THE METROPOLiTAn MUSEUM OF ART

Fifth Avenue at 82nd Street, New York www.metmuseum.org

Hours Friday and Saturday 10:00 a.m.–9:00 p.m.Sunday–Thursday 10:00 a.m.–5:30 p.m.The main building and The Cloisters museum and gardens are closed on Thanksgiving Day, December 25, and January 1. The main building is also closed on the first Monday in May.

Admission (includes main building and The Cloisters museum and gardens on the same day) $25.00 recommended for adults; $17.00 recommended for seniors (over 65); $12.00 recommended for stu-dents; free to Members and children under 12 with an adult. No extra charge for any exhibition. Purchase express admission in advance at metmuseum.org/visit. Group discounts available. Rates subject to change.

Tours Customized guided tours of special exhibitions and the permanent collection available in 10 languages.

Audio Guide sponsored by Rent a recorded guide to special exhibitions and the permanent collection—available in English, French, German, Italian, Japanese, Korean, Mandarin, Spanish, Portuguese, and Russian.

Visitor Amenities International visitors desk, restaurants, bar, bookshop, gift shops, Museum parking garage (hourly rate).

Programs for sight- and hearing-impaired visitors.Wheelchairs available at coat-check areas.

Access Programs and Services

For information about accommodations or programs for visitors with disabilities, call 212-650-2010, or visit the Museum’s website.

Contact information General Information 212-535-7710Tourism Division 212-570-3711mettours@metmuseum.org

■ American Decorative Arts■ American Paintings and

Sculpture■ Ancient Near Eastern Art■ Arms and Armor■ Arts of Africa, Oceania,

and the Americas■ Asian Art■ Drawings and Prints■ Egyptian Art■ European Paintings

■ European Sculpture and Decorative Arts

■ Greek and Roman Art■ Islamic Art■ Robert Lehman

Collection■ Medieval Art and

The Cloisters■ Modern and

Contemporary Art■ Musical Instruments■ Photographs

Exhibition titles and dates are subject to change.

The Museum wishes to extend its thanks to the Iris & B. Gerald Cantor Foundation, the Gail and Parker Gilbert Fund, and the Diane W. and James E. Burke Fund for The Passions of Jean-Baptiste Carpeaux; the Ruddock Foundation for the Arts for Radiant Light: Stained Glass from Canterbury Cathedral; the Placido Arango Fund, the Fred Eychaner Fund, the William Randolph Hearst Foundation, the Henry Luce Foundation, the E. Rhodes and Leona B. Carpenter Foundation, the National Endowment for the Arts, Jim Thompson America, Inc., and Bangkok Broadcasting & T.V. Co., Ltd. for Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century; the Placido Arango Fund for Goya and the Altamira Family; AERIN and Condé Nast for Charles James: Beyond Fashion; the Lillian Goldman Charitable Trust for The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection; the Blavatnik Family Foundation and The Daniel and Estrellita Brodsky Foundation for Garry Winogrand; and Bloomberg and Cynthia Hazen Polsky and Leon B. Polsky for The Roof Garden Commission: Dan Graham.

On the cover: Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

American Paintings and Sculpture

Madame X (Madame Pierre Gautreau) (detail), 1883–84, by John Singer Sargent, oil on canvas. Arthur Hoppock Hearn Fund, 1916 (16.53)

Greek and Roman Art

Terracotta Panathenaic prize amphora (detail), ca. 530 B.C.,

attributed to the Euphiletos Painter, Greek, Attic, terracotta; black-figure.

Rogers Fund, 1914, (14.130.12)

Enjoy Outdoor Spaces— Medieval And ModernThe Cloisters museum and gardens, located atop a hill in northern Manhattan’s Fort Tryon Park, 30 minutes by sub-way from Midtown, is devoted to the art, architecture, and gardens of medieval Europe. With unparalleled views of the Hudson River, The Cloisters is a unique urban oasis you don’t want to miss.

Garden tours are offered daily at 1:00, and refreshments are available at the Trie Café (open May–October), located in a serene, covered walkway.

The Metropolitan Museum’s iris and B. Gerald Cantor Roof Garden (open April–November, weather permitting) displays modern works of art set against the spectacular backdrop of Central Park and the Manhattan skyline. Enjoy refreshments from the Roof Garden Café in one of New York’s most dramatic rooftop sculpture gardens.

Gardens and cloister from the Benedictine monastery of Saint-Michel-de-Cuxa (San Miguel de Cuixà), near Perpignan, France, ca. 1130–40. The Cloisters Collection, 1925

The Iris and B. Gerald Cantor Roof Garden. The Roof Garden Café’s Martini Bar is open Friday and Saturday evenings, 5:30–8:30, weather permitting.

themetropolitanmuseum ofartSpring/Summer 2014

ONVIEW

European Sculpture and Decorative Arts

Marsyas (detail), ca. 1680–85, by Balthasar Permoser, marble on a black marble socle inlaid with light marble panels. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)

Always on View Explore 5,000 years of the world’s greatest art

MMA OnView Spring-Summer 2014cmyk.indd 5-8 2/4/14 2:53 PM

One Met. Many Worlds.At New York’s most visited museum and attraction, experience the best of human creativity from across the globe. With collections spanning more than 5,000 years of culture, the Met takes you on a journey through the world’s greatest art. Enjoy exciting special exhibitions and an array of public guided tours, all free with your admission.

