N91

OLIVERIOVERTURE AND OPENING SCENE

I

LIONEL BART

oc

is,tant concs doann lhc stairs

AdagioFt.ob.cl.Str.

Piano

A royf.r as

W.W.Str.Yibr

Tlc Curtai* risas

ard ralht to tL. Ec olctts tlc gale and lLc bols Jila it asd tale

O Copyright l96O (Rencwed) LAKEVIEW MUSIC, LTD., London, EnglandY-q!_L]S l{11S_lqJNC., New Yor\ N. Y., controls {t__rie!g- fgt-$e U,S.A., Canada, and South America. All rights controlled byESSEX MUSIC LTD., London, for South Africa; by ESSEX MUSIC OF AUSTRALIA PTY. LTD., Sydney, for Australia-and New Zealand

International Copyright Secured Made in U.S.A.

P Releat if ttecessary

All rights rescrved including Pubiic Performance for Proft

q

N92

Act ICHORUS- (with Oliver and 1st,2nd,3rd and 4th Solo Boys)

..FOOD, GLORIOUS FOOD''

A ntt the boys

Is it *orth the l*'ait-ing f or? If we live'til eigh-ty - fouqRet'eal ad lil'

(J = rrz)

Will they change the bill of fare? Still we get the same old gru There's not

st accgto

Oliver

thrill shen

B Lento(i o) r* to s begin atistfully and build etoiternctt os thc image the! deshibe become s store eiuid

Food, glo- ri - ous food! Hot saus-agc and mus-tard! While we're in the mood-L4)r I

lst Solo Bo

Cold jel - ly and cus-tard!

Rich gen- tIe - men havea-t:,

with

We re an-xious to try

.W.Str.

.U

ban-quets a day - Our fa-vour- iteI

.t-i 2nd Solo 8o

Pease pud-dinq anJ sa ve-loys "What next?"is the ques-tion

C ?he bols n to rise llt orn table

In dy" ges - tion! Food, ri - ous food!

Three

1t1

'. T 'u'f tYit t

'----fftr Y, r r

ti I I Trom.- (\t/a-\\h)

? - + li-r| . t,vl| ilcccl,. rl I

Oliver

great big steak-Fried,roast- bd

2nd Solo Bcvr it:":--- '

The ba!s fiime

Gul ped,\ar) 't a

What is there more

I

tl? Y:

Yivo (J. roo)

som What

ffi_ l1r*'*

1st Solo Bo

peach- es and

F ?te bots mi'me catin

.h7l

nu.

-

right through the

food!- ^

f'---T-----l

Glo- ri- ous-----:-------13.

this in - ter

t---T-

Ote hoy runs doarn R.

care what it

-+care s:-a: ..---

a, t_i

I

L f:14

J

H Ec conducts th

.,/

glo - ri - ous fo

food!

1

un - der-done, c

Dorit

# Burned,'\7 t+i?

2nd Solo Bo 3rd Solo I

1st Solo Bo

r---T-----r w.\M

uon t

1st,2nd Solo Eoys

AJ.L

I

AII,g-^

#J'=

I ive fcr f*=*

K ut tit bogs ore rou grouled round

(

I l)

-J2Ld Solo Boy

Won-der- fuli3,

food,

3rylSoro Boy

rnar-vel - lous food.

ls,

Altt;-f; -],,

ma-gi-calr------:--------r

4th Solo Bo

Fa - bu- lous foodr*---:-------

The bo!s reach lo Heauen for imagizarl foolr1\------.....'.......'....-_

foodA

0liver

Glo-ri-ousr----..t-------:rltn. t1, ,ten.

Slo* lr- and sLrdlv ;>^ 7cr i---rs s;r,Q ieiect"e,lll to their seats

I

Pomposoilr. Bumble enters asalhing salennly u)ith his ,noce

Reachins o lcocl oaer the bots'heods.-ha bangs his mace

on the floorf he boJs looh.tg

4glssl

.,f dttachiusn. '44

Nr. Bunble zp,tlhs douttt the stairs

B Un poco piil. mosso- WidoalCorney enters and tahes het lace beside ilr. Bumblc

Tzto ltuper assistdttts entcr and tahclheir lluces beside the c..uldron

10

Mn. Bumbl e(intotea)

Fcr *.ha! you a^re a - bout to

Thcy orc scrt)cd atitb onc lodlcful cocl and rctun to tltir lnclrs4-

the Lord make tru - ly thank-

0 PrestoThe bols foll. to eatirg lihc olochatorh figures

TLe boys risc and filc fast tlc boilcr.FI.Ob.Xvlo.

/";^ - ,4-'

I

.I-. B;'qbic roise s Lis mace atd holdstt elajt for seteral secoads. ThatLc irttzs ii snortlt d,oun- /t-

Ob.Cl.Vln.

Bsn.Trom.Cello

w.w.

[1

?Le bo1 oa |lioc/s right boags his tmlty bool on tha! of tLa bo1 on bis f ight,uho itt tutn lichs the lpo bools tl atJba''gs tlct ot tLat of th1 boy ot bis right, and so ot rotnd tlt tabla uttit tbe lila o! borols reaclts 0|iacr Pho statcL'.s ,it ors! jtst ittite

0ligtr riscs to Iis laet,adtranc6s,bo@t ir hand,tooords tt.Bzttblc- 0LtVER (slohctt)Plerse sir, I want some looreottd stofs h frott of lil'l'

OIivcr

u,Ii9 3

-

CHORUS- (with

ilr. Bumble(faiattil

Mr. Bumble and Vidow Corney)..OLI V ER''

0liver

colla vocc Please s i r"

1 Yivo J= rnoll. Corn

Catch him! Snatch him! Hold him! Scold him! Pounce

I be so curious to ask his name?

illr. Bumble

" I want some moret' " More ! "A

Tlte 2aujle? assistanrs cdtch Oliscr althc top o/ thc ttt,ifi

Trounce himl

All the boys- sTol'o(taant ing'11 )

g Atempol{. Corntv

)=ez(singt) Mr. Bumble

U Xr!c Str

B.Cl. Bsn. C.B. pizz.

And tsrn him Qsidc doatn fflr. Bumble

Pick him up and bounce

I. Ccmey and llr. Bunble tlr. Eumble

Won't 'ask for more w

fe ed on cock-roacbes served

tlr. Bumble

What will do when he's tirnedblack andblue? He

Mr BU

I

t

Ol iocr is lforccd to his hnccs in froat o!lUr. Bambla and thc bols gathcr toaadhin ia o mocAittgcircle.

iome - bo- dy damed him

1

o

{tr\1. irel

he knows what's

stair-way with-oul

+

lY. Corney and ilr. Bumble illr. Eumble

W. Corney and ilr. Bumble II. Ccrney llr. Eumble

for more when he knows what's in store.Therds a

our.-Which we'll

o- o

one.day next

\\I

ilr. Bumble

li-ver o- - ver What he do in l r- ble stew? He

W. CORNEY fS, oAcz) (to laular assistaals.) Lock him up! F.i nd h i s be tongin6s e nd bri ng him baek *'hen you've d o r,e.(to thc resl oJ ttc bols) To bcd all of you.

END OF SCENE

o

N9 3a

Presto?la boys arc hustlcd o1[f aad tr &u*blc aad E'ido*t Corzey rctirc to tle Widoat's larlotr f or tca

,->.t;?.,

--=-

Ol ivc r

tGIte 4 DUET- (Viao* Corney and Mr. Bumble)"I sHALL siREAlt"

tr. Busble !ats doa,n his tcaca! and hisses Widoat CorneilCue, v. coBNEY "Mr Bumble, I shall scream!"

Allegretto J: roo rur'fumfr A

No you would-

AA

spe - cial, then You could-rit s+yT)

prets 1!

Did I near - ly catch You

W, Corney

t. Heigh

)T"T'{,1

No"1I

(

)

Sir.rCl.

smil - ing?

+l +

Mr. Bumble

you do! Fl.

A ternpo (Polka)

Mr. Bumble

A W. Corney

miss do?,a I shall s c rean't ) a'

a ttur.lo .

:>

.'.-4.--

Xr B!

Mr BL

Mr BU

you

w. w.stacc.

