O I R E Alemchila Tzudir€¦ · Architecture in School of Planning and Architecture (S.P.A.),...
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A R C H I T E C T U R E P O R T F O L I O Alemchila Tzudir
Transcript of O I R E Alemchila Tzudir€¦ · Architecture in School of Planning and Architecture (S.P.A.),...
ARCHITECTURE
PORTFOLIO A
lemch
ila T
zudir
Alemchila TzudirBorn: 28 October 1998
[email protected]+91 9617288941
Greetings!
I am Alemchila Tzudir, a fourth year student pursuing Bachelorette of Architecture in School of Planning and Architecture (S.P.A.), Bhopal, India.
Believing that ‘Architecture is a mediator between man and nature’, here is an oeuvre that reflects my architectural ken.
It would be a pleasure to hear from you, thank you!
EDUCATION
LANGUAGE
INTERESTS
ACHIEVEMENTS
EXTRACURRICULAR ACTIVITIES
SKILLS
School of Planning and Architecture, Bhopal. | VII Semester
Kohima Science College, Jotsoma | HSSLC
English | Ao | NagameseHindi | Japanese
Writing, Reading, Music, Travelling, Language
Finalist |
Top 30 |
Shortlisted |
Top 6 |
Second Position |
Top 30 |Top 10 |
Conceptual DesigningCreating mind mapsTeam Coordiantion
AutoCAD | Revit | Rhinoceros | SketchUp | Lumion | PhotoShop | InDesign
2019
2015
SOLO
TEAM
WORK-SHOPS
CONFER-ENCE
FLUENTBEGINNER
SOFT
HARD
Design Built Studio, 2018S.P.A. Bhopal, India
Integral studio - Imagining Future of BhopalBhopal Smart City Development, ITP, Bhopal, India
Smart Heritage WorkshopINTACH Heritage Academy, Bhopal Chapter, India
Designing Equittable CitiesZ Axis, Charles Correa Foundation, Goa, India
C.V.Woodside Pavilion, 2019International FINSA Award, UK
Matrix Modular Office System Design Competiotion, 2018MATSU + Young Bird Plan, China
Guanish Products Package Design Competition, 2018Young Bird Plan, China
Temporary Spaces during Festivities of India, 2019Acharya NRV School of Architecture, India
World Architecture Festival - Student Charette (Ongoing), 2019World Architecture Festival, Amsterdam, Netherland
Writing Architecture Trophy, NASA 2018 Writing Architecture Trophy, NASA 2017
PART I ACADEMICS
PART II COMPETITIONS
PART III ART
PART IV WRITING
Kathkuni Piano | Residential
The Atlas | Museum
The Living Core | Housing
Gramophone | Design Built
The Blue River |
Cloboard |
Sketch
Model Making
The Haphazard Place
PavilionInternational FINSA Award (Finalist)
ProductMatrix Modular Office System (Top 30)
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CONTENTS ACADEMICS
COMPETITIONS
ART
WRITING
KATHKUNIPIANO
Design Approach:Narrative design
Concept:Designing locally with nature.
SITE PLAN
LOCATION: Gagar, Bhowali Range, Nainital,
Uttarakhand.
0 3M
About:The Kathkuni Piano is a residence design senstive to the needs of XYZ-generations of a family collectively. The design process was guided by a storyline writ in the client’s interests and realising the form through context of the site.
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KATHKUNI WALL DETAIL
MAANWI
COURSES 2,4,6
COURSES 1,3,5
KADIL
PLANS | BASEMENT, GROUND AND FIRST FLOOR
PHASE I: Narrative
PHASE II: Space translation
PHASE III: Built Form
PUBLIC SEMI-PUBLICINDOOR
SEMI-PUBLICOUTDOOR
PRIVATE
PRIVATE
DESIGNPROCESS
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BEDROOMSTAIRWELL CORRIDOR
MASTERBEDROOMS
GROUND GLASS
BALCONY
BALCONY
LIBRARY/READINGLIVING, DINING, KITCHEN SITTING ROOM
OPENTERRACE
BASEMENTSTUDIO
GAZEBO
Allows sunlight through the balcony to the ground floor rooms for maximum possible heat gain.
An open play space for the children within visible range from the Reading room.The main
recreational space of the family; caters to optional gardening activities especially for the older generation.
Visual connectivity through the skylight that peers up to the open terrace.
