Outi Tarkiainen Liebklinge
27
Outi Tarkiainen 22 668 Liebklinge for soloist and orchestra 2011
Transcript of Outi Tarkiainen Liebklinge
Outi Tarkiainen
22 668
Liebklinge
for soloist and orchestra
2011
Copyright © by the Composer All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the composer Distribution: Music Finland Music Library Lauttasaarentie 1 FI-00200 Helsinki Finland [email protected] www.musicfinland.fi Helsinki, 2013
Liebklinge (2011)
for soloist and orchestra
duration: 15 min.
commissioned by Sibelius Academy
INSTRUMENTATION
Solo Soprano Saxophone in Bb
Flute 1
Flute 2 & Piccolo
Oboe 1
English Horn in F
Clarinet 1 in BbClarinet 2 & Bass Clarinet in Bb
Bassoon 1
Bassoon 2
Horn 1 in F
Horn 2 in F
Trumpet & Flugelhorn in Bb2 Tenor Trombones
Bass Trombone
Percussion 1*
Percussion 2*
Drum Set (jazz)*
Folk Harp
Celesta
Strings (11-9-7-6-4 players)
Ensemble behind the audience:
2 Violins (possibly amplified)
1 Viola (possibly amplified)
*1: Crotales (c#2, d2, eb2), Finger Cymbals, Lion's Roar, Thundersheet, Timpani, Triangle, Tubular Bells (e1, ab1, e b2), Vibraphone
*2: Bass Drum, Crotales (c2), Gong (medium-sized), Shell Wind Chimes, Suspended Cymbal, Tubular Bells (h1)
*3: Drum Set (jazz), Tam-tam (medium sized), Piano (played w/ Bass Drum Mallets)
composed by Outi Tarkiainen
based on David Liebman's composition "Hymn for Mom"
and David Liebman's &
Richie Beirach's improvisations
Flute 1
Flute 2
Oboe 1
English Horn
Clarinet in Bb 1
Clarinet in Bb 2
Bassoon 1
Bassoon 2
Horn in F 1
Horn in F 2
Trumpet in Bb 1
Trombone 1
Trombone 2
Bass Trombone
Percussion 1
Tam-tam
Drum Set
Folk Harp
Celesta
Solo Soprano Saxophone in Bb
Violin I
Violin II
Viola
Violoncello
Contrabass
expressively
p
Senza tempo
c. 10-30 sec.Peacefully and singing, q = 40-482 5
expressively
p
expressively
p
expressively
p
expressively
mp
pp
mp pp mp p p
pp p pp
-mf fp
f
expressively
mp
p mp
Senza tempo Peacefully and singing, q = 40-48
c. 10-30 sec. 2 5
p
p
Transposed Score
3
composed by Outi Tarkiainen (2011)based on David Liebman's composition
"Hymn for Mom" and David Liebman'sand Riche Beirach's improvisations
Liebklinge
3
3
3
Triangle Thundersheet
let ring to Finger Cymbals
Finger Cymbals
To Tri.
Tam-tam (medium)
Shell Wind Chimes
Improvise freelywith soprano sax
Begin with using G# phrygian scale
let all ring
bisbigliando, pitch-field-like
let all ring
3
3
Improvise freelywith folk harp + backgrounds (in p ) tacet
div in 2, poco sul pont. unis, flautando
div in 2, poco sul pont.
div in 2, poco sul pont.
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
F. Cym.
F. Cym.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
Lightly149
solo, expressively
mp mp
pmp
psolo,expressively
mp
p
p mp
p
mp
sul tasto
p
ord.expressively
mp
Lightly14
unis, sul tasto
p
ord.expressively
mp
solo
3 3
3
solo
3
3
3
3
muted
3
Triangle
To Vib.
To Gong
3
3 3
3 3
3
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Vib.