W. Corney

one pinch From your shy pro-tec-tive

tt J

ve- ry Iarge,dear Sit up - on there's no

Mr. Eumble She sits uponhis lu!.

charge dear

+|-+

you

\r.lOCi

C

sh arit ! IFIob

TY

blithe-some, bu.x-om

E.CCR

Tho'your knee

You would have me

illr. Bumble His voicc nufllcd byW. Coracy's tmy'lc bosom-.

your If I

She gets offhis la!.

sat here

YJ. Corneyaa

I ehall scream

lf you think

,l,na you ll par - don if'V CCF

\!' COR

Hr BU

-len- tlon.

groorr here Wouid there be?

ilr. Bumb/e treadsin the cat bcthetand a caterntaulifo / louts. . Bumble

Is there not an - oth - er

FI. Glock.ob.

men - lron

room here?

|l/. Corney

W CORNEY(siohet) No

(She nods dissent)

If there were a and

Mr. Bumbl

\\'e shallthere might..l

I

1

IA

a,

tshall

A

\=

I

naugn - r,,Y, man be pro-per, prirn and haugh- tr

You must state _vour true 1n

think- ing

the scream went When we

Ife adoances on his hnees

chub - by could she- g'ree-ment As my

W. Corney

Wum-ble. I

(Mt Bumble

scream. Burn - ble

w.coR

ter Bum - bte. I

.(Mr. Bumbte Sh'e sits in his lapahistles in7)itingly) and they atrbranc

scream, scream!

N95 SONG - (Mr Bumble)"BoY FoR SALE"

Tlc lauler assisterrttrcttrn rtith Ol iver,oLo carrics a small btttdle

Lst PAUPBR ASSISTAN?:I've brougbt the boy mdam

'W.Carae! indMrBumDlc ttodto cachothcr

W.CORNEI: Oet

I J=ooten.

boy.

ten.

pele

-

Through lacktcs. r r \

t lt.

Nr Brnble lcads tht boy b1 o dctiots "ottc

rlTadrds the andcr.tahcr's

Hds go -

That or there-a bout,

ten.

Small boy,

'--+/'

On - ly se- ven

----/

\_/

Stop hin get-!iDgof\4

Feed him gru-el

4.-

Hn. (Vibra.)

--_/

i_tf yyl-^-/f t?l;i '

t'I

sale

-

Come tale a FEC P Nice a boy forFl. I

Gtock. . ts ten.:.+l-7i-

-----'

-1tJ-e + + Cl) t_4 t-f , tei. f

![r lUl[3LE:(slohcn irrsidc th6 ihol ) Liberal terms, Mister Sowerberrv. -

Olircr

H-4 7

21

rgj TRIO-(Mr Sowerberry, Mrs Sowerberry and Mr Bumble',THAT'S youR FUNERAL"

^ Oiiocr is standing undcr at ladcrtahertt sign anaring o to! lat

Lre:Yrt SOWBRBERRY: Canyouleepthatexpressionforalongtime,boy,withacrowdwatchiogyoo?OLIYER: Yes oa'am I thiak so.

I

Doloroso J =zz Mr Sow

He's a bcrn un-der-ta-kers mute. I can see h irrFl. ob.

,lr .Perc

suit. Fol-low-ing be-hind rhe fu-ner-al pro-ces-sionWirhhis fea-rures fixed in a

\...1=

+corl us to the fam- with corn - ers \\':: r'e

a black

HrS

-*t

Cl .!sn.Str.

ex- press-i on. Th ere'l I plumes

tombs,

,...er

e

e11----'--\-

+Then the cof-fin

ilrs Sowerberny llln Sowenberry

That's your fu-ner- al Large e - nough to wear your hat in

Mrs Sowerbemy Mr Sowerberry

That'a your fu-ner-al glam-our - ise you

Mr and ilrs.Sowerberry

You might just as well look fetch-ing *heoyou'resir feet

O I rvcr

i+

lr Souerberry

Mrs Sowerberry tlr Sowerberry Mr Soanc-bcrr1froduccs a te

That's your fu-ner-al Not our fu-ner-ai

and betins to measurc Mr Bumblc as he siassa , : C MrSowerbemY Mrs Sowerberry

lf you're fond of Thatts your fu-ner- al Thar's your fu-ner-al

Mr Sowerberry Mr Eumble

Starve your- self by un - der - eat - ing That's your fu-ner - al That's rry fu-ner-a} ?

ilr Sowerbenry

\

des-cen-di ngthe earth on you clod by clod.

Mr and Mrs Sowerber':v

MrSMrs S

Mn Sowenberry lflrs Sowerberry

That's yo:rr fu-ner - al Not oulKeep

ilr Sowerberry

That's your

,Vr E tmblt turns tog o but-is sl_o!!e d,b1{rTtnd.Vrs Soificrbirr Mr Bumble

f rr-ner-al.

Mr Sowerberry Mrs Sowerber.ry Mr Eumble

That's fu-ner-al boy, now

ril I Sowerberr Mr Eumble Mr Sowerberry

I nat s Jrour fu"'reril,Tbatlsyozrfu-neral. \\'e clorirhar-trourthoughtsma-ca-bre.tlrct'sno

I don't think this song fun- ny!

mon - ev?

-+-tt:-_IEE:'

t7

Ol ive r

r:=--

lrand llrr Sowerberry

In the end we'll eith-er bqrn you up or nail you dow

Ir Bynblc ctits llr Sowerberry

love cougisanC

lllr an d tlrs Sowe ilr S.owerberry

Thai'syour fu-ner-al No-one el-ses fu-ner-al

fu-ner-al !

whe ez-es

ilre Sowerberr

- sea-sescalled in- cur-a-ble.

ilr SowerberryThat's yqul '

That's yourWW.Chrom,Yr}. / F-'.? t =I:

>>>

N9 64 COFFIN MUSICCrl:Yre sowERBERRY:.NowthenoliverTwistyoucatrsleephereurderthesouater. Youdon'tmiadsleepingamoagcoff:rsl

,oPPote. But it dcesD't rsucb matter whether you do ordontt, you "an't

sleep no where elseSLs talcs tle lem! and shuts Olittcr inthc shol

Adagio

Ccr.Ang. Vibra.

B.Cl.8sn.Cel I o, C.B.! -:Yef

OIiocr )ccr.s a?lre.h.t sive It qt bis sittlster surrouldings

?ii

59? SONG - (Oliver)..\\'HERE IS LOVE?''

Does ir fall from skiesadd Fl.

Lento J = zzCIiYer

add Vi bra

I closemy eyes

thar's meant

add Vi bra.

can say where s rnay

\-:.-

be-s i de

hide?24

lrlust I trav-el far and wid e?

can mean some-thing to

ar and wide?

\ Q,F

Where

-

the some - one \pho

\f,'h e re

-

b.

I ove?Fl.Vln

C Tearfully and hesitantl

\,\'iro can say where\'1n.FLCl.

Le-s i deob.

she may hidel --..----\- Must I trav-el

the some-one s'ho I can mean

*=---T-fi t\ 1'1 1r!

==t+e 3

Oll;er

I

\\'here

-

love?

C .:.- c- -: ses. crostts t o t he coaflter aild goes I o sl eef ttdern ea! h it

| -Play if u'ar.:ed-l a

Str.wv{

Timp. e-v-

Noah Clatpole arriaet ct the stretl,loor and bangs and hichs it

MORNINGl>^otl

.t--:)

>.-----7)

^ Meno mosso | =rr2D .\0AH @fft Onen the dourtr .\0AH {ofJr) OpeD the d o orFl.Perc. ---a--t

NEXTw.w.

Vi bra.

7LL

+

\ OAH:.;./r' ugih t h, he, ho I.).{re;oirbo oewboyz

0LMR: \OAHirsrr,,;r.-;;:Yes sir Howoli af : \ Jr

'------< T'o'""'if i!:' f ! fr"!''" o I' 1. )-^'J ......-.-\ -

Ol ivcr

E2

Ire&Cv: IOA}I: A reguiar right doun bed,un.

And its a Food thing she died *henshe dtd or she'd hare been doinghard.iabour in prison as like as not.

THE FIGHT

NOAH- (sho*ts) fldll murder net,

strtggle follo@s.,: 160

mel Helpl Helpl He's gorn mad ! Char-LOTTE !!

MRS sowERBEP"rrY (o//)\* hat on earth can be happeni ng ?

Coming, coming, Noah.

