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go

Index

Alphabetizing cames through to the first punctuation, regardless of the number of words.

Religious and academic titles showing rank are forgone, unless essential to identification. For

Bermudo himself, only biographical references are listed. Names and places mentioned in the

footnotes are not indexed, unless of more than merely bibliographical significance.

Accepit Jesus panes (Morales), 74n. accidentals: availability of, 46; noting of, 76;

specification of, 47 in plainsong, rules for, 46

accordature: bandore, 56; vihuela, 56 variants of, 42-43

Ad coenam Agni, hymn, 39 added sixth, chords of, 77 A flat: availability of, 55; Espinosa's opinion on,

47 Alcala de Henares: 25, 77; university of, 1-2, 10,

13, 182,3 1,37 AI-Farabi, 27 Alonso de la Vera Cruz, friar, 25 Ambrose, 28, 63 Americas, organ pieces for, 77 Angles, Higinio, [4-5], 73-74, 781 Anrrique, see Valdernibano Aranda, Matheo de, 10 Archimedes, 31 Arcos, Duke of, see Ponce de Leon, Luis Cristobal Aristotle, 28 Aristoxenus, 31, 51 Aroca, Jesus, 821

Arte de taner Fantasia (Santa ~laria), 222, 60, 81 Artusi, Giovanni Maria, 61 Ascendens Christus in altum (Victoria), 641

augmentation, 48 Augustine, 28-29, 38, 39n ., 45 Aunque me veys en tierra agena, 54, 82-84 Aures ad nostras, hymn, 39

91

Aurora lucis, hymn, 39 avarice, evils of, I, 16-17 Ave maris stella: Bermudo, 78; other organ ar-

rangements of, 66, 77 Avicenna, 27 Avila, 82 Ay de mi, qu'en tierra agena (Cancionero de Upsala), 82 3

Baeza, 2, 22, 41 Baini, Giuseppe, 12 Baker, Theodore, 7 Bal y Gay, Jesus, 572

bandore: 43, 56; tuning of, 42 bandurria, 5, 42

Barbour, J. Murray, 211, 5 I r, 58 Barcelona, 48 Barletta, 24 Basel, 3 1-32 Basil, bishop, 28 bass, range of, 76

bassus, spelling of, 70 baton, use of, 39 Beta nobis, hymn, 39 Beatus servus, communio, 40, 46 befabemi, distinctions within, 45 Beltran de Heredia, Vicente, 601

Bergamo, 5 Bermudez de Pedraza, Francisco, 431, 682

Bermudo: Benito, 11; Cristobal, licenciado, 11

Juan: birth year, 701; birthplace, I; early musical training, 1,371; family, affluence

Index

of, I, 16, 19, 26; friar's career, 1-2,9, 2 I; friendship with Cervantes de Salazar, 25-26, Figueroa, g-IO, 21, 23-24, Mo­rales, 14, 60-6 I; illness of 37; preaching ability of, 9, I I ; rumors circulated against, 16; university career of, 1-2, 10, 13, 182, 3 I, 37; visits to Baeza, 2, Granada, 52, 68, Montilla, 11-12, Toledo, I, 68; "zoological" interests of, 30

Bernard of Clairvaux, 28 Berne, 69 Berno, abbot of Reichenau, 28, 63 "black breves," 8, 48 black keys: additions to, 41; harp equivalents of,

58; limitations of, 35; cadential playing on, 33 Boethius, 23, 28, 30, 33, 37, 63 Bologna, university of, 251

Brescia, 29 Brindisi, 24 Britannico, Lodovico, 29 Brocar, joan de, 77 Bull,john,72 Byrd, William, 60

