Ode for - CPDL
Transcript of Ode for - CPDL
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Henry Purcell
(1659-1695)
Ode for
St. Cecilia’s Day,
1692 Z. 328
Full Score
Text by
Nicholas Brady
Edited by Edward F. Rimbault (1848)
and David Cameron (1991, 2013
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Table of Contents
No. 1 Symphony 2
No. 2 Recit. And Chorus, Hail, bright Cecilia 30
No. 3 Duet (Soprano & Bass) Hark! Each tree its silence breaks 49
No. 4 Air (Alto), ‘Tis Nature’s voice 80
No. 5 Chorus, Soul of the World 84
No. 6 Air (Soprano) and Chorus, Thou tuned’st this world 95
No. 7 Trio (Alto, Tenor & Bass), With that sublime celestial lay 105
No. 8 Air (Bass), Wondrous machine 112
No. 9 Air (Alto), The airy Violin 115
No. 10 Duet (Alto & Tenor), In vain the amorous Flute 120
No. 11 Air (Alto), The Fife and all the Harmony of War 128
No. 12 Duet (Two Basses), Let these among themselves contest 139
No. 13 Chorus, Hail, bright Cecilia 143
Notes 164
Orchestra
Two Trumpets, two Flutes (Recorders), two Oboes, Timpani in A & D, Strings and Continuo
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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Trumpet 1& Oboe1
Trumpet in C
Timpani in A & D
Violin I
Violin II
Viola
Violoncello
Continuo
Grave
Ode for St. Cecilia's Day (1692)Henry Purcell (1659-95)
ScoreHail, bright Cecilia
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No. 1, Symphony
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Canzona (briskly)
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(rit.)
(rit.)
(rit.)
(rit.)
(rit.)
rit.
(rit.)
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Slow
Slow
Oboe 1 only, Trumpet 1 tacet
Oboe 2 only, Trumpet 2 tacet
( = previous )
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Original instruction:Repeat the Canzona and the Adagioagain as before and so goe on.
Original instruction:Repeat the Canzona and the Adagioagain as before and so goe on.
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Allegro
Trumpet 1 and Oboe 1
Trumpet 2 and Oboe 2
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(rit.)
(rit.)
(rit.)
(rit.)
Fine
Fine
Fine
Fine
Fine
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Grave
Oboes only, Trumpets tacet
Oboes only, Trumpets tacet
5 6
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D.S. al Fine
D.S. al Fine
D.S. al Fine
D.S. al Fine
D.S. al Fine
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Violin I, Oboe 1
Violin II, Oboe 2
Viola
Violoncello
Soprano
Alto
Tenor
Bass
Hail, hail,
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(Solo)
Strings only
bright Ce ci lia!
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Hail, hail,
42
6
bright Ce
7 6
- - -
Ode for St. Cecilia's Day (1692)
No. 2: Recit & Chorus, Hail, bright Cecilia30
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ci lia! Hail,5
hail!
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53\
Hail, hail,
Hail, hail,
Hail, hail,
Hail, hail,
Tutti
Tutti
Oboe and all Violins
Oboe and all Violins
bright Ce ci lia!
bright Ce ci lia!
bright Ce ci lia!
bright Ce ci lia!
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Hail, hail,
Hail, hail,
Hail, hail,
Hail, hail,
bright Ce ci lia!
bright Ce ci lia!
bright Ce ci lia!
bright Ce ci lia!
- - - - -
- - - -
- - - -
- - - -
Ode for St. Cecilia's Day (1692), No. 2 31
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Hail, hail,
Hail, hail,
Hail, hail,
Hail, hail,
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hail, hail!
hail, hail!
hail, hail!
hail, hail!
Fill ev' ry heart with love of
(Semichorus)
(Semichorus)
Organ onlyHarpsichord tacet
(Semichorus)
thee and thy ce les
Fill ev' ry heart with love of
6 6 6 6
-
- - - - -
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Fill ev' ry
tial art, thy
thee and thy ce les
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6 6\
6 6 6 7 5
(Semichorus)
heart with love of thee and thy ce
ce les tial art:
tial art, with love of
Fill ev' ry
64
5\3\
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(Semichorus)
Harpsichord play
les tial art, thy ce
fill ev' ry
thee, with love of thee and thy ce
heart with love of thee and thy ce
6 6 6\ 6 6 6
(Cello)
(Bass)
(1 desk)
- -
- -
- - -
- - --
- - -
- - - - -
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les tial art, fill ev' ry
heart with love of thee and thy
les tial art, and thy ce
les tial art.
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6
(1 desk,Oboe tacet)
(1 desk,Oboe tacet)
heart with love of thee and thy ce
ce les tial art, and thy ce
les tial art.
Fill ev' ry
53
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3\
6\
(Tutti)
les
les tial art,
Fill ev' ry
heart with love of thee and thy be
6\ 6 6\ 6 6\
- - -
- - -
- - - - - - -
- - - - - - - --
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ce les tial art fillev' ry
heart with love of thee and thy ce
les tial art,21
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tial
heart with love of thee, fill
les tial
with thy ce les tial
(Chorus)
art: fill ev'ry heart with
ev' ry heart with love of thee;
art, fill ev' ry heart with love of
art. Fill ev' ry
(Chorus)
(Chorus)
(Chorus)
- - - -
- - - - - - -
- - - -
- - - - - - - - - - -
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love of thee and thy
fill ev' ry heart with love of
thee and thy ce les
heart with love of thee, with love of
24
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ce les tial
thee and thy ce les tial
tial, thy ce les tial
thee and thy ce les tial
7 6 64
5\3\
art.
art.
art.
art.
Oboe and all Violins
Oboe and all Violins
- -
- - - - - - -
- - -
- -
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6 6 6# 6 6
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3 3
6 6 7
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Fill ev' ry
Fill
7 6 65
Fill ev' ry
heart with love of thee and thy
ev' ry heart with love of
66#
7
-
-
-
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Fill ev' ry
heart with love of thee and
ce les tial
thee and thy ce les36
7
heart with love of thee and thy ce
thy ce lest tial art.
art. Fill ev' ry
tial art.
