ORNAMENTATION ELABORATION OF ARTS & MUSIC
Transcript of ORNAMENTATION ELABORATION OF ARTS & MUSIC
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BAROQUEPERIOD
• ORNAMENTATION
• ELABORATION OF ARTS &
MUSIC
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BAROQUE
Period from 1600-1750
From the Portuguese term
“BAROCCO” which means
“ODDLY SHAPED PEARL”
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Recognized for ornateness,
grandeur and flamboyance in
architecture and painting.
Aterminitiallyusedto imply
strangeness andextravagance.
BAROQUE
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An era of absolute
monarchy and aristocracy.
A period that begins the
popularity of orchestra and
opera.
BAROQUE
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❖Puritans reached New England
(1620)
❖Beheading of Charles 1 (1649)
❖Restoration of Charles II as King
of England
❖Discovery of the Laws of Motion
by Sir Isaac Newton
HISTORICALBACKGROUND
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BAROQUE MUSIC CHARACTERISTICS
Unity of mood
Continuity of rhythm
Continuous and repeated
melody
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Terraced dynamics- Shifting of the intensity of the
volume from soft to loud and vice
versa.
Birth of “Nuovo Musiche”
(New Music)
BAROQUE MUSIC
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BAROQUE
Italian words were used to
tell how music is to beplayed.
Homophonic – MONODY
(One/Solo Song)
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ORGANS and
HARPSICHORD are the main
keyboard instruments, VIOLA
DE GAMBA is for stringed
instruments.
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…BAROQUE MUSIC
CAMERATA
- Italian for “Salon” which
refers to a group of
Florentine writers, artists and
musicians
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- They first cultivated the
monodic style and realized
that it could also be applied
to an entire drama which
later led to OPERA.
CAMERATA
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BAROQUE
VOCAL FORMS
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An art where musicians
perform a dramatic
composition putting the libretto
(text) and musical score
accompanied by orchestra or
ensemble.
1. OPERA
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… OPERA
➢ Themes are mostly based on
history and mythology.
➢“L’Orfeo” is the first great
opera by Claudio Monteverdi.
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OPERA
https://www.youtube.com/watch?v=YuBeBjqKSGQ
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➢ From the Italian word “cantare”
which means “sung”
➢ Is a vocal composition for a
soloist or choir accompanied
by instruments.
2. CANTATA
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➢Themes are based on a
narrative poem of secular or
religious, lyrical or dramatic in
nature.
➢ “Awake, A Voice is CallingUs”
by J.S. Bach
… CANTATA
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CANTATA
https://www.youtube.com/watch?v=ZS4HBrWnQ8k
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➢A dramatic but unstaged
telling of a biblical or religious
story
➢Uses no scenery or costumes
and no dramatic actions
3. ORATORIO
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➢Uses a narrator, soloists,
chorus and an orchestra.
➢Usually performed in
churches and concert
halls.
3. ORATORIO
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➢It is meditative rather than
dramatic in nature that deals
with a New Testament
subject but with no plot.
➢ “Messiah” by G. F.Handel
… ORATORIO
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https://www.youtube.com/watch?v=JH3T6YwwU9s&t=130s
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INSTRUMENTAL FORMS
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1. CONCERTO
GROSSO
❖Most important
orchestral music
in this period.
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. . . CONCERTO
GROSSO
❖Consists mainly of string
instruments with few solo instrument
(concertino) which plays in
opposition to the whole orchestra
called tutti.
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TUTTI – composed of a
hapsichord as part of
the basso continuo,
another stringed
instrument.
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❖THREE MOVEMENTS:
➢FAST – vigorous and determined
➢SLOW – quieter; often lyrical and
intimate
➢FAST – lively and carefree with a
dance-like character
. . . CONCERTO
GROSSO
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❖“Brandenburg
Concerto in D Major” by
J.S. Bachhttps://www.youtube.com/watch?
v=_V7oujd9djk
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2. BAROQUE SUITE
❖It is developed by French
which refers to a group of
works held together by story,
mood or idea.