Cabez6n: Antonio de, 41, 48, 55, 60, 661, 77-79; juan de, 60

cadences: frequency of, 70-7 I; sharping at, 53; black keys in, 33-34

Calabazanos, I I

Canaries, 83 Cancionero de Upsala, 823

Canciones y villanescas espirituales (Guerrero), 14 cancrizans, 72 Cano, Melchor, 182

canon: cadences in, 66; writing, rules of, 71 cantarcicos, notation of, 64 canto de Organo, distinctions of, 68 canto golpeado (strummed music), animadversions

against, 41, 70 cantus firmus: treatment of, 77-79; vogue of, 70 Capella, Martianus, 51 Carnis spicam, plainsong, 18 Carthage, 38 Carthusians, 28, 3 I Carvajal, Luys de, 31, 18-19 Castellanis, Michael de, 28, 33 Celio, Ludovico, see Ricchieri Cerone, Pietro, 5, 62, 20 Cervantes de Salazar, Francisco, 25-26, 77 Cervantes Saavedra, Miguel de, 251

cha1lfonetas, style of, 70 Charles V, 13, 232,481

Christe Redemptor, Nativity hymn, 52 chromaticisms: melodic, 73, 77; plainsong, 77;

rules against, 34 Cicero, 28, 63 Cigales,9 Ciruelo, Pedro, 2, 28, 31, 33 cithara,32 Clara, saint, 41 clausula: definition of, 7 I ; hurtada, 73 clavichords, fretted, 51

92

clefs: dd, 45; gamma, 45, 763, 79; proper use of, 45; ternary, 45

clergy, musical admonitions to, 39 C6c;ar, Luis de, the younger, 682 Coimbra: 582; university of, 10

Collet, Henri, 31, 6, 48 color, 48 comma: distribution of, 2 I ; syntonic, 58 Compendium musices (Lampadius), 69 composition, instruction in, 36, 6 I, 6g-70, 72 concordances, 1555 and 1549 editions, 4, 7, 9,

16--17; see also, El arte Tripharia conditioning, importance of 231, 52 Conditor alme: hymn, 39, 77; organ arrangements,

Bermudo, 80, Gracia Baptista, 79 conducting, rules of, 39 conjunctas, plainsong, 40 consonance, determining of, 231, 52 contrapunto concertado, 67-68 Conventuals, 10 Correa de Arauxo, Francisco, 55 Council of Trent, 31 counterpoint: jOTfoso, 65, 67; instruction in, 36,

65; invertible, 67; tibertado, 65 C6zar Martinez, Fernando de, 22 Cursus quattuor mathematicarum (Ciruelo), 21, 3 I, 33

Dac;a, Antonio, 122 Danckerts, Ghiselin, 12, 5 Declaraci6n de instrumentos

1549 edition, 3-4, 6--7, 9-1 I, 13-16, 27-34 (see a/so, concordances)

1555 edition book 1,37-40; n, 40-44; III, 43-48; IV, 44, 48-60; v, 60-75

book VI (unpublished) contents of, 21-23, 36, 44; reasons for not

printing, 22; tractate 3 "against Espi­nosa," 44-45; tractate 4 "against Torres," 45; tractate 6, 41

book VII (unpublished), 22 confidence in future usefulness of, 20 dates of, 14,41 designated reader public for, 19 facsimile edition, 2 length of, 20

deduciones, 45 De expetendis et jugiendis rebus opus (ValIa), 3 I De musica (Augustine), 29, 45 De Musica libri Septem (Salinas), 62, 82 De natura tonorum, 28 Denys the Carthusian [van Leeuwen], 28 De Re Publica (Cicero), 63 Despuig, Guillermo, 19, 28, 32-33, 48 diapente, 75 diatessaron, 29, 75 Diaz, Gabriel, 821

Diaz Bermudo, Leonor, 11 Dijfinitorium musices (Tinctoris), 70 Diogenes, 28 discantus, 70 dissonance, determining of, 52

Index

doctores, citation of, 28-29 Dodekachordon (Glareanus), 32, 62 doleian, 29 Donde son estas serranas, 82-83 dots, in tabulators' use of, 55 Dowland, John, 703 Doyz, Juan, 23-24,41,48 Duese, Jacques, 28 Duns Scotus, 48 duos, vihuela, 56 Duran, Domingo [Marcos], 17,20,28,33,41

ear, importance of, 52, 59-60 Ecija: I, 5; religious houses at, 22 EL arte Tripharia: 3-7, 9,11-12,15,17-19,25-26,