On View This SeasonThe Passions of Jean-Baptiste Carpeaux (March 10–May 26, 2014) includes 160 works, including sculp-

tures, paintings, and drawings, organized around the major proj-ects that Carpeaux (1827–1875) undertook during his brief career. The artist’s genius for portraiture and modeling in clay shines particularly in this moving, major retrospective. Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

Completing the celebration of The Cloisters’ 75th anniversary, Radiant Light: Stained Glass from Canterbury Cathedral (February 25–May 18, 2014) features six near-life-size figures in stained glass from the historic cathedral in England. This is the first time the panels, from one of the great surviving series of medieval stained glass, have left the cathedral precincts since their creation in 1178–80. Lamech, from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80, colored glass and vitreous paint; lead came. Image © Robert Greshoff Photography, courtesy Dean and Chapter of Canterbury

Lucas Samaras: Offerings from a Restless Soul (February 17–June 1, 2014) celebrates an artist, born in 1936, who was

among the first to exploit the Polaroid photograph. A highly skilled draftsman, painter, sculptor,

and filmmaker, Samaras has created a highly idiosyncratic body of work. On view are his Polaroids, computer-generated work from later in his career, and other objects.Box #10, 1963, by Lucas Samaras, mixed media. © Lucas Samaras, courtesy Pace Gallery. Photograph by Ellen Page Wilson, courtesy Pace Gallery

Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century (April 14–July 27, 2014) presents the results of recent researches in art history and archaeol-ogy that have made it possible to define the cultural parameters of early South-east Asia. The works on view include some of the most exquisite sculpture of the Hindu-Buddhist world, providing an unrivaled window onto these forgotten cultures. Buddha (detail), first half of the seventh century, Central Thailand, sandstone. National Museum, Bangkok, Thailand

The five portraits in Goya and the Altamira Family (April 22–August 3, 2014) include one of the Met’s most

beloved Old Master paintings, the so-called Red Boy by Goya. This is the first time these fam-ily portraits—now dispersed in public and private collections in Spain and the United States—are being seen together as a group, and all but one are by Goya.Don Vicente Isabel Osorio de Moscoso, 1787–88, by Goya (Francisco de Goya y Lucientes), oil on canvas. Private collection

Unique by Design: Studio Jewelry in the Donna Schneier

Collection (May 13–August 31, 2014) features the work of 88 modern master jewelers from the 1960s to the present. The period, one of dramatic change in jewelry making, saw jewelers breaking with tradition and aligning their works within larger artistic movements, such as abstraction and conceptualism, and becoming interested in new materials and forms.

On

TH

E C

OV

ERInaugurating The Costume Institute’s New Anna Wintour Costume Center, Charles James: Beyond Fashion (May 8–August 10, 2014) examines the career of the legendary 20th-century Anglo-American couturier whose revolution-ary ball gowns from the post-war period and innovative tai-loring continue to influence designers today. On view with James’s most notable designs are sketches, pat-terns, swatches, and more, including video animations, that shed light on his creative process.Charles James Ball Gowns, 1948. Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast

Out of Character: Decoding Chinese Calligraphy— Selections from the Collection of Akiko Yamazaki and Jerry Yang (April 29–August 17, 2014) presents outstanding examples of calligraphy created by many of the leading mas-

ters from the 14th through the 19th centu-ries. The artworks introduce key concepts of format, script type, and style, and the exhibi-tion encompasses the entire spectrum of calligraphic possibilities, from towering scrolls to works of great intimacy. Thousand Character Essay in clerical script (detail), 1561, by Wen Peng, 85 leaf album, ink on paper. Courtesy Guanyuan Shanzhuang Collection

The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection (May 20–October 26, 2014)

highlights the dynamic second wave of the 19th-century Pre-Raphaelite movement, as artists creatively adapted the core ideal of returning to the sincerity and vivid intensity they admired in medieval and early Renaissance art. The exhibition unites paint-ings, drawings, furniture, textiles, prints, and illus-trated books from across the Met’s collections.Lady Lilith, 1867, by Dante Gabriel Rossetti and Henry Treffry Dunn, watercolor and gouache on paper. Rogers Fund, 1908 (08.162.1)

Garry Winogrand (June 27–September 21, 2014), a retrospective of one of the greatest photogra-phers of the 20th century, features approximately 175 of the artist’s best-known photographs from his 30-year career. Winogrand (1928–1984) emerged from the 1950s to become one of the principal voices of the eruptive 1960s and early 1970s. The show is the first reappraisal of his photographs since 1989. El Morocco, 1955, by Garry Winogrand, gelatin silver print. Purchase, The Horace W. Goldsmith Foundation Gift, 1992 (1992.5107) © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

The Roof Garden Commission: Dan Graham (April 29–November 2, 2014) is the second in a new series of site-specific projects. Graham (b. 1942), whose work engages the public space of the city and the viewer’s own experience within it, will present a sculptural installation within a landscape that engages the city and the park beyond the Roof Garden’s perimeter.

The Costume Institute’s galleries reopen in May after a two-year renova-tion and reconfiguration as the Anna Wintour Costume Center. The main showcase is the Lizzie and Jonathan Tisch Gallery, which features a flexible design that allows for fre-quent transformation and is equipped with advanced technologies for sound, video, and wireless con-nection. The Carl and Iris Barrel Apfel Gallery serves

as an introductory space. The Costume Institute was last refurbished in 1992, and the last exhibition in its galleries, blog.mode: addressing fashion, closed in April 2008.Evening dress, 1946, by Charles James, black velvet, red satin, brown faille, black crepe. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1954 (2009.300.795)

new Galleries Opening This Spring

MMA OnView Spring-Summer 2014cmyk.indd 1-4 2/4/14 2:53 PM

One Met. Many Worlds.At New York’s most visited museum and attraction, experience the best of human creativity from across the globe. With collections spanning more than 5,000 years of culture, the Met takes you on a journey through the world’s greatest art. Enjoy exciting special exhibitions and an array of public guided tours, all free with your admission.

