Old saint peter’s basilica

20
HUMANITIES Old saint peters BASILICA. Subhashini R. Harshada bhandarkar. Shreya Shetty Sarthak gholap Mrunmayi ghorpade. Tejas dhuri Peathmesh mane Siddhant jadhav

Transcript of Old saint peter’s basilica

Page 1: Old saint peter’s basilica

HUMANITIESOld saint peters BASILICA.

Subhashini R.Harshada bhandarkar.

Shreya ShettySarthak gholap

Mrunmayi ghorpade.Tejas dhuri

Peathmesh maneSiddhant jadhav

Page 2: Old saint peter’s basilica

OLD SAINT PETER’SBASILICA

Page 3: Old saint peter’s basilica

IntroductionOld St. Peter's Basilica was a prototype for

developments in Christian architecture.Old St. Peter's, was both a martyrium (built

over the grave site of Saint Peter, it marked and commemorated his martyrdom) and a basilica used for worship.

The size of Old St. Peter's mirrors the triumphant attitude of Christianity following the Edict of Milan in 313, which granted religious freedom to the Christians

It is a five aisled basilican- plan church with apsed transept at the west end.

Page 4: Old saint peter’s basilica

TIME LINEIt is the first basilica of saint

peter in Rome.Its construction begun

between 326 and 333 at the order of the Roman emperor Constantine.

It took about 30 years to complete.

Old St. Peter’s was torn down in the early 16th century and replaced by new St. Peter’s

OSP, Constantinian shrine and apse

Page 5: Old saint peter’s basilica

EARLY CHRISTIAN ARCHITECTURE

Basilical church developed from Roman secular basilica; centralized type from Roman tombs.

Basilical plan modified for liturgical requirements; congregation and clergy segregated in nave and aisles vs. transept and apse. Different variants in East and West. 

Page 6: Old saint peter’s basilica

The plan was initially adapted from the Roman basilica which was usually entered on its long side, but the Christian church was entered through an atrium and narthex (entrance hall) on its short side.

This narthex was usually on the west, and the altar was toward the east, an orientation followed in most later medieval churches.

Page 7: Old saint peter’s basilica

OSP Plan

Page 8: Old saint peter’s basilica

OSP Section.

Page 9: Old saint peter’s basilica

The church was entered through an atrium called paradise that enclosed a garden with fountains. From the atrium there were five doors into the body of the church.

Page 10: Old saint peter’s basilica

At St. Peter's, as in many Roman basilicas, wooden beams supported a gable roof, and clerestory windows allowed light to illuminate the nave.

On the clerestory walls, each pierced by 11 windows, where frescoes of the patriarchs, prophets, and apostles and scenes from the old and new testaments.

Page 11: Old saint peter’s basilica

The interior division of space, with a nave flanked by side aisles, is similar to certain Roman basilicas.

*OSP nave.320

Page 12: Old saint peter’s basilica

*OSP .transept from south.320

Old St. Peter's has transepts ("transverse enclosure"), a feature that would become traditional in Christian churches.

Transepts create a cross shape; the term cruciform (cross-like) basilica designates Early Christian churches with transepts.

These architectural spaces, extensions to the north and south, meet the nave at the crossing.

Page 13: Old saint peter’s basilica

Many of the columns used in building Old St. Peter's were taken from earlier Roman buildings; materials thus reused are known as spolia.

Main entrance with Africano columns from OSP

Page 14: Old saint peter’s basilica

"The group of spiral columns that decorated the altar area at Old St. Peter's had a special significance, for they were thought to have been taken from the Temple of Solomon in Jerusalem.

*OSP, spiral column. before 320 A.D.

Page 15: Old saint peter’s basilica

Old St. Peter's had a rather plain brick exterior hut, the interior was adorned with precious materials, including marble Roman columns, mosaics, and frescoes.

Page 16: Old saint peter’s basilica

The decorated interior contrasted with the exterior, subtly reminding the visitor that the beauty of the inner spirit was more important than external, physical adornment.

From the entrance, one's attention was focused on the high altar, set below an enormous arch on which a mosaic depicted Christ, Saint Peter, and the emperor Constantine.

Page 17: Old saint peter’s basilica
Page 18: Old saint peter’s basilica

*OSP construction phases. 320s OSP, plan with excavated foundations

Page 19: Old saint peter’s basilica

OSP. 3 phases seen from east.320s *OSP nave.320?

Page 20: Old saint peter’s basilica