F. Cym.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
solo, distant
p
rit. Sostenuto q = 38 20
16
mp mf ppp
solo, distant
p mf
pp mp mf ppp p mfsolo, distant
pmf
p mp ppp
p mp ppp
mf
let all ring
mp p
ppp mp ppppp
mp mfmf
distant
mp
mp mf pppmf
mf
rit. Sostenuto q = 38 20
ord.
mp mf pppmf
unis, sul tasto
p mp
ord.
mp mf ppp mf mf
pp
sul tastoord.
mp mf pppmf
p mf ppp mf
solo
3 3 3
solo
3
3
3 3 3
mute off
open mute on
solo to mute
3 3
Vibraphone 3 To Crot.
Crotales
3
Gong w/ mallets
let ring To B. D.
Bass Drum
To Cym.
3
3
div. in 2
3
3
3
33
div. in 2
3
3
3
div. in 2
3
3 3
3 3 3
arco
6
4
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Crot.
B. D.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mfmf
Livelier q = 42
rit. molto rit.2323
mf
mf f mfmf p
mf mfmf
mf mfmf p
mp mp
mppp
p
pp mp
mf pp
mp
mp mf mp mp
Livelier q = 42
rit. molto rit.23
mp mp mp
mp mp mp
mp
pp
pp mp
p
solo, singingly
solo,singingly
solo, singingly
solo, singingly
3
mute on
(Crotales)
To Timp.
Susp. Cymbal (with mallets)
singingly, with clarinet
3 3 3
unis singingly
unis
unis div. in 2 unis
3 3 3
div. in 2
3
3
3
unis3
pizz.
5
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Crot.
Cym.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Grave q = 4028
3228
solo, distant
pp
mp f
solo, distant
pp
mp mf pp
mp f
menacingly
mp p
solo, singingly
mf pp
mp f mp p
mp mf mp
solo, menacingly
p
mp mf mp p
mp
mp
mp p
distant
p
mp f mp
menacingly
p mf
singingly
pp
Grave q = 4028 32
mp f mp p
singingly
mf pp
mp f mp p mf
singingly
pp
f mp mf pp
mp f mp mf pp
3 3
3
muted
open
33
muted
3
muted to harmon mute
3
muted to harmon mute
3
Timpani To Suspended Cymbal
Bass Drum
To S. W.Ch.
sul G
33
sul G
33
33
33 3
arco
3
3
6
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Cym.
B. D.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
A little livelier Freely3635
mf
mf
mf
mf
mf
mf f
f
mf
mf p
A little livelier
Freely36
mf p
mf p
mf
mf
To Picc.
mute on
let all ring
7
9
9
solo, freely
free improvisation
div in 2, poco sul pont.
div in 2, poco sul pont.
div in 2 unis
div in 2, poco sul pont.
div in 2
7
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Cym.
B. D.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
37
f
f
f
sfz sfz sfz
sfz sfz sfz
sfz sfz sfz
sfz sfz sfz
sfz sfz sfz
pp mp pp mp pp ff
f
p
f
pp
f p
solo
7 7 3
Piccolo solo To Fl.
solo
7
solo
To B. Cl.
7
7
muted
(muted)
Harmon mute To Flug.
Harmon mute
to bucket mute
Harmon mute to bucket mute
Suspended Cymbal w/ mallets
let ring, to F. Cym.
9
99
9
99
sul tasto, unis
8
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
F. Cym.
S. W.Ch.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
expressively
pp
Peacefully and singing, q = 40Livelier q = c. 54 poco rit. poco accel. poco rit. rit.
39
39
p p
pmp p
mp
p p
p pp
mp mp
pp pp
p
p
mf
expressively
mp
Gmi/ma9(b13)
sub p
unis, sul tasto
p
Peacefully and singing, q = 40 Livelier q = c. 54
poco rit. poco rit. poco accel. rit. 39
sul tasto
p
sub p unis, sul tasto
p
unis, sul tasto
p
solo
3
3
solo
3
Bass Clarinetin Bb
mute off
mute off
Finger Cymbals
To Vib.
Vibraphone
solo
To Timp.3
Shell Wind Chimes to Finger Cymbals
S. W. Chimes
Finger Cymb.3
cymbal / mallets
3 3fill
3
3
div. in 2
3
9
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.1
Tbn. 1
Tbn. 2
B. Tbn.
Vib.