On View This SeasonThe Passions of Jean-Baptiste Carpeaux (March 10–May 26, 2014) includes 160 works, including sculp-

tures, paintings, and drawings, organized around the major proj-ects that Carpeaux (1827–1875) undertook during his brief career. The artist’s genius for portraiture and modeling in clay shines particularly in this moving, major retrospective. Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

Completing the celebration of The Cloisters’ 75th anniversary, Radiant Light: Stained Glass from Canterbury Cathedral (February 25–May 18, 2014) features six near-life-size figures in stained glass from the historic cathedral in England. This is the first time the panels, from one of the great surviving series of medieval stained glass, have left the cathedral precincts since their creation in 1178–80. Lamech, from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80, colored glass and vitreous paint; lead came. Image © Robert Greshoff Photography, courtesy Dean and Chapter of Canterbury

Lucas Samaras: Offerings from a Restless Soul (February 17–June 1, 2014) celebrates an artist, born in 1936, who was

among the first to exploit the Polaroid photograph. A highly skilled draftsman, painter, sculptor,

and filmmaker, Samaras has created a highly idiosyncratic body of work. On view are his Polaroids, computer-generated work from later in his career, and other objects.Box #10, 1963, by Lucas Samaras, mixed media. © Lucas Samaras, courtesy Pace Gallery. Photograph by Ellen Page Wilson, courtesy Pace Gallery

Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century (April 14–July 27, 2014) presents the results of recent researches in art history and archaeol-ogy that have made it possible to define the cultural parameters of early South-east Asia. The works on view include some of the most exquisite sculpture of the Hindu-Buddhist world, providing an unrivaled window onto these forgotten cultures. Buddha (detail), first half of the seventh century, Central Thailand, sandstone. National Museum, Bangkok, Thailand

The five portraits in Goya and the Altamira Family (April 22–August 3, 2014) include one of the Met’s most

beloved Old Master paintings, the so-called Red Boy by Goya. This is the first time these fam-ily portraits—now dispersed in public and private collections in Spain and the United States—are being seen together as a group, and all but one are by Goya.Don Vicente Isabel Osorio de Moscoso, 1787–88, by Goya (Francisco de Goya y Lucientes), oil on canvas. Private collection

Unique by Design: Studio Jewelry in the Donna Schneier

Collection (May 13–August 31, 2014) features the work of 88 modern master jewelers from the 1960s to the present. The period, one of dramatic change in jewelry making, saw jewelers breaking with tradition and aligning their works within larger artistic movements, such as abstraction and conceptualism, and becoming interested in new materials and forms.

On

TH

E C

OV

ER

Inaugurating The Costume Institute’s New Anna Wintour Costume Center, Charles James: Beyond Fashion (May 8–August 10, 2014) examines the career of the legendary 20th-century Anglo-American couturier whose revolution-ary ball gowns from the post-war period and innovative tai-loring continue to influence designers today. On view with James’s most notable designs are sketches, pat-terns, swatches, and more, including video animations, that shed light on his creative process.Charles James Ball Gowns, 1948. Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast

Out of Character: Decoding Chinese Calligraphy— Selections from the Collection of Akiko Yamazaki and Jerry Yang (April 29–August 17, 2014) presents outstanding examples of calligraphy created by many of the leading mas-

ters from the 14th through the 19th centu-ries. The artworks introduce key concepts of format, script type, and style, and the exhibi-tion encompasses the entire spectrum of calligraphic possibilities, from towering scrolls to works of great intimacy. Thousand Character Essay in clerical script (detail), 1561, by Wen Peng, 85 leaf album, ink on paper. Courtesy Guanyuan Shanzhuang Collection

The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection (May 20–October 26, 2014)

highlights the dynamic second wave of the 19th-century Pre-Raphaelite movement, as artists creatively adapted the core ideal of returning to the sincerity and vivid intensity they admired in medieval and early Renaissance art. The exhibition unites paint-ings, drawings, furniture, textiles, prints, and illus-trated books from across the Met’s collections.Lady Lilith, 1867, by Dante Gabriel Rossetti and Henry Treffry Dunn, watercolor and gouache on paper. Rogers Fund, 1908 (08.162.1)

Garry Winogrand (June 27–September 21, 2014), a retrospective of one of the greatest photogra-phers of the 20th century, features approximately 175 of the artist’s best-known photographs from his 30-year career. Winogrand (1928–1984) emerged from the 1950s to become one of the principal voices of the eruptive 1960s and early 1970s. The show is the first reappraisal of his photographs since 1989. El Morocco, 1955, by Garry Winogrand, gelatin silver print. Purchase, The Horace W. Goldsmith Foundation Gift, 1992 (1992.5107) © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

The Roof Garden Commission: Dan Graham (April 29–November 2, 2014) is the second in a new series of site-specific projects. Graham (b. 1942), whose work engages the public space of the city and the viewer’s own experience within it, will present a sculptural installation within a landscape that engages the city and the park beyond the Roof Garden’s perimeter.

