On the Waterfront 17

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    o n t h e w a t e r f r o n t 1 7 2 0 0 9

    On the Waterront

    n e w s l e t t e r n o . 1 7o f t h e f r i e n d s

    o f t h e i i s h2 0 0 9

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    o n t h e w a t e r f r o n t 1 7 2 0 0 9

    Introduction

    c o l o p h o n

    i n t e r n at i o n a l i n s t i t u t e o f s o c i a l h i s to r y

    p . o . B ox 2 1 6 9 1 0 0 0 c d a m s t e r d a m

    t e l . + 3 1 2 0 6 6 8 5 8 6 6 f a x + 3 1 2 0 6 6 5 4 1 8 1

    w w w. i i s g . n l i n f o @ i i s h . n l

    a B n a m r o : 0 5 5 5 9 5 8 8 9 2 i B a n : n l 6 9 a B n a 0 5 5 5 9 5 8 8 9 2 B i c : a B n a n l 2 a

    e d i t o r s : j a n l u c a s s e n a n d j a a p l o o s t e r m a n t r a n s l a t i o n s : l e e m i t m a n

    p h ot o g r a p h y: h a n s l u h r s i m a g e r e f e re n c i n g : m a rg o B u u r m a n a n d d i t t y m u l d e r

    p r o d u c t i o n c o o r d i n at i o n : a a d B l o d e s i g n a n d l a y o u t : r u p a ro ( i o s i e m a )

    p r i n t e d , w i t h g e n e r o u s s u p p o r t , B y : a - d d r u B . . e i s t

    w e B s i t e : m o n i q u e a n d e r p a l w e w i s h t o t h a n t o u r a j a t a B a i , n i e l s B e u g e l i n g ,

    r e n a f u s - m a n s f e l d , B o u w e h i j m a , f r a n d e j o n g , p i e t l o u re n s , e e s r o d e n Bu r g ,

    h u u B s a n d e r s a n d a n g e l i e s e n s f i n a n c i a l a d m i n i s t r at i o n : g u u s j e a r e i s s e r a n d

    t j e r c i t t e m a a d m i n s t r at i e s u p p o r t : y o n n e B a x

    c o m p o s i t i o n o f t h e B o a r d : j a n l u c a s s e n ( c h a i r / t r e a s u r e r ) , j a a p l o o s t e r m a n

    ( c o - c h a i r ) , B a r t h a g e r a at s ( s e c re t a r y ) , m a a r t e n B r i n m a n , m i e e i j e r m a n s ,

    l i e s B e t h l a m a n - m e y e r, B a u e m a r i n u s , j a n a n o l d e n , g e r e r ri p s

    i s s n 1 5 7 4 - 2 1 5 6

    T t t u On the Waterrontt y J Ktm J Lut t tmt t u, M IJzm. W t mt tquty tut tt M u t jy t t u mu t u . F t tm m tut y R Fu-M ( On the Waterront, 005, . ) u umFm .

    Members o the Friends o theiishpay annual dues o one or ve hundred euros or joinwith a lietime donation o one thousand ve hundred euros or more. In return, membersare invited to semi-annual sessions eaturing presentations oiishacquisitions and by guestspeakers. Tese guest speakers deliver lectures on their eld o research, which does not neces-sarily concern theiishcollection. Te presentation and lecture are ollowed by a reception.

    In addition to these semi-annual gatherings, all Friends receive a orty-percent discounton iishpublications. Friends paying dues o ve hundred euros or more are also entitled tochoose Institute publications rom a broad selection ofered at no charge. Te board consultsthe Friends about allocation o the revenues rom the dues and delivers an annual nancialreport in conjunction with theiishadministration. Teiishwas ounded by master collectorNicolaas Posthumus (1880-1960) in the 1930s. For the past two decades, two o the institutesestablished by this history entrepreneur have operated rom the same premises: theneha

    (Netherlands Economic History Archive) since 1914 and the International Institute o SocialHistory (iish), which is now 74 years old. Both institutes continue to collect, although the

    subsidiaryiishhas grown ar larger than the parentneha. (Detailed inormation abouttheiishappears in: Maria HuninkD ut. Ht Itt

    Ittuut S G 95-947 (Amsterdam 1986) and in: Jan Lucassen t t. Ct m ty; T It-

    t Ittut S Hty, T Nt Em Hty A t ttut (Amsterdam 1989). For all inormation concerning the Friends, see

    http://www.iisg.nl/riends/ .

    f ro n t pa g e :

    s e e p a g e 9 .

