On The Map. 2 Sep 2013
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Transcript of On The Map. 2 Sep 2013
1
MAPMANY
AUSTRALIANPHOTOGRAPHERS
GROUP
SEPTEMBER 2013O
N T
HE
VOL 1. ISSUE 2
2
We of MAPgroup spend much of our efforts on
the great work of preserving ‘moments’ from the
corrosion of time; fixing by halide or pixel a fraction
of a second that embodies a thousand tales.
We are a gathering of like-minded photographers
committed to the independent documentation of
those stories that may otherwise escape the myopic
gaze of mainstream media. Our membership includes
emerging as well as established photographers who
are passionate about the documentation of social
and environmental issues.
Our aim is twofold: We seek to create collections
of images that are thought-provoking and edifying,
and are of archival benefit to those individuals or
organisations we document, as well as the broader
Australian community. We recognise that our
strength lay in our diverse and talented membership
so we seek to create a supportive and nurturing
environment, which fosters the sharing of skills and
ideas, and facilitates project collaborations.
DOCUMENTARY PHOTOGRAPHERS
Cover image
ANZAC Day 2013
Photo: Noel Butcher
1
CO
NTE
NTS
3WELCOME4PROJECT ROOMS12ANZAC DAY40COLLECTIONS SHOPPING AROUND58IN DEVELOPMENT NATHALIA
66IN FOCUS SUSAN GORDON-BROWN
MAPON
TH
E
2
3
Welcome
When a photographer friend invited me to come along to
a MAP meeting several years ago, the thing that struck me
most was the enthusiasm and passion of the photographers.
They were a group with diverse photographic interests and
perspectives, but connected by a love of the documentary
form of photography.
Projects
Beyond Reasonable Drought recently toured Victoria to great
success. See report on page 4.
Single Town Project, the most recent one in and around
Wonthaggi, will have an exhibition of images opening on
4 October at The Coffee Collective, 50-52 McBride Avenue,
Wonthaggi.
Asbestos. An ongoing project with more MAP photographers
joining in to document this important issue. Recent problems
experienced by Telstra in relation to asbestos found in old pits
and pipes remind us that asbestos will remain an issue for
some time to come.
MAP’s strength as a group lies in the personal projects
and observations we document on a daily basis. In this issue
we’ve put together a collection of images called Shopping
Around. It looks at interesting and quirky businesses, their
locations and the people who own and use them, starting with
a photo of a general store in 1951 by Francis Reiss (our oldest
member) and including a shop in Brunswick Street, Fitzroy in
1979 by Andrew Chapman. There is also a wonderful collection
of images from recent ANZAC Day commemorations.
Finally I’d like to welcome our three newest members to
MAPgroup, Jenny Hodge, Ben Wrigley and Lesley Turnbull,
we look forward to seeing some of their work in future issues.
Enjoy!
Jaime Murcia
President MAPgroupThe famous Niagara Cafe.
Gundagai, NSW.
Photo: David Marks
MAP membersAlan AttwoodJulie Bowyer
James BraundNoel Butcher
Brian CarrPeter CasamentoAndrew Chapman
Nigel ClementsRodney Dekker
Joyce EvansPeter Eve
Melanie Faith DoveJoseph Feil
Silvi GlattauerSusan Gordon-Brown
Ponch HawkesNaomi HerzogJenny HodgeDavid Johns
Helga LeunigBrent Lukey
Morganna MageeDale Mann
Nicole MarieDavid Marks
Margie McClellandJim McFarlaneJulie MillowickJaime Murcia
June OrfordFrancis ReissKristian Scott
Krystal SeigermanMichael Silver
Ellen SmithTobias Titz
Lesley TurnbullJuanita Wilson
Anna WolfBen Wrigley
4
BEYOND REASONABLE DROUGHT
BRD at MilduraExhibition opening at Mildura Arts Centre, May 2013.
Photo: Dale Mann
“Beyond Reasonable Drought has returned to where it belongs … in the bush … ,”
said an exhibition goer on the opening night at Mildura Arts Centre. The photographs
inspired the locals and MAP photographer Dale Mann had no trouble finding community
photographers willing to go out to photograph their own community, and months later
they are still at work in a group called SIP (Sunraysia Inspired Photographers). “They did
brilliant work,” said Dale. “Like Nathalia, Mildura has shown there is plenty of talent out
here in the bush.”
Beside giving a masterclass, Dale, with help from local MAPper Krystal Seigerman
and her boyfriend Tim, plus a borrowed camera from Andrew Chapman, shot Mildura
post drought. “There are lots of positive things happening in Mildura especially with water
conservation, but also, some of the stories coming from citrus growers could make a
grown man cry.”
