O K S A N A A N I L I O N Y T E

O n e O f t h e f e w c O l O u r f i l m s b y m i c h e l a n g e l O a n t O n i O n i w a s t h e r e d d e s s e r t . t h e f i l m i s a b O u t t h e w O m a n t r y i n g t O s u r v i v e i n t h e m O d e r n w O r l d O f l O n e l i n e s s a n d e x i s t e n t i a l d O u b t . i n t h e r e d d e s e r t a n t O n i O n i w a n t e d t O i n v e n t t h e c O l O u r O f r e l a t i O n s h i p s . c O l O u r s w i t h i n t h e f i l m a r e c h a n g i n g a s t h e f e e l i n g s a r e c h a n g i n g .

O n e O f t h e f e w c O l O u r f i l m s b y m i c h e l a n g e l O a n t O n i O n i w a s t h e r e d d e s s e r t . t h e f i l m i s a b O u t t h e w O m a n t r y i n g t O s u r v i v e i n t h e m O d e r n w O r l d O f l O n e l i n e s s a n d e x i s t e n t i a l d O u b t . i n t h e r e d d e s e r t a n t O n i O n i w a n t e d t O i n v e n t t h e c O l O u r O f r e l a t i O n s h i p s . c O l O u r s w i t h i n t h e f i l m a r e c h a n g i n g a s t h e f e e l i n g s a r e c h a n g i n g .

Oksana Ani l ionyte col lect ion is based on idea of a soft contro l .The col lect ion is an invest igat ion into inter-re lat ion of min imal ism and modern women.

I found my inspi rat ion in Michelangelo Antonioni f i lms L’Avventura (1960), La Notte (1961), Ecl ipse (1962) and I l deserto rosso (1964). His f i lms concentrate on how the modern wor ld in f luence people and the i r fee l-

ings. Personal fee l ings, doubts, moods are substance of the f i lms.

The works and processes of Robert Morr is , Tony Cragg and Danie l Arsham sculptures and abstract paint ing of Dale Frank served as the in i t ia l inspi rat ion for the s i lhouette, colour, texture and deta i ls of the col lect ion.

The a im was to mix d i fferent techniques and inspi rat ions to reach new and unexpected leve ls. I embraced the complex i t ies and s impl ic i t ies by d i fferent techniques to re invent a vers ion of femin in i ty.

Robert Morr is fe l t sculptures led to create new ways of us ing seams to express the f lu id i ty of l ine. The col-lect ion is a lot about the l ines that are so pure, so c lear, that they convey s impl ic i ty in the i r per fect ion. The

pur i ty is combined with texture that comes f rom tuf t ing embroidery and soft fur to create a new leve l of fee l-ings that garments create when touched.

A d ia logue between t ime and t imelessness runs through the progress ion of the min imal ist aesthet ic which is fe l t in f lu id i ty of seam l ines.

The col lect ion incorporates a range of luxury fabr ics (cashmere, wool , s i lk , fur, leather ) to examine the bal-ance between textures, s i lhouette and a pur i ty of l ine.

I be l ieve that min imal ism is a new way to express new s i lhouette and show the qual i ty of the fabr ics and ma-ter ia ls .

L’ e c l i s s e ( 1 9 6 2 ) M o n i c a V i t t i H a m m o c k , 2 0 0 7 b y D a n i e l A r s h a m

H a m m o c k , 2 0 0 7 b y D a n i e l A r s h a m

L’ e c l i s s e ( 1 9 6 2 ) M o n i c a V i t t i

D a n i e l A r s h a m

To n y C r a g g

To n y C r a g g , M a t e r i a l T h o u g h t s

L o o k i n g a t R o b e r t M o r r i s f e l t s c u p t u r e a s a s e a m a n d s e a m a l -l o w e n c e t h a t i s s o o v e r s i z e d t h a t i t n a t u r a l l y d r a p e s .