6 64
5\3\
les tial
Fill ev' ry
heart with love of thee, with love of
Fill
-
- - - - -
- - -
- - - - - - -
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art, fill ev' ry
heart with love of thee,
thee, fill ev' ry heart with
ev' ry heart with39
6 5
heart with love of thee and thy ce
fill ev' ry heart with love of
love of thee and thy
love of thee and
6 4 3\
les tial
thee and thy ce les tial
ce les tial
thy ce les tial
4 3\
- - -
- - - - -
- - -
- - - - -
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art:
art: that
art:
art:42
3
(Solo)
(1 cello, 1 bassBassoon tacet)
thine and Mu
that thine and
(Solo)
Organ onlyHarpsichord tacet
Mu
- - - - - - - - - - - -
- - - - - - - - - -
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sic's sac red
sic's sac red
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love may make the Bri tish fo rest
love may make the Bri tish fo rest
May make the Bri tish fo rest
(Chorus)
(Chorus)
(Chorus)
Tutti
prove as fa mous, as fa mous,
prove as fa mous, as
prove as fa mous, as
- - -
- - - - - -
- - - - - - -
-
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as fa mous as Do do na's
fa mous, fa mous as Do do na's
fa mous, fa mous as Do do na's49
6 6
that
vo cal grove;
vo cal grove;
vo cal grove;
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(Solo)
thine and Mu
that thine and
(Solo)
(1 cello, 1 bassBassoon tacet)
Mu
- - - - - - - - - -
- - - - -
- - - -
- - - - - - -
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sic's
sic's sac53
sac red love may make the
may make the
may make the
red love may make the
(Chorus)
(Chorus)
(Chorus)
(Chorus)
Tutti
Bri tish fo rest prove as fa mous,
Bri tish fo rest prove as
Bri tish fo rest prove as
Bri tish fo rest prove as
- - - - - - - - -
- -
- -
- - - - - - - -
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as fa mous, as fa mous
fa mous, as fa mous, fa mous
fa mous, as fa mous, fa mous
fa mous, as fa maous, fa mous56
6
as Do do na's vo cal
as Do do na's vo cal
as Do do na's vo cal
as Do do na's vo cal
6 7 64
53\
grove, as fa mous, as
grove, as fa mous, as fa mous,
grove, as fa mous, as
grove, as fa mous, as
- - - - - - -
- - - - - - -
- - -
- - - - - -
- - - - -
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fa mous, as fa mous
as fa mous as fa mous
fa mous, as fa mous
fa mous, as fa mous59
6 6
as Do do na's vo cal
as Do do na's vo cal
as Do do na's vo cal
as Do do na's vo cal
6 64
4 3\
grove.
grove.
grove.
grove.
- - - - -
- - - - -
- - - - -
- - - - -
Ode for St. Cecilia's Day (1692), No. 2
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Flute (Recorder) I
Flute(Recorder) II
Violin
Violin II
Cello
Soprano
Bass
No. 3 Hark! Each tree its silence breaks49
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(Recorders)
Ode for St. Cecilia's Day No. 351
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Hark!25
Hark! each
tree its
si
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7
lence
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- - - - - - -
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Hark!
breaks;31
Hark! each
tree its
si
7
7
lence
75\
- - - - - - -
Ode for St. Cecilia's Day No. 3
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37
37
breaks, Hark!
Hark! each37
hark, each
tree its
5\ 6
tree its
si
6
si
7
7
- - - - - -
- - - - - - - -
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42
42
42
42
lence
lence42
75\
breaks.
breaks.
7
7
- - -
- - -
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48
48
48
48
48
7 6\
Hark!
Hark!, each
tree its
si
7
7
- - - - -
Ode for St. Cecilia's Day No. 3
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54
54
54
54
lence54
7
Hark!
breaks,
hark! each
tree its
si
7
7
- - - - -
- - -
Ode for St. Cecilia's Day No. 3
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60
60
60
60
lence
Hark!60
75\
breaks, hark!
hark! each
7
hark! each
tree its
5\ 6\
tree its
si
6
si
7
- - - - - -
- - - - -
Ode for St. Cecilia's Day No. 359
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65
65
65
65
65
7
lence
7
breaks; the
breaks;
Continuo
box and
the
6\
fir to
box and
- - - - - -
- - - - - - - -
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70
70
70
70
talk,
fir to70
talk,
97
3
to
to talk,
talk, to
to talk
- - - - - - - - - - -
- - - - - - -
Ode for St. Cecilia's Day No. 3
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75
75
75
75
talk, to
to talk75
talk be
be
7
gin.
gin.
97
Hark!
97
Hark!
hark!
-
-
Ode for St. Cecilia's Day No. 3
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80
80
80
80
hark!
hark!80
97
86
hark!
hark!
97
86
hark!
hark!
97
86
hark!
hark!
This is the
65
Ode for St. Cecilia's Day No. 363
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85
85
85
85
spright85
97
86
97
86
ly
97
86
- - - - - - - - - - - - -
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89
89
89
89
Vi o lin,89
that in the
6 6\
Flute dis
6\
tinct ly, dis
6\
tinct ly
7
- - - -
- -
Ode for St. Cecilia's Day No. 365
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94
94
94
94
speaks, dis
94
6\5
7
tinct ly, dis
65
7
tinct ly
7 7
speaks.
This in the
4
- - - -
Ode for St. Cecilia's Day No. 3
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99
99
99
99
spright99
5\
ly
- - - - - - - - - - - - -
Ode for St. Cecilia's Day No. 367
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103
103
103
103
Vi o lin,103
That in the
Flute
This in the
6\
dis
spright
-
- - - - - -
Ode for St. Cecilia's Day No. 368
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107
107
107
107
tinct ly, dis
ly107
6\5
tinct ly, dis
Vi o lin, dis
tinct ly
tinct ly
speaks.
speaks.