761 ; concordances with, 40, 42, 451, 50; musical example in, 82-83

ELementa musicalia (Le Fevre d'Etaples), 30-3 I ELfuego (Flecha), 572

encyclopedias, 15th-century, 3 I endecha, 54, 82-83 Erasmus, Desiderius, 182, 521 Enriquez, Elvira, marquesa de Priego, I I

Enriquez de Valderrabano, see Valderrabano errata, noting of, 75 Espinosa: Antonio de, 25; Juan de, 27, 33, 44-45,

47 Etienne, Henri, 31 Etymologies (Isidore), 29 euouae: importance of, 65; modal formulas of,

53-54 Eusebius, 28 Exaltata est sancta Dei genitrix, 641

Ezekiel,23

Faber Stapulensis, see Le Fevre d'Etaples fantasia, Bermudo's attitude toward, 81 Fantasia que contrahaze La harpa en la manera de Lu-

duuico (Mudarra), 591 Fantasia xvm (Mudarra), 722 Ferdinand V, 591 Feria: 3rd count of, 12; 5th count of, 12 Fernandez de C6rdova: Catalina, 12; Pedro, I I

Fernandez de C6rdova y Figueroa, Pedro, 12 Ficino, Marsilio, 23, 27 fifths: consecutive, 14, 65-66, 73; diminished, 73,

763

Figueroa, Bernardino de, 9, 21, 24,41,48,52,55, 68

finals, correct choice of, 8 I fingering: rules of, 48-49; technical mastery of, 4 I Fitzwilliam VirginaL Book, 72 Flanders: 5; harps of, 58; organs of, 4 I flats, modal effect of, 59 Flecha, Matheo (the Elder), 572

flute: classification of, 29; technique of, 30 Fonseca, Alonso de, archbishop, 68 fourths: diminished, 73; dissonant quality of, 48,

67 Francis, saint, 41 Franciscus pauper, versicle, 46 frets: 22, 43, 56; necessity of, 42; see also, clavi­

chords, fretted

93

FuenIlana, Miguel de, 271, 43, 57, 791

fugas: a duo, 66; improvising of, 68 Fux, J. J., 65

Gaffurio, Franchino, 23, 18, 28, 30, 34, 44, 47, 63, 65-66, 70-7 1

Galen, 27 Ganassi, Sylvestro di, 29-30 Garcia de Loaysa, archbishop, 6, 25 Garcia Icazbaleeta, Joaquin, 252 Garc;on, singer, 682 genera, musical, 22, 52 Gerber, Rudolf, 79n. Gestoso y Perez, Jose, 32 Gir6n, licenciado, 25 Glareanus, Henricus, 28, 32, 60, 62 glosas: 572; Bermudo's dislike of, 79; Fuenllana's

disapproval of, 791 ; other strictures against, 55 Gombert, Nicolas, 13,40-42,44,48,54,63 G6mez de Llanos, minister-provincial, 9-10, 23 Goscaldos, J oannes, 28 Gracia Baptista, Sor, 77, 79 Granada; 9, 16,21,232,24,41,43,52,55; royal

chapel at, 68 Gregory I, pope, 28, 30, 53, 63 Grove's Dictionary, 7 Guerrero; Francisco, 12- I 4; 60, 703; Pedro,

archbishop, 232

Guido d'Arezzo, 28, 30, 45, 51 Guidonian "finger," 41; "hand," 33, 4 1, 54, 64 guitar: 5, 32; tuning of, 42; plebeian character of,

42 Guzman, Luis de, 42-43

Haec est verafraternitas, versicle, 40 harp: classification of, 29; instructions concern­

ing, 58; intabulation for, 58; Mudarra's writing for, 59; therapeutic powers of, 38; thickness of strings, 2 I

Harrassowitz, Otto, 31 Hawes, Stephen, 3 I Hazafias y La Rua, Joaquin, 32 Heiberg,J. L., 31 hexachords, Guidonian, 2 I, 45 Hilary, 38 Hippo, 29 Historia de Los amores de Clareo y FLorisea, 823

Historia scholastica (Peter Comestor), 281

Holborne, Anthony, 60 Hrabanus Maurus, 27 Hugo of St. Victor, 28, 38 hymns: arrangements of, 77; meter of, 39;

singing of, 38, 39n.