The Costume Institute’s galleries reopen in May after a two-year renova-tion and reconfiguration as the Anna Wintour Costume Center. The main showcase is the Lizzie and Jonathan Tisch Gallery, which features a flexible design that allows for fre-quent transformation and is equipped with advanced technologies for sound, video, and wireless con-nection. The Carl and Iris Barrel Apfel Gallery serves

as an introductory space. The Costume Institute was last refurbished in 1992, and the last exhibition in its galleries, blog.mode: addressing fashion, closed in April 2008.Evening dress, 1946, by Charles James, black velvet, red satin, brown faille, black crepe. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1954 (2009.300.795)

new Galleries Opening This Spring

MMA OnView Spring-Summer 2014cmyk.indd 1-4 2/4/14 2:53 PM

One Met. Many Worlds.At New York’s most visited museum and attraction, experience the best of human creativity from across the globe. With collections spanning more than 5,000 years of culture, the Met takes you on a journey through the world’s greatest art. Enjoy exciting special exhibitions and an array of public guided tours, all free with your admission.

On View This SeasonThe Passions of Jean-Baptiste Carpeaux (March 10–May 26, 2014) includes 160 works, including sculp-

tures, paintings, and drawings, organized around the major proj-ects that Carpeaux (1827–1875) undertook during his brief career. The artist’s genius for portraiture and modeling in clay shines particularly in this moving, major retrospective. Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

Completing the celebration of The Cloisters’ 75th anniversary, Radiant Light: Stained Glass from Canterbury Cathedral (February 25–May 18, 2014) features six near-life-size figures in stained glass from the historic cathedral in England. This is the first time the panels, from one of the great surviving series of medieval stained glass, have left the cathedral precincts since their creation in 1178–80. Lamech, from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80, colored glass and vitreous paint; lead came. Image © Robert Greshoff Photography, courtesy Dean and Chapter of Canterbury

Lucas Samaras: Offerings from a Restless Soul (February 17–June 1, 2014) celebrates an artist, born in 1936, who was

among the first to exploit the Polaroid photograph. A highly skilled draftsman, painter, sculptor,

and filmmaker, Samaras has created a highly idiosyncratic body of work. On view are his Polaroids, computer-generated work from later in his career, and other objects.Box #10, 1963, by Lucas Samaras, mixed media. © Lucas Samaras, courtesy Pace Gallery. Photograph by Ellen Page Wilson, courtesy Pace Gallery

Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century (April 14–July 27, 2014) presents the results of recent researches in art history and archaeol-ogy that have made it possible to define the cultural parameters of early South-east Asia. The works on view include some of the most exquisite sculpture of the Hindu-Buddhist world, providing an unrivaled window onto these forgotten cultures. Buddha (detail), first half of the seventh century, Central Thailand, sandstone. National Museum, Bangkok, Thailand

The five portraits in Goya and the Altamira Family (April 22–August 3, 2014) include one of the Met’s most

beloved Old Master paintings, the so-called Red Boy by Goya. This is the first time these fam-ily portraits—now dispersed in public and private collections in Spain and the United States—are being seen together as a group, and all but one are by Goya.Don Vicente Isabel Osorio de Moscoso, 1787–88, by Goya (Francisco de Goya y Lucientes), oil on canvas. Private collection

Unique by Design: Studio Jewelry in the Donna Schneier

Collection (May 13–August 31, 2014) features the work of 88 modern master jewelers from the 1960s to the present. The period, one of dramatic change in jewelry making, saw jewelers breaking with tradition and aligning their works within larger artistic movements, such as abstraction and conceptualism, and becoming interested in new materials and forms.

On

TH

E C

OV

ER

Inaugurating The Costume Institute’s New Anna Wintour Costume Center, Charles James: Beyond Fashion (May 8–August 10, 2014) examines the career of the legendary 20th-century Anglo-American couturier whose revolution-ary ball gowns from the post-war period and innovative tai-loring continue to influence designers today. On view with James’s most notable designs are sketches, pat-terns, swatches, and more, including video animations, that shed light on his creative process.Charles James Ball Gowns, 1948. Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast

Out of Character: Decoding Chinese Calligraphy— Selections from the Collection of Akiko Yamazaki and Jerry Yang (April 29–August 17, 2014) presents outstanding examples of calligraphy created by many of the leading mas-

ters from the 14th through the 19th centu-ries. The artworks introduce key concepts of format, script type, and style, and the exhibi-tion encompasses the entire spectrum of calligraphic possibilities, from towering scrolls to works of great intimacy. Thousand Character Essay in clerical script (detail), 1561, by Wen Peng, 85 leaf album, ink on paper. Courtesy Guanyuan Shanzhuang Collection

The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection (May 20–October 26, 2014)

highlights the dynamic second wave of the 19th-century Pre-Raphaelite movement, as artists creatively adapted the core ideal of returning to the sincerity and vivid intensity they admired in medieval and early Renaissance art. The exhibition unites paint-ings, drawings, furniture, textiles, prints, and illus-trated books from across the Met’s collections.Lady Lilith, 1867, by Dante Gabriel Rossetti and Henry Treffry Dunn, watercolor and gouache on paper. Rogers Fund, 1908 (08.162.1)

Garry Winogrand (June 27–September 21, 2014), a retrospective of one of the greatest photogra-phers of the 20th century, features approximately 175 of the artist’s best-known photographs from his 30-year career. Winogrand (1928–1984) emerged from the 1950s to become one of the principal voices of the eruptive 1960s and early 1970s. The show is the first reappraisal of his photographs since 1989. El Morocco, 1955, by Garry Winogrand, gelatin silver print. Purchase, The Horace W. Goldsmith Foundation Gift, 1992 (1992.5107) © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

The Roof Garden Commission: Dan Graham (April 29–November 2, 2014) is the second in a new series of site-specific projects. Graham (b. 1942), whose work engages the public space of the city and the viewer’s own experience within it, will present a sculptural installation within a landscape that engages the city and the park beyond the Roof Garden’s perimeter.