-
- - - -
-
- -
- -
- -
Ode for St. Cecilia's Day No. 369
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111
111
111
111
111
Ode for St. Cecilia's Day No. 3
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115
115
115
115
115
'Twas
'Twas
sym pa thy, 'twas
sym pa thy their
sym pa thy, 'twas
6
- - - -
- -
Ode for St. Cecilia's Day No. 371
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119
119
list' ning breth ren
sym pa thy, 'twas119
6 5 6
drew, 'twas
sym
sym
pa thy their
4
- - - - - - - - - -
- - - - - - - - -
123
123
pa thy their
list'123
6
list'
6
ning breth ren
ing breth ren
drew, when
drew,
to the Thra cian
- - - - - - -
- - - - - - -
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128
128
lyre with
128
lea fy wings they
6 6
flew
when
to the Thra cian
7
lyre, when
-
-
133
133
to the Thra cian133
lyre with
lea fy wings they
when
flew,
6\
- -
Ode for St. Cecilia's Day No. 373
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137
137
to the Thra cian
137
lyre with
with
lea fy wings they
lea fy wings they
flew,
flew,
-
- -
141
141
with
with141
lea fy wings they
lea fy wings they
flew, when
flew, when
to the Thra cian
to the Thra cian
6 5\ 7 8
- -
- -
Ode for St. Cecilia's Day No. 374
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145
145
145
145
lyre with
lyre with
145
lea fy wings they
lea fy wings they
flew,
flew,
-
-
Ode for St. Cecilia's Day No. 3 75
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148
148
148
148
with
with148
lea fy wings they
lea fy wings they
flew, with
flew, with
-
-
Ode for St. Cecilia's Day No. 376
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151
151
151
151
lea fy wings they
lea fy wings they151
flew.
flew.
-
-
Ode for St. Cecilia's Day No. 377
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154
154
154
154
154
Ode for St. Cecilia's Day No. 3
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157
157
157
157
157
Ode for St. Cecilia's Day No. 379
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Alto
'Tis
Na ture's voice,
'tis Na ture's
voice, thro' all the
- -
5
mov5
42
53
ing
642
65
wood of crea tures
2
- - - - - - - - - - - - - -
9
un
9
der stood:
6\
the u ni ver sal
tongue, the u ni ver sal
- - - - - - - - - - - - -
No.4 : Air (Alto), 'Tis Nature's voice80
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13
tongue to none of all her13
64
num' rous race un
3
known; from her,
from her it learned the
- -
17
migh ty, the17
migh ty, the
migh ty
6\7
art, to court
- - - - - - - - - -
21
the ear or21
74\2
strike, or strike
76
the
73\
64
5
4
-3\
heart; at once the
25
pas sions to ex press, and25
move
at once the pas sions to ex
- - - -
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28
press, to ex press and28
7 6\
move,
we hear and strait we
3
grieve,
7 65
5
4
653
-
32
or32
54 3
hate, and strait we
grieve,
75
6-
5
4
53
or
4 3
36
hate, re joice36
6
3
-
39
or
39
love. In
un seen chains it
4\2
6
does the fan cy
6 5 4 3
- -
Ode for St. Cecilia's Day (1692) No. 482
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43
bind, it43
7 6 7 6
does, it does the
6
fan cy
65
4 3
bind; at once it
- - - -
47
charms47
32
43
5
4
the
65
76
86\
sense and cap
6
ti vates the
4 3
- - - - - - -
51
mind, at once it51
charms
32
43
5
4
the
65
76
86\
54
sense and cap54
6
ti vates the
Segue Chorus, No. 5
mind.
- - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 4 83
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Violin I, Oboe 1
Violin II, Oboe II
Viola
Violoncello, Bassoon,
Contrabass
Soprano
Alto
Tenor
Bass
Soul of the
Soul of the
world,
Soul of the
Soul of the
world,
Soul of the
world, in
world, in
Soul of the
world, in
spired,
spired,
world, in
-
-
-
-
No. 5: Chorus, Soul of the World
84
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5
5
spired,
in
in
spired,
5
in
spired
spired
in
spired by
by
by
spired by
thee, the jar ring, jar ring
thee, the jar ring, jar ring
thee, the jar ring, jar ring
thee, the jar ring, jar ring
- - -
- - -
- - -
- - -
Ode for St. Cecilia's Day (1692) No. 5
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9
9
seeds, the jar ring, jar ring
seeds, the jar ring, jar ring
seeds, the jar ring, jar ring
seeds, the jar ring, jar ring
9
seeds of mat ter
seeds of mat ter
seeds of mat ter
seeds of mat ter
did a gree,
did a gree,
did a gree,
did a gree,
thou didst the
thou didst the scat
- - - -
- - - -
- - - - - - -
- - - -
Ode for St. Cecilia's Day (1692) No. 5
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13
13
thou didst the
scat
13
scat
ter'd a toms
ter'd
bind, the scat ter'd,
ter'd a toms bind,
thou didst the scat
- - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - - - -
- - -
Ode for St. Cecilia's Day (1692) No. 5
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16
16
a toms bind,
scat ter'd a toms bind,
thou didst the scat
16
thou didst the scat
thou didst the
scat
ter'd a toms bind,
ter'd a toms bind,
- - - - - - - - -
- - - - - - - -
- - - - - - - - -
- - - - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 588
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19
19
thou didst the scat
19
ter'd a toms bind,
thou didst the scat
ter'd, the scat
thou didst the scat
ter'd, scat
ter'd, scat
- - - - - - - - - - - - - - - -
- - - - - - - - -
- - - - - - -
- - - - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 5
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22
22
ter'd a toms bind,
ter'd a toms bind,
ter'd a toms bind,
ter'd a toms bind,
22
which by thy laws of
which by thy laws of
which by thy laws of
which by thy laws of
true pro por tion joined,
true pro por tion joined,
true pro por tion joined,
true pro por tion joined,
which by thy laws of
which by thy laws of
which by thy laws of
which by thy laws of
- - - -
- - - -
- - - -
- - - -
Ode for St. Cecilia's Day (1692) No. 5
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26
26
true pro por tion joined,
true pro por tion joined,
true pro por tion joined,
true pro por tion joined,
26
made up of va
made up of
va
made up of
rious
rious parts,
va
made up of
- - - - - - - - - - -
- - - - - - -
- - - - - -
- -
Ode for St. Cecilia's Day (1692) No. 591
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30
30
parts, made up of
made up of va
rious parts,
va rious parts,
30
va rious
rious parts,
made up of
made up of va rious
parts, of va
va rious parts,
parts, made up of
rious, va
made up of va
made up of
va
- - - - - - - - -
- - - -
- - -
- - - - - -
Ode for St. Cecilia's Day (1692) No. 592
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34
34
rious parts, made
rious parts,
va rious parts, made up of
rious parts34
up of va
made up of va
va
rious
rious parts, of va rious, va rious
rious
made up of va rious
- - - - - - - - - - -
- - - - - - -
- - - - - - - - - - -
- - - -
Ode for St. Cecilia's Day (1692) No. 593
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37
37
parts, one
parts, one
parts, one
parts, one37
per fect, one
per fect, one
per fect, one
per fect, one,
per fect, one
per fect,
per fect,
one per fect,
per
one
one per
per
per
fect, per fect
fect, per fect
fect, per fect
fect
har mo ny.