R o b e r t M o r r i s f e l t s c u l p t u r e p a t t e r n

M i n i m a l P a t t e r n m a d e w i t h a s i n g l e c u t i s t h e i n s p i r a t i o n f o r t h e c o l l e c t i o c

S i n g l e s e a m w i t h o v e r s i z e d s e a m a l l o w e n c e

S i n g l e s e a m w i t h o v e r s i z e d s e a m a l l o w e n c e

S i n g l e s e a m w i t h o v e r s i z e d s e a m a l l o w e n c e

Single seam with tufting embroidery

A n d r e a s N i c o l a s F i s c h e r

S e a m d r a p eTw o p i e c e s o f f a b r i c a r e j o i n e d b y a

s i n g l e s e a m t h a t h a s a n o v e r s i z e d s e a m a l l o w e n c e w h i c h n a t u r a l l y d r a p e s

P a t t e r n f o r a d r a p i n gi n s p i r e d b y t h e m i n i m a l p a t t e r n o f R o b e r t M o r r i s f e l t s c u l p t u r e s .S i n g l e c u t s a r e m a d e i n f a b r i c i n o r d e r t o f i n d t h e b e s t p l a c e f o r f a b r i c t o d r a p e

T h e t o p i s m a d e o u t o f a s i n g l e p i e c e o f f a b r i c w i t h t w o s e a m s .T h e s h i r t i s m a d e o u t o f t w o p i e c e s o f f a b r i c w i t h t w o s e a m s . S e a m a l l o w e n c e i s o v e r s i z e d , w h i c h c r e a t e d r a p i n g

T h e t e c h n i c a l d r a w i n g f o r a h a i r p i e c e t h a t i s i n t h e p h o t o g r a p h . T h e h a i r g o e s t h r o u g h t h e l i t t l e s l i t i n t h e m i d d l e . T h e p i e c e i s m a d e o u t o f b r a s s .

T h e s e c o n d h a i r p i e c e w i t h t h e f u r t r i m o n t h e e d g e o f t h e s l i t .

I h a v e d e v e l o p e d h a i r p i e c e s i n t o n e c k l a c e s . T h e t o p p a r t g o e s i n t o t h e f r o n t a n d t h e b o t t o n p a r t w i t h c u r v y s h a p e g o e s i n t o t h e b a c k . T h e h a i r g o e s t h r o u g h t h e l i t t l e h o l e s s o t h e t w o p o n y t a i l e f f e c t i s c r e a t e d u n d e r t h e b r a s s p i e c e s .

P R O J E C T I O N O F T H E P R I N T T O F I N D A P R I N T P L A C E M E N T

I h a v e d e v e l o p e d h a i r p i e c e s i n t o n e c k l a c e s . T h e t o p p a r t g o e s i n t o t h e f r o n t a n d t h e b o t t o n p a r t w i t h c u r v y s h a p e g o e s i n t o t h e b a c k . T h e h a i r g o e s t h r o u g h t h e l i t t l e h o l e s s o t h e t w o p o n y t a i l e f f e c t i s c r e a t e d u n d e r t h e b r a s s p i e c e s .

P R O J E C T I O N O F T H E P R I N T T O F I N D A P R I N T P L A C E M E N T

T h e l a p e l s o f t h e c o a t a r e o v e r s i z e d .A c u t i s m a d e n t h e l a p e l s i n o r d e r t o d r a p e l a p e l s a r o u n d

t h e c o a t .T h e c o a t i s m a d e o u t o f 4 p a t t e r n p i e c e s .

T h e d r a s s i s m a d e o u t o f a s i n g l e p i e c e o f f a b r i c w i t h n o s e a m s .T h e r e a r e 4 c u t s m a d e i n t h e f a b r i c .

D r e s s p a t t e r n

T h e t o p i s m a d e o u t o f a s i n g l e p i e c e o f f a b r i c w i t h t w o s e a m s .T h e s h i r t i s m a d e o u t o f t w o p i e c e s o f f a b r i c w i t h t w o s e a m s . S e a m a l l o w e n c e i s o v e r s i z e d , w h i c h c r e a t e d r a p i n g

T h e t o p i s m a d e o u t o f a s i n g l e p i e c e o f f a b r i c w i t h t w o s e a m s .T h e s h i r t i s m a d e o u t o f t w o p i e c e s o f f a b r i c w i t h t w o s e a m s . S e a m a l l o w e n c e i s o v e r s i z e d , w h i c h c r e a t e d r a p i n g

The dress is made out of single piece of fabric with one seam in the front that creates draping

T h e l e a t h e r t o p i s m a d e o u t o f s i n g l e p i e c e o f f a b r i c w i t h n o s e a m s .