PROJECT ROOM 1
5
PROJECTS PAST, PRESENT
AND FUTURE
LiberationCattle trails across a dry riverbed south of Rockhampton, QLD. 2005.
Photo: Leo Farrell
Beyond Reasonable Drought, a powerful body of work
which evolved into a touring Museum of Australian
Democracy exhibition, a book published by Five Mile
Press, and a significant photographic archive held within
the National Library of Australia’s Pandora resource.
CURRENT STATUS
In storage.
CONTACT
Jaime Murcia
Photographs from Nathalia and Mildura
Images from the masterclass program conducted at Nathalia are presented on page 58.
Mildura images will be featured in the next issue.
Images from both masterclasses can be seen on the MAPgroup website courtesy
of Noel Butcher – mapgroup.org.au/information/mapgroup-in-the-community/
6
BEYOND REASONABLE DROUGHT
PROJECT ROOM 1
Embers“The fire approached on both sides. I prepared for 30 years for this very day.” Resident, Seaton, VIC.
Photo: Rodney Dekker
Photographers Rodney Dekker and Dale Mann were invited by MoAD to photograph
communities in Victoria, including Nathalia and Mildura, to show how they have
responded to the recent cycle of drought.
7
PROJECTS PAST, PRESENT
AND FUTURE
The touring 82 print exhibition component of Beyond Reasonable Drought
is managed by the Museum of Australian Democracy. Venues to date are:
Old Parliament House, ACT 8 Jul–26 Oct, 2008
Horsham Regional Art Gallery, VIC 4 Nov 2008– 5 Jan, 2009
Shear Outback, Hay, NSW 1 Feb–17 Apr, 2009
Central Goldfields Art Gallery, VIC 16 May–28 Jun, 2009
Museum of Australian Democracy, ACT 1 Nov 2009–14 Feb, 2010
Museum of Australian Democracy, ACT 4 Sep–2 Dec, 2010
101 Collins Street, Melbourne, VIC 15 Feb–4 Mar, 2013
The G.R.A.I.N. Store, Nathalia, VIC 9 Mar–17 Apr, 2013
Mildura Arts Centre, Mildura, VIC 6 May–28 Jun, 2013
Firewood for winterFormer fresh water research ecologist, Bernard McCarthy, cuts up the remains of nut trees. The high cost of water has made the crop uneconomical.
Photo: Dale Mann
8
PROJECT ROOM 2ASBESTOS
The theatre production, Dust, conceived and directed
by Donna Jackson of Hubcap Productions, with music by
Mark Seymour and video by Malcolm McKinnon, explores
the effects asbestos has had on Australian families. It covers
places of employment, home building materials and the
terrifying revelation that domestic products like toothpaste,
playdough, hair dryers and cigarette filters, were all made
with asbestos!
Far from depressing, Dust is joyous, touching and
inspirational. Like the people who battled James Hardie
Industries and won, Dust represents guts, determination
and the Australian fighting spirit.
The production incorporates stories of people who
have succumbed to Mesothelioma and as these individual
stories are told (through diverse methods), photographs or
PROJECT DETAILS
Commenced
January 2012.
The MAP Asbestos
project seeks to improve
public awareness and
education regarding
asbestos.
CONTACT
Julie Bowyer
mapgroup.org.au
Photo: Ponch Hawkes
9
PROJECTS PAST, PRESENT
AND FUTURE
Above. Dust shows a projected video of Lisa (who has since died of Mesothelioma) telling the audience her story. In the foreground performers re-enact this tragic event. Adelaide, SA.
Photo: Julie Millowick
PARTICIPATING PHOTOGRAPHERS
Julie Bowyer
Rodney Dekker
Alan Attwood
Krystal Seigerman
Susan Gordon-Brown
Tobias Titz
Margie McClelland
Julie Millowick
Ponch Hawkes
Julie Orford
video footage of these real people are integrated into the
performance – often with their voice talking to the audience.
Very moving, very powerful.
During May, MAP photographers Ponch Hawkes and Julie
Millowick photographed one of the performances in Adelaide.
The images reflect the sideshow component as well as the
main stage production. Photographing during a performance,
their first considerations were not to intrude on the performance
and definitely not to disturb the patrons. Lighting conditions
were challenging and uprated ISO of 3200 was used.
10
ASBESTOS
PROJECT ROOM 2
Above. Dust One of the eight sideshows that told different stories about this multi-faceted tragedy. Adelaide, SA.
