Kashmire Hawker Big Radio Project Tasks 9 & 10

Sound Effects Planning

How to Make Them

Capturing: Online sites with completely loyalty free tracks which or paid for downloads from places like Spotify or iTunes – note that paid for tracks may mean seeking the artists and record level’s permission

Create: Through particular recording software such as GarageBand and other related programmes

Record: If any affects need to be recorded, this would be through a boom mic which has a substantial amount of space to be used for recordings of audio – if this doesn’t work for any reason, an iPhone through Voice Memo can work as equally as well

Edit: Through software such as GarageBand; the predominant programme which allows users to create any sort of sound through a database of thousands of different audio tracks and Audacity – the software of which everything – whether it’s being recorded or made on a computer, is brought together and master edited

Production Schedule

Audio bites 1, 2, 3 & 4: following the conclusion of this document & into tomorrow (Thursday)

Audio bites 5,6,7 & 8: immediately after 1 – 4 are complete; at the latest beginning this Friday & concluding Tuesday / Wednesday next week at the very, very latest

Legal & Ethical Issues

In this case and covering both elements of this, the Licensing Fees if anything is brought to contribute towards the show and any specific corresponding things.

A Legal issue that can easily crop up is the bad use of a living person. As my drama will feature on several people affected by the major moment (being the 2015 General Election), I have been extra careful that whatever is said isn’t suggesting a lie or saying rather negative information about someone. Causing slender could see an offender prosecuted and a hefty fine come their way so being absolutely correct about anyone is key to avoid being in very hot water.

For an Ethical issue, the producers must ensure that the entirety of the content, within the show is appropriate for airing. Despite their not being an official watershed on the radio unlike on TV, knowing the boundaries of broadcasting will make a show better and more respected. This is most likely why following the death of Baroness Thatcher in 2013, the song from The Wizard of Oz named “Ding-Dong! The Witch Is Dead” wasn’t played on The Official Chart Show, on BBC Radio 1, when getting to Number 2 that week. If the track was

Kashmire Hawker Big Radio Project Tasks 9 & 10

played, part of the public who supported the UK’s first female Prime Minister; whom was in office between 1979 to 1990 wouldn’t have been too happy…

Recce’s & Risk Assessments