Charloltc andtrs Soanertcrrys ealer

b? ,-

. clfARLoTTE (o//)A Wha!'s uo?

b

CHARLOTTE: Oh you horrid wrerch IYou li!tle ungrateful cturde:.r',ls

Charlotte ! Xissis ITnis here ne* bo-v's a murderint of

Churlolle und ilrs Sq-crberrl ladcut urn acA usd shukc 0lizer oiporouslt.Eoul gcls upuadlunxclhatfroabziird. TActJfiaully drug Olioer lo t coit'f tr, lrsi irt tr.trta !t.

Olicer jaups u? and thro@sJJoah ooer lhe cotnlcr and a

9,.9lf,rs Sozterberr.t'sinks itlo a chiir.and bursls ialo lears.

(.{r B;'a!.t

-

t

\F

t! itd stl os

:lr.cl arl:;de the sto!.)

Olizter begits hiching on lhe inside o/ lhelid. Nouh c-rils lo lhe slreel.

\l[e could all have been murdered in our beds I

?-

*-Jrl --

CHARLOTTE - Oh r-r' aerr. sr: s 3. -Eetr"b

MRS SOWERBERR"Y ( pu n/ing)Oh Cbarirtte I

Mr autzbte t",":t l!:'r,i{! A \^b

-zrj +

+_t

'r=Chtrtolle pou rs

ll tne uuler oz.r.Vrs S:str5,rrt's i.r7

-

t-..J

,t -s

li

.YRS Si.',YEE.BERR\' - iiuab, 6et help.

-l

- -= * Charlotle some water qutck I+Je'r-

MRS SOWERBERRY- Eek I .Heaven help us! I wanted a drink - a drink., (Olizcr ktcbs hardeI

v.iiea

,3{l-;::, OLIVER'S ESCAPE( r: t(:-S SC\r ERBERR) - \\'ell, and whar if hc did,

r -l::rile ungr&teful nretch? She prubablyie>erred qhat Bas said and worse.

\- -. .l--, - :le dldn L IXt S :a,\+ ERBERRI - She did !L,L-iLtr- IIS A lle

-Vrs Soeerberry ullers -u :hrich undfc//s tnlo thc colftn zthtch closes .The olhers rush lo help her.

, O/ iter bucAs uau1,g't'abs his bundle and steuhs oal.j:r6o ; i-

NOAH- He's gone I MRS SOWERB-ERRY- Who's gone ?

MR SOWERBERRY- Five pounds worth - run off ? f iz:el.

CHARLOTTE - Oliver- he's run off IblF

ul rnile ? Run olf ?, After him I

A

tr

,

MR BUMBLE (lo IlIrs Souarberry ts he runs) Meat, madam I Heat

/

pou nd s

lAcj'u// clumber for thc sho2 door)-C * tv

++| -

-

ModeratoULI\ 8K (hunnt ng lo hitnstf l

Ol;'e:

DODGER- Hind ?

o= I20

36 SONG- (The Artful Dodger, oliver and Chorus)r-9-9 "coNSIDER YouRSELF"Ci.t i DoDGER- Come to think of it- I airit got no intimate

friends still whatts the difference,me old porksausager you're coming along with me.

OLIIER - Are you sure Mr Fagin wontt mind ?

Con si - der your - self

clearFI f,*e24

\

I

tI

I

home

-

sel f

ilta - ken to you s t rong-

go-ing to get a - long. Con - si-der your-selfQr.

your - one of the fa - mi -lY.

tt e'H?si-der your- self

If it should chance to be we should see some hard-er daYs'v/.w.

whv grouse ?\,t'.w.

Al-ways a

1

There

Emp - tyA'l ="

some - bo-dy to foot

+:/iTff,,

"t?i T

C l: re:

3S

areThen

:f'+

the drinhs house ! Con

1l

- si-deryour-self our mate.

\

I

\\'e doril want to have

ler some con - sl de-ra - tion we Con

(Dodger ill uslrulcs turious CockneT uetionsg zthich Oliter tries lo eatulale.) 0 | iVef

si-der your- selfof,|

us!

Tutti

f,'tr

Y

TY

lol

,+,

1 r ,('/ l

7r 70odger and 0liver 0odger

go-ing to get a - long. Con

1r 'l

,('l

)?a rl/ l tr r

t,,,n,

i\ | T

fi

Tt--; i flr Tat,;1( 1

{o

,I

G

to be

(Dodger leuds O/ioer loasards

and up P' - '.1ww

As lley zoaik ttarious charuclets Arc scen in a/ley uays.)

dger and

z*YnP'

J,:i'l

e l---T=-+dl

31

DODOLI

.U I I

DODOLICHI L

The re

=-T=:

Br. \i:z

if it should chance to be

f

Trom. /

why

lI-.

DOD

oLlCH iL

DODoLl

c8l L

bo-Cy to foot+ * --.-\;--+

he

r-

tsr. l-l^4Jt7+7+ IBt 1l 'l

2t I

(l'istesso)DODOLI

CHI I

--1+

&

DODOIICHII,

t;;rTlfuss

---r,--]--=-)4l

DODoLI

CH LI

DOD

OLICHIL

your-self

:a-:-

- si-der vour-self

rt"6

Who e-ver we've got,-

chance to be

w.w.rtllJ-0J__ J.l-i I I

Emp - ty lar - der days

W.W. Br.

grouse ?

w:w.

Al-ways a chance we'll meet some-bo-dy to foot

-si-der your - self

WW. Cello

s tate Con si-der your- self

One of us.

(!!>>>

T, A:>

O l:vtr

+8

r{9 10

-

ENCORE- (Chorus)

"coNsIDER YouRsELF"

The children Procced tozourds lhe thieoes'hilchcn as lhc croesd gradualll dr'sperscs strglzg ://

WW,Cello

go-ing to get

-ro:1r- self\r'.w:si-der your-eelf

No - bo-dy to be Iah - di-dah and

all

w.w.

ev- er we've got

up - pi - ty Therel a*\fr F=?''oup of tea

W.trV. Br.

Oa - l-v wise to be han - dy

O livc r

lord

w.w

\

ciio

cHo

c!{ o

dorit want

W.W. Cello

The childrcn arritc al the fool of the slarrs in lhe thieoes'

si-der your-self

(*

)

vT'U

tfrf

5tli? 't1 SONG- (Fagin, with the Boys)

..PICK A PocKET oR Two,,

would be a very nice thing indeed but our line of business pays a Iittle betref-3rGI5: I srppose alaundryBOYS: \-ct 'arf I

:: !:vrt

F.{GIN You see Oliver-Ref eat ad lib.

Repeat ad lib.

Fagin (s;ngsl

In this life'w.\M>

counts - In the baaiOne

FAG

w.w. .^

a tern

two. You've got to a pot-ket or lwo boys, Youve got to pick a poc-ket orn.

Boys Futi" conducls the boys toilh a loasling forh

two. Large a-mounts dorit g'row on trees- You've got io pick a poc-ket orww. _1.

Fl.Ob. Str.Hn.

You've got poc -kei

,rr4 J+

O I iver

qnFAGIfi: Let's show Olivcrhow to do it my

dears. (IIe 2luces in hts fochtls aaotrh luo stecluclc custs tnd lto

Repeat adlib. hundherchicfstA2

Fagin rs,rgslFegirt, curr)/ttg u zaelklng sltck, udopls lh. m6^4.r

and ?tu/k of 't ,t-h gcnlicilt(In

Why should break our backs .> stu-pid-llwe\M.Repeat ad lib. \M>

'^; .l' | 'l etc.,r amD.Str. I

F,{ ?

FAG

Tac cf thc chtldren ferforn a moch guue of ho!-scolch, in lhr coE/se of uhich ott of !hen s!unblcs itlo Fagin and de-

+tax.!

t* o.\[i\^i i r

You've got a pick a poc-ket or b.oys. Yorive gotten. , F

to pick a poc-ket or

*

\

I

\

I

Boys

should we break our backs-

Ro - bin HooC what

Bet - ter

poc-ket

^r1B!-ft

a tetil?o

q teapo

*ntP o c -l(el

Anolher bot approuchcs crl,ing anith sonething, aplaren!ly iu his e7e

tLl

,Tamb.g11

wv{>

etc.

Gave a - Eav

Cha - ri - tyi fl ne,

\'-4

B oys

bin Hood too good, you've got to pick a

=---:- A 4 +

I f agf n Three boys aftruct FaEin's all,enlion to somelhing in lhe shy.

