Orchestral Excerpts Viola
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VIOLA ORCHESTRAL REPERTOIRE
EDITED BY
RUDOLF HAKENPage Excerpt
2 Bartk Concerto for Orchestra
3 Beethoven Symphony #57 Berlioz Roman Carnival Overture
9 Brahms Variations on a Theme of Haydn15 Brahms Symphony #2
17 Brahms Symphony #419 Copland Appalachian Spring
21 Enescu Romanian Rhapsody #1, viola solo22 Kodalyi Hary Janos, viola solo
23 Mendelssohn Scherzo from Midsummer Night's Dream25 Mozart Symphony #35 (Haffner)
31 Ravel Daphnis and Chlo Suite #235 Ravel Mother Goose Suite, viola solo
36 Shostakovich Symphony #537 Strauss Don Juan
39 Tchaikovsky Symphony #6 (Pathtique)41 Sample repertoire lists for auditions
2011 Rudolf Haken
Viola ProfessorUniversity of Illinois
1114 W. Nevada St.Urbana, IL 61801 USA
Orchestral Excerpts for Viola, edited by Rudolf Haken www.rudolfhaken.com 2011-08-30 Page 1 of 41
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e
42
Eo
s
o s
d s d
ed. R. HakenBartok Concerto for Orchestra, Mov. 4 m. 42-60
m
09
Calmo - cantabile (viola section soli) r=160
1 1 1 2 1 1- -
e
46
o
s s s
f f d d d
03 0
40
1 3 2 0
e49
d s s
s d
d
s
39 0 94 2
e
53
s
d
o
o s
s s s d f
30
2 1 1 8 9 3 2 2 1- -
e
56
f f d d d d f
s
29
1 4 2 1 3 2
e
58
d d s d f
10
n
4 3 1 1 2 3
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Beethoven Symphony #5, 2nd mov. m. 1-10
Andante con moto =92
dolce
3 0 3
no double-dot!
3
Beethoven Symphony #5, 2nd mov. m. 49-59
Andante con moto =92
dolce
2
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Andante con moto =92Beethoven Symphony #5, 2nd mov. m. 98-106
dolce
0
2 0
0
4 1
Beethoven Symphony #5, 2nd mov. m. 114-123
brush stroke3
Andante con moto =92
1 23 3 2 1
3
1 3
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Beethoven Symphony #5, 3rd mov. m. 146-213
=80
4 1
3 4 0 4 2
4
4
s s s
4
sempre pi piano
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Andante sostenuto =104
Do not change position unless indicated.
2 after 1
Berlioz Roman Carnival - preparatory exerciseby Rudolf Haken
1
espr.
(no dim.!)
2
2 4
cresc. molto
4 31
3 3 2 14 3
2
1 1
3
poco cresc.-----------------------------------------------------
1
s
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Andante sostenuto =104
Berlioz Roman Carnival - viola solo
Do not change position unless indicated.
2 after 1
ed. Rudolf Haken
1
espr.
(no dim.!)
2
2 4
cresc. molto
4 3
1
3 3 2 14 3
2
1
1
3
poco cresc.-----------------------------------------------------
1
s
6 6 6 6 6 6
4
6 6 6 6 6 6
04 2 1 3
6
66
6
3 4 1 14
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Brahms Variations on a Theme of Haydn, #V, VII, VIII
Var. V
Vivace =144-152
ed. Rudolf Haken
leggiero s
4
3
210
3
2 1 1
4
1
legg.
214
G
s
leggiero
0 4 0
s
s
220
legg.
0 2 3
224
2 4
H 2
228
1
4 4
232
1 2 1 2
sempre
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236
3
240
245
I 2
1
4
249
4
1 2 1
leggiero
253
1
2
256
2 1
259
3
pizz.
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293
Var. VIIGrazioso =138
3
espr.slight separation between notesgentle!
1
13 2
3
299
dolce
2 2
304
1
2
308
4
3
espr.
314
1 1 3
cresc.
2
318
1 4
dim.
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323
Var. VIII
con sordino
sempre
Presto non troppo =204-2162 1
4
326
1
0 1 2
1 3 4 3 1 2
3
331
1
12
2
K2 1 4
336
1
1 2 3
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343
pizz. arco
2
1 2 4 2 1 1 4 1
349
3
4 4 4 2 3 4 3 2 4 1 3
1 1
352
2 1 4 1 2 3
355
1 2 3 4 0 2
1 0 4
358
3 2 1 1
pizz.
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118
Brahms Symphony #2, 1st mov., m. 118-131
E
(quasi riten.)
Allegro non troppo(=138)
first pos.
sben marcato
122
smarcato
1
2
126
3
middle
2
4
2
3
1
0 1 2
129
3
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49
C1
Brahms Symphony #2, 2nd mov., m. 49 through downbeat of m. 51
stay in second pos.