Ibn Sina (Avicenna), 27 illiteracy, dangers of, 37 imitation, closeness of, 70 imperfection, 48 improvisation, methods of, 7 I Inclina cor meum, Deus, response, 45 In majestatis soLio, hymn, 39 In manus tuas, Domine, response, 45

Index

innovation, masters, 4 1, 44, 48 intabulation: harp, 58-59; keyboard, 54; neces­

sityof, 13, 17,54; pitch problems, 43; suitable works for, 57; vihuela, 56-57

interdependency, Bermudo's insistence on, 7 interval, definition of, 44 Isabella of Portugal (Charles V's consort), 13,

232, 481 Isagoge in musicen (Glareanus, 15(6),32 Isidore: 28-29, 63; influence of, 30 Iste corifessor, hymn, 39 Istorum est enim, antiphon, 40

Jachet of Mantua, 48 Jaen,22 Jaen: Hernando de, 16,43; Martin de, 43 Jam Christus, hymn, 39 Jerome, saint, 28, 37 Jerusalem, 38 Jehoshaphat, 38 Joachim of Flora, 28 Joao II, I I

Joao III, 10-1 I, 16, 23, 43 J6dar, 182 John Baptist, hymns of, 39 John Chrysostom, 28 John XXII, pope, 28-29 Josephus, I 11,27 Josquin des Prez, 48, 82 Jovius, Paulus, 431 Juana, sister of Philip II, 49n., 58 Jubal, I II

Jupiter, 63 Juvenal,27

Kastner, Santiago, 2, 582 keyboard, range of, 18,41,45; see also, clavichord,

manichord, monachordio, organ Kinkeldey, Otto, 23, 8, 491

La Fage, Adrien de, 12 Lamech, I II

Lampadius, 69 Lanfranco, Giovan Maria, 29 Lapicida, Erasmus, 27 La Rue, Pierre de, 32 laud, see lute laudes, singing of, 38, 39n. leaps, width of, 69 Lebrixa, see Nebrija Le Fevre d'Etaples, Jacques, 28, 30-3 1, 53, 63 Leipzig, 29 Le6n,Juande, 3-4, 59 Lettione seconda della prattica di sonare il violone

d'arco da tasti (Ganassi), 30 Library of Congress, 58 Libro de cifra nueva (Venegas de Henestrosa), 77 Libro de mwica pratica (Tovar), 20, 33-34, 48 Lisbon, I I

Lisesa, singer, 682

L'Istitutioni harmoniche (Zarlino), 62 Lobo, Alonso, 703, 712

L6pez, Duke of Arcos's musician, 43 L6pez de Haro, Alonso, 112, 124 Lowinsky, Edward, 691 Ludovico, harpist, 59 Liineburg, 69 Lusitano, see Vicente Lustris sex, hymn, 39 lute, 5 Lux bella (Duran), 20, 33, 41

94

Mace, Thomas, 17 Macrobius, 27, 63 Magnificat: quarti toni (Vivanco), 723; sexti toni

(Morales), 81 Malaga, 24n., 48 manichords: 51, 58, 761; Italian, 221 Manrique, Teresa, 11-12, 15 }.{anuale chori (Alonso de Tarac;ona), IO

Manuzio, Aldo, 3 I Marchena, 5-6, 36, 6 I Margarita philosophica (Reisch), 3 I margins, glossing in, 20 Marieta, Juan de, 601 Marin Ocete, Antonio, 24n. Mark, saint, 2 I -

Mars, 63 Martinez: harpist, 58-59; Juan, theorist, 27, 33 Martinez de Bizcargui, Gonzalo, 28, 32-33, 51 Martinez Lechuga, Juan, 22, 22, 41 Martyrum chorus, antiphon, 40 Mary of Portugal, princess, 601 mathematics, importance of, 37 Medinaceli Library, manuscript at, 74n. Menendez y Pelayo, Marcelino, 31 Mercury, 63 meter, refinements of, see augmentation, color,

dots, imperfection, prolation, proportions Mexico: I 14; university of, 25 Michael, see Castellanis Michael, saint, hymns of, 39 Micrologus (Ornithoparchus), 29-30, 32, 34, 43,