Take a tip _ FromBillsykes-_ He canwhip V'F"tw.\M*> hfi

UPE:! lhe snetlesl boy szt:oo!s uuder Fagin's clouh to rc,iloae his pocher handherchief-

t\tolww

r

A5

a Poc-ket or

Fogin lretends lo looh in,a shop aindow. Tuo boTs upproach hin fron behitd. Thcy tri! him and

Dear old gent- w.w'Pass-ing by ;- Some-thing nice s his eye

I

wulking slick atd renat'iling handherchief, leazti hiu lrosl rale ot lhc floor,

-tack the rear! Ad-vance and pick h

bo1 s. You've

got to pick a Foc-ket or

Have no fear at

Boys

we pick

Td-b.itr.

q tem?o

got to pick a Foc-ket or

. 1l o?e tenlo I

C-;rel

ten.

ten.

w.w

-ti - !3::ce and pick a Poc-ket or

\

Fagin As Flgr'n Ptchs hinself uP Dod r and Churlie Bales !erforn e mock game of l.ci,'-'

When I Some - one rich Both my thumbs+

+Fugia's bach tifting his cloah lails and Charltte reilroTres the second sleclucte case fron Fugtn's bach locLt

On- ly to find some Peace of I bave to pick 'a. poo- ket or two

w.w.

nolto rit. q tem?o

+\lf

FAG

got to pick a poc-kel or two

ra,ll.

boys-..."..'"-.._You've got to pick a poc-ket ort .,--

You'r'e

/i-/-\.

.just\\'\4'

to find some peace of mind- We\lrl,r

have to e poo-ket or two.

f amb.Sti. l' l' ",t".

-

|

-t---/

,noIto rit.

O lilr r

-'---\__

^f'

lhe| Aeoe slolen lo the bor uith the e.tceltiol of oner ohom Fagin secs ott of the corner of his cye.

)i J.

'.F'

rlurns a s?eclacle case to lhe bo.t. __-'-- ^.,f---*FI

FAGIN (slols;) Put,em beckin thrbor.-G The hots relcrn lhe arliclcs- --r--.

hFAGIN-all of ,em.

ob.

f

Vln.>

FAGIN Come 'ere-(Pats boy on head)-What a crook!

FAGI.\*: Just do everything tbat Dodger and Charlie do, Make'emyour mode.ls, my dear, especralil. DociEe:. lie,s 5orngtobc e righr Iittle Bill S1'kes!\o*' then, is my handkerchief protruding from my pocket ?OLMR: I'es sir I can just see the cornerPAGI\-: Seeif youcantakeitout*'ithoutmylee.lingit-!ikeyousawtheothcrsio.

Releat ad lib. Fagin {s;os.sl

Rum tum tum,\r'. \r

The bo1 shamefucedlltFl.Cl.Br.

Dialogue

hh5lr

67tardie rchitf. Neazahile Fagit graduatly luIIs il oul of his lockel uqtil too or tlrce fezt of L+tts-{ rr i*nmrj.

Pom pom Fom Pom pom pom. Skidd - le - eye - tye, Tee

+:

Oliter gra5p5 lhe ullcrcrt!-t ttsit:: trtt,-herchie_fqndfulls itoul xzr:i:,r tri :'.:r:it Ftgin's pockel

rup - pa tup - pa ruP - pa - tum tumw.w

You've got lo pick

___t)-

molto rit. ten-

lwo, v You've got !o pick Poc - krtten. A

\-#\it

FAGIN: "Now bedtime all of you. There's a ilard day's *'orkahead of you. Have a niShtcap, Oliver Good boy" (laagls't

AFagid(sotto.ooce) , , | . --\

+You've got to pick a Poc-ket or two, fr-You've got topick a poc-ket or

A

I

4++

*I

TI

I

Olivcr

INTERMEZZO

-\: ;J

-f ::. i.r,3Ili: s'ell today's yer birthday-zoasi.'

3 . lc e - a ct c s at e r t o t h e corner azd .Fagi 4 ret4rns t h e bos to it s hiding lla c a,;3 )'.Y o//. P_!--J =:gl.b-:A.: ri. bols uahc u!.'i:a,t (r.icrt a:itL Bet

lr; ::;: Tle ladies! Wake opboys.Theladiesarehere.l;,il; lY: r*'e )l have less of that if you dodt mind.

Fi: re s the ginla.r.i:)' -{.. :r moderatioo mydear.Toomuchgincao

te a iangerous thing fora pure younggirl.tarl. :Y -i:i whats lyrong githa.bit of danger, then

-! : la gia? After all,tlat's the only bit of er-::',:se:'l we have isnt it? Aad who rvoulili::r':s tL.;s small Pleasore?

r: ril A lfanc

The Iights

F: a : n I s d i s cotercd toa stittg o licce brcad olcr tha

ad lib

DUET-(Nancy and Bet with the Boys)..IT.S A FINE LIFE''

\=I

-l

l+I

I

)

p4r io'! Small pleasures, small pleasufes who would de-nY 'rs

!'l Ob.vln.

Strfr l\llil.r t.l'Strlta tl elc.

t.

(

I

i

tt:

B .l{onc1 sits ott o stool a"!:::!rr:offre to the boys as they lrite last

dorit mind hav-ing io gowith-out things.. It's a finew.w

a fine

:>----\\

ia/I

gol so:ne-onB to You for-get your care and

wide *orld f ron n on us.l ti

rF'eat dd lib.

lac - es

t.- t' a> J

\llo L.nsrs rrhat we

li an ey ilancy and qgt

Therds pocE-ets lcft

somc-times do come

' ' +'li'+' 'the oth-er orte But You dorit

B

turns out. life! ItsW.V{>w.w: '

r-

Bgys

tti

>>

The oc-ca-sion-al black e

feathers, No frills andfur ----T-*-:

fla::i

dare1 6'tt!tWW.4.1

'-----e\

-\, -!- -'

fiarcy

Aint goodfor fan - cy

llan c

What fu-ture? What matters?wurrr

lI an cy

tf you dont---+a'

mind hav-ing to deal with Fa - gin It's a

lf anc and Bet

and board

'?

These-.+,.. t b*These *'ecanjust af - lford

lfancy,Betand'8ovs

i hd: t''We've rgot our bed

tt )

B oys

+I i f e ! I I s

\\ ril>O-

flanc

life! Tho' dis-eased rats threaten to bringthe plague in,

life. But the grass is green and tlenseI+

-*r>=i-

HI

I.----i

-l-l

I

+ + ,:7Tr: +

l-:ntl:::l:.a!-l:tJ I I Irke -r lump

no tea sipping,an' eat-ing crum-pet

J J '

U'

me the hap-py home, hap-py hus-band,hap-py

r | \-- .\d= t rlTctl

fine life! Not f;r

,Bet and Boys

oont mean-WW^ ;e

a

a,.t ' . +Tho' it some-times touches me

tc

Ilan cy,Bet (J = l;

andBovs Temb

-3 tr 4

f>

F",;.

:

:

,

!

I

6[

^\glJ ENSEMBLE- (The Artful Dodger,Nancy,oliver, Bet,Fagin and the Boys).,t'o-oo AxyriitNc"Csgr 5-t-\cY: Heve vou seen the *ay then quality geatleneatreatslheir ladies?

DODGER: YosslIA-\CY: Shall we show thea?lAG I \: Oo cn, Nancy, give us a ftee shor,v oq the stage5A\CY: It's ell bowinc and hats off

aad.. . .

go lest. NANCY: No I Il go last. Dod.ger sings this setd sab oz the gantt't ^

Fl.8vaa-ny-thing) !\ 7 | etc.

you' dezr, mean\\ttlGt:;i,-+

gvlry-tht4r/!t

! nq

b.^

t

L'l IInow tbrt a- ny-wherego

1:

Ib

ww1i

2\---

/Gavotte (r = 12o)./ D0DGER:Dontletyourpetticoatsdangleiothe.nudmydarling. NANCY:And"I'llgolast" DODCIEB: NoI'll', l F1.,, -.r i /--l--T>--, ob. i i ., -l-l-'--,

B r. sus t.

I t- 1,.-)t

Wou!31'--t

::1.:: a

-.J t_

\\.\'!'.Glock.T-

.-bl

0odgen

+-+l --. rLi--l.1_tiJ-!rlrr/5:

f ieht my1i

evjry-thing-

daf - fo-dil?