har mo ny.
har mo ny.
har mo ny.
- - - - - - - - - -
- - - - - - - -
- - - - - - - - -
- - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 594
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Oboe 1
Oboe 2
Violoncello, Bassoon,
Contrabass
Symphony
Symphony
Continuo
Bassoon only
8
8
8
No. 6: Air & Chorus, Thou tuned'st this world
95
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15
15
15
.
.
23
23
23
Ode for St. Cecilia's Day (1692) No. 696
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30
30
30
30
Thou tune'st this
Solo
Air
Cello only
542
65
world, this
6
world be
4 3\
-
38
38
low, the
38
spheres a
bove, the
6
spheres
a
6
bove,
which in the
6
- -
Ode for St. Cecilia's Day (1692) No. 6 97
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45
45
heaven ly
45
round
6
do their
own mu sic
65 4 3
move,
- -
52
52
to their
52
own mu sic
65
4 3
move,
which in the
6
hea ven ly
round
- - -
59
59
do their
59
own mu sic
64
4 3
move,
8
7
9 8 6 6
9 8 6 65
7
-
Ode for St. Cecilia's Day (1692) No. 698
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66
66
66
to their
66
own mu sic
6 64
4 3\
move.
Thou tuned'st this
Thou tuned'st this
Thou tuned'st this
Thou tuned'st this
Chorus
Vc., Cb., Bassoon
42
6
world, this
world, this
world be
world be
6
world be
world be
low, the
low, the
54
low, the
low, the
spheres a
spheres a
- -
- -
- -
-
Ode for St. Cecilia's Day (1692) No. 6 99
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73
73
73
spheres a
spheres a
bove, the
bove, the
73
bove the
bove, the
shperes a
spheres a
6
spheres
spheres
bove, the
bove, the
a
a
spheres a
spheres a
6
bove,
bove,
bove,
bove,
which in the
which in their
which in the
which in their
hea ven ly
heav'n ly
heav'n ly
hea ven ly
- - - - -
- - -
- - - -
- - -
Ode for St. Cecilia's Day (1692) No. 6100
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80
80
80
round
round
round
round
80
6
to their
to their
to their
to their
6
own mu sic
own mu sic
own mu sic
own mu sic
65
move,
move,
move,
move,
to their
to their
to their
to their
- - - - - - - - - - - - -
- - - - - - - - - - - - -
-
-
Ode for St. Cecilia's Day (1692) No. 6101
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87
87
87
own mu sic
own mu sic
own mu sic
own mu sic
87
move,
move,
move,
move,
which in the
which in the
which in the
which in the
6
heav'n ly
heav'n ly,
heav'n ly
heav'n ly
round,
heav'n ly
round
round
6
round
to their
to their
to their
to their
- - - - - - - - -
- - - - - - - - -
- -
- - -
Ode for St. Cecilia's Day (1692) No. 6102
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94
94
94
own mu sic
own mu sic
own mu sic
own mu sic
94
64
53\
move,
move,
move,
move,
- - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
-
-
Ode for St. Cecilia's Day (1692) No. 6103
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99
99
99
99
6 6 7
to their
to their
to their
to their
6
own mu sic
own mu sic
own mu sic
own mu sic
64
5
move.
move.
move.
move.
- - - - - - - - - -
- - - - - - - - - -
-
- -
Ode for St. Cecilia's Day (1692) No. 6104
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Alto
Tenor
Bass
With that sub lime ce
With that ce
les
les
tial
tial
lay, can a ny
lay,
- - - - - - -
- - - - -
5
earth ly sounds
can a ny earth ly sounds
com
com
\
pare?
pare?