Photo: Julie Millowick
Left. Dust The Kent Micronite cigarettes had a filter made with asbestos. Adelaide, SA.
Photo: Julie Millowick
11
PROJECTS PAST, PRESENT
AND FUTURE
Above. Dust Allen Harris, a member organiser at CBUS who worked alongside “Asbestos” Jack Watkins in his passionate campaign against the dangers of asbestos, tells Jack’s stories.
Photo: Ponch Hawkes
Jack Watkins was a remarkable man whose knowledge of the dangers and whereabouts
of asbestos in Adelaide’s buildings was unsurpassed. He was a walking register of
asbestos sites. There are many stories about Jack that demonstrate his larrikin ethos and
his tremendous courage and spirit in fighting for safe conditions for workers everywhere.
One story was he went into Parliament, into the Gallery, and they’re talking about
asbestos, and how it’s not that dangerous. Jack jumps up on the rail of the Public
Gallery. “If it’s so safe you have it. You’re killers all of you.” He dumps a load of asbestos
dust out onto the politicians. They all started squealing like pigs. If asbestos was safe
why were they so scared?
That was a turning point, that day many pollies changed their attitude and got behind
removing the blue death. And that’s when Jack got his name. Asbestos Jack.
Source: Asbestos Diseases Society of South Australia
12
ANZAC
Photo: Michael Silver
DAYRecord numbers attended the 2013 ANZAC Day ceremonies. The spirit of ANZAC continued to have meaning and relevance as people in towns and cities across Australia acknowledged the service and sacrifice of the veterans.
Many photographers have documented events on ANZAC Day, working in all kinds of weather conditions and going to locations across the nation, and sometimes beyond. The day begins with the Dawn Service and continues with the main ceremony at mid-morning. Young and old come together to commemorate the anniversary and to remember all those in the Australian and New Zealand forces who served and died in past wars and conflicts.
On the following pages are images taken by MAPgroup photographers which capture some of the poignant day with friends and families, as well as moments when old mates get together to catch up over a beer.
13
14
ANZAC DAY
Photo: Jaime Murcia
15
Photo: Susan Gordon-Brown
16
ANZAC DAY
Photo: Julie Millowick
17
Photo: Krystal Seigerman
18
ANZAC DAY
Photo: Noel Butcher
19
Photo: Julie Millowick
20
ANZAC DAY
Photo: Jaime Murcia
21
Photo: Brian Carr
22
Photo: Helga Leunig
ANZAC DAY
23
Photo: Andrew Chapman
24
ANZAC DAY
Photo: Margie McClelland
25
Photo: Alan Attwood
26
ANZAC DAY
Photo: Michael Silver
27
Photo: Dale Mann
28
ANZAC DAY
Photo: Alan Attwood
29
Photo: David Marks
30
ANZAC DAY
Photo: Dale Mann
31
Photo: Krystal Seigerman
32
Photo: Helga Leunig
ANZAC DAY
33
Photo: Margie McClelland
34
ANZAC DAY
Photo: Joseph Feil
35
Photo: David Marks
36
ANZAC DAY
Photo: Joseph Feil
37
Photo: Brian Carr
38
ANZAC DAY
Photo: Susan Gordon-Brown
Photo: Jaime Murcia
39
40
COLLECTIONS
Most photographers accumulate thousands of images from their professional work
as well as from their personal projects. These collections document a huge variety
of subject matter, from corporate boardrooms to the remote outback, from wedding
portraits to portraits of solders at war, from cute puppies to endangered wildlife.
Photographers record our present which will become our history.
We wish to show you some examples of the “Collections” from MAP photographers.
Our first subject matter in the series is titled Shopping Around which takes an
interesting look at shops, their locations and people who own and use them.
Victor Bailey, general store manager with shareholder Rex J. White and his wife Helen, having a glass of scotch while the store is closed for lunch, Collarenebri, NSW. 1951.
Photo: Francis Reiss
41
COLLECTIONS SHOPPING AROUND
Hay Jewellers, Hay, NSW.
Photo: David Marks
Rock Sing Chinese Restaurant, High Street, Northcote.
Photo: David Marks
ENQUIRIES
42
COLLECTIONS SHOPPING AROUND
Made in Hurstbridge – Ron the fruiterer. 2007. The business has since changed hands.
Photo: Silvi Glattauer
43
Made in Hurstbridge – The three Stubley brothers, Hurstbridge Hardware. 2007. The hardware store was destroyed in a fire and the brothers have moved on.