The Costume Institute’s galleries reopen in May after a two-year renova-tion and reconfiguration as the Anna Wintour Costume Center. The main showcase is the Lizzie and Jonathan Tisch Gallery, which features a flexible design that allows for fre-quent transformation and is equipped with advanced technologies for sound, video, and wireless con-nection. The Carl and Iris Barrel Apfel Gallery serves

as an introductory space. The Costume Institute was last refurbished in 1992, and the last exhibition in its galleries, blog.mode: addressing fashion, closed in April 2008.Evening dress, 1946, by Charles James, black velvet, red satin, brown faille, black crepe. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1954 (2009.300.795)

new Galleries Opening This Spring

MMA OnView Spring-Summer 2014cmyk.indd 1-4 2/4/14 2:53 PM

One Met. Many Worlds.At New York’s most visited museum and attraction, experience the best of human creativity from across the globe. With collections spanning more than 5,000 years of culture, the Met takes you on a journey through the world’s greatest art. Enjoy exciting special exhibitions and an array of public guided tours, all free with your admission.

On View This SeasonThe Passions of Jean-Baptiste Carpeaux (March 10–May 26, 2014) includes 160 works, including sculp-

tures, paintings, and drawings, organized around the major proj-ects that Carpeaux (1827–1875) undertook during his brief career. The artist’s genius for portraiture and modeling in clay shines particularly in this moving, major retrospective. Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

Completing the celebration of The Cloisters’ 75th anniversary, Radiant Light: Stained Glass from Canterbury Cathedral (February 25–May 18, 2014) features six near-life-size figures in stained glass from the historic cathedral in England. This is the first time the panels, from one of the great surviving series of medieval stained glass, have left the cathedral precincts since their creation in 1178–80. Lamech, from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80, colored glass and vitreous paint; lead came. Image © Robert Greshoff Photography, courtesy Dean and Chapter of Canterbury

Lucas Samaras: Offerings from a Restless Soul (February 17–June 1, 2014) celebrates an artist, born in 1936, who was

among the first to exploit the Polaroid photograph. A highly skilled draftsman, painter, sculptor,

and filmmaker, Samaras has created a highly idiosyncratic body of work. On view are his Polaroids, computer-generated work from later in his career, and other objects.Box #10, 1963, by Lucas Samaras, mixed media. © Lucas Samaras, courtesy Pace Gallery. Photograph by Ellen Page Wilson, courtesy Pace Gallery

Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century (April 14–July 27, 2014) presents the results of recent researches in art history and archaeol-ogy that have made it possible to define the cultural parameters of early South-east Asia. The works on view include some of the most exquisite sculpture of the Hindu-Buddhist world, providing an unrivaled window onto these forgotten cultures. Buddha (detail), first half of the seventh century, Central Thailand, sandstone. National Museum, Bangkok, Thailand

The five portraits in Goya and the Altamira Family (April 22–August 3, 2014) include one of the Met’s most

beloved Old Master paintings, the so-called Red Boy by Goya. This is the first time these fam-ily portraits—now dispersed in public and private collections in Spain and the United States—are being seen together as a group, and all but one are by Goya.Don Vicente Isabel Osorio de Moscoso, 1787–88, by Goya (Francisco de Goya y Lucientes), oil on canvas. Private collection

Unique by Design: Studio Jewelry in the Donna Schneier

Collection (May 13–August 31, 2014) features the work of 88 modern master jewelers from the 1960s to the present. The period, one of dramatic change in jewelry making, saw jewelers breaking with tradition and aligning their works within larger artistic movements, such as abstraction and conceptualism, and becoming interested in new materials and forms.

On

TH

E C

OV

ER

Inaugurating The Costume Institute’s New Anna Wintour Costume Center, Charles James: Beyond Fashion (May 8–August 10, 2014) examines the career of the legendary 20th-century Anglo-American couturier whose revolution-ary ball gowns from the post-war period and innovative tai-loring continue to influence designers today. On view with James’s most notable designs are sketches, pat-terns, swatches, and more, including video animations, that shed light on his creative process.Charles James Ball Gowns, 1948. Photograph by Cecil Beaton, Beaton / Vogue / Condé Nast Archive. Copyright © Condé Nast

Out of Character: Decoding Chinese Calligraphy— Selections from the Collection of Akiko Yamazaki and Jerry Yang (April 29–August 17, 2014) presents outstanding examples of calligraphy created by many of the leading mas-

ters from the 14th through the 19th centu-ries. The artworks introduce key concepts of format, script type, and style, and the exhibi-tion encompasses the entire spectrum of calligraphic possibilities, from towering scrolls to works of great intimacy. Thousand Character Essay in clerical script (detail), 1561, by Wen Peng, 85 leaf album, ink on paper. Courtesy Guanyuan Shanzhuang Collection

The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection (May 20–October 26, 2014)

highlights the dynamic second wave of the 19th-century Pre-Raphaelite movement, as artists creatively adapted the core ideal of returning to the sincerity and vivid intensity they admired in medieval and early Renaissance art. The exhibition unites paint-ings, drawings, furniture, textiles, prints, and illus-trated books from across the Met’s collections.Lady Lilith, 1867, by Dante Gabriel Rossetti and Henry Treffry Dunn, watercolor and gouache on paper. Rogers Fund, 1908 (08.162.1)

Garry Winogrand (June 27–September 21, 2014), a retrospective of one of the greatest photogra-phers of the 20th century, features approximately 175 of the artist’s best-known photographs from his 30-year career. Winogrand (1928–1984) emerged from the 1950s to become one of the principal voices of the eruptive 1960s and early 1970s. The show is the first reappraisal of his photographs since 1989. El Morocco, 1955, by Garry Winogrand, gelatin silver print. Purchase, The Horace W. Goldsmith Foundation Gift, 1992 (1992.5107) © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

The Roof Garden Commission: Dan Graham (April 29–November 2, 2014) is the second in a new series of site-specific projects. Graham (b. 1942), whose work engages the public space of the city and the viewer’s own experience within it, will present a sculptural installation within a landscape that engages the city and the park beyond the Roof Garden’s perimeter.