If a ny earth ly mu sic
dare, the no ble,
- -
- - -
- - - -
No. 7: Trio (ATB), With that sublime celestial lay
8 6 7 6 6 4 3 5 4
7 6
105
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9
no
ble or gan
\
if a ny earth ly mu sic
may,
dare, if a ny earth ly mu sic
if a ny earth ly mu sic
- - - -
- - - - - -
- - -
13
dare, the no ble
dare, the no ble
the no ble or gan,
or gan, the no ble,
or gan, the no ble,
the no ble, no
no
no
- - - - - - - -
- - - - - -
- - - - - -
Ode for St. Cecilia's Day (1692), No. 7
4 6 4 3 2
106
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16
ble or gan
ble or gan
ble or gan
may.
may.
may. From heav'n its
won drous, won drous
- - - - -
- - - -
- - -
19
From heav'n its
From heav'n its
notes were given,
won drous, won drous
won drous, won drous
notes were given,
notes were given,
Ce ci lia
- -
- -
- -
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22
Ce ci lia
Ce ci lia oft con vers'd with
oft con vers'd with heav'n, con vers'd with
oft con vers'd with heav'n, Ce ci lia
heav'n, Ce ci lia oft con vers'd with
heav'n, Ce ci lia oft con vers'd with
- - - - -
- - - - - -
- - - - -
24
oft con vers'd with heav'n, Ce ci lia
heav'n, Ce ci lia oft con vers'd, Ce
heav'n, Ce ci lia oft con vers'd,
oft con vers'd with
ci lia oft con vers'd with
oft con vers'd with
heav'n;
heav'n, some an gel
heav'n.
- - - -
- - - - - - -
- - - -
Ode for St. Cecilia's Day (1692), No. 7108
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27
of the sac cred
quire did with his breath the
pipes in spire,
and of their notes a
- - -
31
bove, the just re sem blance,
the just re sem blance,
the just re
sem blance gace.
- - - - - -
Ode for St. Cecilia's Day (1692), No. 7 109
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35
Brisk,
Brisk,
Brisk,
brisk,
brisk,
brisk,
brisk without
brisk without
brisk without
lightness,with
lightness,with
lightness,with
out dullness
outdullness
out dullness
grave,
grave,
grave,
grave,
grave,
grave,
grave,with
grave,with
grave,with
out dull ness
out dull ness
out dull ness
grave,
grave,
grave,
- - -
- -
- - -
-
45
brisk,
brisk,
brisk,
brisk with out
brisk with out
brisk with out
light ness,
light ness,
light ness,
brisk,
brisk,
brisk,
brisk with out
brisk with out
brisk with out
- - -
- - -
- - -
Ode for St. Cecilia's Day (1692), No. 7110
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50
light ness, with
light ness, with
light ness, with
out dull ness
out dull ness
out dull ness
grave,
grave,
grave,
grave,
grave,
grave,
grave, with
grave, with
grave, with
- - - -
- - - -
- - - -
55
out dull ness
out dull ness
out dull ness
grave, with
grave, with
grave, with
out dull ness
out dull ness
out dull ness
grave.
grave.
grave.
- - -
- - -
- - -
Ode for St. Cecilia's Day (1692), No. 7 111
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Oboe 1
Oboe 2
Bass
Bassooncontinuo
Won drous,
-
6
won drous,6
won drous,
won drous ma
chine!
- - - -
No. 8 : Bass Air, Wondrous machine
112
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11
Wond rous,11
wond rous,
wond rous,
wond rous ma
chine! To thee the
- - - - -
16
warb16
ling
- - - - - - - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 8
113
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18
Lute, tho' used to con quest,18
must beforc'd, must be forc'd, must be forc'd to
-
20
yield, must be forc'd, must be forc'd, must be forc'd to20
yield, must be forc'd, must be forc'd to
Ode for St. Cecilia's Day (1692) No. 8
114
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22
yield, must be forc'd, must be forc'd, must be forc'd to22
yield,
25
with thee un a ble,25
with thee un a ble,
with thee un a
- - - - - - - - -
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28
28
ble to dis pute,
-- - - - - - - - - - - - - -
31
31
tho' us'd to con quest,
tho' us'd to con quest,
- -
Ode for St. Cecilia's Day (1692) No. 8116
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35
is with thee un a35
ble to dis pute.
-- -
39
Wond rous,39
wond rous,
wond rous,
wond rous ma
chine! To thee the
- - - - -
Ode for St. Cecilia's Day (1692) No. 8117
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44
warb44
ling
- - - - - - - - - - - - - - -
46
Lute, tho' used to con quest,46
must be forc'd, must be forc'd, must be forc'd to
-
Ode for St. Cecilia's Day (1692) No. 8118
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48
yield, must be forc'd, must be forc'd, must be forc'd to48
yield, must be forc'd, must be forc'd to
50
yield, must be forc'd, must be forc'd,must be forc'd to50
yield,
Ode for St. Cecilia's Day (1692) No. 8119
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Violin 1
Violin 2
Alto
The
air y,
air y
Vi o lin,
- - - -
7
The7
air y,
air y
Vi o lin,
and lof ty
5 6\
Vi ol
6
- - - - - -
No. 9: Alto Air, The Airy Violin
120
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13
quit the
13
6 6
453
field:
6
64
53
in
vain they tune their
6
speak ing
7 6\
-
19
strings, in19
- 64
vain they tune their
6
speak ing
7 6
strings to
64
court the cru el
6
fair, to
4
- -
25
court the cru el25
7
fair, or
64\
praise vic
6 6\
to
6
7 6
- - - - - - - - - -
Ode for St. Cecilia's Day (1692)121
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30
ri ous30
64
5
4 3\
Kings;
6
6 6
6 64
73\
whilst
- - -
35
all thy35
64
con se cra ted
6
lays, whilst
all thy
con se cra ted
64
- - - - - -
40
lays are to more40
no ble, no
ble u ses
64
bent, and
6
ev' ry grate ful
6
- - - - -
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45
note to heav'n re45
7 6\
pays the
me lo dy, the
6
me lo dy, the
6
- - - - -
49
me lo dy it49
lent, and
ev' ry grate ful
note to heav'n re
pays the
- - - - -
54
me lo dy, the
54
6
Violin I
Violin II
me lo dy, the
6
me lo dt it
lent;
- - - - - -
Ode for St. Cecilia's Day (1692) 123
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58
58
6
6
(Segue Duet)
( )
Ode for St. Cecilia's Day (1692)124
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Flute 1
Flute 2
Very slow
6
6
No. 10 : Alto & Tenor Duet, In vain the amorous flute
125
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11
11
16
16
In
Tenor
Alto
vain the
am
42 6
- - -
20
20
5 42 6
'rous
6
In
Flute, in
64
vain the
vain the
am
am 'rous
43#
- - -
- - - - - - - -
Ode for St. Cecilia's Day (1692) No. 10126
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25
Flute and25
'rous
soft,
Flute, and
6 5
6
soft Gui
soft Gui
--4 3#
tar joint ly,
tar
- - - - - - - - -
-
30
joint ly
joint ly,30
56
la
joint ly
6 6
la
65
6
- - - - - - - - - - - - - - - -
- - - - - - - - - - - - -
35
35
bour
bour to in
to in
spire ar dent
6
spire ar dent
love, to in
love, ar dent,
spire ar dent,
- - - - -
- - - - - - - - -
- - -
Ode for St. Cecilia's Day (1692) No. 10 127
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40
ar dent, ar
ar dent, ar40
dent
dent
love and
love and
6
fond de
fond de
64
4 3
-
-
- - - - -
-
-
- - - - -
44
sire.