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. . . BAROQUE SUITE
❖Others terms are Partita
(Germany), Overture and
Sonata de Camara
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. . . BAROQUE SUITE
❖ “Water Music” by
Handel
❖“Badinerie” from Suite
No.2 in B Minor by Bach
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MUSICAL
INSTRUMENTS
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1. TROMPE
DAPHINE
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2. RECORDER
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3. OBOE
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4. VIOLS AND
VIOLIN
(QUEENS OF THE
INSTRUMENTS
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5. LUTE
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6. HARPSICHORD
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7. CLAVICHORD
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BAROQUE
COMPOSERS
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1. CLAUDIO GIOVANNI
ANTONIO MONTEVERDI1567-1643❖An Italian composer
and the most
important figure
in the transition from
Renaissance to
Baroque music.
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1.CLAUDIO GIOVANNI
ANTONIO MONTEVERDI
❖ One of
the
guest
contributors to
OPERA.
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❖Musical Works:
➢L’ORFEO (1607) – first
modern opera
➢ARIANNA (1608) –
established his reputation as
an opera composer
1. CLAUDIO GIOVANNI
ANTONIO MONTEVERDI
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❖Only TWO of his opera has
survived complete form:
➢The Return of Ulysses in His
Homeland (II ritorno d’Ulisse in patira 1641)
➢The Coronation of Poppea
(L’incoronazione di Poppea 1642) – his
masterpiece
1. CLAUDIO GIOVANNI
ANTONIO MONTEVERDI
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L’ORFEO
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2. GEORGE FRIDERIC
HANDEL
(1685-1759)
❖The Master
of English
Oratorio and
Italian Opera
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❖His “THE
MESSIAH” was
his most
famous English
oratorio
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❖Musical Works:
➢ALMIRA (1704) – his first
opera
➢AGGRIPINA (1709)
➢RINALDO (1711)
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➢ATHALIA (1733) & SAUL
(1939) – English Oratorios
➢WATERMUSIC and MUSIC
FOR THE ROYAL FIREWORKS–orchestral music
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“FOR UNTO US A CHILD
IS BORN”
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3. JOHANN
SEBASTIAN BACH(1685-1750)
❖“Composer
for All
Seasons”
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❖Keyboard Virtuoso
❖Konzertmeister
❖Kappelmeister
❖Kantor at the
Thomasschule
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❖Musical Works:
FIRST PERIOD (1703-1708)- Arnstadt and Muhlhausen
➢ “Gottes Zeit ACantata”
SECOND PERIOD (1708-1717)- Weimar
➢ “Toccata” &“Fugue in D minor”
THIRD PERIOD (1717-1723)- Anhalt -Cothen
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➢“Well-Tempered Clavier”
➢“Orgebuchlein” (Little Organ Book)
➢Six Brandenburg Concertos
➢Four Orchestral Suites or Overtures
➢French Suites
FOURTH PERIOD (1723-1745)- Leipzig➢ “St.John Passion” (1723)
➢ “St.Matthew Passion” (1729)
➢ Coffee Cantatas (211)
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➢ Hunting Cantata (208)
➢ Goldberg Variations
➢ Magnificat (1723)
FIFTH PERIOD (1745-1750)- Last five years of Bach➢ Canonic Variations on a chorale “Von
Himmel Hoch”
➢ Musical Offering
➢ Art of Fugue (1750) - unfinished
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FUGUE IN G MINOR
https://www.youtube.com/watch?v=ddbxFi3-UO4
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4. ANTONIO LUCIO
VIVALDI(1678-1741)
❖The “Red-
Haired
Composer”
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. . . VIVALDI
❖He invented ritornello form
❖Musical Works:
➢ Oratorios: “Moyses
Deus Pharaonis”
;
“Juditha triumphans devicta
Holofernes barbarie”
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❖Operas: “Ottone in villa”;
Orlando finto pazzo”
❖Concertos: “La Concertos
Primavera” ; “The Four
Seasons”; “II Favorito”
. . . VIVALDI
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THE FOUR SEASONS
https://www.youtube.com/watch?v=GRxofEm o3HA