The Costume Institute’s galleries reopen in May after a two-year renova-tion and reconfiguration as the Anna Wintour Costume Center. The main showcase is the Lizzie and Jonathan Tisch Gallery, which features a flexible design that allows for fre-quent transformation and is equipped with advanced technologies for sound, video, and wireless con-nection. The Carl and Iris Barrel Apfel Gallery serves

as an introductory space. The Costume Institute was last refurbished in 1992, and the last exhibition in its galleries, blog.mode: addressing fashion, closed in April 2008.Evening dress, 1946, by Charles James, black velvet, red satin, brown faille, black crepe. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1954 (2009.300.795)

new Galleries Opening This Spring

MMA OnView Spring-Summer 2014cmyk.indd 1-4 2/4/14 2:53 PM

THE METROPOLiTAn MUSEUM OF ART

Fifth Avenue at 82nd Street, New York www.metmuseum.org

Hours Friday and Saturday 10:00 a.m.–9:00 p.m.Sunday–Thursday 10:00 a.m.–5:30 p.m.The main building and The Cloisters museum and gardens are closed on Thanksgiving Day, December 25, and January 1. The main building is also closed on the first Monday in May.

Admission (includes main building and The Cloisters museum and gardens on the same day) $25.00 recommended for adults; $17.00 recommended for seniors (over 65); $12.00 recommended for stu-dents; free to Members and children under 12 with an adult. No extra charge for any exhibition. Purchase express admission in advance at metmuseum.org/visit. Group discounts available. Rates subject to change.

Tours Customized guided tours of special exhibitions and the permanent collection available in 10 languages.

Audio Guide sponsored by Rent a recorded guide to special exhibitions and the permanent collection—available in English, French, German, Italian, Japanese, Korean, Mandarin, Spanish, Portuguese, and Russian.

Visitor Amenities International visitors desk, restaurants, bar, bookshop, gift shops, Museum parking garage (hourly rate).

Programs for sight- and hearing-impaired visitors.Wheelchairs available at coat-check areas.

Access Programs and Services

For information about accommodations or programs for visitors with disabilities, call 212-650-2010, or visit the Museum’s website.

Contact information General Information 212-535-7710Tourism Division 212-570-3711mettours@metmuseum.org

■ American Decorative Arts■ American Paintings and

Sculpture■ Ancient Near Eastern Art■ Arms and Armor■ Arts of Africa, Oceania,

and the Americas■ Asian Art■ Drawings and Prints■ Egyptian Art■ European Paintings

■ European Sculpture and Decorative Arts

■ Greek and Roman Art■ Islamic Art■ Robert Lehman

Collection■ Medieval Art and

The Cloisters■ Modern and

Contemporary Art■ Musical Instruments■ Photographs

Exhibition titles and dates are subject to change.

The Museum wishes to extend its thanks to the Iris & B. Gerald Cantor Foundation, the Gail and Parker Gilbert Fund, and the Diane W. and James E. Burke Fund for The Passions of Jean-Baptiste Carpeaux; the Ruddock Foundation for the Arts for Radiant Light: Stained Glass from Canterbury Cathedral; the Placido Arango Fund, the Fred Eychaner Fund, the William Randolph Hearst Foundation, the Henry Luce Foundation, the E. Rhodes and Leona B. Carpenter Foundation, the National Endowment for the Arts, Jim Thompson America, Inc., and Bangkok Broadcasting & T.V. Co., Ltd. for Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century; the Placido Arango Fund for Goya and the Altamira Family; AERIN and Condé Nast for Charles James: Beyond Fashion; the Lillian Goldman Charitable Trust for The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection; the Blavatnik Family Foundation and The Daniel and Estrellita Brodsky Foundation for Garry Winogrand; and Bloomberg and Cynthia Hazen Polsky and Leon B. Polsky for The Roof Garden Commission: Dan Graham.

On the cover: Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

American Paintings and Sculpture

Madame X (Madame Pierre Gautreau) (detail), 1883–84, by John Singer Sargent, oil on canvas. Arthur Hoppock Hearn Fund, 1916 (16.53)

Greek and Roman Art

Terracotta Panathenaic prize amphora (detail), ca. 530 B.C.,

attributed to the Euphiletos Painter, Greek, Attic, terracotta; black-figure.

Rogers Fund, 1914, (14.130.12)

Enjoy Outdoor Spaces— Medieval And ModernThe Cloisters museum and gardens, located atop a hill in northern Manhattan’s Fort Tryon Park, 30 minutes by sub-way from Midtown, is devoted to the art, architecture, and gardens of medieval Europe. With unparalleled views of the Hudson River, The Cloisters is a unique urban oasis you don’t want to miss.

Garden tours are offered daily at 1:00, and refreshments are available at the Trie Café (open May–October), located in a serene, covered walkway.

The Metropolitan Museum’s iris and B. Gerald Cantor Roof Garden (open April–November, weather permitting) displays modern works of art set against the spectacular backdrop of Central Park and the Manhattan skyline. Enjoy refreshments from the Roof Garden Café in one of New York’s most dramatic rooftop sculpture gardens.