sire.44
Whilst thy chaste
airs do
gent ly,
- - -
48
gent ly,
48
gent ly
move,
Whilst thy chaste
do
airs do
- - - - - -
Ode for St. Cecilia's Day (1692) No. 10128
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52
gent ly,
gent ly,52
gent ly,
gent ly,
gent ly
gent ly
move se ra phic
move
- - - - - - - - - - -
- - - - - - - - -
56
flames and
se ra phic56
heav'n ly
flames and
4 3
love, and
heav'n ly
7 6 6
heav'n ly
love, se ra phic
98
- - - - - - -
- - - - - - -
60
love, se ra phic
flames and60
6
flames and
heav'n ly
7 6
heav'n
love, heav'n
#7
64 6
- -
- - - - - - -
- - - - - -
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63
63
ly
ly
love.
love.
- - - - - - - - - - - - -
- - - - - - - - - - - - -
67
Whilst thy chaste
67
675
airs do
gent ly,
7 6#
gent ly,
4
6
- - - - - -
71
gent ly
71
move,
Whilst thy chaste
do
airs do
6
gent ly,
gent ly,
- - - - - -
- - -
Ode for St. Cecilia's Day (1692) No. 10130
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75
gent ly,
gent ly,75
6
gent ly
gent ly
move se ra phic
move
flames and
se ra phic
- - - - - - - -
- - - - - - - -
79
heav'n ly
flames and79
4 3
love, and
heav'n ly
7 6 6
heav'n ly
love, se ra phic
98
love, se ra phic
flames and
6
- - -
- - - - -
- - - - -
83
flames and
heav'n ly83
7 6
heav'n
love, heav'n
#
- - - - - - - - - - - - -
- - - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 10 131
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87
ly
ly87
love.
love.
Flute 1
Flute 2
- - -
- - -
92
92
96
96
Ode for St. Cecilia's Day (1692) No. 10132
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Trumpet I in C
Trumpet II in C
Timpani in D, A
Alto
4
No. 11 Air: The Fife and all the harmony of War
133
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7
The Fife,
the Fife,
and all, all, all,
42
6
all, all the har
7 6\5
6
-
11
mo ny of
6 65
war,
- - -
Ode for St. Cecilia's Day, 1692 No. 11134
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15
the Fife,
the Fife,
and all, all, all,
all, all the har
-
19
mo ny of
war.
and all, all, all,
- - -
Ode for St. Cecilia's Day, 1692 No. 11 135
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23
all, all the har
mo ny of
war in vain,
in vain at tempt the
- - - - -
27
pas sions, the
pas sions, the
pas sions to a
5 6\
- - - -
Ode for St. Cecilia's Day, 1692 No. 11136
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30
larm
a larm, a larm, a larm, a
larm,
- - - -
33
in vain at tempt the
42
pas sions, the
6
pas sions, the
- - -
Ode for St. Cecilia's Day, 1692 No. 11 137
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36
pas sions to a
5 6\
larm,
a larm, a larm, a larm, a
- - - - - -
39
larm,
which thy com
man ding sounds
6
6
64
- -
Ode for St. Cecilia's Day, 1692 No. 11138
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43
com pose and
7 6
charm,
42
7 6
-
47
which thy com man ding
sounds,
which thy com man ding
sounds,
- - - -
Ode for St. Cecilia's Day, 1692 No. 11139
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51
sounds, sounds,
sounds,
54
sounds
Ode for St. Cecilia's Day, 1692 No. 11140
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57
com pose and
charm;
which thy com man ding
- - -
60
sounds,
which thy com man ding
sounds,
- -
Ode for St. Cecilia's Day, 1692 No. 11 141
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63
sounds, sounds,
sounds,
66
sounds
com pose,
-
Ode for St. Cecilia's Day, 1692 No. 11142
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69
com pose and
charm, com pose
7
Adagio
Adagio
and charm.
4 3
- -
72
4 3
Ode for St. Cecilia's Day, 1692 No. 11143
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Bass 1
Bass 2
Let these a mong them
42 6
Let these a mong them
selves con test,
7 6 4 3\
selves con test,
let these a
let these a
mong them selves con
42 6 7 6
- - - - - -
- - - -
5
mong them selves con
test, which5
4 3
test, which can dis charge its
can dis charge its sin gle du
sin gle du ty
64
53
- -
- - - - -
No. 12, Duet for Two Basses, Let these among themselves contest
144
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8
best, which can dis charge its
ty best, which8
4 3
sin gle du
can dis charge its sin gle du
5 42
6
7 6\ 6
- - - - -
- - - - - - -
11
ty
ty
11
7 6
best;
best;
1
1
. .
.