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    m t xtttu t tt tu, m u u-mt t t t u.

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    t. y t mm tt mt mt u. t mt utm y m, m ut ,

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    p u B l i s h e d i n p a r i s i n 1 7 9 9 ( i i s h l i B r a r y 2 0 0 8 / 1 1 3 8 )

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    o n t h e w a t e r f r o n t 1 7 2 0 0 9

    m tt Voyages de Pythagoreen gypte, dans la Chalde, danslInde, en Crte, Sparte, en Sicile, Rome, Carthage, Marseilleet dans les Gaules; suivis de ses loispolitiques et morales. Cy t mmy u Voyages

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    m i l a n r at i s l a t e f n i ( 1 8 8 0 - 1 9 1 9 ) ( i i s h , B & g

    a 6 2 / 4 0 9 ) .

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    d ay c e l e B r at i o n . ( l e i p i g , 1 9 0 8 ; i i s h , B & g

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    l e f t c a rd f ro m t h e s at i ri c a l m ag a i n e d e r

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    g e r m a n y : a g r a r i a n g e n e ro s i t y . o n ly a f t e r

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    t t tu t t Amtm t ty (m A008 tu A 009). Tiish, t t-ty t ty (t t U-ty Amtm tu y), t -tut. t t t Dut

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    Lecture byJan Lucassen and Jaap Kloosterman

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    Atu y m - mut (.. t t t t C t t tuy bce,tt t tCum), u t mytu tt ty ,tt t my u

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    m y t t utt. Ey tRmt t u-u t t

    i n d e x l i B ro r u m p r o h i B i t o r u m s a n c t i s s i m i

    d o m i n i n o s t r i g r e g o ri i x i p o n t i f i c i s m a x i m i

    j u s s u e d i t u s r o m a e m d c c c x l i . c u m s u m m i

    p o n t i f i c i s s p e c i a l i c o n c e s s i o n e m o d o e t i a e

    1 8 5 0 r e c u s u s [ . . . ] . [ ( 1 5 5 9 - 1 8 5 1 ) ] ( p a r i s , r o u -

    e y re , 1 8 7 7 ) . e e r s i n c e i t s B e g i n n i n g s , t h e

    r o m a n c a t h o l i c c h u r c h h a s t r i e d t o p ro t e c t

    t h e f a i t h f u l a g a i n s t w h at i t s e e s a s d a n g e r -

    o u s t h o u g h ts a n d w r i t i n g s . f o l l o w i n g t h e

    i n e n t i o n o f t h e p r i n t i n g p r e s s t h i s l e d t o

    t h e i n d e x l i B ro r u m p r o h i B i to r u m ( 1 5 5 9 ; p o pe

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    B y t h e r o m a n c at h o l i c a u t h o r i t i e s B e c a u s e

    t h e y w e re s a i d t o e n d a n g e r f a i t h a n d p u B l i c

    m o r a l s . ( i i s h l i B r a r y, 1 2 8 / 1 2 4 )

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    o r i g i n a l s e t

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    g r a t e d a l u m

    wa s u s e d

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    r e c i p i e n t

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    r o y e s ( 1 9 2 0 -

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    t ancien rgime, , tuu ty, t t

    t, my m m tt t. T t tm tm t tm t -m m t -t. T xt t PMuum t iish my xm, m tu t .

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    u Mu 9, MeinKamp y u 95-96. At t , -, yt t tt tt B, - t ut. L, t Nt, t -

    mt t t yt t Dut tt, t t . I t, t utu m - t t t u . O u, y tt, Nz Gmym xt ut qu t u t. IStm 98, xm, tGm u (-y t) t -

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    mt L t t tu t tt tuy, xm-, u qut y

    c a m o u f l a g e d p u B l i c at i o n s ( i n g e r m a n : t a r n s c h r i f t e n ) w e r e

    t e x t s a g a i n s t t h e n at i o n a l s o c i a l i s t r e g i m e i n t h e f o r m o f

    c l a n d e s t i n e B ro c h u re s i n a c o e r t h at h i d t h e t r u e c o n t e n t