SKYLIGHT CUT-OUT
SECTIONAL PERSPECTIVE XX’ AND YY’ RESPECTIVELY
X’
X
Y’
Y
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Clockwise
View from SouthWest (Back)Deck
Basement StudioLiving, Dining, Kitchen
THE ATLAS
Design Approach:Function follows Form
Concept:A 3D atlas that lets people travel the world.
SITE PLAN
LOCATION:High Grounds, Bangaluru,
Karnataka
0 5M
About:This project was an exercise to open our minds to think freely. It was achieved by starting the design process by designing an insignia derived from our name initials which was to be the ‘theme’ of the project. Then, translating this through design principles to realise a form.
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INSIGNIAStar gazing and travel being the two activities that paint my picture; the ‘A’ signifies a shooting star while the ‘T’ signifies wings as metaphors of travelling.
COMPOSITIONGoing forth with the theme of travelling, the composition is inspired from a compass. Design principles of mirroring and loft has been applied.
EXTRUSIONPlaying with heights to attain progressive harmony.
Travelling being the theme of the project, ‘The Atlas’ is an initi-ation to promote travelling for leisure, as well as for educational purposes through the idea of an atlas but in 3D.
EXPERIENCE
EXPERIENCE
DESIGN PROCESS
REALISINGFUNCTION
PHASEI
PHASEII
PHASEIII
3D WALKWAY GALLERY
4D THEATRE
Capturing life of an atlas in 3D where the people can feel and understand the essence of a place by emmersing themselves virtually throrugh OLED 3D screens.
To let the users experience not only visual but sensory aspect of travelling, the 4D Theatre invokes a motor like ride through seat vibrators and OLED 3D screens.
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BLOCK 1 | BLOCK 3 | BLOCK 2 |GROUND FLOOR PLANReception, Waiting, Exhibition hall
GROUND, FIRST AND SECOND FLOOR4D Theatre, Back Office
BASEMENT, GROUND AND FIRST FLOOR3D Walkway Gallery
BLOCK 1
BLOCK 2
BLOCK 3
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TICKET COUNTER
WAITING
ENTRY
ENTRY
ENTRY
EXIT
EXHIBITIONHALL
4D THEATRE
PUBLIC TOILET
TOILET
TOILET
OFFICERECEPTION
OFFICE
MEZANINE
OFFICETERRACE
PERSPECTIVE SECTION THROUGH XOY
OFFICE RECEPTIONOFFICE
4D THEATRE 3D
WALKWAY GALLERY
GALLERY ENTRYGALLERY EXIT
A theatre that instigates a safari like experience through vibrating seats and OLED screens.
A gallery that lets one travel anywhere through virtual reality.
It may change country, contienent, galaxy as per the day’s programme.
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Clockwise
View from SouthWest (Front)Back Office
Experience of 3D walkway Gallery3D walkway Gallery
THE LIVING
CORE
Design Approach:Form follows Function
Concept:Creating a sense of neighbourhood in a verticle village
SITE PLAN
LOCATION: Plot 67, TT Nagar, Bhopal,
Madya Pradesh.
0 10M
About:This project is an attempt to fullfil the housing need for the Smart City Project of Bhopal. The idea was to create a ‘living core’ that will function to instigate and preserve neighbourhood quality in a verticle tower.
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Focusing the design of units internally towards a common area for a collec-tive memory of the neighbourhood.
Halved for lighting and ventilation, making the com-mon area open and healthier.
A buffer is provided to enable a heirar-chy of space.
Connecting bridges on the buffer zone act as a transitional space from public to private space.
The units are stacked on three floors overlooking a common area.The module is repeated to built a verticle tower that is a collection of neighbourhood blocks, thus, preserving the neighbourhood quality of a hamlet.
The mid-unit is ex-changed for a vertical transit core and ser-vices.
PHASEI
PHASEII
PHASEIII
PHASEIV
PHASEV
PHASEVI
COMMON AREA
COMMON AREA
COMMON AREA
COMMON AREA
COMMON AREA
COMMON AREA
UNITS
UNITS
UNITS
UNITS
TRANSIT CORE
TRANSIT CORE
UNITS
UNITS
TYPICAL FLOOR PLAN (2,5,8,12,15,18,21)
TYPICAL FLOOR PLAN (1,4,7,11,14,17,20)
TYPICAL FLOOR PLAN (3,6,9,13,16,19,22)
DESIGNPROCESS
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1BHK (35m2) and 2BHK(50m2) on the base.2BHK (90m2) and 3BHK (130m2) duplexes.
A common space of the neighbour-hood functionaing as a park. It creates a healthy melieu to be shared as their collective memory.