1
best; thou summ'st their
64
2
2
2
- - -
- - -
14
thou summ'st their
diff' ring, diff' ring gra ces up in14
6 6
diff' ring, diff' ring gra cesup in
one, thou summ'st their
6
- - -
- - -
Ode for St. Cecilia's Day, 1692 No. 12
6
145
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16
one, thou summ'st their diff' ring,
diff' ring, diff' ring gra ces, summ'st their16
665 6
diff' ring gra
diff' ring, diff' ring gra
6 65 6
4
- - - - - - -
- - - -
18
18
64
7
ces up in
ces up in
6 9 664
5
one, and art a
one,
- - - - - -
- - - - - -
21
Con sort, and art a
and art a Con sort, art a21
Con sort of them all, all, all,
Con sort of them all, all,
all, all, all
all, all, all
- -
- -
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with in thy
with in thy24
self a lone,
self a lone, and art a
4 3
and art a Con sort, art a
Con sort, and art a
- - - -
- - - -
27
Con sort of them all, all, all,
Con sort of them all, all,27
all, all, all, all,
all, all, all, all,
all, all, all
all, all, all with
- -
-
30
with in thy self a
in thy self a
30
lone.
lone. Thou summ'st their
64 6
1
1
1
lone.
lone.
2
2
2
- -
- - -
Ode for St. Cecilia's Day, 1692 No. 12 147
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Trumpet I in C
Trumpet II
in C
Oboe I
Oboe II
Timpani in D & A
Violin I
Violin II
Viola
Cello, Bass& Bassoon
Soprano
Alto
Tenor
Bass
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
No. 13: Chorus, Hail, bright Cecilia148
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5
5
5
5
5
5
5
5
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
Hail!
Ode for St. Cecilia's Day (1692) No. 13 149
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9
9
9
9
9
9
9
Hail!
Hail!
Hail!
Hail!
9
Hail!
Hail!
Hail!
Hail!
Hail, hail bright Ce
Hail, hail bright Ce
Hail, hail bright Ce
Hail, hail bright Ce
-
-
-
-
Ode for St. Cecilia's Day (1692) No. 13150
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13
13
13
13
13
13
13
ci lia, hail to
ci lia, hail to
ci lia, hail to
ci lia, hail to
13
7 6\
thee,
thee,
thee,
thee, great,
great,
great,
great, great,
great,
great,
great,
-
-
-
-
Ode for St. Cecilia's Day (1692) No. 13 151
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17
17
17
17
17
17
17
great Pa tro
great Pa tro
17
66
6 6\
ness, great
great Pa tro
great Pa tro
ness,
8 764
Pa tro
ness, great Pa tro
ness, great Pa tro
great Pa tro
5 64
6 6
ness of us, of
ness of us, of
ness of us, of
ness of us, of
6
- - - - - -
- - - -
- - - -
- - - -
Ode for St. Cecilia's Day (1692) No. 13152
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21
21
21
21
21
21
21
us, of us, of21
us, of us, of21
us, of us, of
us, of us, of
21
5 6 7 6
us, great Pa tro
us,
us,
us, great Pa tro
6 6\
ness, great Pa tro
great Pa tro
great Pa tro
ness
8 7 64
ness of us and
ness of us and
ness of us and
of us and
53 4 3
- - - -
- -
- -
- - - - - - - -
Ode for St. Cecilia's Day (1692) No. 13153
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25
25
25
25
25
25
25
Har mo ny.
Har mo ny.25
Har mo ny.
Har mo ny.
25
Fine
Fine
Fine
Who whilst a
Whowhile a mongst the Quire a
Sop. 1
Sop. 2
Alto 1
Alto 2
Tenor
Bass
Oboe 1
Oboe 2
Thoudidst thy for mer
Whowhile a
mong the Quire a bove,
bove,who while a mongst the Quire a
Whowhile a mongstthe Quire a
Whowhile a
skill im prove,
mongstthe Quire a bove,
thou didst thy for mer
bove, thou didst thy
- -
- -
- -
- -
- -
-
-
- -
-
- -
- - - -
-
Ode for St. Cecilia's Day (1692) No. 13154
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29
29
29
bove, the Quire a bove,29
mongst the Quire a bove,
who while a29
skill, thou didst thy for mer,
for mer skill im
29
Oboe 1
Oboe 2
thou didst thy for mer
who while a
mongst the Quire a bove,
who while a mongst the Quire a
for mer skill im
prove,
skill im prove,
mongst the Quire a bove,
who while a
bove thou didst thy for mer
prove,
who while a mongst the Quire a
-
-
- - -
-
-
- -
- -
- - -
- -
- - -
-
-
Ode for St. Cecilia's Day (1692) No. 13 155
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32
32
32
32
thou didst thy for mer
mongst the Quire a bove,32
skill im prove,
who while a
bove, who while a mongst the Quire a
32
thou didst thy
skill im prove,
thou didst thy for mer,
thou didst thy for mer
mongst the Quire a bove, thou didst thy
bove, thou didst thy for mer,
6
for mer skill im
thou didst thy for mer skill im
for mer skill im
skill im
for mer skill im
for mer skill im
4 3\
- - - -
- -
- -
- - -
- - -
- -
- -
- -
- -
-
- -
Ode for St. Cecilia's Day (1692) No. 13156
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35
35
35
35
35
prove.35
prove.
prove.35
prove.
prove.
prove.
35
Trumpet 1
Trumpet 2
Oboe 1
Oboe 2
6 7
Ode for St. Cecilia's Day (1692) No. 13 157
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Who while a mong the Quire a38
Who
38
bove,
thou didst thy for mer
Who while a mongst the Quire a
while a
4 3
who while a mongst the Quire a
thou didst thy for mer
skill im prove,
bove, thou didst thy
mongst the
- - - -
- -
- - -
- -
- - -
- -
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41
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41
41
41
bove, thou didst thy41
skill im prove,
who while a mongst the Quire a41
for mer skill im
Quire a
41
7 6 5
for mer skill, thou didst thy
thou didst thy
bove, thou didst thy for mer
thou didst thy for mer
prove, who while a mongst the Quire a
bove, a
for mer skill, thou didst thy
for mer skill im
skill, thou didst thy for mer
skill, thou didst thy for
bove, a bove,
bove,
-
-
-
- - - -
- - -
- - - -
- -
- - - - - -
- - - -
-
- - -
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44
for mer skill im44
prove, thou didst thy for mer skill im
skill im prove, thou
44
thou didst thy
thou didst thy for mer,
44
64
prove, thy for mer skill im
prove, thy for mer skill im
didst thy for mer skill im
mer, for mer skill im
for mer skill im
for mer skill im
6 4 3
prove.
prove.
prove:
prove:
prove:
prove.