    ( i n t h i s c a s e t h e n e u e p r o g r a m m e d e r d e u t s c h e n s o i a l -

    d e m o r at i , 1 9 3 4 ) .

    t h e B r o c h u r e s w e re p r o d u c e d i n t h e p e r i o d 1 9 3 3 - 1 9 4 5 a n d

    w e re s m a l l i n s i e s o t h at t h e y c o u l d e a s i ly B e s e n t i n a n

    e n e l o pe o r e p t i n a n i n s i d e p o c e t . i t w a s t y pi c a l o f s u c h

    c a m o u f l a g e d p u B l i c at i o n s t h at t h ey h a d i n n o c e n t t i t l e s

    o n t h e c o e r t h a t g a e n o i n d i c at i o n t h at t h e c o n t e n t wa s

    a i m e d a g a i n s t n at i o n a l s o c i a l i s m . ( i i s h l i B r a r y, B r o 5 4 5 7 / 8 )

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    F t iish. T t x tmu t tty z -u mt. S y t tt t umm, t t qut, -u mt t t -t t mt. A u u uu (On the Waterront6, 008,. ), m t t

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    ut, tt tt- u t Itum. T t jut mtt tut t ut ttut m mmut (.. t ),y u u t m t ut-t. Dut t tt t t tut t tt ytm jt- t u

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    c o l l e c -

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    Joost C.A. SchokkenbroekTrying-outAn Anatomy o Dutch Whaling and Sealingin the Nineteenth Century, 1815-1885ISBN 978 90 5260 283 7, 366 pp., 29,90

    This study describes and analyses a wide array o initiativesleading to the hunt, by Dutch whalemen, o whales and sealsin Arctic waters, the temerate zones o the South pacifc andthe waters o the Dutch East Indies during the major art othe nineteenth century (1815-1885) an era neglected so ar.In his ioneering book the author, Curator at the NationalMaritime Museum Amsterdam, ocuses on the men involved

    in the two maritime industries be it on shore or aboardthe whaleshi, as entrereneur and whaleshiowner, Innkeeer, ublic notary, client or whale and seal roducts or,o course, whaleman and seal hunter. Research conducted inmany divers and hitherto relatively uncharted archives bringsto the ore the organisation and scoe o fnancial involvement rom the national government.Dutch socio-economic and maritime develoments in whaling and sealing are comared with

    international develoments in these felds. peeling layer ater layer Schokkenbroek reveals theback bones o the two maritime industries. As such, Trying-out is what it stands or an anatomyo whaling and sealing in the nineteenth century.

    Bo poulsenDutch herringAn environmental history, c. 1600-1860ISBN 978 90 5260 304 9, 264 pp., 35,00

    In the seventeenth century the Dutch herring fsheries in theNorth Sea was the largest single fshery in Euroe. For cen-turies the Dutch ractice o fshing the entire North Sea with

    actory-like vessels was the most sohisticated and deman-ding fshing oeration anywhere in the World. processing

    the catch on board immediately ater hauling in a nightscatch, a rime roduct was made, which was marketed andsold all over Euroe and overseas and rovided ood ormillions. This study assesses the dynamics o the North Seaherring, and herring fsheries over the san o several cen-turie, greatly increasing our understanding o the drivingorces in re-modern natural resource exloitation.

    Zina Dubbe, Eva Geudeker, Frances Gouda,

    Catrien Santing, Kristine Steenbergh &Anna Tijsseling (red.)Lijf en ledenGender en het historische lichaam.Jaarboek voor Vrouwengeschiedenis 28ISBN 978 90 5260 310 0, 202 pp., 17,50

    Met Lij en Leden. Gender en het historische lichaam verkenthet Jaarboek voor Vrouwengeschiedenis de vele asectenvan de geschiedenis van het materile lichaam vanuit eengenderersectie. In artikelen met theoretische, (kunst-)historische, oral historical en letterkundige invalshoekenworden lichamen uitgelicht tegen uiteenloende achter-

    gronden als de historische medische raktijk, het denkenover de zintuigen, het barokke naakt en het belang vanondergoed. Dit nummer doet u aan den lijve ondervindenhoeveel het materile lichaam de gendergeschiedschrijvingte bieden heet.

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