-) \{l

\odgerQanen abach) |

What? Fis-ti-cuffs!a;119 ev-ry-thing,.l- | tt!\'r

J

r.----.

(

I

f*lf,',,,,,,,,00dser

ing A-ny-thing? A'nY-thing

l,br

C):ct- and Bet tmitate Dodger and lVancl

eYjry-th i ng me

1

To

It

\

I

A-ny-thingl Paint your facebright blue? A-ny-thingl

0 liaerhesitates UI tYef

r\nd back a-ga i n I

a-n_\Lln r ng

laea --

8et and

A - o!-thing

,:F-l

DANCEGlock.Piano

b/-

(

qlr\_..'-*._-" jif soJ t shoa dq,tce

E),

fz

t

Fagin

A-ny-thing! Would you rish"the

T \,\lil'.Cou--bell

A-ny-thing!When you come down'plop?'I \u$:

keep inthe swim- Yes

All Faqin

A- ny-th ingl Tbo' your eyer go "PoP"Glocr.f

t[Al) sa-rcasticatrfu ,to Fagiz

Hang evJry-thing! We'd risk lifeandlimb

Fagin All

a-ny-thing A-ny-thing?A-ny-thing for you.-A

t

\9 1-la I\TELOSi?J' r

L

Cvm. I.'. x P Tirnp.

'alldrsaido4tT attacca

,lfzt4, --

l?J' r

4!i

No 15

(J =

roe)

SONG- (Fagin, The"BE

Fagin A

Artful Dodger and the Boys)II,\CK SOON,'

You can go be back so on\t'.w.

W.W.Glock.

olace' w.\MClock

lurk- ing? Do not for-get this tune

O livcr

\r'e f or- get? How could dear old

BOY S

oh, such a great

You can

hur - rv

0odger

a++icve him so. Well comebackhome in,

Allthe 8o

us that pipes his

nf

\\.\\'. Gtock.

Pr So Iong,farethee weil, Pip, pip, cheer- i o wdtt

but be back soonrvu-G;:;!--_

leggier o

him that pays the

T--t--

\

I

&

\

I

;ff,ti., hand-ker - chief s

\I

I

t\

So long,iare thee well, Pip, pip,cheer- i - o Well

There's a si x-pence here for

bacE

J.,/'i ,t

DOD

DOD

b ack soon

Str.W.W. f-f1l

lst Solo Bo 2nd Solc Bcv

watch of gold that thirnes uP - on the ho- ur wal - Ie! fat, an

AlltheB 0odger

cro*'njew-els from the Tow - er We know the Bow Stieet Run- ners Rrrt

w.w

Allthe Bo

-+ soc:,

-

-';-------J- -

\4^7--

I

I

harlnon'1vveJv' 9

a

I dun - no some-how I'llback soonw.w.c

not good-bye Dorit be gone long be

look-bless you. Re - mem - ber our old

must dis-ap-pear,wrjll be back here To - day

Be bac*

We

Qr;

r.r.s: \':: t:tr. l!s sad but true that part-ing issuchsweet

long, fare thee uell, Pip

Fagin

the thieaes' hit chen until they are finalll in the street

per - haps

some - how mrss yo9^..

is such sweetBOYS

FAO

iioi good- bye -7----.

- i i : : : : : 'n b i s - E e r e I long,fare thee well, Pip, pip,cheer-i

.+

BOYS

BOYS

back

b ackRe mem - berour old tune

soon.

-

And when you're in the dis- tance Youll hear thiswhis-pered tune

soon. _

9liver and Dod El 7o Fagin

e +'*'+locg.fare lhee we1l, pip,cheei-i-o We'tt be back So longfare thee x.ell, Pip,

Allthe Bo Fagin anavcs fa

v+-lr;L>rr- r -

Ollver

back 500rI_ So long,faretheewell, Pip, pip,cheer-i - o

i- ,I tler- :1;- r I t;a t^ 8:y'S "i:s:)t't AiltlabolsetceltOliT)er,DodgerandCb.orlicBates,noe6 o-ff i."t

-i 'A - pcCr-t

0liter,Dodger anJ Cha'

CAPTURE OF OLIVER

+lti.rfln-l

+il\,l;

a+t

staee cafltitruing to whistle

N9l5alhe stroet,zoiieh f ills atith aendors and gefltrj. Picc.Ob,

cto.YYilloJ'llng Mr Briatnto'i X i;

)

PiccA cl.Trom.Str.

Gl ock.

cfosc.!0co oBsn.HnIJ ,; s5. Pi ono

Cl3sn.Tror.Vln

l5a HERE.

-G)

iD 7 Tutti

Dodgcrlichs XrBrotn-I oat's lo chct aut c lt d b 1',Xr IBoW}ILOH,.rlol cr)uttsef tndLoDt.fs.d fJ

,Iy pgket,a beca p icked

e-----

tlc boohsallir -' 'A

a-

IE

D O!rr", maAcs a ranlfot it f tlsucd h! the aroua

$;bi

7+ -ii

.-.=.- l*-

b21,77a2|i!:

b-

I

)

\l

{i

iltb'l

----

O/tter tsenctrc;e4

A

.lle nahrs a b reaA for ttand is J struch

onthehcad:>

Olloer ]fr Brozttn/oztt1fa//sdoutn He is /1'fled by lzao ldentt/teshtnuzcontcroat. Bo:u5trr.t ruilncrt wtI/,4 rtoct

/iA

c

tI

I

I

C'": j ar

i----.

80

}9 16Act II

SONG- (Nancy and Chorus)(.OOI\I - PAH. PAH ''

O Waltz J.=oo

torg'll1roocl 4

Oom - pah - pah I Oom ->

>

Ev - rry:>

pah - pahl

'fhatl how it goes

r"

when they hear

Tht Cluirmtnni tl'f ?r,3! e

NuNcl(s?ohcn tipstel ^.AII rigbr I All righr I lf 3[C] 15;n"r.

it

LHA.!.ld q\

Oom Pah -

Ladies end gentlernclr r brethren

d u ri a g !{a t qt's l) t rJfo r zt u n ce.

r. gJ.l-ring - ibg in the

huown renditiou ol rhe olrl School Song

-

OOM . PAH . P^H !>,--r

7hc cztlonerseac.ou.t'uge NuacynotsttJr.

Re/cat ad lib.

pesh - Iy uhen they've been on,--

-

----/

-'1 +the gin>-C.\

Olivcr

\+!-t !t

pah - pah! Oom - pah - pah!

Oom -

>

pah - pah ! Oorn - pah - pah !

EUP - Pose,sup - pose what they want

they bear Oom - pah

.-\

Snod - grass would of en have the odd glass-But ne

pahl Oom - pah - pah:

eOon

>Pah

red shi>

>

nose ?

'ry - one knows.

ilancy

What

:> :>

\-- /Oom - pah - pah ?-

/---

the cause

-ny

Z--

ank - les of

or free and

Oom - pah

Ol iver

She was froin the coun - try.>,G But

shets up a gum

What s the sood ot>-*

feed

cry - inr? Shets-.n+raL

made a bed to

then lead -

NANCY (ry'ri')

E

:

O!iver

lancy

T Le re's

Chorus

Oom - pah -Oon - pah . pah !>-,_R-

bee n the gtn or the

Oom - pah - pah! Ev - try - one

tions Will

Oom - pah - rah 1-G

If you've got the pa - tience,

They all sup - pose What

pah ! That's how

they>^-l*

l-ma-g'r

Oom

>pah - pah I Oom - oin lnats niu'

:>i-

-

l,+ ?

-

r4ll. l+ b

O I iver

^l - I I:- soNG- (eitt sykes)"11 \'NA11E"

;'.. .' -i--" i;-' r a:. -: :..t s tr ihes thcJf toor @ith lis cudgel to gaifl att ent ionS:;.a:. jfci/ozts.

3 t: a -: E.1-: aiislcrs loudtl) Bill Sykes !A

Strong trem-ble *,hen ihey hear

black - er than f hey smear

Saves>

S.:, ' ) J | .,

f .l

TT

SlAcs sloztly descenals thc sluirs into the luztern

Thev ve gotJ'a

ca"use e-nough to fear

i1i1*1'iitl

-

\o - bo-d,v men-tions My name! Rich hold their five-pound notes out me

\ t*- I r t',

ta

t

C

Sykes (rr,,gr)

-'

I could tear their throats out Just to live up to

\

{

"----l.\-':4\- -=tt'i'

tak- ing what I may

Nuncl begins toflirt mllh one o1f lhe olhercusloners.