Cym.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
"Hymn"
Peacefully, q = 42
45
45
mp
mf
mp
mp
mp
mp
mf mp
mf
mp
mp
mp
mp p
pp mf pp pp
mf mp
distant
mf
distant
mf
ord, espr.
mp
"Hymn"
Peacefully, q = 4245
ord, espr.
mp
ord, espr.
p
unis, ord, espr.
mp
mpp
mp
soli, espr.
Flute
soli, espr. (opt. tacet until b. 55)
soli, espr.
3
soli, espr.
Clarinet in Bb
soli, espr.
3
soli, espr.
soli, espr.
soli, espr. (open) w / woodwinds
soli, espr. (open)
Bucket mute
soli, espr.
Bucket mute
soli, espr.
soli, espr.
Bucket mute
Timpani, muted
To Susp. Cymb. Susp. Cymbal w/ mallets
To Bass DrumBass Drum To Shell Wind Chimes
sparsely time w/ mallets
woodwind cues fill ad lib.w/ sopr. sax
string cues fill ad lib. w/ sopr. sax3
free improvisation
free free
1. solo contrabass, espr.
tutti, pizz.
tutti, arco, espr.
10
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Flug.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
B. D.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf mf f
5558
6155
mf f
mf mf f
mf f
mp mf f
mp mf f
mp mf f
mp mf f
mp mp p
mp p
mf
mp p
mp p
p
mp pp
mp mf
f
mp
mf f
55 58 61
mf f
mf f
mf f
p mf f
soli, espr.
soli, espr.
soli, epsr.
soli, epsr.
soli, espr.
soli, epsr.
w/ brass w/ ww's
soli, espr.
Flugelhornsoli, espr.
soli, espr.
soli, espr.
brass cues woodwind cues
fill ad lib. w/ soprano saxtutti
bring out
7
7
7
7
7 7
77
free
espr.
espr.
epsr.
div. in 2
div. in 2, espr.
1. solo contrabass tutti, pizz.
tutti, arco, espr.
11
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Flug.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Perc.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sub p mf mp ppmf
66
63
sub p mf mp pp mf
sub p mf mp pp mf
sub p mf mp pp
sub p mf mp pp mf
sub p mf mp pp mf
sub p mf mp pp mf
sub p mf mp ppmf
mp p pp mf p
mp mf p pp
p mf p pp
mp mf p pp
mp mf p pp
mp mf p pp
mp pp
mp mpp p
mp mf p p
mf
distant
mf
mp
mfdistant
sub p mf mp pp mp
66
sub p mf mp pp mp
sub p mf mp pp mp
sub p mf mp pp mp
sub p mf mp pp mp
3
soli, espr.
soli, espr.
3
soli, espr.
3
soli, espr.
soli, espr.
soli, espr.
soli, espr.
3
soli, espr.
3
To Tpt. w/ straight mute
3
Shell Wind Chimes
To Crot.Crotales
To F. Cym.
Finger Cymbals
To Bass Drum
Bass Drum
3 ww strings cymbal w/ mallets
solo 7
77
3
free free
3
espr.
espr.
unis, espr.
unis div. in 2
espr.
div. in 2
unis, espr.
12
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Flug.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
B. D.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
71
71
mp mf pp
mp pp
mp pp
mp pp
mp mf pp
mp mp pp mf
mp p p mf
mf mf sub p mf
sub mp
Calt7
f
menacingly
sub p
D7alt-ish
mp fp f sub pp ff
71
mp fp f sub pp ff
mp fp fsub pp ff
mp fp fsub pp ff
mp mf f sub pp ff
soli
mute off
mute off
mute off
To Susp. Cym.
Suspended cymbal w/ mallets let ring
let ring
no time, only colours w / soprano sax rest!
improvise sparse colours w / soprano sax
rest!
rest!
tremolo &poco sul pont.
div. in 2
tremolo &poco sul pont.
div. in 2
tremolo &poco sul pont. div. in 2
unis
tremolo &poco sul pont. div. in 2
poco sul pont.
13
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Flug.
Tbn. 1
Tbn. 2
B. Tbn.
Cym.
