McDonald's Lebanon Middle East's Customer Festival 19 November 2014
November Festival Review
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Transcript of November Festival Review
November
Festival ReviewMichaela Stephens
Start of show One hand-held microphone was
required off – stage for a compare to
announce the beginning of the show.
Act 1 - CheerleadersNo equipment was needed for this
act, however the smoke machine
was used, mats were required and
the pom-poms had to be collected at
the end.
Compares Two hand-held microphones were
required for the compares to
introduce the next three acts.
Act 2 – Katie Dennis
One microphone on a stand is required for the
act, but Katie’s semi-acoustic guitar had to be
plugged into the acoustic amplifier and she
wanted a chair. We also had to check that we
had unplugged the guitar from the amplifier
after the act had finished to prevent it from
being a distraction throughout the next
performance. Stage plans had to be clarified
before the show and when arranging the
equipment we had to ensure it was central.
Act 3 - Confusion
All equipment that was currently on
stage had to be removed for this act.
No equipment was needed for this
act, but again the mats were
required in front of the stage for
safety and the smoke machine was
used, however had to recharge after
approximately 7 seconds.
Act 4 –Neon Rythmix
This act wanted two hand-held microphones
for singers and a bass guitar, as well as a
chair for the guitarist. The bass had to be
plugged into the electric amplifier, and we
had to ensure we unplugged it afterwards to
prevent it from buzzing throughout the next
act. Our stage plans for this act had been
discarded, due to this act being scrapped
previously, so a new one had to be made
and clarified with the members of the act.
Compares Two hand-held microphones were
required for the compares to
introduce the next three acts.
Act 5 – Lyrical
This act required two microphones on
stands, situated to one side of the
stage, to allow space for a dancer on
the other. To obtain this information,
we had to create and clarify our stage
plans. We also used the smoke
machine for this act, as it fitted with
the atmosphere of the song.
Act 6 – Choir
This was the act that required the most equipment, and was therefore the
hardest act to arrange and instruct the crew. As it required 5 microphones
on stands, and two benches for the younger performers to stand on. In
order to understand how the choir wanted their equipment arranged, we
had to make and clarify more stage plans. Another problem to overcome
for this act is the fact that in order for the sound team on the balcony to
know which microphones to turn up at which stage we had to place them
in a certain order. This was:
1. Red
2. Yellow
3. Green
4. White
5. Stripes
However, due to the rush and the pressure, instead the microphones
ended up in the wrong order. This meant that the sound team had to guess
which microphones to adjust at certain times.
Act 7 –
IIRR Bollywood Dance
All equipment from the previous act
had to be removed, as this act –
being a dance act – required nothing
to be on stage. The microphone wires
however, which were being kept on
the side of the stage, had to be
pushed back to prevent the dancers
from tripping up – creating the risk of
them getting tangled together.
Compares Two hand-held microphones were
required for the compares to
introduce the next three acts.
Act 8 - Skyscraper
This act required only one
microphone, on a stand, to be
situated in the centre of the stage.
This meant that one microphone had
to be removed (as two had been
used by the compares) and one
stand had to be placed on stage. Due
to the lack of required equipment,
this was a rather easy act to set up.
Act 9 - Chicago
This act also only required one
microphone on a stand, placed right
at the front of the stage, however the
performer requested that the
microphone’s wire was pulled aside,
so as to not get in the way of the
numerous dancers behind her – and
this was something we had to
remember.
Act 10 – EC Singing
This act required one more
microphone on a stand, placed in the
centre of the stage. However, we had
to ensure that we used the correct
microphones, so that the Sound
Team knew which to turn up.
Compares Two hand-held microphones were
required for the compares to
introduce the next act.
Act 11 – Room 21
Due to having time before this act for the
compares, it was easier for us to set up,
however still required lots of equipment, for
which we required stage plans from the
performers. Since this required a diverse range
of equipment, including an electric guitar, flute,
cajon drum and vocalists microphones, it was
more complicated to set up. We had to ensure
the right microphones were used for the two
vocalists, the flute and the cajon so that the
sound team on the balcony could correctly
adjust the volumes of each.
Interval
During the interval, we had time to remove the
equipment placed on the stage following the prior
act, and also had time to untangle the microphone
wires which were placed at the side of the stage.
Act 12 – GCSE Dance
This act didn’t require any equipment, so was
easy to set up. On the other hand due to the
act requiring a large amount of space, we
had to ensure the microphone leads were not
taking up a large amount of space. This,
however, was easily accomplished as we had
untangled the wires previously (during the
interval) and so were able to remove them
from the dancers way.
Compares Two hand-held microphones were
required for the compares to
congratulate GCSE Dance and introduce
the next three acts.
Act 13 – Sophie & Cael
Since this act directly followed the
compares, we had more time to
arrange two microphones – both on
stands – a chair, and connect an
acoustic guitar to the amp on stage, so
this was done fluently and easily. This
act, however, was rather unprepared in
the days/weeks prior to the show, so
getting equipment lists, stage plans
etc. was more difficult.
Act 14 – The Pointe of Harmony
This act required only two
microphones, which could be carried
forward from the previous act. They
did, however, have to be rearranged as
the act required space for two ballet
dancers, meaning stage plans and
equipment lists had to be collected and
clarified beforehand.
Act 15 – Tabla Drumming
Only 2 microphones were needed for
this act, which were both carried
forward from the last act, however
both had to be moved and lowered to a
reasonable height for the drummers
(who were sitting on the floor). This act
was a late entry so we had to clarify
stage plans and equipment lists on the
day of rehearsal, meaning it was rather
unprepared/unrehearsed.
Compares Two hand-held microphones were
required for the compares to
introduce the next act.
Act 16 – Cheeky Jelly Tots
This act required all 5 microphones, but,
since two were already on stage from the
compares, only three were needed. All 5
were required on stands, in one line,
meaning we required stage plans and
equipment lists. Also due to following the
compares, the team had more time,
making it easier to set up. During this act,
one of the microphones stopped working so
one of the performers moved to another to
sing.
Act 17 – Fifth Symphony
All the stands that were required for the
previous act had to be removed, and 5
stools had to be placed on stage, so this
act was rather difficult to set up in the
short amount of time we had.
Unfortunately, since the performers
wanted to move around whilst still
holding the microphones, the sound
was affected (it started crackling).
Act 18 - Monster
This act required two hand-held
microphones and the drum kit, which had
already been microphoned up, but we
required stage plans and equipment lists
from the performers. Unfortunately, one
performer from this act was suddenly
unable to attend on the night, so had to be
replaced.
Compares Two hand-held microphones were
required for the compares to
introduce the next act.
Act 19 – Em Sings
This act wanted 5 stools and 5 hand-held
microphones (two of which were already on
stage from the compares). We required
stage plans and equipment lists from the
performers, who were unfortunately rather
unprepared in the weeks prior to the show.
Act 20 - Fusion
This act required no equipment on
stage, meaning the equipment from
the previous act had to be cleared and
the microphone wires had to be moved
out of the dancers way.
Act 21 – Danni Whelan
Only one hand-held microphone was
required by this performer, who stood in
the centre of the stage.