Lil

Lem-rne see tie::-..:

>

He can start to say

rongir - der Fit for do - ing ofBi c cps a mur-der,>If

7>

Slhcs sces Nuncy fli rtingutilh the cuslomer, y'ullsler azoul utd knocks lhemuo oui. Ee lhen leu!s onlhe table and shouls'

\(

I\

in me hand,

ev- en whis-per. ..

trem-ble when tirey hear it!

J..-.

cause e-nough to fear itt It'6 blac.k-er than they smear No-bo-dymen-tions... My namel>

tofft.

slum ning wiv'hi6 val - et, Bump'd in - to me in the his7>>

One bloke used ter boast the claim

}*mTfu

Strong They've got

ly He'd nev-erheard of

93

He ooEld lajre rf,Y rartre

-gain!

in3'

li-TlarJj-;-,

-.;->valD

til_

Once bad, what's the good of turn - ing>

What is

Poor bloke Shameewassogreen

)

Nev-er was he see:l a -

be ibere aln>

S-lle-< g;.:r :7:\eilAt :;l::r j)'.aiits /t:t ;; :ti :45arl, :-ri1a:t,ala Jr:Et"

Mean while, think of what Iin earn - ing on ac-count of ... M-v name I =

2 Timp.

(iabilett t y)A

r{v

>

rl If'

rirl

l\r 1: SONG- (Nancy)"AS LONG AS HE NEEDS ME''

: r,. tL-&:-{L.E,i crt sli/l be ieard odside und is'-t:!--Lt:td r) :.. ft/sl chord ol the song.)

,\'cacy sils ul lhe tuble l{ ancy

As long as he needsF1, Vi bra".

Ohyes he does need

Tutii

Ine

-

In spite of what you

\-------

Ih sure that he needs me- Who elsewould

wayE

+love him sti ll

-When they've been used

needs me. I miss lrim ao much- when

+,he

colla ooce

He knows I

,crg as1 W.W. Str. Hn. (Trom

be

r"i

I dorit let

feelFI.Vi

'.--Thide

-\--l -\.--\ _l'

='r+He does-n i s:r

77 -t*

got pride- Aslong as

;"'1i4 ---- :- rall.

- ,:58

L 4::ecisP: c.

me

-

I xno\\ \{ ltere beY_

l

I t

t-,- lr

-

$ The lat:ern heelper cleers glasses fronr fie la--bleandindicul..s lh.rt Nancy shorld. leuoe.

!ur

5A-\

=r.igh t+

TAS Iong as he

----

wrong- And some-how strong- As long

\----lone - ly

-

then you will knowHn (Trom

I woit be

e

l[aacl rises aud goes fo thelhe sluirs

long- Ill love him

When some-one

I

-=-li ', cu

\=a

a

--fShe begias lo moual lhe sluirs

you love them so

6-- t-*tr .. !!. -

I've got to

N9 19

Ia=7a The sccze chanses lo a 6cdrooain ilr Broa:nto-\ hour"

v

CHANGE OF SCENE

i7

\----t t

-;

Cor A.Hn.Vln.

9S

N9 20 REPRISE- (Mrs Bedwin)"WHERE Is LovE?"

sings lo 0lioer ofio is asleel

un-der-neath the that been dream - ing of?

Olite r uahes aad en b rdces Mr s I edaniz

add Vibra.

Thclt look oat of tfu ?eindducs strsst cricrs atpadr

l-\----

i?.*

)i9 21

A

)=)Rose Seller

ENSEMBLE- (Oliver, Street Criers and Chorus),.wHo wILL BUY?,,

(?he slree! cries are to bc dclioeledzoi I h iaditidaal c h a racl e r )

buy my sweet red ;: .-*, i*j- o,oor,,"

T"'tl"'* | rs l=Who will

Fl. l=l

,r:l;..

buy my sweet red two blooms for a

mis-tress? A- ny milk

)a

tllilk maid

Ob.VIn.

t

Will you

UD.lt

buy

Vibra.milk

oo | ,,i I

to-day

J)

Olivcr

blooms f or

A- ny

Lrb.

Strawberry Sellerr-3-_--.t

milk

t,

to- day

lr

A-ny to-day,r- 3-l--F--r

Ripe straw-ber-ries,

Mis - tress?

? lt tC + -' I I \':rra.

my sweet

to - day

(nife Grinder

Knives, knives to grind.

my sweet red.-'fo

ripe !

\,1'h o buv ?

mrs tress ?

t.ses

to - day rnis tress ?

Ripe slra*-

+-j--ny knives to orinrl

Vln.8?4 --F.-

Fl'-804

Who

l- r-t

,_\

ny mrlk

buy

Knives, knives to grindYln. l,--=-

t++

) J..trr (/

-rl

Oliver

e

Who will buyi'}

Lon q- S on

Who will buy ?

EPoco pii mosso

Who will buvG

( Str t re; .)Pu

Rose Seller

Who will

ne-ver did see

-

1Jt'

Who will buy?

up with a

Strawberry Seller -----J---

me?Vln

A - ny milk d,ay ?-

l(nife Grinder

Knives,knives to

swear I

t'tYho will buY

+

Strawbem Seller t---7-

Ripe straw-ber-ries,

rrPe

-put rt

w.w.bSol

-,

-P

-- C)

Veflv JTI

e - ver things go

Ol iver

v-don'i want to lose- it

Rose Seller

Milkmaidbuy ?

buy ?-Knife Grinaer

Who u'ill buy ?Long Song Seller

must be some-otre who will buv.

H.Ur Er,tezloa azd Dn Crimanig eilcr

buy ?

!{R BROWIiLOW Glohcn)Couo ia, Doctor. I think yodil fiud a

groat improvomeat ia ihe boyF.

Cte }{R BROWNLOW\os' u'e shall see, llrs

I

1 i =l5O

1:hBedwrn , Te o nrn ut es l

O/lter g..s oul tnto the Slreel whichisftll of slrttt cr1..: :-.:Rose Seller

Milkmaid

Who willKnife Grinder

Who will buy ?Lono Son

Who willJ=15oI

buy ?

Pno.

{-:

J All

"nd oliver

d=L6o

w.wSt r.

Who will buv)---

- -/-+\-r+te

+22

'JTBsn.-frrt.Trom.,Hn'+e'+

Ol ivcr

LrLJ.

brl

\{Er , ),0, 1f

ffi\lllbJlrl) . t ^ t,.tt r. J rtJ

'V/here is the man

the

JI

vThis won-der-ful feel

d.y

t

so-----'-6un-ny- could nol hap - pe!

with

+Fh\llibJJi_lJ ! I ^ t Ir .b-l{ rJ. .n2

at half

t,)l J

I could fly.-

1>

The croand freezesir tableau.

colla oocc

The croad dislerses.Rose Seller

who

n+

I

\

I

{ rli

5P 22

Cye STI : Hes aothirg bot athief antl avaeabonal.

Presto J = ruo3 s::. Br. Cello

f ?i^"o, c.B.

+t

CHANGE OF SCENE

(IVancSt and Syhes ad Iib. uhilc seeae changes to thieoes' hitchen)I W.!lvln. L

51\cs aad 0liscraflterthc llictes hitcLa n to bc grcctcd retcousl 1t by Fagin and tLc bryts.\a -- ---r F-l r--_ -]-' 6 t-F

t{9 2i

Cgc: \A-xcY: civr]

SYrES: tel!.

R.EPRISE -(Nancy, Bill Sykes, Fagin and The Artful Doil=:"IT's A FINE LIFE"

)iEs.)roudeservetbemfromma.Ithievedwhenlwashalf hisagelndfot:=:.w;I;r-r i

hava.il's your liviog.

zorfu,

: f -^-

- {oqY r"rt i A ilancy G)itb st4lresscd hltstaria) Sykes

Some

St r.

Fagin

Must we havemur-ders Yet?

liv-ing! Some liv-ing! What youww. )

t.r

be mur-iersl

ilancy

No get-ting All

il ancy

Lord helP me!

ISuch as yorivenev-er see n.

Faqin

*"1"0 ? N",,-Jy, make no er - rorl Th e re ,:

Sykes

Trom.