Gardens and cloister from the Benedictine monastery of Saint-Michel-de-Cuxa (San Miguel de Cuixà), near Perpignan, France, ca. 1130–40. The Cloisters Collection, 1925

The Iris and B. Gerald Cantor Roof Garden. The Roof Garden Café’s Martini Bar is open Friday and Saturday evenings, 5:30–8:30, weather permitting.

themetropolitanmuseum ofartSpring/Summer 2014

ONVIEW

European Sculpture and Decorative Arts

Marsyas (detail), ca. 1680–85, by Balthasar Permoser, marble on a black marble socle inlaid with light marble panels. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)

Always on View Explore 5,000 years of the world’s greatest art

MMA OnView Spring-Summer 2014cmyk.indd 5-8 2/4/14 2:53 PM

THE METROPOLiTAn MUSEUM OF ART

Fifth Avenue at 82nd Street, New York www.metmuseum.org

Hours Friday and Saturday 10:00 a.m.–9:00 p.m.Sunday–Thursday 10:00 a.m.–5:30 p.m.The main building and The Cloisters museum and gardens are closed on Thanksgiving Day, December 25, and January 1. The main building is also closed on the first Monday in May.

Admission (includes main building and The Cloisters museum and gardens on the same day) $25.00 recommended for adults; $17.00 recommended for seniors (over 65); $12.00 recommended for stu-dents; free to Members and children under 12 with an adult. No extra charge for any exhibition. Purchase express admission in advance at metmuseum.org/visit. Group discounts available. Rates subject to change.

Tours Customized guided tours of special exhibitions and the permanent collection available in 10 languages.

Audio Guide sponsored by Rent a recorded guide to special exhibitions and the permanent collection—available in English, French, German, Italian, Japanese, Korean, Mandarin, Spanish, Portuguese, and Russian.

Visitor Amenities International visitors desk, restaurants, bar, bookshop, gift shops, Museum parking garage (hourly rate).

Programs for sight- and hearing-impaired visitors.Wheelchairs available at coat-check areas.

Access Programs and Services

For information about accommodations or programs for visitors with disabilities, call 212-650-2010, or visit the Museum’s website.

Contact information General Information 212-535-7710Tourism Division 212-570-3711mettours@metmuseum.org

■ American Decorative Arts■ American Paintings and

Sculpture■ Ancient Near Eastern Art■ Arms and Armor■ Arts of Africa, Oceania,

and the Americas■ Asian Art■ Drawings and Prints■ Egyptian Art■ European Paintings

■ European Sculpture and Decorative Arts

■ Greek and Roman Art■ Islamic Art■ Robert Lehman

Collection■ Medieval Art and

The Cloisters■ Modern and

Contemporary Art■ Musical Instruments■ Photographs

Exhibition titles and dates are subject to change.

The Museum wishes to extend its thanks to the Iris & B. Gerald Cantor Foundation, the Gail and Parker Gilbert Fund, and the Diane W. and James E. Burke Fund for The Passions of Jean-Baptiste Carpeaux; the Ruddock Foundation for the Arts for Radiant Light: Stained Glass from Canterbury Cathedral; the Placido Arango Fund, the Fred Eychaner Fund, the William Randolph Hearst Foundation, the Henry Luce Foundation, the E. Rhodes and Leona B. Carpenter Foundation, the National Endowment for the Arts, Jim Thompson America, Inc., and Bangkok Broadcasting & T.V. Co., Ltd. for Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century; the Placido Arango Fund for Goya and the Altamira Family; AERIN and Condé Nast for Charles James: Beyond Fashion; the Lillian Goldman Charitable Trust for The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection; the Blavatnik Family Foundation and The Daniel and Estrellita Brodsky Foundation for Garry Winogrand; and Bloomberg and Cynthia Hazen Polsky and Leon B. Polsky for The Roof Garden Commission: Dan Graham.

On the cover: Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

American Paintings and Sculpture

Madame X (Madame Pierre Gautreau) (detail), 1883–84, by John Singer Sargent, oil on canvas. Arthur Hoppock Hearn Fund, 1916 (16.53)

Greek and Roman Art

Terracotta Panathenaic prize amphora (detail), ca. 530 B.C.,

attributed to the Euphiletos Painter, Greek, Attic, terracotta; black-figure.

Rogers Fund, 1914, (14.130.12)

Enjoy Outdoor Spaces— Medieval And ModernThe Cloisters museum and gardens, located atop a hill in northern Manhattan’s Fort Tryon Park, 30 minutes by sub-way from Midtown, is devoted to the art, architecture, and gardens of medieval Europe. With unparalleled views of the Hudson River, The Cloisters is a unique urban oasis you don’t want to miss.

Garden tours are offered daily at 1:00, and refreshments are available at the Trie Café (open May–October), located in a serene, covered walkway.

The Metropolitan Museum’s iris and B. Gerald Cantor Roof Garden (open April–November, weather permitting) displays modern works of art set against the spectacular backdrop of Central Park and the Manhattan skyline. Enjoy refreshments from the Roof Garden Café in one of New York’s most dramatic rooftop sculpture gardens.