- - - - - - - -
- - - -
- - -
- - - - - - - - - - - -
- - - -
- - - - -
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47
47
with rap ture,
with rap ture,47
Verse, 4 voicesSLOW
with rap ture,
with rap ture,
rap ture
rap ture
Alto I: may be sungby a soprano
Alto II
rap ture of de
rap ture of de
of de
of de
42
6
- - - - -
- - - - -
- - - - - -
- - - - - -
50
light dost see50
light dost see
light dost see
light dost see
50
67
thy fav' rite
thy fav' rite
67
thy fav' rite
art make up a
art make up a
-
-
-
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53
thy53
art make up,
part, a part, thy
part, a part,53
fav' tite art make
fav' rite art make
thy fav' rite
up a part, a
make up a
up, make up a
art make up a
42
7 6
-
-
-
56
part of
56
part of
part
part
56
in fi nite, in fi nite,
in fi nite, in fi nite,
of
of
64
5
in
in
in fi nite, in fi nite,
in fi nite, in fi nite,
6 6\
- - - - - - - - - -
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- - - -
Ode for St. Cecilia's Day (1692) No. 13162
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59
59
in fi
in fi nite, in
59
9 8 7 6
D.C. al Fine
D.C. al Fine
fi nite fe li ci ty.
fi nite fe li ci ty.
nite fe li ci ty.
fi nite fe li ci ty.
D.C. al Fine
4 4 3\
- - - - - - - - - - - - - - -
- - - - - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - - - - -
Ode for St. Cecilia's Day (1692) No. 13 163
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PURCELL’S ODE FOR ST. CECILIA’S DAY, 1692
This edition of Purcell’s 1692 Ode is largely a transcription of the edition by Edward F. Rimbault , which was published by Chappell’s “for the Members of the Musical Antiquarian Society”, in 1848. Rimbault is best known to students of the organ for the magisterial work he co-authored with Edward J. Hopkins, The Organ: Its History and Construction, which first appeared in 1855. To his editing of the Ode, h e brought the same meticulous care for detail and cclarity of presentation. Concluding his introductory notes in 1848, Rimbault gives the provenance of his edition: “ . . . the following Ode is now for the first time printed, the Editor taking as the text the MS. copy in his possession dated 1699, which is probably the earliest and most authentic copy extant. The figuring of the bass is given verbatim as it appears in the old copy”. As the present edition shows, the figuring of the continuo line is sparse and uneven, with detailed figures in some sections followed by whole movements without figures. The first performance of the Ode took place in Stationer’s Hall, London, on St. Cecilia’s Day, 22 November, 1692. The MS. used by Rimbault lists the eight singers who took part in that first performance, although the MS itself is dated seven years after the event. Those who seek clues to performance practice in such lists must tread carefully here, because these were probably the solo singers: Purcell had a ready source of choral singers, especially trebles, in his choir at Westminster Abbey. The text is by the Anglo-Irish Anglican cleric and poet Nicholas Brady (1659-1726). Brady is probably best remembered as co-author, with Nahum Tate, of the New Version of the Psalms of David (1696) which is usually just called “Tate and Brady”. These metrical translations of the Psalter included some hymns still in active use, for example Through all the changing scenes of life (Psalm 34), and Ye boundless realms of joy (Psalm 148). Probably their most familiar title is not a psalm translation, though it was printed in a supplement to the New Version: the Christmas hymn While Shepherds watched their Flocks by Night. Brady’s libretto for this Ode is based on John Dryden’s 1687 A Song for St. Cecilia. In this edition the opening movement is entitled “Symphony”, because this is more in line with Purcell’s terminology elsewhere, than Rimbault’s term “Introduction”. The original instructions for this movement, which are included, would a produce a very long and perhaps repetitious instrumental piece, so I have ventured to suggest a shorter dal Segno conclusion. Elsewhere a few obvious errors in notation were corrected, and the present editor has produced a continuo realization. For a twenty-first century musician the temptation to add ornamentation has been very great, and a few trills have been added, as noted below. In general however I have preferred to let conductors settle this essential part of a performance while bearing in mind the skills of their musicians. Sometimes we are fortunate enough to have singers and orchestral players who can themselves supply proper ornamentation, but this is not to be taken for granted. This version was written in the summer of 2010, and first performed on the Friday after St. Cecilia’s Day, 26 November, 2010. The editor directed the Melos Choir and Chamber Orchestra of Kingston, Ontario. The orchestra used replica wind instruments, and baroque bows with modern strings (4-4-2-2-1), pitched at A = 415. David Cameron, Kingston, Ontario 30 April 2017
EDITORIAL DETAILS
No. 2 Editorial suggestions are in parentheses ( ), except where specifically noted The suggestions of a reduced choir and orchestra at mm. 13, 18 and 50-51, and the following tutti or Chorus indications are editorial.
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m. 43 Reduction of forces for bass instruments, and the following Solo indications for singers, are editorial. Trills were added to the Violin I part in mm. 25, 34, 60, 70, and 78 The addition of Oboes and Bassoon to this movement is editorial. No. 3 Cadential trills were added in mm. 158-159 No. 5 The opening f is editorial No. 6 The suggested assimilation of to is editorial Nos. 7, 8, 9 Generally a single continuo instrument (plus harpsichord) will be best No. 10 Trills are editorial m. 23 The original 6/4 figure is inconsistent with the voice parts, and should have read #4/2