The buffer space that allows transi-tion from a public to a private zone.
It initiates chance meetings enhancing human bonds and tackles seclusion common to verticle residential towers.
It is always in visu-al connect with the units, an ‘eyes on street’ due to the units design of LDKs facing inwards to the living core.
UNITS
STAIRCASE
LIFT + SERVICES CORE
PARKING TOWER
LIVINGCORE
BRIDGES
SECTIONAL PERSPECTIVE OF A TYPICAL NEIGHBOURHOOD BLOCK
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SECTION YY’
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Top: View from NorthEastRight: Common Area of a Neighbourhood Block
THEGRAMO-
PHONE
Design Approach:Understanding Materiality
Concept:To create a metaphorical gramophone that plays the talents of the entertainers.
SITE PLAN
LOCATION: School of Planning and Architecture, Bhopal
Bhauri, Bhopal, Madhya Pradesh
0 10M
About:The Gramaphone is designed as a platform for the entertainers to be used in casual functions and gatherings in the college campus. Exploring Bamboo as the main building material it was shaped after a gramophone.The site was tactically chosen beside the canteen to attract more people.
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Materials used:• Bricks• Concrete• Split bamboo• Jute ropes• Metal wires• PVC pipes• Stone and Mud
PROCESS
PLAN
ELEVATION
CONCEPTUAL SKETCHES
1. SPLITTING BAMBOO
2. SOAKING BAMBOO To enhance flexibility
4. CONCRETE MIXING
6. FRAME MAKING
3. PIT DIGGING For foundation
5. BRICK LAYING
7. THATCH AND ROPE FILLING
8. GRAMOPHONE
THEBLUE
RIVER
Design Approach:Adaptive Use
Concept:The built space shaping the unbuilt space
SITE PLAN
LOCATION: Woodside, Birkenhead, England.
0 2M
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About:The Blue River was a Finalist of the Woodside Pavilion, International Finsa Award 2019. It is conceived as an informal, pop-up space to engage and offer dialogue and collaboration between groups of people who do not normally have the opportunity to meet or collaborate with practical artists.
CLO-BOARD
Design Approach:Modularity
Concept:For an innovative and free workspace
CLOBOARD
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About:Clo-board was among the Top 30 of Matrix Modular Office System Design Competiotion, 2018. It is a minimalist furniture design that explores the possibilities of modularity in a workspace; a sub-set of individual units in a bigger whole.
ARTSKETCH
MODEL MAKING
Framed in Love
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Pantheon
If Flame of the Forest were a Pavilion
The Yin-Yang Gateway
Double Conoid
Faber Castell in a Castle
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It caught my eye. The haphazard place did. Sprawled across the road from the Girls’ Hostel, I couldn’t help my critical eye analyzing its un-pleasing aesthetics- jute ropes hopelessly trying to keep some bamboo poles standing upright with one resting on it. Replicas of that structure stood unorganized. Its placement oddly reminded me of Stonehenge. In all its chaos, it stood proudly as a metaphorical representation of the Stonehenge. Hence, “The Kachha Stonehenge”.
The haphazard place, turns out, was some seniors’ project (on vernacular architecture perhaps). I have pondered on its functionality as a seating ‘round a bonfire or simply a sitting area; but what about the Kaccha Stonehenges? I highly doubt it was for aesthetics because it does not grace the word. Although I could ask the seniors’ behind it, its mystic character got the better of my curiosity and to this day, its real functionality is a mystery.I have no complaints about it neither do I care-or did- until that fateful day. I walked to it in a whim and sat on one of the shabby rocks aligned in no particular order. All alone in the silence of
the evening I took a moment for myself. Maybe I was meditating and maybe I wasn’t but the calm and peace of the moment rejuvenated my soul. The rustling of the tall grass stalks following the rhythm of the wind as it greeted me made me smile simply aware of my being, that I was alive and living well.
Stumbling across the haphazard place at night is another bliss when the stars are nigh and twinkling bright in the dark sky unaffected by the artificial light. Sitting on that rock and gazing up at the night sky- that is the moment I keep for myself, to muse and ponder, smile and lose yourself in your world where none can reach, taint nor touch.
Now, when I cross the Haphazard Place with all the Kachha Stonehenges sticking out, I’m amused my attachment has blinded the verdict of my criti-cal eye ‘cause now, all I see is a platform to ponder on the beautiful haphazard mysteries of life.
WRITINGThe Haphazard Place
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