Gardens and cloister from the Benedictine monastery of Saint-Michel-de-Cuxa (San Miguel de Cuixà), near Perpignan, France, ca. 1130–40. The Cloisters Collection, 1925

The Iris and B. Gerald Cantor Roof Garden. The Roof Garden Café’s Martini Bar is open Friday and Saturday evenings, 5:30–8:30, weather permitting.

themetropolitanmuseum ofartSpring/Summer 2014

ONVIEW

European Sculpture and Decorative Arts

Marsyas (detail), ca. 1680–85, by Balthasar Permoser, marble on a black marble socle inlaid with light marble panels. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)

Always on View Explore 5,000 years of the world’s greatest art

MMA OnView Spring-Summer 2014cmyk.indd 5-8 2/4/14 2:53 PM

THE METROPOLiTAn MUSEUM OF ART

Fifth Avenue at 82nd Street, New York www.metmuseum.org

Hours Friday and Saturday 10:00 a.m.–9:00 p.m.Sunday–Thursday 10:00 a.m.–5:30 p.m.The main building and The Cloisters museum and gardens are closed on Thanksgiving Day, December 25, and January 1. The main building is also closed on the first Monday in May.

Admission (includes main building and The Cloisters museum and gardens on the same day) $25.00 recommended for adults; $17.00 recommended for seniors (over 65); $12.00 recommended for stu-dents; free to Members and children under 12 with an adult. No extra charge for any exhibition. Purchase express admission in advance at metmuseum.org/visit. Group discounts available. Rates subject to change.

Tours Customized guided tours of special exhibitions and the permanent collection available in 10 languages.

Audio Guide sponsored by Rent a recorded guide to special exhibitions and the permanent collection—available in English, French, German, Italian, Japanese, Korean, Mandarin, Spanish, Portuguese, and Russian.

Visitor Amenities International visitors desk, restaurants, bar, bookshop, gift shops, Museum parking garage (hourly rate).

Programs for sight- and hearing-impaired visitors.Wheelchairs available at coat-check areas.

Access Programs and Services

For information about accommodations or programs for visitors with disabilities, call 212-650-2010, or visit the Museum’s website.

Contact information General Information 212-535-7710Tourism Division 212-570-3711mettours@metmuseum.org

■ American Decorative Arts■ American Paintings and

Sculpture■ Ancient Near Eastern Art■ Arms and Armor■ Arts of Africa, Oceania,

and the Americas■ Asian Art■ Drawings and Prints■ Egyptian Art■ European Paintings

■ European Sculpture and Decorative Arts

■ Greek and Roman Art■ Islamic Art■ Robert Lehman

Collection■ Medieval Art and

The Cloisters■ Modern and

Contemporary Art■ Musical Instruments■ Photographs

Exhibition titles and dates are subject to change.

The Museum wishes to extend its thanks to the Iris & B. Gerald Cantor Foundation, the Gail and Parker Gilbert Fund, and the Diane W. and James E. Burke Fund for The Passions of Jean-Baptiste Carpeaux; the Ruddock Foundation for the Arts for Radiant Light: Stained Glass from Canterbury Cathedral; the Placido Arango Fund, the Fred Eychaner Fund, the William Randolph Hearst Foundation, the Henry Luce Foundation, the E. Rhodes and Leona B. Carpenter Foundation, the National Endowment for the Arts, Jim Thompson America, Inc., and Bangkok Broadcasting & T.V. Co., Ltd. for Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century; the Placido Arango Fund for Goya and the Altamira Family; AERIN and Condé Nast for Charles James: Beyond Fashion; the Lillian Goldman Charitable Trust for The Pre-Raphaelite Legacy: British Art and Design from the Metropolitan’s Collection; the Blavatnik Family Foundation and The Daniel and Estrellita Brodsky Foundation for Garry Winogrand; and Bloomberg and Cynthia Hazen Polsky and Leon B. Polsky for The Roof Garden Commission: Dan Graham.

On the cover: Ugolino and His Sons (detail), 1865–67, by Jean-Baptiste Carpeaux, Saint-Béat marble. Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)

American Paintings and Sculpture

Madame X (Madame Pierre Gautreau) (detail), 1883–84, by John Singer Sargent, oil on canvas. Arthur Hoppock Hearn Fund, 1916 (16.53)

Greek and Roman Art

Terracotta Panathenaic prize amphora (detail), ca. 530 B.C.,

attributed to the Euphiletos Painter, Greek, Attic, terracotta; black-figure.

Rogers Fund, 1914, (14.130.12)

Enjoy Outdoor Spaces— Medieval And ModernThe Cloisters museum and gardens, located atop a hill in northern Manhattan’s Fort Tryon Park, 30 minutes by sub-way from Midtown, is devoted to the art, architecture, and gardens of medieval Europe. With unparalleled views of the Hudson River, The Cloisters is a unique urban oasis you don’t want to miss.

Garden tours are offered daily at 1:00, and refreshments are available at the Trie Café (open May–October), located in a serene, covered walkway.

The Metropolitan Museum’s iris and B. Gerald Cantor Roof Garden (open April–November, weather permitting) displays modern works of art set against the spectacular backdrop of Central Park and the Manhattan skyline. Enjoy refreshments from the Roof Garden Café in one of New York’s most dramatic rooftop sculpture gardens.

Gardens and cloister from the Benedictine monastery of Saint-Michel-de-Cuxa (San Miguel de Cuixà), near Perpignan, France, ca. 1130–40. The Cloisters Collection, 1925

The Iris and B. Gerald Cantor Roof Garden. The Roof Garden Café’s Martini Bar is open Friday and Saturday evenings, 5:30–8:30, weather permitting.

themetropolitanmuseum ofartSpring/Summer 2014

ONVIEW

European Sculpture and Decorative Arts

Marsyas (detail), ca. 1680–85, by Balthasar Permoser, marble on a black marble socle inlaid with light marble panels. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)

Always on View Explore 5,000 years of the world’s greatest art

MMA OnView Spring-Summer 2014cmyk.indd 5-8 2/4/14 2:53 PM