Chamber Organ Stoplist

Manual8' Bordun4' Flauto2' Prinzipal1 1/3' QuintMixtur II

Page 39: Overview

Cavaillé-Coll Stoplist (for Studio 2)

Pédale16' Soubasse (G.O.)16' Contrebasse8' Violon (G.O.)8' Bourdon (G.O.)16' Bombarde

Grand Orgue16' Bordun8' Montre8' Bourdon8' Flûte harmonique8' Salicional4' Prestant4' Flûte douce2' Doublette

Récit expressif8' Cor de nuit8' Viole de gambe8' Voix Celeste4' Flûte octaviante2 2/3' Nasard2' FlageoletPlein jeu III16' Basson8' Trompette4' Clairon8' Basson et hautbois8' Voix humaineTrémolo FondsTrémolo Anches

AccouplementTirasses-G.O. à PédaleTirasses-Récit à PédaleRécit AnchesRécit à G.O.Récit à G.O. O. Gr.L'Orage

Page 40: Overview

Silbermann Stoplist (for Studio 2)

Pedal32' Gross Untersatz16' Principal8' Octaven Bass16' Posaune8' TrompeteBass Ventil

Hauptwerk16' Principal8' Octav Principal8' Viol di Gamba8' Rohr Flöte4' Octava4' Spitz Flöte3' Quinta2' OctavaTertiaMixtur IVCymbel IIICornet IV16' Fachott8' TrompeteTremulanteKlingel

Oberwerk16' Quintadena8' Principal8' Gedackts8' Quintadena4' Rohr Flöte4' Octava3' Nasat1 1/3' QuintaSechst Quint Altra1' SifflötMixtur III8' Vox HumanaOW-HW CouplerSchwebung

Page 41: Overview

Schnitger Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4)

Pedaal (Pedal)16' Praestant16' Subbas8' Octaav8' Holpyp4' Superovtaav2' VlakfluitMixtuur VIII32' Fagot16' Basuin8' Trompet4' Trompet2' Cornet

Borstwerk (Floating)8' Fluitgedekt4' Praestant4' Roerfluit3' Spitsfluit2' Superoctaav2' Gemshoorn1 1/2' Quintanus1' NachthoornSexquialtera IIMixtuur III-IV8' Dulciaan8' Regaal

Hoofdwerk (Great)16' Praestant16' Quintadena8' Octaav8' Roerfluit4' Octaav4' Speelfluit3' Nasaat2' SuperoctaavRuyschpijp IIMixtuur VICimbel III16' Trompet8' Trompet8' Vox humana

CouplersHoofdwerk PedaalBovenpositief HoofdwerkRugwerk HoofdwerkBorstwerk HoofdwerkBorstwerk BovenpositiefBorstwerk RugwerkAfsluiter Pedaal (ventil)Afsluiter Hoofdwerk (ventil)

Rugwerk (Positiv)8' Praestant8' Quintadena8' Roerfluit4' Octaav4' Fluit3' Quintfluit2' SuperoctaavSexquialtera IIScherp IVCimbel III16' Fagot8' Schalmey

Couplers (cont'd)Afsluiter Rugwerk (ventil)Afsluiter Bovenpositief (ventil)Afsluiter Borstwerk (ventil)Tremulant RugwerkTremulant HW+BP+BW

Bovenpositief (Swell)8' Praestant8' Holpyp8' Viola6' Quinta4' Octaav4' Holpyp3' Quinta2' Superoctaav2' Woudfluit1 1/2' SiffletTertiaan IIScherp V8' Viola di Gamba4' Trompet

Page 42: Overview

Cavaillé-Coll Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4)

PédaleJeux de Fonds32' Bourdon16' Soubasse16' Contrebasse8' Grosse Flûte8' Violoncelle8' Bourdon doux4' Flûte

