Number System in Samskrit - N Ramamurthy

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    Number Systems in Samskrit

    Ramamurthy N ,

    ."Like the crest of the peacock, like the gem on the head ofa snake, so is mathematics at the head of all knowledge."

    Vedanga Jyothisha - Lagadha, Verse 35

    Mathematics is universally regarded as the

    science of all sciences and the priestess of

    definiteness and clarity. Everything that

    the greatest minds of all times haveaccomplished towards the comprehension

    of forms by means of concepts is gathered

    into one great science, Mathematics. J.F.

    Herbert

    Indian Mathematicians gave the world the

    numerals now in universal use. The

    crowning glory of Indian Mathematics was

    the invention of zero and the introduction

    of decimal notation without which

    mathematics as a scientific discipline

    could not have made this much headway.

    A mathematical equation had a meaning

    because it expressed a thought of God, S.

    Ramanujam, the man who knew infinity.

    In keeping with the ingrained tradition of

    mathematics in India, the genius who was

    one of the greatest mathematicians of our

    time and the mystic for whom blazed new

    mathematical trails in Cambridge

    University in the second decade of the

    twentieth century, even though he did not

    himself possess a University degree.

    Representation of Numbers in

    Samskrit

    In ancient times, throughout India, almost

    all the scientific books were written

    using three types of number systems viz.,

    Katapayaadi-Sankhya, Bhoota-SankhyaandAryabhateeya-Sankhya

    Katapayaadi Method:

    Katapayaadi MOmrS, (beginning withka, ta, pa & ya), is one of the generalmethods of representing numerals in

    Samskrit. This method was described by

    the Rishi Vararuchi. The numberscorresponding to each of the Samskrit

    consonants are given in the table below.

    Vedic knowledge is in the form of slokasor poems in Sanskrit verse. A number was

    encoded using consonant groups of theSanskrit alphabet, and vowels were

    provided as additional latitude to the

    author in poetic composition. The coding

    key is given as Kaadi nav, taadi nav,

    paadi panchak, yaadashtak ta kshashunyam - translated as below

    letter k and the following eightletters

    letter t and the following eightletters

    letter p and the following fourletters

    letter y and the following sevenletters, and

    letter ksha or zero.This method operates as below:

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    Numbers corresponding to eachletter of any word is taken from the

    table

    Write them from left to rightserially

    Transpose them from right to left Consider for further calculations.

    Mka

    Zkha

    aga

    bgha

    Xa

    cca

    Ncha

    eja

    fjha

    ga

    Oa

    Pha

    Qa

    Rha

    ha

    ita

    jtha

    Sda

    kdha

    lna

    mpa

    Tpha

    oba

    pbha

    qma

    rya

    Ura

    sla

    uva

    za wa xsa Wha ka

    Melakarta Raagaas:

    An interesting feature of the MelakartaRaagas of Carnaticmusic is described toexplain the above method of numerals in

    Samskrit. The table in Annexure 1 lists

    down all the 72 Melakarta Raagas, in thatorder. Read the numbers corresponding to

    first two letters of the Raaga from the

    above table and then transpose the same.

    We can get the number of the Raaga.

    For example:

    a. Raaga Maayaamaalavagoula

    qrqsuasqrqsuasqrqsuasqrqsuas The first two lettersare qqqq (M) and rrrr (Ya). Thenumbers corresponding to these

    letters in the above table are 5 and

    1 = 51. By transposing 51 we get

    15, which is the number for

    Maayaamaalavagaula Raaga.

    b. Raaga Naaganandini lallkllallkllallkllallkl The first two letters arellll NandaaaaGa. The numbers correspondingto these letters in the above table

    are 0 and 3 = 03. By transposing

    03 we get 30, which is the number

    for Naaganandini Raaga.

    Note: In Samskrit the half letters are not

    taken into consideration for any of the

    counting/ calculations.

    Lalit Sahasranma

    1. Lalit Sahasranmais a hymn has182 and half verses. One Thousand names

    of Lalit have been embedded in theseverses. The greatness of Samskrit language

    is mentioned in the name itself

    (Samskritam done in a perfect way).

    Each word has lots of meanings. In the

    same manner splitting of each word

    differently will provide different

    meanings. This makes different people

    split the words differently and interpret

    differently. Though it can be taken that

    this does not affect heavily, this hymn

    exactly has 1000 names not even a single

    more or less. Hence if splitting of words is

    not done properly and the names read

    individually, then count of 1000 may

    change. That is the reason, to split the

    verses properly, Salkshara Stras were

    first formulated. Because this is notavailable now Paribhsh Maalam,with 40 verses, was written by

    Bhaaskararaayaa, who first wrote

    bhaashyam to Lalit Sahasranma. It is aself-contained research paper on LalitSahasranma. It is perfect allegory. Atthe outset the surface meaning of these

    verses is as praising and bowing ree

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    Devee. But the deep meaning is that, itexplains the structure of all the thousand

    names how many names contain how

    many letters, the next-next names start

    with which letter, the starting letter of

    every hundredth name, etc. It is a delight

    to read these 40 verses.

    These Paribhsh stotras use a blend ofKatapayaadi-Sankhya as well as Bhoota-Sankhya to denote the numbers throughSamskrit words. It is a delight to read these

    verses and appreciate the inherent

    meanings.

    Bhoota-Sankhya and Aryabhateeya-Sankhya have been described in someother articles.

    Ramamurthy N, a banker cum ITprofessional, pursues research onhidden scientific treasures in

    Samskrit.