+

No vio-lence! Please,no - I ence!Please, no s c e ne s

Ol iver

) =^ro

you don't mind ma-king a mate of Sa - .,ar.

No rre don't mind keep-ing the an - gels

J =,,,

Str.Hn.

::!

f.{--

My lifel Sa-tanl

Fine life!Fagin

wait- ing

Hancy Sykes

Watch ouil

ICome - Bet-tir are lold,

\

t

ilsq.

you

u{w.t

i$fhf 7I

>/--\

0odger

Fi ne

a

Fi ne

make tbe Fi ne

Hn.Vl n.Trom.

Oliver

lf a

:

- tri Ir!:t

SONG - (Fagin)..REVIEWING THE SITUATION'':i:kcc ro SjrAes: Iook aftether,Bill.(Sghesfolloats Naacy of|)

ts Dadgtr', Look after hin, Dodger- (Dodger tahcs 0liver off )tc At/dienc.'. - and I'lt look after mesetf.

]Iaestoso

-f-

> ?, ? >)?

!

:l*,-1 .

-----z-A

piaccre

man's got a heart, has-ril he?

-

Jo-kinga-part- has-rit he?And tho,Sfr-.' 7r ) r,-,,

>>>-

\

I

ta-

++

Vl n.

+>

fi rst one to3

colla

say that I was- n't I saint -

-T-lr-T---t r-T--1 r--7---1

i+

\--_-/

-----

I

3Vl n.

J:f, TT-rr. [-T--r, r--=:--*,::i-i::g it hard to be real_ly as blackas they, -!- J+ il,-{"- \4 3

Pqa=.

I,

\_=

I-----..= - ++

I i ?^t.rre(+_

-----/

: ., :: :::. Tbe f in-gers she will wag at me, The mon - ey she will take f roql ::e, .\

tt-'- .:.,1.1

\

t

I

II

I

+ rrifelou can keep, an-y-wayI

//-4

Cr.titLtOCt

----t----t f?-l r- J ---l r--r-T----]

the world anC I'm start-i ng f rcrn norp -

-

i! out a

ra-ther sleep an- v-wav. Left with -a

Vl n.

^AD):LOe

I'm re vlerp-lng_

I'C

r------9-- r, F-t r, --rr

i n-; i u-ence peo-plerso hosc?

hlJ

sne ll make fror:r rne- |

-

Cb A

the sit- u - I - tion

Who can help me make a real irn-r'res-sive show

own a suite at Cla - rid-ges,And run a

++

4CcCl.

t acccl.)

ilu:h-e s -ses with f riend-lr-ness. as

car- ria-ges,AnC

!-'e fit-ting of

* I

ts

I I ,

:wt.f { * t? I -S tr.S.D.rZccal . b o co a bocit

r acccl.t

t !.6q,t\0 &rsso

ra d biacere

to youy Mag- is-trate!" I think Ih bet-ter thint it out a

l.{ G

FAO

\

I

{

\-i olin So where shall I go? Some-bod-y?,a Vln. J

collutce

r- .r -1 t-T-1 t---l

dear-est, com-pan-ions have al-ways beeovill-ains and thieves -3 Vln.

r- ,--t

do I know? No-bod-y! Allrny)

ffi

r---;---1 r--J-T-] aF J:toa

?_ I'm re - viev-ingw.w

flr.\G

c:v L i::e of

-

life I should start turn-ingo-ver new lr1+d*\1 3 bl

to crrn a

?r!

lion _- you wanttoeatyodvegot bob I

such a

rob -ber to per - form an hon-est job?

ac c el.

bo-nus - es make to me? start at eight'and fin- !sh

++Is it a - llon

\((

hu-mi - li

thi nk I'd - galn

Must come a time-

-...;-l_-;----r

col d \r'hocares if you

one con-so - Ia-tion! the mon-ey you mayhave putqJ

H (J = ros)

:a-F-F:is nhen I m

no trans-for -

{((

wJ{# { ' IStr's'D' l. accel. boco a boco

mefl} m0ss0

ff-I w8n0 noss)

who job ."r lfl","dorit care what they've got foris no in be - tweenfor

ButBut

*'ho will change thewho will change the

,

l:e l:eer l::e of Fcrd's wes used in the original production atThe New Theetre'and at :b 's Fi

rhrr'Er.Frg:rIelE!81-og.otu.Iirepleceto-counthismonyAstherevolvetookhimoff'

CHANGE OF SCENE

at i\gc

:an..{r Bamb!c entcrsolla marcia

)

\%! CHANGE OF SCENEI' Eutiie stahes to ezit, c{fing a saall bqt atho has becn laaghittg at his scenc uithWidozt Cornag(Bo1 arits crlitg)

Adueio- o\.:.. 7 t c Itgtts iornc tt! on thc bach room oJ tba a)orhhotse zoherc olit Sally lics dying

\

I

Timp.li,--

f. r j;6":-

I

P ntsterioso

Repaat qd lib.until Salll dits

r

5r:-:

Ct: q -.-:r ::i\f :Xr Sflll!: Fe

REPRISE- (\fidow Cornev and l\{r Bumble)..OLI VER"

s-: n::t retrieve that boy Mr Buribler:lst indeed rnr'am,we must indeed

ltt

W. Corney

'\nd to

lllr Bumble

Both

ver!

thi nk

trutS rflere

Mr Bumble

erl A

iTtpa- rent - ly he's from a rlcn

stu- pid - ly *'ent and lost track of hirn- If

bothwere de - light - ed at the back of

tl/

HrBIIknown

r W.Cornev^ Mr Eumb'l e\ttng) ll/. Co rn ey

That was themiteu ith tlle ia:i: a:-:=

Oliver

\

I

Mn Eumble

Widozs Corzey and.Mr Bumble ezit

rraise the day Some-bo-dy gave us

Thc scczc chaagas to the interior of .trr Brostnlozo's home. lVidgw Corney ond Nr Bumble enter. Widoatnww

Corney

I

strdightelLs Xr By*blc's hat and cilts. ilrs Bedatin olczs thefront door".I 4' Fr-;Mr BUMBLE (s!ohen)Is Mr Bedvin at home

:Ccmein,cotrein! Iknewweshouldhearofhin,poordear.Iknew'weehould.BlesshisL.ea::If,::-.1r.. a

\=

W. Corney Glohen

a, temlo

gF-7fi',,1",1"

I

I

Br.Cello >

\

3fr Broannlou tnters

; N an cY (si ngsl

l2 L2

REPRISE- (NancY)'AS LONG AS IlE NEEDS I\lE

though he carcs

by

1\Io ,6

Cue: \ANCY: Then tonrght,between eleven anri the time the clock strikes twelre

I will rvalk on London Bridge- and I will bring 0iiverl

^\tt,a-

--T-ia-

l+ zj )T

F\--:

-e;7r

I1r+

She Ietaes ilt Drounlozt's house tnd etters the Street

ros I I

in1 b)Strw. ) j

4>*--

1?-i

A Slo*'ly

I know where

strong- And some-one else

me?- As I ong

+

i--

one.._- take his

I

)

part, but cross mv

- tray your trust- Tho peo-ple

{>+

-

i--lT-i-.

17tJt.

:>>> :>

3ro'>

TDI

r f, \t-;

as long as

lt r F rTu tt if- '- -

{ r;

5::;

I

rf,.wYrbra

Str

B

Cb imes

LONDON BRiDGE

Naacy enters. Slhes allears, fotlou,ing hcrA

P

Moderato

Eassi

\:/b

he bridg'e jassittg.