45, 47-48, 5 I, 703 Milan, Luis, 10 Mille regretz (Josquin des Prez), 82 Miranda, count of, see Zuiiiga y Avellaneda Mira Nero de Tarpeya, romance, 57 Missa: Cafa (Morales), 74n.; Cunctipotens Genitor

Deus (plainsong), 46; De beata Virgine, 40; Mille regretz (Morales), 56, 74n.; Prudentes vir genes (Lobo), 7 I 2; Si bona suscepimus (Morales) 56

Mitjana, Rafael, 823 mixtures, organ, 22 modality, determination of, 45 modes: ancient versus medieval, 53; church, 53

"accidentalized, "15, 63; confusion of, 44; flats and sharps in, 40, 44; mixing of, 54; plagal versus authentic, 53; proper­

ties of, 61; transposition of, 15, 51, 55, 65 definition of, 62; emotional effects of, 54, 69;

ethos of, 62-63; Greek enumeration of, 53; medicinal properties of, 38; polyphonic

Index

implications of, 75; polyphonic para­digms, 76-77, 81

Molina, Bartolome de, 10 monachordio: 761; impropriety of, 5 I ; keyboard of,

50 monochord, 5 I Montanos, Francisco de, 60 Montemayor, Jorge de, 49n. Montilla, 11-12 Moors, wars with, 2 I Morales, Cristobal de, 5-6, 13, 21, 24n., 25, 36,

41,44,48,57,60-61,63,69,71-73, 74n., 81 mordents, fingering of, 49 Morley, Thomas, 60-6 I Morte Molina, Jose, 123

Mosquera de Moscoso, Cristobal, 14 motives, Bermudo's use of, 81 Mudarra, Alonso, 32, 59, 72, 81 musica de concierto, 56 musica fleta, 35 Musica Practica (Ramos de Pareja), 32 Musice Actiue Micrologus, see Micrologus Musick's Monument (Mace), 17 mutations, Guidonian, 45

naenia, 821 Naples, 5 ~arvaez, Luis de, 43, 81 Navarre, 13 Kavarro, Juan, 60 "nearest" imperfect consonances, rule of, 34-35 Nebrija, Antonio de, 522 Nelmchadnezzar, 38 note-shapes, plainsong, 64 Nunez de Reinoso, Alonso, 823

Obrecht, Jacob, 32 Observants: 1-2, 10,21; Andalusian province of,

22, 182, 23; music among, 21, 37 octaves: consecutive, 15, 65-66; fingering of, 49;

similar motion to, 66; "short," 49, 76-77,79 Opera intitulata Fontegara (Ganassi), 29 Opus Aureum (Wollick), 31 ardenes, harp complement of, 58 Orellana, Hernando de, 24n. organ[s]: Bermudo's additions to, 41; classifica­

tion of, 29; compositions for, 26, 76-84; fabrication of, 16, 22; sizes and tuning of, 55-56; see also, Doyz, mixtures, Silvestre

Orgel und Klavier (Kinkeldey), 8, 491, 763 Origen,28 ornaments, playing of, 49 Ornithoparchus, Andreas, 28-29, 31-32, 34, 43-

45, 47-48, 5 I, 703 OrpMnica lyra (Fuenllana), 791 Orsino, Duke, 82 Ortega, Angel, 11, 22, 91 Ortiz, Diego, 81 2

Osorno, count of, 114 Osuna, 3, 182, 251

Pacheco, Isabel, 1 1 - 12

95

Padua, 2 Palencia, 1 I, 49n. Palero, Francisco Fernandez, 57 2,661, 77 Pange lingua: Bermudo's setting of, 81, 76; other

keyboard versions of, 78; plainsong hymns, 39 paper, expense of, 22 Papinian, 27 paraphrase, technique of, 70 Parker, Matthew, archbishop, 621 Passetyme of Pleasure, The, 3 I patronage, royal, 10, 16 Pedrell, Felipe, 62 Peralta, Maria de, 25 Perez, Juan, 11 Peter, saint, 2 I Peter Comestor, 28 Philip II, 43, 49n. Piacenza, 3 I Pincherle, Marc, 581 Pisador, Diego, 571 pitch: "mental," 43; "variable," 40 Placentinus, see Valla plagiarism, 6, 301 Plaine and Easie Introduction to Practicall Musicke