B. D.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf ff
rit. 7676
mf f ff
mf f ff
mf mf ff
mf mp
mfmp ff
mfmp f
mfp f
mf mp pp ff
f ff
f ff
mf ff
mp
mp ff
mf mp p
f
p
mfmp
sul pont.
pp
rit. 76
mf mp pp
sul pont.
mf mp
sul pont.
pp
mf mp
mf
soli, espr.
air only
soli, espr.
air only
air only
air only
air only
air only
air only
air only
solo
air only
air only
air only
air only
air only
air only
To Vib.
strings fill w/ sopr. sax
strings (sopr. sax) to free improvisation ad lib.
fill w/ sopr. sax
free as is
free improvisation ad lib.
unis, sul tasto
unis, sul tasto
sul tasto
unis
sul tasto
sul tasto
14
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Flug.
Tbn. 1
Tbn. 2
B. Tbn.
Vib.
B. D.
Dr.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Cb.
Cb.
Cb.
p fff
IMPROVISATION, senza tempo* Slowly q = 34
x times
"Liebklinge"
Slowly and mystically q = 44(c. 15 sec) (c. 10 sec.) (c. 7 sec.) on cue
rit.
84
87 8984
mf p fff
mf
mf
ff mf ff
mp fff
mf fff
mf mp fff
mf p fff
mf mp mf
ffmp mp
mp mf
mp f
f mpp mf ff p
mp mf mp
pp p ff pp mp
mf f
fmf
mf f f p
IMPROVISATION, senza tempo*
(c. 15 sec) "Liebklinge"
Slowly and mystically q = 44(c. 10 sec.) (c. 7 sec.) Slowly q = 34
x times on cue rit. 84 8789
mf ff p
mf f f p
pf ff
ff
c r e s c e n d o a l fff
ff
c r e s c e n d o a l fff
ff
c r e s c e n d o a l fff
ff
c r e s c e n d o a l fff
*Conductor: The strings should start playing pizzicato-pitchfield one by one from left to right, beginning from the back seats of the I violin and ending to violas. The conductor can cue the strings in for example with a hand that moves slowly from left to right. However, the sound transfer from left to right should be clearly audible and gradual. The sound carries on until the downbeat of bar 87 with only the violent sound of the double basses stopping them.
mute on
open
Trumpet in B ,b straight mute to harmon mute
Pedal tone, no mute to cup mute
Pedal tone, no mute
Pedal tone, no mute Pedal tone
Vibraphone
pedal down
Play ad lib. rapidly in random order
forming a rain-like pitch-fieldContinue simile Continue until the beginning of downbeat of bar 87
Lion's Roar
Repeat sparsely ad lib. Susp. Cymbal w/ mallets
To Tubular Bells
Tubular Bells
To Timpani
Bass Drum w/ soft mallets
Vibraphone
arco, let ring
Medium Tam-tam w/ mallets
let ring let ring
Play ad lib. rapidly in random order
forming a rain-like pitch-fieldContinue simile Continue until the beginning of downbeat of bar 87
Play ad lib. rapidly in random order
forming a rain-like pitch-field Continue simile Continue until the beginning of downbeat of bar 87
sparsely
Start one by one from left to right as conductor indicates
Play ad lib. rapidly in random order forming
a rain-like pitch-field, pizz. Continue simile Continue until the beginning of downbeat of bar 87 arco, div. in 2, poco sul pont.
Start one by one from left to right as conductor indicates
Play ad lib. rapidly in random order forming
a rain-like pitch-field, pizz. Continue simile Continue until the beginning of downbeat of bar 87 arco, sul tasto
Play ad lib. rapidly in random order forming
a rain-like pitch-field, pizz.
Start one by one from left to right as conductor indicates
Continue until the beginning of downbeat of bar 87
arco, div. in 2, poco sul pont.
solo cello
sul A, Seagull -effect
repeat first calmly, then
rapidly accelerating
gliss.
gliss.
sul A, Seagull -effect
continue to the next downbeat
tutti, repeat fast and accelerating
gliss.gliss.
sul pont.
3 3
sul pont.
sul pont.
sul pont.
15
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Tub. B.