Photo: Silvi Glattauer
44
COLLECTIONS SHOPPING AROUND
Photo: Alan Attwood
45
61 Brunswick Street, Fitzroy. 1979.
Photo: Andrew Chapman
46
COLLECTIONS SHOPPING AROUND
Milkbar shopfront. Springvale Road, Nunawading.
Photo: David Marks
47
Photography shop closing down. Lonsdale Street, Melbourne.
Photo: David Marks
48
Fruit juice vendor, Damascus. 2006.
Photo: June Orford
COLLECTIONS SHOPPING AROUND
49
Donkey in bazaar. Aleppo, Syria. 2006.
Photo: Francis Reiss
50
COLLECTIONS SHOPPING AROUND
One of many cosmetic shops in the souq, Aleppo, Syria. 2006.
Photo: June Orford
51
Built in 1934, this shop has been a barber shop since 1960. Barber Steve Richards has been plying his trade there since 1999. Steve is the fifth barber to occupy the premises. Mitcham, VIC.
Photo: Noel Butcher
52
COLLECTIONS SHOPPING AROUND
Paint shop business in the process of closing down. Stanmore, NSW. 2010.
Photo: Krystal Seigerman
53
A closed business. Annandale, NSW. 2011.
Photo: Krystal Seigerman
54
COLLECTIONS SHOPPING AROUND
Shop window. Peterborough, SA. Dec 2012.
Photo: Julie Millowick
55
Deserted shop front. Western Hwy, Kiata, VIC. June 2012.
Photo: Julie Millowick
56
COLLECTIONS SHOPPING AROUND
Photo: Jim McFarlane
57
Photo: Jim McFarlane
58
IN DEVELOPMENT
NATHALIA As part of Beyond Reasonable Drought’s visit to Nathalia and
Mildura, Dale Mann conducted masterclasses in documentary
photography. Armed with their cameras, local photographic
enthusiasts ventured out to record Nathalia’s daily life.
The Nathalia photographers went out and shot new work
and combed through their archives to find this remarkable
series of images which can be seen on the MoAD and MAP
websites. Inspired with their photographic results, they formed
a group called NIP (Nathalia Inspirational Photographers),
organised a number of workshops and lectures on still
and video, and held their first big event on 7 June called
Picture Nathalia. This exhibition included Dale’s own work
on Nathalia, the work of the community photographers and
the world premier of Mark Street’s documentary Nathalia
– Art of the Possible (ABC television), about art and the
Nathalia community.
Photo: Dale Mann
PHOTOGRAPHERS
Elvie Barnes
Estelle Chalker
Heather Henderson
Di Huber
Madeleine Keil
Averill Kennedy
Tanya Knight
Sue Logie
Stan Lowe
Judy Ormond
Rosemary Robins
Michelle Ryan
Olive Sage
Philippa Schapper CONTACT
Dale Mann – mapgroup.org.au
59
IN DEVELOPMENT
Cows on the fence line. Photo: Elvie Barnes
Sun rising in the east. Photo: Estelle Chalker
60
IN DEVELOPMENT NATHALIA
Rainbow over the farm. Photo: Heather Henderson
Barmah forest magic. Photo: Averill Kennedy
61
Fragility. Photo: Stan Lowe
Old trucks. Photo: Rosemary Robins
62
IN DEVELOPMENT NATHALIA
Early morning fog. Photo: Di Huber
Frosted web. Photo: Tanya Knight
63
Old house along Broken Creek. Photo: Madeleine Keil
Drumstick plant. Photo: Sue Logie
64
IN DEVELOPMENT NATHALIA
Water fight. Photo: Michelle Ryan
Autumn burn off. Photo: Olive Sage
65
Nathalia Wildflower Group. Photo: Judy Ormond
The unexpected. Photo: Philippa Schapper
66
IN FOCUS
In 1994, I was living in London with my
boyfriend Colin (now my husband). I had
known for a few years that I wanted to be a
photographer, and had been taking photos
of bands and working in the photo library of
well-known rock photographer George Chin.
I had finally decided on how and where to
study photography and a technical college
was the way to go for me. It was at this
time that my sister, who was a pilot flying
in the Okavango Delta in Maun, Botswana,
passed away. En route to attend the funeral,
Above. Down South – Bill Storer 2010. Radio operator and postmaster on Macquarie Island, 1951. Mawson, 1954.
Right. Mother and child. Botswana. 1994.
Photos: Susan Gordon-Brown
Susan Gordon-Brown
Susan Gordon-Brown has over two decades of photography experience, working at
a national and international level. Prior to settling in Melbourne in 2000, Susan lived
and worked in London for 10 years, where she studied photography at the City of
Westminster College.