Jeux d'Anches32' Contrebombarde16' Bombarde8' Trompette4' Clairon

Tirasses G.O Positif Récit

Grand OrgueJeux de Fonds16' Montre16' Bourdon8' Montre8' Gambe8' Bourdon8' Flûte harmonique4' Prestant4' Flûte octaviante

Jeux d'Anches2' Doublette2 2/3' QuinteCornet VPlein-jeu VII16' Bombarde8' Trompette4' Clairon

Accouplements Positif - G.O. Récit - G.O. Récit - Positif G.O. Sub Récit Sub Cop. G.O

PositifJeux de Fonds16' Bourdon8' Montre8' Salicional8' Unda maris8' Cor de nuit4' Prestant4' Flûte douceCarillon III

Jeux d'Anches2 2/3' Nasard1 3/5' Tierce16' Basson8' Cromorne8' Trompette

Appels Pédale G.O. Positif Récit

Récit (espressif) Jeux de Fonds16' Quintaton8' Diapason8' Viole de gambe8' Voix céleste8' Flûte traversière4' Flûte octaviante8' Basson-hautbois8' Clarinette8' Voix humaine

Jeux d'Anches2 2/3' Nasard2' OctavinCornet II-VPlein-jeu16' Bombarde8' Trompette4' Clairon

Tremolo (Récit)

Page 43: Overview

Skinner Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4)

Pedal32' Untersatz16' Open Diapason16' Diapason (Great)16' Contra Bass16' Bourdon16' Gamba (Choir)8' Octave8' Gedeckt8' Cello (Choir)4' Super Octave32' Bombarde16' Trombone8' Tromba

CouplersSwell to Pedal 8'Great to Pedal 8'Choir to Pedal 8'Swell to Pedal 4'Great to Pedal 4'Choir to Pedal 4'Swell to Great 8'Choir to Great 8'

Great16' Double Diapason8' First Diapason8' Second Diapason8' Harmonic Flute4' Octave4' Flute2 2/3' Twelfth2' FifteenthHarmonics III8' Tromba4' Clarion8' Trompette en ChamadeGreat-Choir ChimesCarillon

Couplers (cont'd)Swell to Choir 8'Swell Unison OffSwell 16'Swell 4'Swell to Great 16'Swell to Great 4'Swell to Choir 16'Swell to Choir 4'Choir 16'Choir 4'Choir to Great 16'Choir to Great 4'

Choir16' Gamba8' Concert Flute8' Gamba8' Gamba Celeste8' Dulciana4' Flute4' Gambette2 2/3' Nazard8' Clarinet8' Orchestral Oboe8' French Horn8' Tuba MirabilisHarpCelestaZimbelsternTremolo

Swell8' Diapason8' Rohrflute8' Flauto Dolce8' Flute Celeste8' Salicional8' Voix Celeste4' Octave4' Flute (triangular)2' FlautinoMixture V16' Waldhorn8' Trumpet4' Clarion8' Oboe d'Amore8' Vox HumanaCelestaTremolo

Page 44: Overview

Father Willis Stoplist (for T4, S3 and S4)

Pedal32' Double Open Bass16' Open Bass16' Open Diapason16' Bourdon8' Principal8' Stopped Flute4' Fifteenth4' Open FluteMixture IV32' Bombarde16' Ophicleide16' Trombone8' Trumpet4' Clarion

Solo8' Viola da Gamba8' Voix Celestes8' Harmonic Flute4' Concert Flute2' Hohl Flute8' or 16' Orchestral Oboe8' or 16' Clarinet8' Cor Anglais

Great16' Double Open Diapason16' Bourdon8' Open Diapason No.18' Open Diapason No.28' Open Diapason No. 28' Claribel Flute8' Stopped Diapason4' Principal No.14' Principal No.24' Flute2 2/3' Twelfth2' Fifteenth Mixture IIIMixture IV16' Double Trumpet8' Trumpet4' Clarion

Solo (cont'd)8' or 16' Tromba4' Glockenspiel8' TubaTremulantSolo OctaveSolo SuboctaveSolo Unison OffSolo low pressure 16'Solo high pressure 16'Great to Solo