(Morley), 60 plainsong: accidentalizing of, 79; "composition"

of, 64; fluctuating speed of, 39; instruction in, 61; letters of, 32; limits of, 17-18, 44; Ob­servants' use of, 10; treatment of, 4; types of, 65

planets, modal influences exerted by, 63 Plato, 28 Pliny the Younger, 27, 38-39 Plutarch, 27 Podio, Guillermo de, see Despuig polichordio, 51 Ponce de Le6n: Ana, 12; Luis Cristobal (Duke of

Arcos), 6, 41, 43 Possidius, 27, 38 Practica musicae (Gaffurio), 44, 47 Prattica di musica (Zacconi), 62 precentor, advice to, 40 Priego: 1st marquesa de, I I; 2nd marquesa de, 12 printing, Bermudo's outlay for, 11, 16, 22, 26 "progress," necessity for, 44-45 prolation, specifying of, 43 proportions: 48, 712, 75; purpose of, 33; values of,

40 propriedades, 45 psalmody, rules for, 39-40 Ptolemy, 3 I, 53 puntas syncopados, 54 Pythagoras, 38, 53

Quintilian, 28

rabel, 5, 42 Ramos de Pareja, Bartolome, 2, 29, 32, 331, 62,

722 rebeck,43 redobles: 14, 791 ; proper use of, 55 Regali ex progenie, antiphon, 40 Regola Rubertina (Ganassi), 29

Index

Reisch, Gregor, 28, 3 I renglon, 75 Requiem Masses, correct notes in, 40 Requiem (Morales), 14, 69, 731 responses: modality of, 45; transposition of, 55 rests: use of, 71; to designate prolation, 43-44 Rex Eterne, hymn, 39 Ricchieri, Ludovico Celio, 27 Richard of St. Victor, 28 Riemann, Hugo, 7 Rodriguez Marin, Francisco, 251 romances: 57, 82; notation of, 64 Rome, 34 Rubineto, 28, 33

Salamanca: 10, 301, 723; university of, 25 Sablonara, Claudio de la, 821 Sacris solemniis, hymn, 39 Sacris solemniis. Joseph vir (Morales), 72 Salinas, Francisco, 48, 60, 62, 82 Sancta Maria succurre miseris (Verdelot), 69 Sanctorum meritis, hymn, 39 San Francisco, friaries of, 22, 31 San Pedro y San Pablo, college of, I, JOl, 182

Santa Clara, convent of, 11-12, 15 Santa Maria, Tomas de, 22 2, 60, 81 Santiago de Compos tela, 13 Saragossa, 34 Saturn, 63 Schumann, Valentin, 29 Scintille di musica (Lanfranco), 29 scores: barring of, 54, 68; need for, I 7 seconds: augmented, 76; suspensive use of, 72 Segovia, 13, 79n. semitones: size of, 221, 38, 5 I-52; "singable"

versus "unsingable," 50 semitonium subintellectum, 722 Seneca, 28 sesquialtera, 33, 39, 75 Setubal, 1 I Seville, 3, 13 sharps: notation of

plainsong, 64; keyboard music, 76 in key signature, use of, 53

Sicily, 34 sight-reading, aids to, 54 signatures: conflicting, 73, 763; higher, 15;

metrical, 47; restrictions, on 48 Silva de sirenas (Valderrabano), 13, 56 Silvestre, Gregorio, 23-240., 41 sixths, consecutive, 66-67, 71 Solemnis urgebat dies, hymn (Morales), 713 Soto: Cipriano de, 49n.; Francisco de, 41, 48, 661 solmization, system of, 45 Solomon, temple of, 38 Somnium Scipionis, 631

Spafion, Alonso, 45 Steelsio, juan, 49n. Strassburg, 3 Suarez de Figueroa: Gomez (5th Count of Feria),