67
IN FOCUS SUSAN GORDON-BROWNsusangordonbrown.com.au
68
IN FOCUS SUSAN GORDON-BROWN
I remember filling out the application forms for photography
college whilst waiting at Heathrow airport. The application
was due, and even though I was at the lowest point in my life,
I filled out the forms and Colin sent them off for me.
I had taken my camera away with me more out of habit
than anything. Across the road from where I was staying in
Maun was a village with people living in huts made of sticks
and mud. I took a walk across to this village. This woman
appeared with her three children and asked me to take her
photo. She was beautiful. I took about 6 frames of b&w film
and took down her address.
Back in London, I developed and printed the shots.
I broke down at my interview for college when describing
where I took the photo and it still remains one of my favourite
portraits. I sent the prints to a friend in Maun and he hand
delivered them for me. He said the mother cried with joy
when she saw the prints. I couldn’t believe photographs
could be so powerful.
I started college in 1994 and the opportunities in London
were amazing. In my first year at college I photographed
Memory Project – Ajak Kwai. 2009.
Photo: Susan Gordon-Brown
40 Days – Thel Thong. 2009.
Photo: Susan Gordon-Brown
69
James Burton, one of Elvis Presley’s guitarists, for Guitarist
magazine. Then I got jobs assisting other photographers.
From my enthusiasm and willingness to accept assignments,
I got to photograph BB King, Bill Cosby and others at the
Royal Albert Hall, the Reading festival for Doc Martens,
Stephen King for Times online and many other great jobs.
In 1999 I realised that despite all the great opportunities,
I wanted to live in Australia and in 2000 Colin and I moved
to Melbourne. Work was much harder to find but I loved
living in Melbourne and still do. The first studio I worked in
was in Richmond, it was great but photography appeared
to be just ‘work’ for most people there, unlike the way things
were in London. It made me give up on photography and
I enrolled in a course to study the environment. Then I met
Andrew Chapman! Someone who was and still is passionate
about photography and so encouraging. Through him
and the environmental photos I was taking for my course,
I rediscovered my love of photography. It wasn’t just ‘work’.
I continue to challenge myself with my own projects
which I create and exhibit. In 2006 I worked on 56 Faces,
Vietnam Vet – Chillie Bob. 2012.
Photo: Susan Gordon-Brown
As a companion project of
Behind the Wire, the exhibition
Support from the Sky:
Veterans, Choppers and the
Vietnam War will open on
16 Nov 2013, until 26 Jan 2014
at the National Vietnam Veterans
Museum, Phillip Island, VIC.
70
IN FOCUS SUSAN GORDON-BROWN
a project about Hungarians who came to Australia after the
1956 uprising, which led me to produce similar exhibitions.
40 Days was an exploration of cultural and religious practices
of contemporary Australia. Down South profiled Australian
tradies in Antarctica. And inspired by a chance meeting with
some Vietnam Vets at Box Hill RSL, I am working on Behind
the Wire: Images and Stories of Vietnam Veterans. Planned to
be completed in 2014, I hope to tour the exhibition nationally.
With the newly formed MAPgroup I got involved in two
documentary projects, Making Hay and Beyond Reasonable
Drought. As freelancers we are a solitary being, but MAPgroup
helps us to connect with others who share our love of
photography. I am constantly inspired by the work produced
by MAPgroup members and have made good friends there.
This page, clockwise from left.
56 Faces – Frank Szalay. 2005.
Peter Corlett – Working on his sculpture of Sir Charles La Trobe. 2006.
Meridian Sculpture Foundry. 2006.
Right. Anzac Day 2013. Tyrie Kovco honours his father Private Jake Kovco who was Australia’s first fatal casualty in the Iraq conflict.
Photos: Susan Gordon-Brown
71
72
MAPOF
F T
HE
Photo: Alan Attwood
73
President: Jaime Murcia
jaimemurcia.com
Vice President: Julie Bowyer
jabphotographics.com.au
Secretary: Brent Lukey
brentlukey.com.au
Treasurer: Joseph Feil
josephfeil.com
Fundraising/Sponsorship:
Susan Gordon-Brown
susangordonbrown.com.au
Rodney Dekker
rodneydekker.com
Michael Silver
photonet.com.au
General enquiries: [email protected]
MAP Group Inc. 93 Howard Street, North Melbourne, VIC 3051
mapgroup.org.auFor membership of MAPgroup, check website for details.
To contact individual photographers about their images,
please use the contact details on the Members page
on the website.
Contact
On the MAP is published for MAPgroup by Anna Wolf.
All text and images – Copyright MAP Group Inc. 2013.
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