(=138) keep 1st finger down on 2 middle strings in second position
poco
1 4 3 4 2 14 3
50
3 4 2 1 1 41 0 2 0 3
2 0
1 4
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41
B
(=104-112)4
2 3 2 3
BRAHMS SYMPHONY #4 - 4TH MOV. M. 41-80ed. Rudolf Haken
2 4 2 4
3
2 3 2 1 3 1
45
cresc. sempre piu
3
big cresc. m.45-55, in contrast to 1-bar hairpins in m. 41-44
2 4 2
4 2
1 0 3 1
3 4 3 2
49
espress. cresc.
3 4 3 2 4 3 2
2 1 3 2
1 0 2 4 0 2
2 1 0
53
4
3 2 1 3 2 1
3 2 1 3
2
lift
2
piu
3
frog
57
C 2
frog
frog
frog
3
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60
4
frog
2
3 2 1 4 1
frog
2
hook
hook
3
frog
64
4
1 2 3 0
3
frog
0
s
1 34
0 2
68
1 3
frog
2
s
3 1 3 1
retake
1
4 3 2 1 3 2
tip - very little bow
71
2 4 3 2 1 4
3
2
0
subito
1
frog
(46
1
0
0 1
0
brush
4
3 1 4 1 1
74
3
3
2
2)3
1 4 3
3
1 2 0 3
3
0 2 0
76
1
(2 1
4 1
2
3
4
3
1
4
2
1
2
1
34
3
2
1 3
4)
2
3
3-
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vigoroso
Allegro (=160)6
brush near frog
1 0 1
COPLAND APPALACHIAN SPRING - Rehearsal 6 to Rehearsal 14ed. Rudolf Haken
4
1
4 2 0 1
pizz.
1
1
alternative
fingering
0 1
24
4 2 0 1
1pizz.
arco
brush near frog
0 1 3 4 3 1 2 4 17
1 0 1
21
3
A
2 1 4
D
3
4
1 1
2
.
pizz. arco
pizz. arco
pizz. 1 3 2
8
marc.
arco
91 0
2 1
3
A
2 1 4
D
3
4 1
1 2
0 1 3 1
2 1
3
A
2 1 4
D
3 3
2 1 4 3
D
1 3
G
4
2 0 4 2 0
1
4
1 1
0 1 3
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4 0
1
3G
D
4
0
3G
1D
4
2A
0
2 4 0 1
1
10
11
1
2G
4D
s
3
2 112
marc
2
0
1
2
D
0 1 2
D
1
s
0 1 2D
(4 3
13
4)
cresc.
0 1
D
2 2
cresc.
0 1
D
2
2
1
1 4 3 1 2 4 1
espr.
1 14
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[1 bar after reh.#7 through 1 bar before reh. #8]
Enescu - Romanian Rhapsody #1, viola solo
1Posement (=160)
2
s douloureux
2
1
4D
3
2
2
1 1
stay
4G
1
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Kodaly - Hary Janos Suite, Mov. III, viola solo[Dal - Lied - Song - Chanson]Andante, poco rubato (=80)
espr.
2
fourth pos.----------------------------------------------------------------------------------------------------------
1 4 2 1
2
3 4 1 2 1 2 1
-
5
1
2 3
2
1
1 3
-
9
3 1accel.3 2 3 1 3 2
11
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Allegro Vivace =84
Mendelssohn Scherzo from Midsummer Night's Dreambeginning to letter D (meas. 1-93)
ed. Rudolf Haken
2
24
2A
0
1
32
cresc.
38
3
49
B3
cresc.
3
53
58
2
3 0
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63
1
s
s
s
1 2
1
69
0
2 C
2
4
2 3 1
4
4
3 -
75
3
3
3
3
80
4
2 3
3
1
4
4
3
3
3-
85
4
89
24 2 4 1
D
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Mozart Symphony #35 (Haffner) 1st mov. m. 41 - 66
Allegro con spirito =76
2
ed. Rudolf Haken
1 2
frog
3
3
9
1 3
3
13
2
1 2 3
17
3 2
21
4 4 2
25
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29
4
37
1 2 3
3
2
tip
1
sub.
3
4
3
2
3
3
3
1 4 1 3 2 3 2
4
4
4
4
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2
D
Preparatory Exercises for Mozart Symphony #35 (Haffner) Finale m. 134-136
2
D
2
G
4
C
2
D
4 2
D
4 2
G
4 4
C
2
D
3 4 2 2
D
3 4 0 2
G
3 4 1 4
C
4
D
4
D
4
G
4
C
4
C
4
G
4
D
4
D
3
D
3
D
3
G
3
C
3
C
3
G
3
D
3
D
2
D
2 2 2
G
2
2
D
2 2
1
D
1
D
1
G
1
G
1
D D
1 2
D
2
D
1
D
1
G
1
G
1
D
2
D
2
D
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2
=138-144Mozart Symphony #35 (Haffner) Finale m. 134-181
grazioso
2 1 2
1 3 0 1 2
1 3
4 1
1 0
cantabile
2
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4 4
4 4 4 4
4
s
s
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=54
espressif
Ravel Daphnis & Chlo Suite II #158 to #166CD 1, Track 12, 01:23
2 1 2 2G
1 1 4
1D
1 2 2
1
D
2 3
1
2 3 3 4
1 2 3 4
2 1 1 2
3
3 2 2 3D
1 1 2
3 2
1 1
2
2 2
3
1
3
- -
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3
3
3 3
1 2 1
3
2
3
3 4 0
3
1 1
6
6 6
66
3 4 1 3 1 4 3 4 1 3 1 4 0 2 4
3
tres espressif
= 2D
3
2
3
2A
=
3D
2
2
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3
33
3
=168
3
Ravel Daphnis & Chlo Suite II #212 to #216
0
3
0
3 3
poco
0 2 3 4 0 2 1 2 3 4
(non subito)
4 3
3 3
3
0 1 1 2 2 3 4 2
1
0 1 2 1 1 1 2 3 4 3 2 4 1-
1
3 41
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2 3 4 0 1 0 4 0 2 4
crescendo------------------------------------------------------------------------------------------------------------3
1 2 3 3 1 2 3
3
sempre cresc---------------------------------------------------------------------------------------------------------------
1 2 2 3 1 2 3 3
1 2 3 3 1 2
3
sub.