B. D.
T.-t.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I
Vln. II
Vln. II
Vla.
Vc.
Cb.
A tempo q = 4492
92
ppp p ppp
ppp p ppp
p
p p p
expressively.
pp mp
p mp
A tempo q = 44
92
p
p mp mp
p mp mp
p mp mp
mp mp
mp mp
Muted
Harmon mute
3
Timpani muted
Bass Drum
let ring To Vib.Vibraphone
arco, always let ring
walk slowly to the piano
33 6
(1-6)
unis, ord. ord. sul pont.ord. sul pont. ord.
(7-11)
unis, ord. sul pont.
(1-4)
ord. sul pont.
(5-9)
ord. sul pont. ord.
unis, ord. sul pont. ord.
ord.
ord.
3
16
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Vib.
T.-t.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I
Vln. II
Vln. II
Vla.
Vc.
Cb.
mp p mf
9998
mf mp pp mf mp
mf mp mf ppp
mp p
pp p
ppp p
ppp p ppp ppp p
ppp p ppp
p p
p p
mf p pp mp
mp mp mp99
p mp mp
mp
mp mp
mp
mp
mp
solo, "echo" solo, "echo"
6
solo, "echo" solo, "echo"
3
solo, "echo"
solo, "echo"
6
solo, "echo"
3
Cup mute
To Tam-Tam
Tam-tam
let ring
gliss.
5
6
(1-6)
sul pont. ord.
(7-11)
ord. sul pont. ord.
(1-4)
(5-9)
sul pont.ord.
div. in 2
17
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
T.-t.
T.-t.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I
Vln. II
Vln. II
Vla.
Vc.
Cb.
pp
104 108103
mf
ppp
ppp mf pp
ppp p ppp
ppp
ppp
ppp p
p
mf mf p mf mf p
mp mp
104108
mp p
mp p
mp p
p p
p
ppp
6
solo
3
Mute off solo, open
gliss.
(echo)
Tam-tam
let ring
To Tub. B.
3
(1-6)
ord. sul pont.gliss. gliss.
ord.
(7-11)
ord. gliss.
sul pont.
gliss. gliss. con sord.
(1-4)
ord. sul pont.gliss. ord.
(5-9)
gliss.sul pont.
gliss.gliss.
sul pont.unis.
div. in 2
gliss.gliss.
sul pont.
18
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Tub. B.
T.-t.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I
Vln. II
Vln. II
Vla.
Vc.
Cb.
mf
111109
mf
ppp
p ppp
p
mf
mp
111
mp
mp
mp p p
p p
p p
p
solo, "echo"
solo, "echo"3 3
To Gong
Tubular Bells let ring To Vib.
Vibraphone arco, let ring
3
(1-6)
ord., con sord. 3
3
(7-11)
gliss. gliss.ord.
3
(1-4)
sul pont.
gliss.
(5-9)
gliss.ord. 3
ord.
gliss.
3
unis, ord.
19
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Vib.
T.-t.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
rit. 113
113
mf
mf pp mf pp
mfpp
p ppp
pp
p ppp
mf
ppp
rit. 113
ppp
ppp
pp ppp
pp ppp
pp ppp
pp ppp
pp ppp
pp ppp
pp ppp
pp ppp
p pp ppp
p pp ppp
p pp ppp
p pp ppp
pppppp
ppp
*The two clarinets walk slowly first to the front of the orchestra and then through the audience (one from the left side, the other from right side) towards the ensemble behind the audience. The clarinets act utmostly calm and move slowly and absently as if they were angels heading to the hereafter.
solo
solo, "echo" solo, "echo"
3 3
solo, "echo" stand up and start slowly walking to the front (from left)*
3
stand up and start slowly walking to the front (from right)*
Gong w/ mallets
To Bass Drum
Bass Drum w/ soft mallets
peacefully
3 5 3 3 6 3 3
3 3
(1.2.)
sul tasto
sul tasto
sul tasto
sul tasto
(7.8.)
sul tasto
sul tasto
(1.2.)
ord.con sord.sul tasto
ord.
con sord.sul tasto
(5.6.)
con sord.sul tasto
con sord.sul tasto
con sord.sul tasto
expressively con sord.
sul tasto
3 3 3
expressively con sord.
sul tasto
3 3 3
expressively con sord.
sul tasto
3 3 3
expressively con sord.
sul tasto
3 3 3
sul tasto
2. contrabass solo poco sul pont.