!!{t ssar ana gz"/ HUSSAR (to nt?ht anatcLman):..--i_->

Nancjt.and Oltver afilear

>

Nancy exttsJfol/ou;d by Srk5

\yb

The nig:ht a)aichtnun al!y'ear, andctusres

/'lL.J

TrFiIt\ltAnd

Good nighti

>

They uta/h back anli!'orth acrots tlc br/dg.e:>

'/:P

'/" !P-o-

1..v

"/"f

t5**f'f: a

Fl.Vln. bA-l_4.

b/i*t

? "f. P '1" n yt'" p{pzlZ= +_'fu p

'f.n "fi 'frr "t7ps.fzpl>

tf" P:>

+r

{:, p

Slkes alleart

IiilfiJ;- ffl l;T,f j:ili ili1",1,i,", Arresroit's I ight encigh ri'iuai IVe got to do

NAIiCY:- I wasdt goi ng to t,lorv the gafr ho nest.A Bill, wh-v^are-yoo look_ingitme 7t.>' l ike tbat?-s,lasees hts guJz!, , , ( 1;I -\io,bllt: ba!_

C,.tzer jal/sStunned/t/^

I(

'/.7i-->-^ l

\-..-vt/

ilwwstr.hi

''-7v=

t/,1 li+-/ ')--/11-ry it/ =/

poco pru mosso

He catches herSyhes strihes -Yanci ifourlines wtth his listo/

)*r 4 c! d2 es

-1.-\_ O liter recote-s A cog-bc"hs /c-lr

;-:

i\

Sjthes chases her

"'/tT,J'o

PrestoSyhcs graDs Ohaer aad drag,s tim aoaytoaerds t h c t h tco.s' hitc h n

GE- tt

f,r Broun-ltat caici.t itElt oJfS1hcs dzsal|eartagroua! a at-4i

.Xr Brozsnlozo rcachetlh bod!>.--\

tfi\=

I

-tl>

Tl>

IIe cal/s far hcry

Fo.qtn le lsthin tt H

b.

A crozud e,athers round ){r Br:-t.. :z :,ib- s + --->

\=>>z, )!

:

4!-

BOW ST. RUN.\"ERf/o croa:d) : Stand back I Sranl 'ra:rOo lVr. Bropnloa): Canyou tell us q lat haFFeE*i,

MR. BROWNLOW: Well,I came here to meet this pL1,r crealurea:5.as I crossed the bridge I saw scrnebrll. d:sar -pearing rapidly in the oppos:',e C:re.i:rn.

BOW ST.RUNNER: Can you teil me what he looked I I ke. s:r rMR. BROWNLOW: He wss a broad shouldered hear:lr tu:li nan.BOW ST.RUNNER: Anything else ?MR. BROWNLOW: He wore & blue cost snd e tall hai.

The croand a)hislcr among themseloes.?hct lhcre is u cry- T,BILL SYKES l"Fagin appears iz lhe duor

o/ lhe lhtctcs'kitchcnuut

b(lunga)Ab'

F;gtn goes batk tt;loiic tAtezs' Atlchen.

The croad btconcs moreatd more ercilcd-

2 CL Bsn.- Bassr,P:ano

\l0YAN : lt's Nancy, he'smurdered Naneyl

LFqin opctt lht door aad lfu 0o7s rua aztay,

folloaned b7 Fagin

A zooptu ttscrcums

,_

Syics,Olioer und lhe 1r/fulDodgcr are !1f1. )

Fea

Syhes,O/iter andDodger uppcar al

+)i) v

(.fhc croatd 4re etctled crd et;-rtS1'Les' dog crosses lie rc;tl{All (iz crautd): There s : s :: E'

(The cio.tduclrh st/.r:;i;s Sttu C-:ttrafid Dodgcl go buci tzi:=z

plt"'""; s-e r-frJ

iftc dour.

I Tl

E: rrsh lo lhe dour oif lhe lhietes' kilchdn

l>o,'r-

,+

i=

/The craad rclreal tns i ! c nce uht le S1Acs und0!iaer c/inb.)A scldier rutse his Pislola,rd shools Sl|ei. S|hes'bod,t' fc '

,'}

They find a /arge Itoic dnd :!Lrl lo tuitcr

5.,?'__ --""- ---' ---------i

T:-- -l l;kr ulP.4u il vguas t Battering

t7 :7>7:;>+

on lhe doorlocofi-,1- l"-->1

Slbts arlh.0/rzer(:!hered lo htn uP-tcu rs c:t/nbttgoatrIlc r..f loPs.a

SMALL BOY: Look there he islCRo\lD : After hirn leCs get himlSYKES : Stand t'ack r-rr l'lL

kill the b0yA

"- --- ---J

{

ITimn

:.' :: ,.lfcd lo saifcllt atd lahet to jl{r Brozsntoa,.t: :,:!d rcar upprooul)> !)r)+ ?2bt l>o_e_

:>7+

The croud picb il? lhc pa/e and slart)>

baller do,atz lhe door aga in:> l>

0,a_

++ ?

Timp. ad

The doorgites woyend lhe Eoat St.Rurters enter lhelhieoes'kilchen,

Thel cone cL: ,.-ct.a t::;:-DODGER: D: r:: :::. :: .: ::-:-; :'.ij ::'your hanls -r.t {::i- :;-::r::;'.. i-e: -i;:a:it isl \4ai.; i -:j:i:r::.j :i: -:':'r.i!- :hours ci t:* :--:. :.- -'3:- :..:- :-i:fon lou l ii i:-; -.r i::: -::.; Brs :*-r - :-ihe's halin- :::ai:a:i s i- :": I :t l-s i::: :ltbe House cf ,::::::

\. -'--/-jF. -..|,;

rimn.p I f "..

f:l

t

1 -p

b

j:: ,cl. Runner hauls Dodge r

-4

F;1ta's bo.t of lool and err'ls

The croud rush of shouling.lllr B ruunlozt teuds 0lizter uztay

:/f

REPRISE - (Fagin).(REVIEWING THE SITUATIONI'

MR BROWNLOW: Corne,Olirer, rve ll takevou hotne ii*'. (A/l crrl )

TAe 2nd

a)t'-=

1st IlAN : It's Fagin's money? Znd ]{.{I:'* -;-.; ;;.- : - -3rd llAN: Comeout Faginl CRO\I'D: \1.e *a:: ::.- -

\\'e *a-.:=-'3rd BOlt'ST. RUNfiER: There's nothrni t-se .: :-. : =-.

It's emPtY ncx.CROWD : 1f Fagin ain't here theres 0ni\' '-'i: r.l:: -: : I -

be - The Three Crippies I Ccrne ::

Nq 28

,'l[rs Bedutn uPPcdrs.O/tzer runs lo neel h.r

T?l tC_vm

Tet

ga

Glock.Piano a

Olivcr

=a)6 9iccele

sc::e - bc-dy change ? pos- s ib-le.

rJ--_- r--?--l r.-- 3 --l

o - ver and who can tell what I may find ?

---t-: r---J-----r r-;.-----.1

';F\ -?\

qr;----'....-- l

Faqin

May - be it's strange but iti pos-sib-le. All my

----

t

++p

lrl\-

....:1: :r. -.f rtendJess, Fugit aaths oter the bridge off into lhe dawn\[aestoso r L

=---* * t--r/

::r

bo-som com-pan-ions and trea-sur.es, I've left them ber-3.--..1r--3-.rr-3.--..-]

I

FinaleREPRISE - (Boys )((FOOD, GLORIOUS FOOD''

sau-sage and musr---]------r

Cold

!--3-----.-

jel - ly and eus Peasetr_l'fr--?*-r

next ? " is the ques ""'. -r4

r---:r-------

)

185

a^^:g.lo - rl - ousu'o'1,t3

I

\

BOYS

While

f;JvI+tite

(

l

n^nrl

pud,ding and sa

--r'-1

---:---1

* e.re

r-'-----a------1

Mr Brozonlozo und Olizcr enler tfciioz, i :.1 : ? : .:"ussislanl u^ho bears u large hunf er t,f -/'::3r(Il[.

-. -

>11

t35

ro 30

li iYER, G! ohci Help yourself, lads!:.:120)

REPRISE- (Company),.CONSIDER

YOURSELF"

?he conlany oalh doatn Company

s i-der your-sel f One of the

s i-tl e r your-sel f

---/

s i-der your-sel f

whv grouse?

ww.

the drinks

ue should see some

the

chance wdll meet

on

/-#,"r --^\h-q!'et

-l

dontwant to have

your- self

One of

! -:1!;

-l - -: REPRISE- (Oliver and Company). I,D DO ANYTHING"

OLIVERG, t \

\4.120)

='-=---/

-

me

1

PPP

aa

l1t-r

a - ny-where

\

come

ny where

clouds of grey come a - long pr nird if +Lo'

/

2J-

\

I

F i F lr rt cresi. loco a loctt -

CURTATN

t

N9 32 EXIT ]\lUSiC

Mtrestoso

allarg t tLtly :>->>>> )>

'--

l

I

"- '1' iI

t -=?.fr]-i tr>\7 End of 0pe'a