gliss.
0
3 0
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=84
15Shostakovich Symphony #5, 1st mov. viola solo
Preliminary exercise
espr.
D1
A3 3 1
D
to
17
2G
3D 4
A2
2A
4D
3A
2D
1 1D
1G
1G
=84
Excerpt
espr.
D
1
A3 3 1
D2G
3D 4
A2
2A
4D
3A
2D
1 1D
1G
1G
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Richard Strauss - Don Juan
Allegro, molto con brio (=164)
[beginning to 6 after D]
0
1
0
3
1 3
14G
1
1
sixth pos.-------------------------------------
5 6
5
2A
3
2
3
3 4 1
3
1 2 4
3
3 1 33
pizz.
11
arco
3 3 3 3
18
3 3 3 3 3 3 3 3 3 3
2
squarehook
1
slur
4
22
2
short
1
long
A
3
3
2
3
1
3
2 4 3
3
1 0 3
3 3
25
2
3 3
3 4
3
1 2
3 3
1
3
30
1
1
3
0 3 0
3
1 2
3
3 0 3
3
4 1 1
3
2 0 3
3
4 2
34
0
3
4
3 0
33
3
0 1 3
3 3
1 3 3
3
G
1
1
1
3
1
3
2
4
2
2
3
1
4
4
3
- -
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37
0
1 2
3
3 1
2
3
0
1
1
2
B
3
41
sz. sz.
2
44
3
3
2
1
48
D2
C
2
molto vivo
4
3
1 2 3
52
2
3
1
2
3
3 4 40
3
1A
0 4
3
3 2 4 3
3
3 4
3
1 2 3
3
4 1 2
3
3 4 4
56
2
D
3
3 4 1
3
1
3
2 3 4 2
espr.
1
3
2 3 4
3
4 3 2
3
1 3 1 3
espr.
2
60
4
1
3
2 3 4
3
0 1
1
A
3
2 1 2
3
3 4
3
rapidamente
2 4 1
63
1
3
2 3 4
0
1
3
4
3
1 23
1
sz.
2
poco calando3
1 3D
68
1dim.
2 3
tranquillo
D1D
1 2
3 4
0
3
1 2 3
3
1 2 3 4
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19
Allegro non troppo =116Tchaikovsky Symphony #6 (Pathtique) 1st mov. m. 19-76
1
3
A
2 2
23
31
A 2
3 3 2
1
2
34
1
2
1 3
36
3
2 1 3
2 1 2
C D
1
40
1
2
2
saltando
4 1
44
4 3
4 1
48
4 2 B
51
4
0 3
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53
4 0
55
58
3
4
34 2
60
0
1 0 3 2 3
41 2
G
62
0
1 0 3 2 C 4
4 2 3 3
4 3 1 2
65
3
1 0 3 1 2 4
4 2 3
67
4
Un poco animando
G
4
71
dtach
2
Un poco pi animando
2 1 2
74
1
2
D
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Section Viola Audition RepertoireMarch 4-7, 2007
Finals to be held on March 26, 2007
I. SOLO REPERTOIRE
A. The first movement of one of the following concerti (no cadenzas are required):
Bartok, Hindemith, or Walton
B. Two contrasting movements from any of the Bach Cello Suites.
II. ORCHESTRAL REPERTOIRE
BACH Brandenburg Concerto No. 3, Viola 1
BARTOK Concerto for Orchestra
Mvt 1, M 233-248
Mvt 4, M42-60
Mvt. 5, M80-96, M300-317, M384-444
BEETHOVEN Symphony No. 9
MENDELSSOHN Symphony No. 4
MOZART Overture to Magic Flute
MOZART Symphony No. 40
ROSSINI Overture to La Gazza Ladra
SHOSTAKOVICH Symphony No. 5
Reh #15-#17
Reh #22 through 4 measures after #25
Reh #36 through 3 measures after #38Reh #55 - #56
Reh #97 through 7measures after #102
STRAUSS Don Juan
III. POSSIBLE SIGHT READING
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