12; Lorenzo (3rd Count of Feria), 12 succentor, admonitions to, 39

96

suspensions, rules for, 72 tablatures: Italian, 57; keyboard, 54-55; Spanish,

57; vihuela, 17,56 Tabula de Tactu diminuto (Ornithoparchus), 47 Tallis, Thomas, 621, 692

Tapia, Martin de, 6, 301, 60 Tarac;:ona, Alonso de, 10 Tarazona, 79n. Tarifa, marquesa de, 43 Te Deum, 40 Tellez, Baltasar, 57 Tellez Gir6n,juan, see Ur[u]ena, Count of Te lucis (Lent), 40 temperament, equal, 51 tempi, indications of, 48 tenor, hegemony of, 70 tenths, stretching of, 50 texts, rules for setting of, 63-64 thirds: cadential use of, 59, 65; consecutive, 66-

67, 71 Thomas Aquinas, 28 tientos: 77; Bermudo, 49-50, 81 ; Mudarra, 59 Tinctoris, johannes, 27, 63, 70-7 1 Titelmans, Franz, 31, 18-19 Toledo: 1,25,68; manuscript at, 713 Toledo, Maria de, 12 "tone," definitions of, 62 Torres, Melchior de, 45 Tovar, Francisco, 20, 33-34, 48 tracts, modality of, 45 transpositions: rules for, 51, 54; table of, 51 Trattado de glosas (Ortiz), 8 I 2

Trend, j. B., 24 Tres libros de musica en ciJras (Mudarra), 32, 59 tritones, 69, 73 tropes: definition of, 62; Marian, tempi of, 40 Tubal, I I Tumulo imperial (Cervantes de Salazar), 25 tuning: distances for, 75; local variants of, 55-56;

methods of, 42, 59; Pythagorean, 52, 67; systems of, 21-22; restrictions on, 35-36

Tuning and Temperament (Barbour), 58 Twelfth Night, 82

Ubeda, 22, 182

Ulysses, II Ur[u]ena, Count of, 14, 251, 69 Urrede, johannes, 78-79

Valderrabano, Enriquez de, 12-13,43,56-57 Valdes, Fernando de, 6 Valencia, 20 Valla, Giorgio, 272, 28, 31-32 Valladolid: 9-10, 222; manuscript at (Santiago

parish), 74n. Vandals, invasion of, 38, 39n. Vasquez, juan, 32, 48, 57 Vela Nunez, 55 Venegas, Alejo de, 25 Venegas de Henestrosa, Luys, 481, 55, 572, 77 Venice, 29, 31, 823 Veni Creator: hymn, 39, 763, 77; organ version, 79 Venus, 63

Index

Verbum supernum, hymn, 39 Verdelot, Philippe, 6g Vergel de mthica (Tapia), 6, 301 Vexilla regis prodeunt (Bermudo), 79 Vicente Lusitano, 48 Vicentino, Nicola, 12

Victoria, Tomas Luis de, 60, 641

vihuela[ s]: 15, 29, 42; assets peculiar to, 5 I -52 ; ensembles of, 56;

intabulation for, 43; seven-course, 2 I, 42, 57; tuning of, 42-43, 56; see also, guitar

Vila, Mosen [Pedro Alberch], 41, 48 Villada, Pedro de, 41, 48 villancicos: composition of, 72,812; style of, 70

Tapia's singing of, 301; Vasquez's repertory of,57

Villancicos de diuersos Autores (Venice, 1556), 823

Villancicos i canciones (Vasquez, 1551),32 Villaseca de Salazar, Alonso de, 25 Vivanco, Sebastian de, 723

97

Vives, juan Luis, 191, 522

voices, ranges of, 70 Volcyr, see Wollick Vorimitation, 77

Waldensians, 38 Weiskotten, H. T., 381 Willaert, Adrian, 44, 48, 63 Wolf,johannes, 621,722

Wollick, Nicolas, 31 "word-painting," 64 Wynkyn [de Worde], jan van, 31

Zacconi, Lodovico, 61-62 Zapata, Luis, 232

Zarlino, Gioseffo, 60, 62 Zuniga y Avellaneda: Francisco de (Count of

Miranda),61, 10, 12-13,43; Gaspar de (archbishop), 13