Choir8' Open Diapason8' Claribel Flute8' Lieblich Gedacht8' Dulciana4' Gemshorn4' Lieblich Flute2 2/3' Nazard2' Spitzflute1 3/5' TierceMixture III8' Trumpet

CouplersGreat to PedalSwell to PedalChoir to PedalSolo to PedalSwell to Pedal 4'Choir to Pedal 4'Solo to Pedal 4'Great & Pedal combinations coupledSwell to GreatSwell to Great 16'Swell to Great 4'Choir to GreatChoir to Great 16'Choir to Great 4'

Swell16' Contra Gamba8' Open Diapason 8' Stopped Diapason8' Salicional8' Vox Angelica4' Principal4' Lieblich Flute2' FifteenthMixture III16' Dulzian8' OboeTremulantDouble TrumpetTrumpetClarion

Couplers (cont'd)Solo to GreatSolo to Great 16'Solo to Great 4'Swell to ChoirSwell to Choir 16'Swell to Choir 4'Solo to ChoirSolo to Choir 16'Solo to Choir 4'Solo to SwellSolo to Swell 16'Solo to Swell 4'Swell 16'Swell 4'

Page 45: Overview

Marcussen Stoplist (for T4, S3, and S4)

Pedaal32' Praestant16' Octaaf16' Open Subbass10 2/3' Gedekte Quint8' Octaaf8' Gemshoorn5 1/3' Roerquint4' Octaaf4' Koppelfluit2' Nachthoorn1' DwarsfluitRuispijp VCornet IIIMixtuur X32' Bazuin16' Bazuin16' Fagot8' Trompet4' Trompet2' Zink

Hoofdwerk16' Praestant8' Octaaf8' Openfluit5 1/3' Quint4' Octaaf4' Spitsfluit2' OctaafRuispijp III-IVMixtuur VIII-XScherp VI-VIII16' Trompet8' TrompetCornet V

Borstwerk8' Gedekt4' Praestant4' Blokfluit2 2/3' Nasard2' Octaaf2' Gedekte fluit1' OctaafII TertiaanIV-V Scherp16' Regaal8' Kromhoorn8' Regaal

Rugwerk16' Quintadeen8' Praestant8' Holpijp8' Quintadeen4' Octaaf4' Roerfluit2 2/3' Quint2' Octaaf2' Woodfluit1 1/3' SiffletSesquialter II-IVMixtuur VI-VIIIScherp IV-VI16' Dulciaan8' Trompet8' KromhoornTremulant

ChamadewerkBas8' Orlos4' Clarin Fuerte8' Trompeta de Batalla8' Trompete Brillante2' ClarinDiscanto8' Orlos4' Clarin Fuerte8' Trompeta de Batalla8' Trompete Brillante16' Trompeta Magna

Bovenwerk16' Gedekt8' Praestant8' Baarpijp8' Roerfluit8' Viola di Gamba8' Viola di Gamba ZW4' Octaaf4' Openfluit3 1/5' Terts2 2/3' Roerquint2' Nachthoorn1 3/5' TertsMixtuur V-VIICimbel III16' Bombarde8' Trompette8' Voix Humaine4' ClaironTremulant

CouplersHoofdwerk + PedaalRugwerk + PedaalBovenwerk + PedaalRugwerk + HoofdwerkBovenwerk + HoofdwerkBorstwerk + HoofdwerkBovenwerk afChamade aanBrustwerk + Chamade

Page 46: Overview

Note regarding additional sample setsThe sample sets represented here are by no means

comprehensive. We've chosen what we believe are both the best and most useful sample sets available for general use. However, for interested organists who would put them to good use, the sky is the limit. Organs from the Italian Renaissance, Spanish Baroque, French Baroque and Classical, English Baroque, German Romantic, 20th century theater organs and many more are available. Nearly every major school of organbuilding is represented in sampled form and available for use.