20
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Gong
B. D.
F. Hp.
Cel.
Sop. Sax.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
Cb.
Cb.
Cb.
Even slower q = 34118118
f
f
mf
mp
mp
mp f
p f
mp ppmorendo
mp p
f mf
f mf
mp
Even slower q = 34118
mp mf
mp
mp
mp
air only
air only
air only
air only
air only
air only
air only
To Thundersheet
3
to blowing air only & key clicks ad libitum, NO TONESsparse3
(1.2.)
(7.8.)
(1.2.)
(5.6.)
poco sul pont.
3 3 3 3
poco sul pont.
poco sul pont.
21
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Tpt.
Tbn. 1
Tbn. 2
B. Tbn.
Gong
B. D.
T.-t.
F. Hp.
Cel.
Sop. Sax.
1. Solo Vln.
2. Solo Vln.
Solo Vla.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
Cb.
Cb.
Cb.
mp pp
123120
mf pp
mf p
f mp
ff mp
ff mf
ff mf
ff mf
ff
ff
pp mp
pp
p
p
mf
mf
mf
123
mp
mf
mf
mf
mf
air only
air only
air only
air only
air only
Thundersheet let ring To T.-t.
Play low strings inside the piano w/ bass drum mallets(piano's sustained pedal is put down)
3 3
3 3
3 3
gradually less and less
stop all playing, don't movekeep saxophone in playing position until the end
flautando
3
flautando
flautando
(1.2.)
(7.8.)
(1.2.)
(5.6.)
pizz.
3 3 3
22
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
T.-t.
B. D.
Perc.
Cel.
Sop. Sax.
1. Solo Vln.
2. Solo Vln.
Solo Vla.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
Cb.
Cb.
Cb.
125124
mf
mf
mpp
mp pp
mf
mf
mf
125
morendo
mf mf
mf mf
mf
solo, espr.
3
solo, espr. 3
3 3
Tam-tam arco, let ring
To Tub. B. Tubular Bells
let ring
3
3 3 3
(1.2.)
(7.8.)
(1.2.)
(5.6.)
3 3 3 3
23
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
T.-t.
B. D.
Perc.
Cel.
Sop. Sax.
1. Solo Vln.
2. Solo Vln.
Solo Vla.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
Cb.
Cb.
Cb.
129
129
mp mf mp
ppp mp
pp mp
pp mp pp
mpp
mp p
mp pp p
129
mp
mp
mp p
mp
3
33 3 3 3
Tam-tam w/ mallets
3 3 3
3 3
(1.2.)
(7.8.)
(1.2.)
(5.6.)
3 3 3 3
24
Fl. 1
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
T.-t.
B. D.
Perc.
Cel.
Sop. Sax.
1. Solo Vln.
2. Solo Vln.
Solo Vla.
Vln. I
Vln. I (3.4.)
Vln. I (5.6.)
Vln. I
Vln. I (9.10.)
Vln. I (11.)
Vln. II
Vln. II (3.4.)
Vln. II
Vln. II (7.8.)
Vln. II (9.)
Vla.
Vla. (3.4.)
Vla. (5.6.)
Vla. (7.)
Vc.
Cb.
Cb.
Cb.
Cb.
Repeat until al niente
(c. 15-30 sec.)
Sound draws away
further until it
gradually disappears136
134
pp
ppp
p p p pp
pp
p pp
p
dolcissimo
dolcissimo
pdolcissimo
pRepeat until al niente
(c. 15-30 sec.)
Sound draws away
further until it
gradually disappears136
p
p pp pp
pp pp
pp
stop walking, stand still
stop walking, stand still
arco, let ring
To Tub. B.
solo
Tubular Bells w/ mallets
Thundersheet
3
3 3
(1.2.)
(7.8.)
(1.2.)
(5.6.)
3 3 3 3
25
